Last night I dreamed I had once written a masterpiece—a semi-autobiographical novel that would have crowned my life’s work—only to lose it for decades in the chaos of distractions. Out of nowhere, it was unearthed not by me, but by Bernard Lackey, a famous YouTuber with the kind of smug, slightly spoiled face that screams, “My inheritance bought me this jawline.”
A global literary society—the self-appointed guardians of human genius—summoned me to Bernard’s lair to reclaim the book. His home was a McMansion with pretensions, and I descended a spiral staircase into his basement, where shelves groaned with knickknacks, toys, and tchotchkes. There, seated like a smirking gatekeeper of culture, Bernard admired my novel, which hovered inside a glowing, enchanted box on the table.
The tribunal announced that Bernard was a fraud: he had no right to my work, and he was to hand it over immediately. Bernard, ever the brat, feigned obedience with a sly grin. Then, with some petty sorcery, he scrambled the manuscript—pages twisted, words mangled, paragraphs reduced to gibberish. My once-coherent novel became a ruined artifact, obliterated beyond repair.
It was obvious he resented being forced to surrender the book. If he couldn’t keep it, he would vandalize it so no one else could glory in its brilliance. It was the sabotage of a small, envious man who would rather destroy beauty than admit his own mediocrity.
And yet, instead of rage, I felt only pity. Bernard was less a villain than a case study in insecurity, a man hollowed out by his own poverty of imagination. My manuscript was gone forever, but what remained was the consolation of clarity: masterpieces can vanish, but pettiness never dies.

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