Cinemorphosis

Author: Jeffrey McMahon

  • Watch What Implodes: Andy Cohen’s Domestic Cinematic Universe

    Watch What Implodes: Andy Cohen’s Domestic Cinematic Universe

    As Stephen Colbert’s tenure winds down on CBS—another headstone in the graveyard of “Late Night”—one might conclude that the talk show format, with its recycled monologues and tepid celebrity banter, is quietly expiring in a corner somewhere, clutching its blue cards and mug. But while traditional television gasps for relevance, the Andy Cohen Empire on Bravo is not merely surviving—it’s reproducing. Rapidly. Like reality TV kudzu.

    Welcome to the Bravo Matrix, where the camera never blinks and no martini goes unslurped. This isn’t scripted television, not officially. But let’s not be naïve—these shows are engineered with the precision of a Swiss watch, albeit one dipped in rosé and glitter. The “reality” may be cooked, but it’s a soufflé audiences devour by the season.

    Each cast member, whether they’re a Botoxed real estate maven, a Charleston trust-fund Casanova, or a spiritual advisor with a skincare line, is cast not for depth but for maximum combustion. These people may or may not be exceptional, but they do one thing very well: live out their personal chaos on camera while clawing for love, status, clarity, and closet space. We watch, transfixed, as they spiral, rebound, or occasionally evolve—all in HD.

    And let’s not forget the ambiance. These shows are drenched in lifestyle pornography: rooftop bars, poolside lounges, candlelit dinners served with sizzling gossip and artisanal side-eye. If television is the new hearth, Bravo is the scented candle flickering at its center—equal parts relaxing and mildly toxic.

    The producers, ever mindful of narrative drag, inject chaos agents—new cast members with just enough lip filler and latent sociopathy to blow up the group chat. This keeps the plot moving and the blood-pressure elevated. If a character becomes too boring or too stable, they’re exiled with the same indifference one might apply to expired yogurt.

    But for the chosen few—those rare personalities who deliver madness with consistency—tenure is real. A Bravo veteran can live a decade on screen, morphing from wide-eyed ingenue to meme-fodder matriarch, all while cultivating their social media following like a side hustle with God-complex benefits. We watch them grow, or don’t. We root for them, or we don’t. Either way, we’re still watching.

    And then there’s Watch What Happens Live, where Cohen himself presides like a smirking Zeus on a pleather throne, guiding reunion specials, feuds, and audience thirst with a cocktail in hand. What started with The Real Housewives of Orange County in 2006 has mushroomed into 75 interwoven shows, with spin-offs, reunion shows, and cameos that make the Marvel Universe look like a provincial theater company.

    In the end, what Vince McMahon did for wrestling—turning it into a steroidal psychodrama of spectacle and tribal allegiance—Andy Cohen has done for domestic warfare. And if the ratings are any clue, Cohen’s steel-clad battalion of brunch brawlers and dinner-party divas is winning.

  • Flex Day: A Tragedy in Tube Socks

    Flex Day: A Tragedy in Tube Socks

    Another Flex Day had dawned—yet again a gaudy parade of icebreaker drivel, PowerPoint piety, and educational workshops led by people who looked like they’d been conjured by a bureaucratic séance. Against my better instincts—and with a flicker of masochistic hope I should’ve interrogated—I signed up for a session titled Exercise and Mental Wellness. It was being held in the Hobcallow campus gym, a crumbling monument to deferred maintenance and broken promises. If buildings could sigh, this one would’ve let out a long, exhausted groan. Everything about it screamed “run,” but I ignored the sirens blaring in my skull and walked straight in, armed with denial and a water bottle.

    The gym was a fluorescent-lit dungeon, the kind of place where even the light seemed desperate to escape. The air reeked of mildew, ancient sweat, and the crushed dreams of generations who’d suffered through dodgeball and underfunding. I could practically hear the scent—a low moan of institutional despair.

    Then the “fitness expert” took the stage. He looked like he subsisted on steamed kale and unprocessed anxiety. His limbs were pipe cleaners, and his tube socks rode high up his shins like he was waving tiny surrender flags. A whistle hung from his neck, though it clearly served more as costume than command. The guy had the aura of a substitute gym teacher in a 1979 after-school special—minus the charm. With the fervor of a man unveiling the cure for cancer, he launched into a sermon on the redemptive power of push-ups. According to him, daily push-ups could defeat depression, boost classroom charisma, and chisel us into statues Michelangelo would envy.

    I sat among fifty or so other professors, all of us bearing the glazed, shell-shocked expressions of people who’d just survived a bureaucratic earthquake. When the whistle-wielder asked for a volunteer to demonstrate the proper push-up, silence fell across the gym like a dropped curtain. Heavy. Suffocating. It was the sound of collective academic burnout, of souls ground into dust by budget cuts and endless committee meetings.

    Eventually, someone was nudged forward. “Volunteer” was a generous word. The man was more of a human offering. He shuffled onto the stage in a suit that draped off him like wet laundry. His glasses clung to his face like they were afraid to be part of what came next. He moved like a man who had made a series of increasingly regrettable choices that had all led here.

    Then he went down for the push-up—and the moment collapsed into slapstick tragedy. His arms gave out instantly, like a folding chair kicked from behind. His glasses launched from his face and slid across the gym floor, desperate for escape. He lay there wheezing like a deflating accordion, the very embodiment of what happens when the intellect thrives and the body is left for dead.

    You’d think someone might offer sympathy. A supportive chuckle. Maybe a smattering of ironic applause. Nope. The room was pure stone—emotionally fossilized. A few professors exchanged murmured postmortems. Most stared ahead with the blank-eyed stillness of DMV patrons or people deep into a hostage negotiation.

    And when it finally ended, I fled. I bolted, heart pounding, mind racing, lungs grateful just to be outside again. It wasn’t enlightenment I’d found that day. Just confirmation: some kinds of despair really do come with a whistle.

    After surviving thirty Flex Days—each one more spiritually numbing than the last—I’ve come to a grim conclusion: these spectacles aren’t designed to make us better instructors. No, they’re the bureaucratic equivalent of waterboarding. Their true purpose is to remind us, in the most humiliating way possible, that we are not free agents but indentured servants to a cabal of institutional overlords who wouldn’t recognize actual education if it bit them on their lanyards. The activities they concoct—team-building scavenger hunts, trust falls, and workshops on how to smile while grading—aren’t just irrelevant to higher learning. They are a brazen insult to critical thinking itself, proof that the people orchestrating these charades are not only disconnected from the classroom, but from basic cognitive function. Flex Days are not professional development; they’re intellectual purgatory dressed up in business casual.

  • How Your Flintstones Moment Made You Pursue Higher Education

    How Your Flintstones Moment Made You Pursue Higher Education

    Charlene’s office had been a shrine to immaculate control—gleaming surfaces, aligned papers that looked like they’d been measured with a laser level, and an air of clinical precision that could make a Swiss watchmaker weep tears of admiration. But that day, the outside world was doing its damnedest to breach her fortress. A dust storm had rolled into Hobcallow with all the subtlety of a biblical plague. It was mid-afternoon, but you wouldn’t have guessed it. The sky was choked in an apocalyptic shade of brown, casting the office in a bruised sepia tone. The overhead lights flickered like they’d given up hope. Dust smeared the windows like greasy fingerprints on a crime scene, and Charlene—who waged holy war against dirt—cringed at every grain that dared defile her glass.

    If anyone could stare down Mother Nature and win on points, it was Charlene. You’d have bet your last protein shake on it.

    She tried to tune it all out and focus on her latest mission: turning you into some kind of intellectual demigod for her next newspaper feature. She tapped her pen on her notepad with the kind of sharp, deliberate rhythm that could cut glass. Then she leaned in, smiling like a predator who’d just cornered a wounded animal. “Tell me,” she said, “what were the defining moments that led you to pursue higher education?”

    The wind screamed outside like a banshee in heat, but you leaned back and let yourself drift. “There was this bouncer gig I had at seventeen,” you began. “Maverick’s Disco in San Ramon. Three bucks an hour—ten cents above minimum wage. Free soda, free peanuts. I thought I was rich.”

    You could still picture it: a swirling disco inferno of polyester pantsuits, platform shoes, and hair sculpted into helmet-grade updos. The Bee Gees were on loop, the dry ice fog never cleared, and the lights pulsed like a migraine. It was paradise—until it wasn’t.

    “At first,” you said, “I thought I’d struck gold. I got to flex my lats and mingle. But after a while, it all started blending together. The same couples, the same fights, the same sweaty desperation. One night, mid-shift, I had this epiphany—Fred and Barney cruising in their Flintstone-mobile, but the background just repeated: tree, rock, house, tree, rock, house. That loop ruined the cartoon for me. And suddenly, it was ruining my life, too.”

    Charlene’s pen was flying. You could tell she was high on narrative gold.

    “Maverick’s became my Flintstones moment,” you said. “Week after week, the same loop: wide-eyed people chasing magic and leaving with hangovers and broken heels. And I realized I was part of it—punching the clock, buying into the monotony. I needed something more unpredictable. So I chose college. I needed to break the loop.”

    Charlene looked like she was about to levitate from her chair. The dust storm outside didn’t matter—she was in a state of pure journalistic ecstasy.

    And then you got honest.

    “But look at me now,” you said, and your voice had that creeping bitterness you couldn’t quite stifle. “Degrees? Check. Stable career in higher ed? Check. And what have I built? A life of structure and repetition. Same workouts, same egg whites, same damn protein shakes, same naps, same Angels game every night. I wrapped myself in the very loop I thought I’d escaped. The Flintstones background just changed colors.”

    Charlene’s pen froze mid-air. Her gaze snapped to you with a gleam of ice behind it. That calculating smile returned—sleek, practiced, a smile that had shut down board meetings and ended more than one marriage. “We won’t tell them that part,” she said sweetly. “That’s just between us.”

    You felt the temperature drop, despite the swirling storm outside. It was the smile of someone who took pleasure in control—over narrative, over outcomes, over people.

    You glanced toward the window. The storm was still there, clawing at the glass like a desperate thing. But Charlene’s smile? That was the real weather system in the room.

  • Finding Loopholes in Caloric Responsibility

    Finding Loopholes in Caloric Responsibility

    You remembered how Julian French and Charlene Janson were practically fused at the hip, two early-90s lovebirds marinating in chlorinated water and dietary delusion. They spent more time poolside than anywhere else, suckling from the sacred teat of the nonfat craze like it was divine revelation. If it had “nonfat” stamped on the box, it became part of their holy sacrament. SnackWell’s Chocolate Crème Sandwich Cookies, Devil’s Food Cakes, Entenmann’s nonfat fudge—every bite a loophole in caloric responsibility. And when they weren’t sprawled in the jacuzzi, they were waddling over to Penguin’s Frozen Yogurt, their temple of guilt-free indulgence.

    Julian, bless his misguided heart, believed himself a hero. You watched him parade across the pool deck in elastic-waisted shorts, clutching two towers of frozen yogurt like he’d just retrieved them from Mount Olympus. The froyo swirled skyward in absurd spirals of nonfat vanilla, trembling with anticipation. Then came the toppings—an avalanche of crushed Oreos, cookie dough boulders, syrupy strawberries, and sauces that flowed like molten sin. Fudge dripped in dark rivulets, caramel oozed like golden tar, and whipped cream sat proudly on top, crowned with rainbow sprinkles, the garnish of the damned.

    They cackled with every bite, believing they’d hacked the matrix—dessert without consequence, joy without cost. But consequences don’t wear warning labels. You watched the pounds creep up like a slow betrayal. One day, Julian hauled himself out of the hot tub, his belly sloshing like an overfilled water balloon, and just as he reached for his towel, he clutched his chest and folded like a cheap lawn chair.

    The doctor’s message was blunt: drop fifty pounds or drop dead.

    Charlene took the news as a divine calling. She transformed overnight into a wellness dictator, dragging Julian from snack god to penitential health monk. Veganism became the law of the land. Dinners were now grim platefuls of raw broccoli, quinoa, and tofu cubes that looked—and tasted—like packing foam. Julian, a former king of indulgence, was reduced to sneaking cheeseburgers in gas station parking lots. But Charlene could smell deception like a narcotics dog. The scent of trans fat sweat gave him away.

    Her response? More treadmill. More SlimFast. Less mercy.

    Their days of poolside romance were replaced by hikes, boot camps, and overpriced health retreats where fun went to die. Charlene found her calling in this tyranny of self-improvement. When you spotted them months later at Woody’s, the transformation was stunning. Charlene glowed like a fitness influencer on a juice cleanse, sipping Perrier with the smug serenity of a cult leader. Julian looked like a prisoner of war in gym clothes—gaunt, glassy-eyed, and blinking out Morse code from behind his herbal tea.

    His lips said, “I’m fine,” but his eyes whispered, “Save me.”

  • Arm-Wrestling My Way into Belonging

    Arm-Wrestling My Way into Belonging

    Last night, I had a dream so vivid it might as well have come with a recruitment brochure. Word had spread—apparently my reputation as the guy who could teach college football players to write sentences that didn’t cause nosebleeds had reached mythical status. Somewhere in South Carolina, perched on a beach with the casual arrogance of a luxury condo, a university decided they needed me. Urgently.

    Some guy—I don’t remember his name, only that he had the calm urgency of a cult recruiter—convinced me to hop on a bus. The ride took five seconds. Not metaphorically. Five actual seconds. Blink and boom: there I was, standing on a beach so perfect it made the California coast look like an overhyped sandbox.

    The air was humid but in a sensual, Southern Gothic sort of way. The kind of air that makes you forgive mosquitoes and contemplate linen pants. The sun was melting into the Atlantic like it had nowhere better to be. I was home, or something like it.

    Coaches greeted me like I’d just been drafted into sainthood. Players clapped me on the back and called me “Coach,” which I didn’t correct because, frankly, it felt good. Then came the arm wrestling. One by one, I took them down like some middle-aged Hercules hopped up on tenure and protein powder. Elbow to the table, bicep to the heavens. I wasn’t just respected—I was essential.

    It wasn’t about strength. It was about belonging. Every laugh, every handshake, every ridiculous display of masculine absurdity made me feel needed in a way that was almost embarrassing. I wasn’t just part of the team. I was the team.

    I wanted to call my wife back in California, to tell her we were moving. I had found the Promised Land, and it came with free gym access and a faculty parking permit. But the joyous noise around me was too loud. The players were hooting, the coaches were laughing, and the ocean kept slapping the shore like it had something to prove. I’d call her later, I told myself.

    Then I woke up.

    The ceiling fan was rattling. My desire for dark roast coffee was pressing. And I was back in the real world, where my inbox was probably filled with late assignments and vague threats from the IT department.

    Still, the dream stuck with me. Not because of the location, or the humidity, or the freakish arm strength—but because of the feeling. That feeling of being wanted. Of being part of something. Of mattering.

    There is no substitute for that. None.

  • The Beatle Who Wasn’t

    The Beatle Who Wasn’t

    You once had an apartment poolside acquaintance named Julian French. He was a man whose entire existence felt like a tribute act to Paul McCartney. He wasn’t the kind of character you could invent—he was too perfectly strange. In his late thirties, Julian looked so uncannily like the legendary Beatle that you would’ve sworn he moonlighted as a McCartney impersonator in some dingy Las Vegas lounge, crooning “Hey Jude” to an audience of comatose tourists. He had the nose, the mouth, the chin, and those same droopy, heartbreak-hardened eyes that suggested he’d been personally betrayed by Yoko Ono.

    And of course, he rocked the signature McCartney hair: a feathered mullet straight out of 1978, perfectly sculpted despite the furnace-blast of the desert heat.

    But let’s be honest—Julian was no rock god. He was a bit shorter, a bit pudgier, and his face bore the battle scars of a thousand acne skirmishes. Still, he clung to his resemblance with the desperation of a man dangling from a cliff, convinced that if he just held on long enough, someone might mistake him for greatness.

    You watched his act unfold with tragic precision. He’d slip into a club in his shiny black “Beatles jacket,” lean on the bar with a half-cocked grin that shouted, Yes, I know I look like Paul McCartney—let’s get this over with. And right on cue, some buzzed woman would meander over, eyes twinkling, and say, “Has anyone ever told you…?”

    Julian pretended to be flattered. He feigned surprise. He summoned just enough fake humility to get her number, or at least a kiss. But you could see it in his eyes: his soul had left the building long ago. The routine bored him senseless, but it was all he had. The face did the lifting. The brand did the talking. The man behind it all? Checked out.

    Eventually, Julian let you in on a secret that was more absurd than scandalous: his real name was Michael Barley. That’s right. The name “Julian French” was a purchase—a paid rebranding, like he was a knockoff cologne trying to pass for Chanel. And he wasn’t done. Armed with his new persona and a fake British accent he’d been workshopping in the mirror, he flew off to London, convinced the UK would welcome their long-lost Beatle doppelgänger with open arms.

    It did not.

    London was unmoved. Employers declined. Clubs ignored him. Reality bit hard, and Julian—or rather, Michael—slunk back to Bakersfield with a bruised ego and zero prospects.

    But it got worse. He didn’t just return to a humdrum apartment—he returned to a trailer home attached to an elementary school, where his dad worked as the janitor by day and a locksmith by night. Julian was mortified. The trailer wasn’t the problem, not really. The terror was deeper: time had begun to wear down his greatest asset. The puffiness in his face, the softening jawline, the slow betrayal of age—each was a crack in the illusion. His McCartney mystique was melting under the desert sun.

    So he moved out. Got a job at a local car dealership. Tried to hang on to the myth a little longer.

    By the time you met him, “Julian French” was a weathered parody of himself, still speaking in that phony accent, still scanning faces for a flicker of recognition. You could see him straining to believe it might all work again—that the right woman, the right lighting, the right moment would resurrect the Beatle magic. But he knew. You both knew. He was becoming the man who used to look like someone famous.

    Time, like a harsh stage light, didn’t just expose the lie. It mocked it.

  • The News Anchor of the Shallow End

    The News Anchor of the Shallow End

    A poolside pestilence—you knew him as Roland Beavers. He was the kind of poolside companion nightmares were made of. Picture it: a pudgy man in his early thirties with dishwasher-blond hair clinging lifelessly to a scalp that looked perpetually annoyed at its assignment. His physique was more Pillsbury than gladiator, his chin having taken early retirement sometime around 1996. And yet, this proud specimen insisted on strutting around the pool in lava-red terry cloth trunks so tragically undersized they clung to his hips like terrified hikers on a cliffside. The stretch marks? They splayed across his skin like graffiti sprayed by a disgruntled street artist.

    Naturally, Roland had an explanation at the ready for anyone who dared lock eyes with him long enough to hear it. Those stretch marks? Not from powdered donuts, perish the thought. No, they were the battle scars of a world-class daredevil—his words—earned from leaping off the cliffs of Acapulco. You could practically hear the collective eye-roll from the pool regulars every time he launched into one of his airbrushed tales of aerial glory.

    But Roland’s true calling wasn’t daredevilry—it was unsolicited poolside broadcasting. Armed with a crumpled newspaper, he’d take up his post like an aging news anchor, providing loud, unfiltered commentary on every blurb and headline, under the delusion that everyone within earshot was waiting with bated breath for his take on gas prices and tabloid divorces. His “audience,” meanwhile, muttered oaths under their breath, praying he’d take up knitting—somewhere indoors, ideally underground.

    You watched his social cluelessness peak during innocent pool games—playful couples tossing a football or frisbee back and forth. For Roland, this wasn’t just casual recreation to be observed; it was a direct invitation. He’d launch himself into the water with the grace of a bowling ball dropped from a rooftop, crashing into their game like a forgotten uncle showing up drunk at a family reunion. The couples would pause, stunned, then shuffle off with expressions reserved for people who talk during movies.

    And heaven help the women just trying to sunbathe in peace. Roland, ever the gallant poolside creep, took it upon himself to offer his “services” to any woman within spraying distance. Whether it was spritzing their backs with water or offering to rub in sunscreen, Roland never missed an opportunity to “help”—oblivious to the fact that his mere presence was enough to derail an entire afternoon of tanning and tranquility.

    These long, unwanted days at the pool weren’t just for his entertainment—they were an extension of the strange domestic theatre unfolding upstairs. His mother, Nadine, loomed over the scene from their apartment balcony, a woman built like she could bench-press a Buick, her muu-muu rippling in the desert breeze like a circus tent threatening lift-off. With her hair wound into curls so tight they looked ready to spring off and attack, she’d bark orders with the authority of a drill sergeant with a megaphone.

    “Slather on more sunscreen, Roland!” she’d bellow, veins throbbing in her neck like they were sending an SOS in Morse code. “Get inside and eat something! You’re wasting away!” This, despite the fact that Roland had a good 40 pounds he could have “wasted away” without anyone shedding a tear.

    You’d think all this doting and nagging might eventually motivate Roland to get a job—maybe contribute something to society, or at the very least give the rest of you a break. But no. Roland and Nadine were comfortably buffered by the settlement from a lawsuit tied to Roland’s brief, disastrous stint at flight school in San Diego. Apparently, his dorm mates decided his face needed some rearranging, and after a skull fracture and several court dates, Roland walked away with a broken head and a windfall large enough to fund his permanent poolside residency.

    So there he was—your unwanted mascot in red trunks—coasting through life on lawsuit money and his mother’s militant affections, interrupting your peaceful afternoons with unsolicited news updates and delusions of former glory. Thanks to the faded glory of his imaginary daredevil days and a bottomless box of Chardonnay, Roland Beavers remained the persistent echo of everything you were trying to escape.

  • The Man Who Refused to Unpack

    The Man Who Refused to Unpack

    Chief among your apartment acquaintances in the godforsaken desert was Leonard Skeazy, an attorney from Santa Monica who had been lured out to this sun-scorched outpost by a fat signing bonus and a monogrammed office chair, yet couldn’t shake the gnawing resentment of having been exiled to what he considered a cultural wasteland. Leonard treated “style” not as a preference but as a full-blown religion. He wore custom-made Speedos purchased at a boutique in Santa Monica—yes, he actually made return trips to the city just to replace them when the pool’s chlorine dulled the jewel tones of his sacred spandex.

    With his long, curly hair and eerie, borderline-glasslike blue eyes, Leonard looked like a lounge singer who never graduated from the Holiday Inn circuit. He was a man of eccentric habits and hygiene choices that defied both logic and cologne. Despite being well into his thirties, he clung to the bachelor fantasy of meeting “the right girl,” though his criteria seemed more fitting for a dating pool in Cannes than in a desert town where a GED qualified you as a local intellectual.

    Leonard could be found most afternoons sprawled poolside, his skin glistening like a buttered croissant under the sun, blasting Kenny G from his battered boombox as if smooth jazz were some pheromonal weapon. His breath often carried the unmistakable bouquet of last night’s Chardonnay, perfectly matched by his habit of sneaking sips from boxes of white wine stashed like contraband in the fridge.

    Curiosity—and let’s be honest, a lack of better options—led you to visit Leonard’s apartment one day. It was a bachelor pad in the bleakest sense. Despite his high income, his apartment felt like a holding cell with Wi-Fi. The living room featured a single couch, a TV perched on cinder blocks, and—because tragedy loves detail—an ironing board, which he used religiously to press his endless collection of gaudy silk ties. The walls were as blank as his emotional availability, barren beige expanses that caught the flicker of the TV and projected ghostly shadows over the serpentine lines of his slithering tie rack.

    Then there was the bedroom. No dresser. No closet system. Just three open suitcases that served as a rotating archive of silk shirts, vintage cologne, and desperation. It was as if he’d never truly unpacked—a subconscious protest against the idea that he’d actually settled in this armpit of a town. The fridge, naturally, was a tundra of emptiness save for—you guessed it—more boxes of white wine. This was a man who had chased the scent of money straight into the middle of nowhere, only to insist he hadn’t actually arrived.

    Leonard was a ghost haunting his own life. A man who treated his presence in this town like an extended layover, still clinging to the fantasy that he’d be boarding a first-class escape back to the coastal glamour of a life he probably never really had. You couldn’t help but wonder: what kind of man gets seduced by a fat paycheck only to spend his days in self-imposed purgatory, where the only things thriving are his excuses and his growing graveyard of faded Speedos?

    You supposed it was easier for Leonard to pretend he was just “passing through” than to admit that he was, in fact, a permanent exhibit in this forgotten museum of stalled ambition—a relic draped in silk and denial, clinging to the illusion of a life that had long since evaporated.

  • Desert Paradise for the Chronically Disenchanted

    Desert Paradise for the Chronically Disenchanted

    Fresh off the bus from the bustling Bay Area, you found yourself marooned in Hobcallow—a sun-bleached corner of California that could only be generously described as a town. With zero friends and even fewer social obligations, you embraced your solitude like a monk taking a vow of silence. Your one-bedroom apartment became your sanctuary—no roommates, no forced small talk, just you and the sweet luxury of never having to negotiate chores or TV channels.

    Your companions? A stack of CDs featuring Morrissey, The Smiths, and other bands that sounded like group therapy sessions set to a minor key. The soundtrack was perfect as you labored over your novel Hercu-Dome, your dystopian magnum opus in which society punished the overweight with Orwellian fervor for failing to meet state-mandated body standards.

    When you weren’t writing, you plinked away on your Yamaha ebony upright, conjuring self-indulgent sonatas that only the most pretentious muses could appreciate. You didn’t read music so much as let it ooze out of you—luscious chords here, shameless glissandos there—while imagining some ethereal goddess materializing in your living room to stroke your ego as you struck a soulful pose.

    Compared to the misery of your college days in the Bay Area, your Hobcallow digs felt like a five-star resort. Back then, you hadn’t been living so much as squatting in a glorified crawlspace. That room had a gaping hole in the wall, perfectly positioned at bed level, letting in gusts of cold air so vengeful it felt like the Bay’s fog had developed a personal vendetta against you. Sleeping wasn’t rest—it was combat. You huddled under layers like you were gearing up for an Everest summit—jacket, hat, and gloves included, if the wind got particularly sassy.

    Your diet back then was a tragicomedy in three acts: breakfast, lunch, and dinner. Cheerios were the lead performer, while bean-and-cheese burritos played the understudy when you felt adventurous. These “burritos” were little more than refried sludge folded into tortillas with all the flexibility of a sheet of drywall. The cheese? The kind that refused to melt out of pure spite, clinging to the tortilla like it was serving a life sentence. Each bite reminded you that you weren’t starving—but you were nowhere near thriving either.

    Your transportation situation was another chapter in your tale of woe. You drove a ten-year-old Toyota Tercel that was less car and more haunted maraca. Every time you touched the brakes, the thing let out a tortured groan, like it wanted to die with dignity. Navigating the Bay Area hills required a white-knuckled grip and a whispered prayer that the Tercel wouldn’t roll backward into a bus full of nuns and cyclists. Fixing it became a twisted game of financial Russian roulette: either repair the brakes or buy groceries. One of you had to suffer.

    Money? Scarcer than warmth in that arctic excuse for a room. Every broken item—of which there were many—demanded a patch job involving duct tape, superstition, and whatever scraps you could scavenge. Gathering enough quarters for the laundromat felt like winning a regional lottery. “Luxury” meant adding an extra spoonful of salsa to your burrito—living on the edge by upgrading the spice level in a meal otherwise soaked in depression.

    Looking back, it was a miracle you escaped that purgatory with your sanity—or whatever passed for it. That drafty hellhole taught you resilience, sure, but more than anything, it taught you to laugh at the sheer absurdity of trying to survive in a city that demanded gold while you were scraping together lint and hope.

    So there you were, newly settled in this desert hideaway, craving a hint of the luxury you’d never known. On weekends, you tanned your lean, 195-pound frame beside The Springs’ apartment pool—a so-called “luxury” pool that only deserved the title because the sign said so. Real friendships didn’t blossom there—friendships were messy and overrated—but you collected a small cluster of “acquaintances,” a bizarre cast of characters who could only exist in this sun-scorched limbo.

    You weren’t thriving, but at least you weren’t freezing or chewing on cardboard disguised as food. And in a place like Hobcallow, that was as close to paradise as you were ever going to get.

  • The Brain Flex Delusion

    The Brain Flex Delusion

    In the early 1980s, you funded your college education by working at Jackson’s Wine & Spirits in Berkeley, just down the hill from the posh Claremont Hotel on Ashby Avenue. Every one of your coworkers was grotesquely overeducated for a retail gig. They held advanced degrees in literature, linguistics, anthropology, chemistry, physics, philosophy, and musicology. They read Flaubert in the original French and sneered at anyone who relied on English translations. They believed that submitting to the control of an institution or corporation that micromanaged their time and minds was a spiritual death sentence. Instead, they sold fine wines and imported beers with an attitude that hovered somewhere between snark and superiority.

    They all cultivated a highly refined elitism, radiated contempt for the customers—and, more broadly, the human race—and shared a belief that irony was the only sane response to this absurd planet. Their motto? “Service with a smirk.”

    Not especially wealthy or muscular, your coworkers prided themselves on their Big Brains. Their verbal dexterity, their intellectual firepower, their ability to quote Adorno while comparing two bottles of Beaujolais for a confused customer—that was their muscle flex. They taught you that there was such a thing as Intellectual Gains, and that those gains could be just as dramatic and awe-inspiring as Sergio Oliva’s “Myth Pose.”

    Wanting your Brain Flex to catch up with your biceps, you started reading voraciously and obsessively. You studied their cadence, their inflections, the casual way they’d launch into side-by-side comparisons of wine varietals while citing Camus or dropping a Nietzschean aphorism with the same ease others quoted movie lines.

    During slow shifts, you huddled with them behind the cash registers and debated Nietzsche’s eternal return, Wagner’s bombast, and Kafka’s deadpan horror. The job offered no challenge, but it allowed you to indulge the delusion that you were smarter than most of the world. Whatever you lacked in income, you made up for in bottomless self-regard. But the longer you stayed, the clearer it became: if you remained among these brilliant misfits much longer, you might never become employable again.

    You wanted to be part of their tribe. Even though you were close to completing your master’s degree in English, you never felt at home in academia. You didn’t read the assigned texts. You read what you wanted. You couldn’t sit still in class. You fidgeted, brooded, obsessed over everything from romantic doom to post-class traffic to the low-protein status of your fridge. You found yourself more anxious in the university than anywhere else. You hated the buildings, the architecture, the odor of institutional bleach. When people asked what you majored in, you told them, only half-joking, that you were majoring in “Get the Hell Out.”

    But in the wine shop, you were a professional slacker. You belonged. There, in the cathedral of cabernets and rieslings, your sarcasm was currency, your irony a badge of honor. You could see yourself doing it forever: dodging rent hikes, skipping dental coverage, surviving on occasional antibiotics and a diet of spiritual smugness. Sure, the paycheck was garbage, but your soul—your weird, overcooked, wine-soaked soul—was intact.

    You were in your mid-twenties, content to spend the rest of your life chucking Nerf footballs down aisles lined with Chianti and Beaujolais while quoting Borges, Moravia, and Unamuno.

    And then, in the late summer of 1987, your comfort zone got drop-kicked. You became the Accidental Professor.

    It happened when your friend Mike Elizalde’s father, Felix Elizalde—a high-ranking administrator at Merritt College—called in a favor. He needed someone, anyone, to teach a Bridge Program at Skyline High School. None of the real English professors would budge. Desperate, he turned to you.

    “But Mr. Elizalde, I don’t know anything about teaching. I don’t even have a credential,” you said.

    “No problem,” the chancellor of community colleges replied. And then you heard it—his dot matrix printer spitting out a California Community College Teaching Credential like some bureaucratic birth certificate.

    You stared at the document the way Luke Skywalker must’ve stared at his first lightsaber.

    Of course, the credential didn’t turn you into a real professor. That truth hit hard one afternoon while you were still at the wine shop, pouring Braren Pauli merlot for a professor from Cal Berkeley. You confessed your dread to him—your anxiety about starting a teaching job with zero experience, no clue what you were doing.

    With his mane of gray lion’s hair and scholar’s beard, the professor took a sip, looked you over, and said: “Being a professor is the same as being a carpenter. You bring your materials to the classroom and build structures with your students. Sometimes they don’t want to be there. They’ll resist. Their silence will feel hostile. You’ll feel like you’re talking to yourself. A part of you will die inside. That’s when professionalism kicks in. Through sheer ego and professionalism, you push through the resistance and build the damn house.”

    Thirty-five years later, you wished you could tell him you never forgot his advice—but you wouldn’t tell him about the times you drove home after those icy lectures, collapsed on your bed in the fetal position, and cried yourself to sleep.

    He had been right. The classroom wasn’t always going to love you. You had to show up prepared and exude confidence, even when the students sat disinterested, distracted by relationship drama, hunger, money problems, family conflict—forces beyond your control.

    You learned the brutal truth: being a teacher meant accepting their disengagement without making it about you. If you were going to survive, you had to remember—it was their classroom, not yours.

    Eventually, you understood that being a good instructor went beyond building metaphorical houses. You had to cut the Self out of the equation. You had to stop needing to be loved and start trying to be useful. You had to shift from the narcissistic slacker with a book of Borges in one hand and a wine opener in the other, to someone capable of service.

    Had Felix Elizalde not booted you into teaching in 1987, you might still be at Jackson’s, tossing wine snobbery like Molotov cocktails and cultivating your own smugness like a bonsai tree. You might have played the role of the brilliant-but-doomed clerk until the day you died.

    People love to talk about the self-made man, but you knew better. Your life had been shaped by good timing, dumb luck, and the generosity of others. Had those external factors not shown up, your genius might have curdled into long-term mediocrity.

    Only with time did you realize: success isn’t just hard work. It’s also who kicks you in the ass and when.