Category: philosophy

  • The Salvage Principle

    The Salvage Principle

    Emmanuel Carrère imagines a revealing contrast between Luke and Paul. Luke was intelligent, cultivated, and eager to please, but he lacked Paul’s ferocious intellect and, more importantly, Paul’s contempt for philosophical self-help. Carrère suspects Luke would have happily embraced the elegant wisdom of Seneca’s Moral Letters to Lucilius. Paul, by contrast, would have regarded Seneca’s philosophy as little more than refined moral decoration—admirable perhaps, but powerless to accomplish the one thing that truly mattered: the transformation of the human soul.

    For Paul, Christianity alone possessed both the correct diagnosis and the only effective cure.

    Carrère himself is not so sure.

    Like Nietzsche, he finds himself drawn more naturally to Buddhism than to Christianity. Nietzsche admired Buddhism because it was, in his words, “colder, more truthful, more objective.” Carrère shares that attraction. Buddhism appeals to the modern temperament. It is psychologically subtle, emotionally restrained, and refreshingly free of theological thunderbolts.

    Yet he cannot entirely surrender to it.

    For all its serenity, Buddhism—like Stoicism—lacks what Carrère calls “something essential and tragic that’s at the heart of Christianity.”

    That missing element is Paul’s terrifying view of human nature.

    The Stoics and Buddhists begin with a hopeful assumption. Human suffering originates in ignorance. See reality clearly, discipline your desires, cultivate wisdom, and happiness will follow. The illness is intellectual. The cure is education.

    Carrère summarizes their confidence with admirable economy: “They think that human misfortunes stem from ignorance and that if you have the recipe for a happy life, well then, all you have to do is apply it.”

    Paul rejects that premise completely.

    His problem is not ignorance.

    His problem is himself.

    In one of the most psychologically penetrating passages ever written, he confesses:

    “I do not do the good I want, but the evil I hate.”

    The tragedy is not that Paul lacks the recipe.

    He already possesses it.

    The tragedy is that something within him refuses to follow it.

    His own will becomes an accomplice to his failure.

    His reason drafts magnificent plans while another, darker force quietly sabotages them.

    This is where Christianity parts company with Stoicism, Buddhism, and nearly every philosophy of self-improvement.

    The Stoic believes the soul can be retrained.

    The Buddhist believes desire can be disciplined.

    The self-help enthusiast believes the right habits, books, podcasts, and morning routines will eventually produce the better self.

    Paul is unconvinced.

    He advances what I call The Salvage Principle: the recognition that certain forms of moral or spiritual brokenness cannot be repaired through discipline, knowledge, or self-improvement because the self requiring repair is itself fundamentally damaged.

    Imagine three mechanics examining the same wrecked automobile.

    The Stoic opens the hood and reaches for his tools.

    The Buddhist recommends a different way of driving.

    Paul quietly shakes his head.

    The engine is destroyed.

    The frame is twisted.

    The damage runs all the way through.

    This car is not headed to the body shop.

    It is headed to the salvage yard.

    That, ultimately, is Paul’s scandalous claim.

    The deepest human problem is not informational but moral.

    It is not that we do not know the good.

    It is that we know it, admire it, and still betray it.

    Two thousand years later, that diagnosis remains unsettling precisely because it continues to describe us with uncomfortable accuracy.

  • The Vulcan Fallacy

    The Vulcan Fallacy

    Emmanuel Carrère praises Seneca’s Moral Letters to Lucilius as “sublime,” calling it “a long, mulling, sumptuous meditation on the art of living.” Seneca’s ambition is not merely to make us happier but to transform us. We are to outlive our vices until our actions naturally align with our highest thoughts.

    Carrère finds striking parallels between Stoicism and Buddhism. Both insist that our fate is shaped by our actions. Both treat gratitude as indispensable to happiness. Most importantly, both reject the notion that happiness arrives by accident. Happiness is a discipline.

    For Seneca, that discipline begins with relentless attention.

    Like physical strength, moral strength must be exercised until it becomes second nature. The Stoics called this exercise meditatio. Carrère’s friend Hervé wonderfully describes it as “the patient and scrupulous espionage of oneself by oneself.” I would call this Self-Espionage: the disciplined practice of observing one’s own motives, habits, and reactions with the detached vigilance of an investigator searching for hidden weaknesses.

    Paul Veyne captures the comic excess of this discipline with characteristic wit: “A Stoic does three things when he eats: he eats, he observes himself eating, and he composes a little poem about it.”

    The joke succeeds because it contains a truth. The Stoic never entirely stops watching himself.

    Eventually, however, the watching becomes unnecessary. Through years of disciplined reflection, thoughts, desires, and actions gradually converge until virtue no longer feels like effort. The mature Stoic—or Buddhist—does not strive to become mindful. He simply is. Seneca expresses this state with extraordinary elegance: “I don’t obey God, I agree with him.”

    This is Virtuous Convergence: the gradual alignment of one’s thoughts, desires, and actions until moral behavior no longer requires constant effort or self-policing.

    If Carrère ended there, The Kingdom would become an eloquent defense of Stoicism.

    He doesn’t.

    He believes something essential is missing.

    Drawing upon Paul Veyne’s introduction to Seneca, Carrère observes that Stoicism ultimately “misses out on what makes life interesting.” Veyne likens the Stoic to a thermostat whose sole purpose is maintaining a constant temperature regardless of changing conditions.

    It is a devastating metaphor.

    Life surely demands more than emotional climate control.

    Carrère presses the point further:

    What is the wisdom that consists in purging life of all novelty, emotion, curiosity, desire? That’s the major objection you can also put to Buddhism: that it considers desire an enemy. Desire and suffering go hand in hand: remove desire, and you also remove suffering. Even if it’s true, is it worth it?

    That question lingers.

    I think of hobbies that border on obsession.

    Some people collect paintings.

    Others collect sculpture or photography.

    I belong to the fraternity of watch enthusiasts, where otherwise sensible adults willingly torment themselves over beautifully engineered objects costing sums that would embarrass a financial planner.

    The obsession is irrational.

    That is precisely why it is enjoyable.

    The endless comparisons, the longing, the research, the anticipation, the occasional disappointment—these are not unfortunate side effects of the hobby.

    They are the hobby.

    A life stripped of every gratuitous passion may indeed become tranquil.

    It also risks becoming flavorless.

    No spice.

    No texture.

    No delightful absurdity.

    It is a world in perfect emotional equilibrium.

    It is also a world inhabited by Dr. Spock.

    The difficulty, of course, is that Spock is a Vulcan.

    We are not.

    This is where I part company with Stoicism.

    Its great weakness is what I call the Vulcan Fallacy: the mistaken belief that the highest form of human flourishing consists in eliminating emotional turbulence, desire, and irrational passions, thereby confusing emotional stability with a fully lived life.

    Human beings are not designed merely to maintain psychological equilibrium.

    We fall in love knowing our hearts may be broken.

    We create art knowing it may fail.

    We raise children knowing they will one day leave us.

    We pursue beauty, excellence, adventure, and impossible ambitions fully aware that desire carries disappointment in its wake.

    The point is not to eliminate suffering.

    The point is to discover which desires make the suffering worthwhile.

    Perfect serenity may produce admirable self-control.

    It has never produced Beethoven’s Ninth Symphony.

    Nor has it built cathedrals, written great novels, explored unknown oceans, or inspired a father to stay awake all night beside the hospital bed of his sick child.

    The fully human life requires more than a perfectly calibrated thermostat.

  • Nothing Gets Better

    Nothing Gets Better

    Yesterday my piano tuner, Cecil, came by to work on my upright. He is pushing eighty, has spent a lifetime coaxing reluctant pianos back into harmony, and charges $250 for a tuning. I pay it gladly. When someone has become the best in the business, you stop thinking about the fee and start thinking about the privilege.

    After he finished, we lingered and talked about Southern California.

    I told him that whenever I return to my old stomping grounds in the Bay Area, I leave with the same impression: everything feels more crowded, more hurried, more stressful, and somehow less hospitable than I remember. The roads seem angrier. The neighborhoods seem denser. Even the air feels impatient.

    Without the slightest hesitation, Cecil smiled and delivered a sentence that landed with the force of an ancient proverb.

    “Nothing gets better.”

    The words settled over me like a truth I had always known but kept forgetting.

    Nothing gets better.

    Cecil continued. Torrance, he predicted, will eventually resemble West Los Angeles. Massive apartment complexes are already rising near our neighborhood. Del Amo Fashion Center has become a preview of the future. Try finding a parking space after eleven o’clock on a weekday. On weekends, don’t bother. The future has already begun circling the parking lot.

    Yet Cecil wasn’t complaining.

    That is the crucial distinction.

    His observation was not an invitation to pessimism but to realism.

    Most of our unhappiness comes from quietly assuming that the world ought to become more convenient, more orderly, more civilized, and less crowded as time marches on. When reality stubbornly refuses to cooperate, we conclude that something has gone terribly wrong.

    Perhaps nothing has gone wrong at all.

    Perhaps this is simply what civilizations do. They grow denser, noisier, more complicated, and more exhausting. Every technological advance solves one problem while inventing three new ones. Every improvement arrives carrying an invoice.

    I have come to think of this as the Cecil Principle: the recognition that the world rarely becomes simpler, quieter, or more civilized over time, requiring us to cultivate resilience rather than nostalgia or utopian expectation.

    The Cecil Principle reminded me of psychiatrist Phil Stutz, who reduces life to three unavoidable realities: pain, uncertainty, and constant work. According to Stutz, psychological health begins not by escaping these conditions but by accepting them. The fantasy that life should become comfortable is itself the source of much unnecessary suffering.

    Cecil, with considerably fewer words, had arrived at the same destination.

    Nothing gets better.

    Strangely, there is liberation in that sentence. Once I stop expecting history to reward me with perpetual improvement, I become less resentful when it doesn’t. I stop waiting for the perfect city, the perfect traffic pattern, the perfect political climate, or the perfect era. I become more attentive to the quiet pleasures still available: a well-tuned piano, an honest conversation, a competent craftsman who has spent decades mastering his trade.

    Nothing gets better.

    Oddly enough, accepting that fact makes life better.

    The truth, after all, has an unexpected habit of setting us free.

  • The Young and the Larval

    The Young and the Larval

    A year ago, I attended a family birthday party in Studio City. Hundreds of cheerful, talkative guests wandered around a lavish backyard pool shaded by thick stands of trees. The setting felt less like Los Angeles than a country estate in Provence. Beneath a canopy, guests feasted on fragrant Middle Eastern food while a white-haired band by the deep end of the pool played one boomer anthem after another. It was a celebration of long lives, old friendships, and accumulated memories.

    Most of the guests were in their seventies.

    While eating lunch, I spoke with my cousin’s husband, a retired ophthalmologist and former hospital administrator. A man who had once occupied positions of enormous responsibility, he told me the greatest surprise of old age wasn’t aching joints or declining stamina.

    It was invisibility.

    “People look right through you,” he said.

    His remark landed with the force of an unwelcome prophecy. Your accomplishments, reputation, expertise, and decades of experience quietly evaporate. Whatever authority once entered the room ahead of you no longer accompanies you through the door. You undergo what I call Aura Expiration: the quiet disappearance of the prestige, authority, and social recognition accumulated over a lifetime once age strips away the culture’s fascination with achievement and status.

    Yesterday’s distinguished physician becomes today’s anonymous old man standing patiently in line at Trader Joe’s.

    Aura Expiration ushers you into something even stranger. You enter what I think of as Social Hades: the peculiar stage of life in which a person remains physically present while gradually disappearing from society’s field of vision. You are neither fully among the living nor entirely absent. You become ghostlike—a witness rather than a participant—despite possessing more knowledge and experience than many of those who unconsciously dismiss you.

    Your very existence reminds younger people of the one truth they spend enormous energy avoiding: they, too, are running out of time.

    Naturally, there are ways to resist. You can dye your hair, chase fashion, cultivate the illusion of perpetual youth, or loudly insist that you are “still relevant.” But there is something tragic about watching a person wage war against chronology. The struggle itself often accelerates the indignity. Better to heed the biblical warning against kicking against the goads. Some losses are not defeats but transitions.

    Reading Emmanuel Carrère’s The Kingdom, I was struck by his observation that the Greeks imagined the afterlife as Hades, “an underworld where men’s shadows lead a sort of half-life: slow, comatose, larva-like, hardly aware.”

    I cannot help wondering whether this image grew partly from ordinary observation. Perhaps Hades resembled the fate awaiting the elderly in every civilization: still alive, yet treated as shadows; still capable of thought, yet gently ushered to the margins where they could cease interrupting youth’s fantasy of immortality.

    I have little interest in fighting that social reality. At best, younger people will treat me with courteous indifference. At worst, they will regard me as an inconvenient reminder that every fashionable face eventually wrinkles and every energetic stride slows.

    There is, however, one form of aging against which I intend to fight with all the stubbornness I possess.

    I refuse to let my mind become larval.

    I intend to keep reading difficult books, pursuing arguments, changing my mind when evidence demands it, writing essays, asking inconvenient questions, and remaining incurably curious. I would like to live forever, if only because I desperately want to know what happens next.

    Besides, history has a wicked sense of irony.

    Many young people imagine themselves to be in the thick of life merely because they inhabit the latest trends, wear the correct clothes, speak the approved vocabulary, and faithfully repeat the fashionable opinions of their tribe. Yet conformity has a way of anesthetizing curiosity. The mind quietly hardens while the body remains young.

    That is the true danger.

    Such people suffer from what I call The Larval Mind: a state of intellectual dormancy in which curiosity, skepticism, and independent judgment have withered away, leaving a person easily manipulated by fashion, ideology, algorithms, or tribal consensus. Their bodies pulse with youthful energy while their minds drift through life half-asleep.

    An eighty-year-old wrestling with Paul, Carrère, Darwin, artificial intelligence, and the future of civilization may be far younger than a twenty-five-year-old who has surrendered his thinking to TikTok, political orthodoxy, influencer culture, or whatever intellectual narcotic happens to dominate the moment.

    Perhaps youth has less to do with birthdays than with curiosity.

    Perhaps the opposite of old age is not youth at all.

    Perhaps the opposite of old age is refusing to become larval.

  • Beyond Reciprocal Claim-Making

    Beyond Reciprocal Claim-Making

    Once you see yourself as having a religious mind, there’s no crawling back out of that rabbit hole. A religious view isn’t the same as joining a cult where some bearded leader hoards Kool-Aid and controls your mind. No, the religious mind is about recognizing that life’s stakes are sky-high—you either spiritually flourish or rot. Your actions matter. You’re not just competing in some zero-sum, Darwinian cage match, battling your fellow humans for scraps of survival. No, you’re building something deeper: a soul. And, lucky you, you’re accountable for that construction.

    I’ve fantasized plenty of times about being free from this religious wiring. In my fantasy, I’m a “free thinker,” sipping espresso while smugly dismissing religion as man-made fluff—imperfect, tribalistic, derivative, and, let’s not forget, violent. Religion in this dream isn’t the root of morality; it’s an obstacle to reality. Enter Elizabeth Anderson, the philosophy professor who drops a truth bomb in her essay, “If God Is Dead, Is Everything Permitted?” Anderson argues that morality doesn’t come from God but from people learning how to cooperate. Morality, she says, is baked into our DNA, so religion is at best redundant and, more often than not, a corrupting force.

    I’ve seen Anderson’s point play out with some of my most moral students, both professed atheists. One was a Hungarian transfer student who swore her father, also an atheist, had stronger morals than any theist she knew—and I believed her. She was one of the hardest-working, most decent students I’d ever taught. Then there was my Vietnamese student, the lone atheist among her five Christian siblings, who let it slip that when their mother was dying of cancer, she was the only one who flew back to Vietnam to care for her. Her devout Christian brothers and sisters? Nowhere to be found. Her hatred for religion as hypocrisy was as strong as her love for her mother.

    Students like these could easily be poster children for Anderson’s argument that we don’t need theism to have morality. In fact, she’d argue, it might be better if we ditched religion altogether. Anderson kicks off her essay with a field trip to the Institute for Creation Research Museum in Santee, California, where creationists divide the world into two paths: “Creationism” and “Evolutionism.” Creationism, naturally, is the road to moral purity, while Evolutionism is the fast track to fornication, nihilism, addiction, humanism, Communism, and every other horror under the sun.

    Anderson doesn’t hold back: she writes that creationists’ beef with evolution isn’t scientific—it’s moral. Evolution leads to immorality, they argue, because it denies the existence of God. And, as theists have been shouting for centuries, without God, morality’s got nothing to stand on. As Dostoyevsky famously didn’t say, “If God is dead, then everything is permitted.” In other words, belief in God is the cork keeping the sinful champagne from exploding all over the place.

    But Anderson asks the obvious question: Can we know right from wrong without God? Do we really need the Ten Commandments to figure out that murdering your neighbor for his fancy new donkey might be a bad look? Of course not, she says. Every society—whether it’s religious, atheist, or somewhere in between—figures out basic moral rules: don’t kill, don’t steal, don’t bear false witness. These rules existed long before monotheism waltzed onto the scene, suggesting that moral knowledge comes not from divine revelation but from the messy experience of living together and figuring out how not to kill each other.

    Anderson’s takedown of theistic morality doesn’t stop there. She argues that the belief in God doesn’t just supply unnecessary rules; it’s often a crutch, relying on the carrot of heaven and the stick of hell to goad people into behaving decently. Her rebuttal is simple: people are motivated by love, honor, and respect, not divine bribery. In her view, these attributes can flourish just fine without a belief in God.

    Next, she dismantles the idea that we need God to give moral rules authority. If you need a deity to tell you murder, rape, and genocide are wrong, Anderson suggests, you’ve got bigger problems. We know these things are wrong without divine intervention—and, if your reasoning leads you to think everything is permitted, that’s a pretty solid clue you’ve gone off the rails.

    But here’s where Anderson flips the script. She argues that the moralistic “everything is permitted” problem applies more forcefully to theism than to atheism. If God’s laws are based on authority and not inherent goodness, then “in principle, anything is permitted.” Take Calvinism, for example. Predestination’s divine lottery, where God saves a few lucky souls and damns the rest to eternal hellfire, isn’t based on any moral reasoning—it’s just God’s will, and you better deal with it.

    Anderson’s critique of fundamentalist religion is merciless. She argues that if you take the evidence for theism seriously, you end up committed to the idea that even the most heinous acts are permitted. Since we know these acts aren’t morally permitted, she says, we should doubt the evidence for theism.

    By “theism,” Anderson isn’t just talking about some vague belief in a higher power. She’s talking about the God of Scripture—Old Testament, New Testament, and the Koran. And if you take the Bible as inerrant, Anderson argues, you’re forced to reckon with a God who’s often cruel and unjust, punishing people for the sins of others, hardening hearts, ordering genocides, and permitting slavery and rape.

    Of course, Christian apologists love to claim that the Old Testament God is the angry one, and the New Testament God is all love and forgiveness. Anderson’s having none of it. She points out that Jesus’ so-called “family values” include hating your relatives if they get in the way of your loyalty to him. And then there’s the doctrine of eternal damnation—a New Testament specialty—which, in Anderson’s view, is both cruel and incoherent.

    In the end, Anderson concludes that the God of the Bible is a moral disaster. But she’s sympathetic to thoughtful believers, the ones who struggle with the Bible’s moral atrocities. Their options, she says, are pretty grim. You can “bite the bullet” and accept the Bible’s horrors, bitter seeds and all, like a true believer. Or you can try a stopgap measure, arguing that God’s commands were appropriate in biblical times but don’t apply now—a strategy that doesn’t really hold water if you believe in a timeless God.

    Anderson’s conclusion is blunt: we’re better off abandoning theological claims as a foundation for morality. She draws on Hobbes to argue that worshiping God out of fear of his raw power isn’t love—it’s survival instinct, and that’s no basis for morality. Instead, Anderson suggests, morality is a system of reciprocal claim-making, where we hold each other accountable, no gods required.

    As compelling as Anderson’s essay is, I’m still not convinced. The world isn’t some rational, orderly place. There are shadows, mysteries, omens, and prophecies—strange phenomena that transcend the cold logic of reciprocal claim-making. Religion, in all its messiness, is the story of a fallen people trying to reconnect with their Maker. And as much truth as I see in Anderson’s rejection of theistic morality, I can’t shake the religious mind. I see myself as someone who’s fallen and in need of a path, a true path, to becoming the person I’m meant to be. Anderson’s talk of reciprocal claim-making? It doesn’t even come close to satisfying that deeper, spiritual hunger.

  • The Conversion We Never Finish

    The Conversion We Never Finish

    Afflicted by depression, anxiety, and relentless religious doubt, Emmanuel Carrère wrote The Kingdom partly as an act of remembrance—a way of revisiting the years when belief and unbelief tore him apart with equal ferocity. He could summon every argument against faith. Years of therapy had supplied him with a formidable psychological vocabulary, while Nietzsche, Freud, and other skeptics stood ready to dismantle every religious impulse that arose within him.

    Yet every skeptical argument seemed to awaken an equally persuasive rebuttal.

    Nietzsche argued that religion is an escape from reality, a consoling fantasy that allows frightened creatures to imagine a God who knows their names and treasures their souls. Carrère’s reply is disarmingly simple: perhaps anxiety is not evidence against God but one of His instruments. Perhaps our restlessness exists precisely to drive us toward Him.

    The skeptic objects that religious conversion is merely a psychological escape hatch from despair.

    Carrère counters that despair itself may be God’s invitation to conversion.

    The debate becomes impossible to resolve because every objection is absorbed into the very faith it seeks to destroy.

    Yet Carrère eventually discovers that the greatest threat to his belief is not Nietzsche.

    It is Emmanuel Carrère.

    He confesses that he wants to believe too desperately. His longing for faith becomes evidence against the authenticity of that very faith. Like someone compulsively insisting that he is happy, the insistence itself begins to sound suspicious. The more urgently Carrère reaches for God, the more he wonders whether the reaching itself proves that God has already slipped away.

    That dilemma belongs to far more people than religious believers.

    It may describe the human condition itself.

    Our hunger for conversion explains, in part, why we go to the movies.

    For two hours we borrow another person’s destiny. We watch an ordinary soul undergo extraordinary transformation and momentarily imagine the same miracle awaiting us. We feel our throats tighten as Jor-El tells his son that he must become not merely Superman but a light to the world. For one luminous moment we are convinced that greatness, sacrifice, and moral courage are the only things that matter.

    Then the credits roll.

    The spell evaporates somewhere between the parking lot and the nearest café, where we resume discussing office gossip over coffee and cake. The desire for transformation was genuine.

    Its duration was not.

    New Year’s resolutions repeat the same ritual.

    Each January we announce that this year will be different. We join the gym. We buy immaculate workout clothes. We embrace a revolutionary diet and enthusiastically explain to friends how astonishingly “simple” the whole thing is. Six weeks later the gym card has migrated to the back of the wallet, the diet books have become decorative objects, and the only weight we’ve successfully lost is our enthusiasm.

    Social media has industrialized this cycle.

    Every week a new influencer appears bearing the latest gospel of self-reinvention. Follow this morning routine. Buy this supplement. Build this side hustle. Practice this mindset. Soon you will possess wealth, influence, discipline, admiration, and a jawline sharp enough to cut glass.

    Millions eagerly enroll in these digital revival meetings.

    Almost none experience resurrection.

    What they experience instead is rebranding.

    Life increasingly resembles a succession of false conversions.

    We repeatedly announce the beginning of a new chapter, only to abandon the manuscript after the novelty fades. We restart our lives the way aspiring novelists restart first drafts—full of magnificent intentions, derailed by boredom, distraction, or the irresistible glitter of the next shiny object.

    The modern self has become a serial convert without a church.

    We are forever renouncing one identity in favor of another, mistaking novelty for transformation and enthusiasm for character.

  • The Things We Cannot Live Without

    The Things We Cannot Live Without

    As an adolescent, Emmanuel Carrère was unhappy, but he remained buoyant because he believed in the two assets he trusted above all others: his intellect and his identity as a writer. Intelligence served as his life raft. Irony gave him distance from despair. Even misery becomes manageable when you can narrate it with style.

    That strategy collapsed when he turned thirty.

    The faculties that had once sustained him simply stopped working. He could no longer marshal his intelligence against himself. Reflecting on that period, he writes, “I could no longer write, I didn’t know how to love, I knew I wasn’t particularly likable. Just being me became literally unbearable.”

    He had reached what might be called a collapse of competence: the moment when the qualities that once anchored your identity—talent, discipline, intelligence, status, creativity, charm—suddenly fail to hold your weight. The scaffolding of the self buckles. You are forced to search for an entirely different foundation because the old one has become a condemned building.

    When Carrère confessed his misery to his godmother Jacqueline, he expected sympathy. Instead, she was delighted.

    As a devout Catholic, she believed despair was not a catastrophe but a prerequisite. Only when a person finally recognizes that his life has become an uninhabitable ruin is he prepared to hear the Gospel. Pride must first exhaust itself.

    She placed a New Testament in his hands and instructed him to read it without trying to be “too intelligent.”

    That advice carries a sly paradox. Intelligence, the very faculty Carrère had relied upon for survival, had become the obstacle. Jacqueline was asking him to stop treating the Bible as a puzzle to master and instead allow it to master him.

    During that same summer of 1990, Jacqueline introduced Emmanuel to her other godson, Hervé. The two men gradually became close friends.

    Hervé was, by temperament, a philosopher disguised as a journalist. Though professionally successful, he was perpetually haunted by questions that most people manage to outrun. Why are we here? What is life for? Is there some purpose behind our existence, or are we simply decorating a cosmic waiting room until the lights go out?

    Watching Hervé, Carrère concludes that humanity divides rather neatly into two camps.

    The first group rarely loses sleep over metaphysical questions. They pursue promotions, vacations, romance, gossip, consumer pleasures, status games, and the endless sport of comparing themselves to everyone else. Their calendars stay full enough to prevent existential reflection from getting a word in edgewise.

    The second group cannot escape those questions. They are pursued by them like debt collectors. They read philosophy and religion not because such books are fashionable but because they are desperate. They are trying to determine whether existence contains an author or merely an audience.

    Looking back years later, Carrère recognizes that Hervé’s spiritual curiosity had been quietly cultivated by Jacqueline, who gently nudged him toward Christianity. Their religious journeys eventually diverged, but their friendship endured.

    For decades they have gathered regularly in the Swiss village of Le Levron, spending time together in a chalet that Carrère calls his querencia.

    The Spanish word comes from bullfighting. A querencia is the part of the arena where the bull instinctively retreats because it feels secure there. It is the place from which the animal regains its strength before reentering the fight.

    For Carrère, the metaphor is perfect. He arrives troubled and leaves restored.

    Everyone should have a reliable querencia.

    Mine, during the 1970s, was Walt’s Gym, a converted chicken coop perfumed with ancient sweat, rust, and enough menthol muscle ointment to fumigate a county. Men joyfully abused their bodies in pursuit of impossible physiques while punctuating every set with gossip, insults, bad jokes, and elaborate storytelling. It was less a fitness center than a monastery dedicated to testosterone and nonsense. The barbells built muscle. The banter built men.

    Then the corporate gyms arrived.

    The chicken coop gave way to chrome, televisions, smoothie bars, biometric scanners, and motivational slogans printed by people who had clearly never deadlifted anything heavier than a marketing proposal. By 2005 I had had enough. I quit.

    For the past twenty years my querencia has been my garage.

    There I swing kettlebells, flood my brain with an hour’s worth of endorphins, keep company with favorite podcasters, and temporarily escape the increasingly exhausting experience of being myself. I enter carrying the accumulated static of the world. I leave feeling that someone has quietly reset my nervous system.

    I envy Carrère because his querencia involves another human being.

    Mine is solitary.

    There was a time when it wasn’t.

    During the late 1980s a group of us played basketball at a Berkeley community center before heading out for dinner. Those evenings stitched together a sense of belonging that no amount of solitary reflection could duplicate.

    Later, after moving from the Bay Area to the California desert for my first teaching job, loneliness became my regular companion. Once each week I would spend two-hour marathons on the telephone with old friends. By the end my ear literally hurt from holding the receiver.

    Those conversations nourished me in ways I didn’t fully appreciate at the time. Someone had willingly given me two hours of his life. That simple fact quietly testified that I mattered.

    Then phone conversations disappeared in the early 2000s.

    Texting replaced talking. Social media replaced lingering conversation. We became experts at remaining connected while carefully avoiding communion.

    So today my querencia is almost entirely solitary.

    Yet I continue to experience what I think of as the Querencia Effect: the restorative power of a place, ritual, or recurring practice that allows someone to arrive emotionally depleted and leave psychologically renewed. It is the sanctuary where a fractured self is quietly reassembled before returning to the arena.

    Still, I worry.

    As I approach sixty-five, my refuge depends almost entirely upon a body that grows older every year. One day it may no longer tolerate sixty-minute kettlebell sessions or long rides that leave me happily awash in endorphins.

    I think of a bodybuilder I once read in a muscle magazine. His ambition was beautifully uncomplicated. He wanted only one thing from God: the privilege of lifting weights for as long as he remained alive.

    Then I think of Ronnie Coleman.

    No professional bodybuilder punished himself more ferociously. His reward has been dozens of back surgeries and chronic pain that would persuade most people never to enter another gym.

    Yet there he is, sometimes maneuvering through the weight room in a wheelchair because, pain or no pain, he still needs to touch the iron.

    Some dependencies are pathological.

    Others are redemptive.

    The difficulty is that the line between them often becomes visible only after it has been crossed.

    Years ago I had a colleague who was, in his own eccentric way, a genius. He ignored lesson plans, dismissed required evaluations with cheerful contempt, wore the same uniform of white T-shirt and blue jeans, and simply walked into class and talked. Students adored him. Passing me on campus, he would grin and greet me with a sarcastic profanity, as though the world’s absurdity deserved nothing more sophisticated.

    I attended his retirement party in 2004.

    A few years later I learned he had taken his own life.

    Cannabis had become his querencia. When a medical diagnosis made it impossible for him to continue using it, the refuge disappeared. Without it, life became intolerable. His wife found him dead from a self-inflicted gunshot wound.

    That story has haunted me for years because it exposes an uncomfortable truth.

    We eventually become dependent upon the very things that rescue us.

    If tomorrow my body informed me that I could never exercise again, I don’t believe I would follow my colleague’s path.

    The first reason is simple: I love my wife and daughters more than I love my own comfort. The collateral damage would be unforgivable.

    The second reason is considerably less noble.

    I am a coward.

    Cowardice, on occasion, has surprising moral utility. It keeps a person from making irreversible decisions during temporary despair.

    Besides, the last thing I want is to arrive before God having chosen the emergency exit, only to be asked why I abandoned the arena before the fight was over. There are many questions I would like to avoid on Judgment Day.

    That is certainly one of them.

  • The Artist and the Fundamentalist

    The Artist and the Fundamentalist

    In The War of Art, Stephen Pressfield argues that the artist flourishes only within a civilization wealthy and stable enough to afford “the luxury of self-examination.” Such a culture gives artists the freedom to create because it believes in human progress. It assumes that, however flawed humanity may be, those flaws can gradually be overcome. Art and humanism therefore become inseparable. The artist is sustained by the conviction that mankind is moving forward, and art is both evidence of that progress and one of its engines.

    I grew up dimly aware that my family and their friends subscribed to this liberal humanist vision. I found it comforting. I accepted its assumptions without much reflection because they made the world seem orderly and hopeful. Yet I cannot honestly say I embraced its ideals. My ambitions were narrower. The world’s problems belonged to someone else. My concern was building a pleasant kingdom for myself. Beyond the walls of that kingdom, humanity would simply have to fend for itself.

    Only later did I recognize what Pressfield sees as the shadow cast by humanism. Opposing it is not merely pessimism but fundamentalism.

    Fundamentalism begins with the conviction that human beings are too fallen, too corrupt, and too powerless to redeem themselves. Salvation cannot come through gradual human improvement; it must arrive through divine revelation or absolute doctrine. That revelation may come through Moses, Jesus, Muhammad, Karl Marx, or any other figure invested with unquestionable authority. If Pressfield were writing today, he might extend the list to include secular gurus whose followers seek not merely advice but complete personal transformation.

    Regardless of the prophet, the psychology remains the same. Fundamentalism grows from humiliation, alienation, and the longing for certainty, belonging, purpose, and power. The believer attaches himself to a leader whose doctrine promises nothing less than total metamorphosis. On this point, Pressfield’s analysis closely parallels that of Eric Hoffer in The True Believer, who argued that mass movements flourish among people desperate to escape the burdens of individual identity.

    History provides familiar examples. Pressfield notes that Hebrew fundamentalism intensified during the Babylonian captivity. White Christian fundamentalism expanded in the American South after Reconstruction. Germans embraced the mythology of the Master Race following the national humiliation of World War I. The particulars differ, but the emotional architecture remains remarkably consistent.

    At the heart of every fundamentalism lies a fear of freedom.

    Freedom sounds exhilarating until one remembers what it demands. To be free is to risk failure. It is to lose the comforting structures of tribe, clan, village, and inherited identity. As Pressfield writes, freedom often produces “the dislocation and emasculation experienced by the individual cut free from the familiar and comforting structures of the tribe and the clan, the village and the family.”

    The fundamentalist recoils from this uncertainty. He does not want the open horizon of modernity. He wants the closed gate of certainty. He retreats into an imagined golden age where moral boundaries are fixed, identities are unquestioned, and every problem has already been solved. As Pressfield puts it, he “gets back to basics. To fundamentals.”

    In this sense, modernism and humanism become close allies. Both assume that humanity can shape its future, define itself, and allow individuals to flourish according to their own talents and choices. Fundamentalism, by contrast, turns its face toward the past. Its paradise always lies behind it.

    This explains why Pressfield concludes that fundamentalism and art are fundamentally incompatible. “Fundamentalism and art are mutually exclusive. There is no such thing as fundamentalist art.”

    Art thrives on ambiguity, exploration, imagination, and discovery. Fundamentalism demands certainty, conformity, and obedience. The artist creates. The fundamentalist polices. Where the artist opens possibilities, the fundamentalist narrows them. His creative energies are redirected toward destruction—not necessarily of buildings alone, but of ideas, books, institutions, and people perceived as threats to the sacred order.

    No figure occupies the fundamentalist imagination more completely than Satan.

    His greatest creative act is the continual reinvention of evil itself. Satan may appear as rock music, fantasy novels, Hillary Clinton, Bill Gates, Oprah Winfrey, Hollywood, secret cabals, lizard people, transgender ideology, vaccines, or universal healthcare. The names change with the generation, but the psychological function remains constant. Evil must always have a face. The fundamentalist spends so much time imagining Satan that he develops an almost obsessive fascination with the very force he claims to despise.

    Pressfield’s concept of Resistance appears in both worlds, but it assumes opposite meanings.

    For the artist, Resistance is the inner force that tempts one toward laziness, distraction, and fear instead of disciplined creation. For the fundamentalist, Resistance becomes temptation toward sin. His response is not artistic labor but deeper immersion in sacred texts, ritual, and ideological action. His mission is not to create a better future but to restore a purified past in which everyone submits to the same moral code.

    Humanists may believe in God, but they see themselves as collaborators rather than passive subjects. They become, in Pressfield’s phrase, “co-creators,” working alongside the divine to improve the world while allowing individuals to flourish according to their unique gifts. The fundamentalist regards that very freedom as rebellion. Individual autonomy becomes apostasy.

    Humanism flourishes where societies enjoy prosperity, stability, and hope. Fundamentalism flourishes where humiliation, scarcity, and inequality convince people that freedom has failed them. Under those conditions, many become willing to exchange liberty for certainty, even if certainty demands submission to an oppressive vision of the past.

    For Pressfield, the struggle to produce art therefore becomes more than a personal discipline. It becomes a civilizational duty. Art enlarges human freedom. It nourishes the forces that move civilization forward while starving those that would drag it backward into fear and absolutism.

    Yet the deepest battle is never merely political. It is internal.

    Pressfield concludes with an observation that echoes across philosophy and theology alike: “The paradox seems to be, as Socrates demonstrated long ago, that the truly free individual is free only to the extent of his own self-mastery. While those who will not govern themselves are condemned to find masters to govern over them.”

    These final lines remind me of Paul. In Romans, Paul confesses that he cannot master himself. He longs to do what is right, yet repeatedly finds himself doing the very thing he hates. His will is divided. His moral resources are exhausted. Left to himself, he cannot overcome his own depravity and must therefore throw himself upon the mercy of Christ.

    At first glance, Paul’s confession resembles the psychology Pressfield attributes to the fundamentalist. Both begin with an acknowledgment of human brokenness and the inadequacy of individual willpower. But the resemblance may end there.

    Pressfield’s fundamentalist flees freedom because it terrifies him. Unable to bear uncertainty, he surrenders his judgment to an authoritarian doctrine that promises absolute certainty, rigid purity, and the restoration of a mythical golden age. His faith expresses itself through conformity, ideological warfare, and the relentless identification of enemies. He seeks salvation by submitting to external authority and demanding that others do the same.

    Paul’s theology points in another direction. His surrender is not to an ideology but to grace. Rather than claiming moral superiority, Paul begins by confessing his own moral bankruptcy. Rather than condemning outsiders, he first indicts himself. The transformation he seeks is not the recovery of a glorious past but the creation of a new heart. His dependence on God is meant to produce humility rather than triumphalism, compassion rather than self-righteousness, and freedom from sin rather than domination over other people.

    Yet the distinction remains difficult to untangle.

    Does Paul’s doctrine of grace ultimately liberate the individual, or does it still require the surrender of autonomy that Pressfield warns against? Can genuine freedom ever arise from admitting one’s inability to save oneself? Or does every appeal to divine authority contain the seeds of authoritarianism? Is Pressfield correct that self-mastery is the highest form of freedom, or is Paul correct that true freedom begins only when we acknowledge the limits of self-mastery and accept grace?

    These questions haunt me during both my waking and sleeping hours. I have not resolved them. I suspect I may never fully resolve them. But the struggle itself—the struggle to understand freedom, discipline, grace, and human flourishing—has become one of the defining pursuits of my life.

  • The Unlived Life

    The Unlived Life

    In The War of Art, Steven Pressfield compresses an entire philosophy of life into a sentence worthy of Blaise Pascal: “Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.” On its surface, the book is about writing—showing up every day, overcoming procrastination, and producing meaningful work. In reality, it is about something much larger. It is about the tragedy of the human condition. Every person carries within himself an unrealized version of who he might have become, yet too often that person dies unborn. Resistance is the invisible executioner. It persuades us that tomorrow is a better day to begin, that comfort is wiser than sacrifice, that another hour of distraction is harmless, and that our highest calling can safely wait until after one more episode, one more dessert, one more purchase, one more excuse. By the time we recognize the fraud, life has become a museum of abandoned intentions. We discover, to our horror, that our greatest betrayal was not committed against other people but against ourselves.

    Pressfield has no patience for sentimental psychology. He describes Resistance as “the most toxic force on the planet,” adding with characteristic mischief that it causes more misery than poverty, disease, and erectile dysfunction. Hyperbole, yes—but purposeful hyperbole. He wants to jolt the reader into recognizing that Resistance is not ordinary laziness. It is a corrosive force that slowly deforms the soul. It shrinks ambition into routine, courage into rationalization, and discipline into negotiation. Left unchecked, it transforms gifted people into spectators of their own lives. They spend decades curating plans they never execute, polishing dreams they never inhabit, and congratulating themselves for intentions that never survive contact with reality.

    What makes Pressfield so compelling is that he refuses both fashionable nihilism and fashionable indulgence. He rejects the existential shrug that declares life meaningless and equally rejects the consumerist gospel that happiness consists of maximizing pleasure. His ethic is austere. Work matters. Discipline matters. Routine matters. Character matters. Most of all, contribution matters. Your life is not private property to be squandered in self-absorption. It belongs, at least in part, to your family, your friends, your community, and the civilization that shaped you. The image that repeatedly comes to my mind is not one from Pressfield but from Superman. Before Kal-El leaves Krypton, his father, Jor-El, entrusts him with a mission: become a light to a world wandering in darkness. Pressfield issues a similar summons. Your vocation is not self-expression. It is illumination.

    This is why The War of Art feels less like a productivity manual than a spiritual manifesto. Pressfield believes we inhabit a battlefield. He calls the enemy Resistance. He calls our higher nature “genius,” borrowing the ancient Roman idea of an inner guiding spirit that is “holy and inviolable.” Whatever name one gives it, the struggle is unmistakable. There is a force drawing us upward toward courage, creativity, and service, and another dragging us downward toward vanity, distraction, and decay. Resistance rarely announces itself dramatically. It works with exquisite subtlety. It whispers rather than shouts. It convinces us that procrastination is prudence, that entertainment is recovery, and that comfort is wisdom. By the time we recognize the deception, entropy has already advanced. We find ourselves wandering in the woods, uncertain how we lost the path home.

    It is here that Pressfield’s vision begins to overlap strikingly with Christianity. His ideas emerge from a broad stream of Western thought that includes Christianity, Plato, the Stoicism, Romantic notions of genius, Jungian psychology, and the mythic Hero’s Journey. Like Christianity, he believes human beings possess a higher vocation continually frustrated by an internal adversary. Like Christianity, he portrays life as a form of spiritual warfare in which unseen forces contend for the human soul. Like Christianity, he rejects radical individualism, insisting that our gifts exist not merely for self-fulfillment but for service.

    Yet Pressfield ultimately parts company with Christian theology in significant ways. Christianity locates humanity’s highest calling in communion with God, and its deepest tragedy in alienation from Him. Transformation comes through grace as well as discipline. Pressfield, by contrast, places his faith in professionalism, habit, and relentless labor. His highest authority is not God but genius—the inner creative spirit that summons each person toward his vocation. Accordingly, his greatest catastrophe is not separation from God but dying with one’s best work still trapped inside. His universe is fundamentally vocational; Christianity’s is fundamentally theocentric.

    That distinction leaves me with a question I cannot confidently answer. Can the devout Christian and the devoted disciple of Pressfield ultimately arrive at the same destination? Can both escape the wide road of self-indulgence and find the narrow road that leads to genuine human flourishing? I honestly do not know.

    I often think of religions and philosophies as insurance companies. Thousands of offices line the boulevard, each promising protection against humanity’s oldest anxieties. Every one claims to offer security for the soul. Every one publishes its own policy, exclusions, deductibles, and fine print. Christianity itself contains competing agencies. Universalists, Catholics, Calvinists, Orthodox Christians, and countless Protestant traditions disagree about the terms of coverage while affirming they represent the same Provider. In Mere Christianity, C. S. Lewis argues that there is, ultimately, one true household of faith beneath those denominational rooms. I continue to wrestle with whether reality resembles Lewis’s vision of one enduring house or whether human beings, in good faith, may arrive at the same destination by different roads. It is one of the questions that has haunted me for decades, and I suspect it will continue to do so long after I have finished reading Steven Pressfield.

  • Comfort Entrenchment

    Comfort Entrenchment

    You did not wake up one morning thirty pounds overweight the way you might wake up with the flu. Excess weight is not an event; it is the visible symptom of a long psychological and spiritual decline. For years you cultivated self-indulgence as though it were a birthright, choosing comfort over discipline so consistently that the choices accumulated into a second nature. The result is damage that extends beyond the body. Your appetites have colonized your habits, weakened your resolve, and dulled your capacity to endure hardship. You must therefore confront an uncomfortable truth: you suffer from Comfort Entrenchment—the gradual process by which repeated indulgence in convenience, pleasure, and ease becomes so normalized that discomfort feels intolerable and self-discipline appears unnatural. Over time, luxuries masquerade as necessities, and every sacrifice feels like an injustice.

    If there is consolation, it is that Comfort Entrenchment is hardly your private affliction. It has become one of the defining maladies of modern civilization. Even people of admirable character struggle against it. Consider the journalist Elizabeth Bruenig, a self-described Christian, who remarked during Mike Pesca’s final episode of Not Even Mad that she fears for her soul because each day she falls painfully short of Christ’s command to feed the poor and relinquish worldly comfort. She described herself as “an indoor housecat,” a metaphor of remarkable precision. The indoor housecat is well fed, safe, comfortable, and utterly unequipped for the rigors of the wild. It has traded resilience for security. Comfort Entrenchment performs the same quiet exchange upon us.

    It is no accident, then, that our culture has rediscovered Stoicism with such enthusiasm. Bookstores overflow with translations of Marcus Aurelius and Seneca. YouTube channels, podcasts, and newsletters preach voluntary discomfort, discipline, and resilience to audiences hungry for something they can scarcely name. Beneath the fascination with Stoicism lies a widespread intuition that modern life has made us too comfortable for our own good. We sense that our conveniences have become our captors, that the comforts designed to serve us have quietly assumed command. The popularity of Stoicism is therefore not merely an intellectual trend. It is a collective attempt to recover the toughness that Comfort Entrenchment has steadily eroded.

    The good news is that you have correctly diagnosed the disease. Most people never do. The bad news is that diagnosis alone changes nothing. There is no book, podcast, supplement, or inspirational slogan capable of delivering you from this condition. The cure is older and harsher than modern self-help literature cares to admit. You will have to surrender comforts you have mistaken for necessities. You will have to embrace hunger, fatigue, inconvenience, and delayed gratification rather than flee from them. You will have to pass through the fire instead of walking around it. There is no shortcut because the very habits that imprisoned you must be dismantled one sacrifice at a time. Only then will Comfort Entrenchment begin to loosen its grip, allowing you to recover not merely a healthier body but a stronger mind and a more integrated soul.