Cinemorphosis

Tag: headphones

  • How Headphones Made Me Emotionally Unavailable in High-Resolution Audio

    How Headphones Made Me Emotionally Unavailable in High-Resolution Audio

    After flying to Miami recently, I finally understood the full appeal of noise-canceling headphones—not just for travel, but for the everyday, ambient escape act they offer my college students. Several claim, straight-faced, that they “hear the lecture better” while playing ASMR in their headphones because it soothes their anxiety and makes them better listeners. Is this neurological wizardry? Or performance art? I’m not sure. But apocryphal or not, the explanation has stuck with me.

    It made me see the modern, high-grade headphone as something far more than a listening device. It’s a sanctuary, or to use the modern euphemism, an aural safe space in a chaotic world. You may not have millions to seal yourself in a hyperbaric oxygen pod inside a luxury doomsday bunker carved into the Montana granite during World War Z, but if you’ve got $500 and a credit score above sea level, you can disappear in style—into a pair of Sony MX6s or Audio-Technica ATH-R70s.

    The headphone, in this context, is not just gear—it’s armor. Whether cocobolo wood or carbon fiber, it communicates something quietly radical: “I have opted out.”

    You’re not rejecting the world with malice—you’re simply letting it know that you’ve found something better. Something more reliable. Something calibrated to your nervous system. In fact, you’ve severed communication so politely that all they hear is the faint thump of curated escapism pulsing through your earpads.

    For my students, these headphones are not fashion statements—they’re boundary-drawing devices. The outside world is a cacophony of canvas announcements, attention fatigue, and algorithmically optimized despair. Inside the headphones? Rain sounds. Lo-fi beats from a YouTube loop titled “study with me until the world ends.” Maybe even a softly muttering AI voice telling them they are enough.

    It doesn’t matter whether it’s true. It matters that it works.

    And here’s the deeper point: the headphone isn’t just a sanctuary. It’s a non-accountability device. You can’t be blamed for ghosting a group chat or zoning out during a team huddle when you’re visibly plugged into something more profound. You’re no longer rude—you’re occupied. Your silence is now technically sound.

    In a hyper-networked world that expects your every moment to be a node of productivity or empathy, the headphone is the last affordable luxury that buys you solitude without apology. You don’t need a manifesto. You just need active noise-canceling and a decent DAC.

    You’re not ignoring anyone. You’ve just entered your own monastery of midrange clarity, bass-forward detachment, and spatially engineered peace.

    And if someone wants your attention?

    Tell them to knock louder. You’re in sanctuary.

  • Confessions of a Neurotic Audiophile: Bargain Hunting My Way to $89 Sony Headphone Bliss

    Confessions of a Neurotic Audiophile: Bargain Hunting My Way to $89 Sony Headphone Bliss

    Three weeks ago, crammed into a flying aluminum sausage between Los Angeles and Miami, I found myself envying the travelers swanning around with $500 AirPods Max clamped over their smug skulls.
    Meanwhile, I was roughing it with a $10 pair of gas station earbuds, gamely trying to absorb Ty Cobb: A Terrible Beauty on Audible — Charles Leerhsen’s excellent biography about the famously complicated, mercurial baseball legend.

    It wasn’t just the status parade that triggered me. It was the simple, physical longing for some real insulation from the shrieking toddler in 34B and the endless snack cart rattle. Add to that my growing irritation with my usual setup: cheap wireless earpods for napping, which jam into my ears like corks in a wine bottle, utterly ruining my quest for a gentle, dignified snooze while listening to my favorite podcasters.

    When I got back to Los Angeles, I plunged headfirst into the shimmering, self-defeating abyss of headphone reviews.
    After hours of caffeinated obsession, I settled on the Soundcore Q85s — on sale for $99, and allegedly a bargain.
    They arrived dead on arrival. Not just sleepy-dead. Full weekend-at-Bernie’s dead.
    After 24 hours of desperate charging attempts, I admitted defeat, boxed the corpse, and sent it back.

    Then I struck gold — a sale on the Sony WH-CH720N noise-canceling headphones for a criminally low $89.
    I ordered them, and then — naturally — descended into the familiar buyer’s spiral:
    Had I gone too cheap? Should I have splurged on Sony’s crown jewel, the WH-1000XM4s, on sale for $248?
    Was I an idiot forever exiling myself from sonic paradise for a lousy $159 savings?

    Before I could drown in regret, the WH-CH720Ns arrived. I checked the fit–very comfortable for my big head. Then I downloaded the Sony app, dialed in noise-canceling, jacked the equalizer to “Bright,” and hit play.

    First test: Josh Szeps interviewing Facebook whistleblower Frances Haugen on Uncomfortable Conversations.
    I was so blissfully submerged in the sound that 72 minutes evaporated — I barely surfaced in time to stagger into my office hour Zoom call, looking freshly abducted.

    Later, drunk on my own tech triumph, I sampled music on Spotify:
    SZA’s “Good Days,” MorMor’s “Whatever Comes to Mind,” LoMoon’s “Loveless,” Nao’s “Orbit,” and Stephen Sanchez’s “Evangeline.”
    The music sparkled. The instruments had space to breathe.
    The sound was bright, crisp, separate — not the muddy sonic stew I’d suffered through before.

    Which left me wondering: What black magic could the Sony XM4s possibly possess to be worth more than double the price?
    Because right now, $89 felt like grand larceny — I didn’t buy these headphones, I stole them.
    And considering how easy it is to lose or destroy a pair of headphones in an airport stampede, maybe it’s time to quit while I’m ahead and leave the luxury models to the Instagram aristocracy.