Tag: history

  • Comparing Resistance to the Sunken Place in the Movie Get Out and the Life of Frederick Douglass: 3 Essay Prompts

    Comparing Resistance to the Sunken Place in the Movie Get Out and the Life of Frederick Douglass: 3 Essay Prompts

    Here are three argumentative essay prompts suitable for a 9-paragraph essay that explore how Narrative of the Life of Frederick Douglass and Jordan Peele’s Get Out use the concept of the Sunken Place—whether literal or metaphorical—to reveal how racism dehumanizes, and how resistance can lead to liberation and agency.


    Prompt 1: The Fight to Reclaim the Self

    Essay Prompt:
    Both Narrative of the Life of Frederick Douglass and Get Out explore how slavery and racism rob people of their autonomy and identity, trapping them in a psychological “Sunken Place.” Write an argumentative essay analyzing how Douglass and Chris struggle to reclaim their personhood. Whose escape from the Sunken Place carries a more powerful message for modern audiences, and why?

    Key Themes to Consider:

    • Psychological captivity and dehumanization
    • Literacy and perception as tools of resistance
    • Voice vs. voicelessness
    • Breaking free—literal and symbolic escapes

    Prompt 2: Racism as Psychological Warfare

    Essay Prompt:
    Jordan Peele’s Get Out introduces the Sunken Place as a metaphor for the paralyzing effects of racism. Frederick Douglass’s memoir reveals how slavery functioned similarly—as a system designed to psychologically disarm and silence Black people. Write a 9-paragraph essay comparing how each text shows racism operating not just physically, but psychologically, and argue which representation is more effective in showing the true depth of racial oppression.

    Key Themes to Consider:

    • Mind control and learned helplessness
    • Surveillance, control, and social “hypnosis”
    • The role of silence and invisibility
    • Liberation through consciousness and rebellion

    Prompt 3: Resistance as a Path Out of the Sunken Place

    Essay Prompt:
    In both Narrative of the Life of Frederick Douglass and Get Out, the protagonists face overwhelming systems of control—but both find ways to resist. Write an argumentative essay analyzing how Douglass and Chris resist oppression and reclaim power. Which character’s resistance offers a more effective model for overcoming systemic injustice today?

    Key Themes to Consider:

    • Subversion, deception, and rebellion
    • Education vs. survival instinct
    • Heroism and moral courage
    • The journey from victimhood to agency

    Here are three argumentative essay prompts designed for a 9-paragraph essay that compares themes in Malcolm X (1992) and Black Panther (2018). Each prompt invites students to explore how the two films depict Black identity, resistance, and leadership while allowing room for critical thinking, comparison, and rebuttal:


    Prompt 1: Heroism and Resistance

    Essay Prompt:
    Both Malcolm X and Black Panther present Black protagonists who wrestle with systems of oppression and redefine what it means to be a hero. Write an argumentative essay comparing how Malcolm X and T’Challa evolve in their views on resistance and justice. Which film presents a more compelling vision of heroism in the face of racial oppression?

    Guiding Themes:

    • Radical vs. diplomatic resistance
    • Personal transformation as political awakening
    • The burden and responsibility of leadership
    • Sacrifice and moral complexity in defining heroism
  • Comparing Heroism and Resistance in the Movies Malcolm X and Black Panther: 3 Essay Prompts

    Comparing Heroism and Resistance in the Movies Malcolm X and Black Panther: 3 Essay Prompts

    Here are three argumentative essay prompts designed for a 9-paragraph essay that compares themes in Malcolm X (1992) and Black Panther (2018). Each prompt invites students to explore how the two films depict Black identity, resistance, and leadership while allowing room for critical thinking, comparison, and rebuttal:


    Prompt 1: Heroism and Resistance

    Essay Prompt:
    Both Malcolm X and Black Panther present Black protagonists who wrestle with systems of oppression and redefine what it means to be a hero. Write an argumentative essay comparing how Malcolm X and T’Challa evolve in their views on resistance and justice. Which film presents a more compelling vision of heroism in the face of racial oppression?

    Guiding Themes:

    • Radical vs. diplomatic resistance
    • Personal transformation as political awakening
    • The burden and responsibility of leadership
    • Sacrifice and moral complexity in defining heroism

    Prompt 2: Black Identity and Global Responsibility

    Essay Prompt:
    Malcolm X and Black Panther both challenge their audiences to rethink what it means to be Black in a global context. Using these two films, write an essay arguing whether the personal journey of Malcolm X or the political journey of Wakanda offers a more powerful vision for modern Black identity.

    Guiding Themes:

    • Pan-Africanism and global Black solidarity
    • The role of isolation vs. engagement with the world
    • Cultural pride, history, and reimagined futures
    • The tension between tradition and evolution

    Prompt 3: Rage, Revolution, and the Ethics of Power

    Essay Prompt:
    Both Malcolm X and Erik Killmonger are driven by rage born from historical injustice. Yet while one channels that rage into spiritual and political leadership, the other weaponizes it. Write an argumentative essay comparing how each film uses these characters to explore the ethics of power, revenge, and revolution.

    Guiding Themes:

    • Righteous anger vs. destructive rage
    • Violence as a political tool
    • Redemption, change, and moral ambiguity
    • Legacies of trauma and systemic injustice
  • College Essay Prompt: “Authenticity on the Menu: Rethinking Cultural Purity in Mexican and Chinese American Cuisine”

    College Essay Prompt: “Authenticity on the Menu: Rethinking Cultural Purity in Mexican and Chinese American Cuisine”


    Essay Prompt:

    In contemporary food discourse, cries of “inauthentic” are often used to police the boundaries of cultural identity. American Chinese food and modern Mexican cuisine are frequently accused of deviating from their traditional roots—dishes like General Tso’s chicken or Korean taco fusion provoke both celebration and scorn. But what does authenticity really mean in a country built on cultural convergence and adaptation?

    This essay invites you to explore the tensions between authenticity and adaptation in the evolution of Mexican and Chinese food in the United States. Rather than framing culinary transformation as a betrayal, consider how these cuisines have served as vehicles for survival, cultural expression, and even quiet resistance against exclusion and erasure.

    Drawing from:

    • Gustavo Arellano’s essay “Let White People Appropriate Mexican Food”
    • Ian Cheney’s documentary The Search for General Tso
    • Charles W. Hayford’s “Who’s Afraid of Chop Suey”
    • Cathy Erway’s “More Than ‘Just Takeout’”
    • Kelley Kwok’s “‘Not Real Chinese’: Why American Chinese Food Deserves Our Respect”
    • Jiayang Fan’s “Searching for America with General Tso”

    Your task is to defend, refute, or complicate the claim that criticizing Mexican and Chinese food for being “inauthentic” oversimplifies the realities of cultural exchange, economic survival, and creative resilience. Analyze how these foods reflect the lived experiences of immigrant communities negotiating belonging in a country often hostile to their presence.

    In your essay, define authenticity and explain how food operates as both cultural symbol and commodity. Should evolving cuisines be celebrated as testaments to resilience and ingenuity, or are there valid reasons to lament the loss of traditional culinary practices?

    You are encouraged to include personal anecdotes, cultural observations, or family histories if relevant—but maintain an argumentative, evidence-based tone throughout.


    Sample Thesis Statements


    Thesis 1:
    Labeling American Chinese and modern Mexican food as “inauthentic” not only ignores the histories of exclusion and survival that shaped these cuisines, but also reinforces a rigid, essentialist view of culture that fails to recognize adaptation as a legitimate—and necessary—form of expression.


    Thesis 2:
    While culinary purists may mourn the loss of tradition, dishes like orange chicken and carne asada fries should be understood not as betrayals of culture, but as inventive responses to racism, capitalism, and assimilation—proof that food evolves to meet the needs of those who cook it.


    Thesis 3:
    Though some modern interpretations of Mexican and Chinese cuisine risk diluting cultural meaning, dismissing them as inauthentic erases the labor, compromise, and strategy behind immigrant adaptation. These “inauthentic” dishes are often the only tools marginalized communities have to assert presence in the mainstream.


    10-Paragraph Essay Outline


    Paragraph 1 – Introduction

    • Open with a vivid description of a “fusion” dish—e.g., General Tso’s chicken or a bulgogi taco.
    • Introduce the cultural tension: critics call it inauthentic, but fans see it as innovative.
    • Define authenticity as it relates to food—linked to heritage, but often idealized or frozen in time.
    • Introduce thesis: Adapted Mexican and Chinese dishes are more than just Americanized versions—they are creative, resilient responses to exclusion, shaped by economic and social realities.

    Paragraph 2 – The Myth of Culinary Purity

    • Discuss how cultures, including their cuisines, are never static—food evolves across borders, time, and necessity.
    • Reference Hayford’s essay: Chop Suey was mocked but also became a symbol of cultural hybridity.
    • Suggest that authenticity is a moving target, not a fixed standard.

    Paragraph 3 – Food as Survival Strategy

    • Show how immigrant communities adapted recipes to fit American ingredients, tastes, and economic constraints.
    • Use The Search for General Tso to illustrate how Chinese restaurant owners tailored menus to avoid discrimination while making a living.
    • Frame these adaptations as strategic—not sellouts, but survival tools.

    Paragraph 4 – Mexican Cuisine and Cultural Flexibility

    • Draw from Arellano’s argument: Mexican food has always been flexible and regionally diverse.
    • Discuss the rise of dishes like breakfast burritos or California burritos—not Mexican per se, but still rooted in Mexican technique and sensibility.
    • Argue that innovation doesn’t erase identity—it expands it.

    Paragraph 5 – Appropriation vs. Adaptation

    • Make distinctions between cultural appropriation (extraction without respect) and cultural adaptation (evolution from within).
    • Arellano’s essay defends white chefs cooking Mexican food, but notes the double standard when immigrants are excluded from credit or capital.
    • Emphasize the importance of who benefits from culinary success.

    Paragraph 6 – The Emotional Stakes of Authenticity

    • Explore why food carries such emotional weight—it connects to home, family, memory.
    • Reference Kelley Kwok’s essay on shame and pride in eating American Chinese food.
    • Acknowledge that critiques of authenticity often come from a place of longing, but may oversimplify how identity is preserved.

    Paragraph 7 – The Mainstreaming of “Ethnic” Food

    • Discuss how dishes once dismissed as “ethnic junk” have become trendy and profitable.
    • Use Jiayang Fan’s reflections to show how General Tso became a cultural ambassador—flawed, yes, but powerful.
    • Ask: Is mainstream acceptance a win for cultural visibility, or does it flatten the story?

    Paragraph 8 – Counterargument: The Loss of Tradition

    • Consider critics who argue that modern adaptations erase important culinary history.
    • Acknowledge the danger of cultural dilution—e.g., chain restaurants replacing traditional kitchens.
    • But rebut by arguing that tradition and innovation are not mutually exclusive; both can coexist.

    Paragraph 9 – Synthesis: Food as a Living Archive

    • Reassert that Mexican and Chinese American dishes are not lesser—they are living archives of migration, struggle, and creativity.
    • Argue that we should assess cuisine not just by fidelity to a past, but by how it reflects the realities of the present.
    • Draw from Erway’s piece on how takeout often contains rich, hidden histories of resilience.

    Paragraph 10 – Conclusion

    • Return to your opening image: that “inauthentic” fusion dish is a cultural text worth reading.
    • Reaffirm your thesis: to dismiss adapted food as inauthentic is to miss its ingenuity and the hard histories behind it.
    • End with a call to rethink what authenticity means—not as static preservation, but as cultural endurance through change.
  • 3 College Essay Prompts for a Comparison of Frederick Douglass and Malcolm X

    3 College Essay Prompts for a Comparison of Frederick Douglass and Malcolm X

    Here are three essay prompts tailored for a 1,700-word comparative analysis of Frederick Douglass and Malcolm X as literary heroes whose transformation through language empowered them to resist “The Sunken Place” and lead others toward justice:

    1.
    Prompt Title: Rewriting the Self: Douglass and Malcolm X as Architects of Liberation
    Prompt:
    Both Frederick Douglass and Malcolm X underwent radical personal transformations through their acquisition and use of language. In a well-developed essay, compare how Douglass in Narrative of the Life of Frederick Douglass and Malcolm X in The Autobiography of Malcolm X use reading, writing, and oratory as tools to escape what might be called “The Sunken Place”—a psychological and social condition of internalized oppression and learned helplessness. How does language serve as a weapon of self-reinvention and, ultimately, as a vehicle for leading others toward liberation?

    2.
    Prompt Title: From Silence to Speech: The Heroic Voice in Douglass and Malcolm X
    Prompt:
    In both Douglass’s and Malcolm X’s narratives, the journey from silence to speech marks the beginning of their heroism. Analyze how each man’s relationship to language—books, writing, and especially public speech—transforms them from passive subjects of oppression into active agents of change. How do their stories function as “literary transformations,” and how do they use their voices not just to escape the Sunken Place but to pull others out as well?

    3.
    Prompt Title: The Language of Resistance: Literary Heroism in Douglass and Malcolm X
    Prompt:
    Consider Douglass and Malcolm X as literary heroes whose weapon is not brute force but rhetorical and intellectual power. Both men begin in different forms of social invisibility and voicelessness, and both rise through literacy and speech to become revolutionary figures. In a comparative essay, explore how their mastery of language allowed them to diagnose the despair of systemic racism and to create a compelling counter-narrative of dignity, resistance, and hope.

  • Gilded Cages and Bourbon Hangovers: The Tragicomedy of Southern Charm

    Gilded Cages and Bourbon Hangovers: The Tragicomedy of Southern Charm

    Gilded Cages and Bourbon Hangovers: The Tragicomedy of Southern Charm

    There’s an old saying: declaw a cat, and it can’t survive in the wild. But what happens when the cat doesn’t want to leave its velvet-cushioned cage? Welcome to Southern Charm, a reality show that parades a peculiar species—the overgrown man-child, trapped by privilege, mediocrity, and the reassuring hum of an ever-flowing bourbon decanter.

    These men, ranging from their thirties to their fifties, are not so much participants in life as they are well-dressed relics, embalmed in their own vices. Work is an abstract concept, something dabbled in between brunches and boat parties. Women are recreational pastimes, sampled and discarded like seasonal cocktails. And the ultimate validation? The cooing, slurred approval of their doting mothers, who, in between vodka tonics, assure their progeny that they are, indeed, true Southern gentlemen.

    But Southern Charm isn’t just about individual arrested development—it’s about a collective one. Nowhere is this more apparent than in the show’s occasional detours into the grotesque theater of old-money delusion. Take, for example, the time disgraced politician Thomas Ravenel dined with his father, Arthur, a former U.S. Representative. Over lunch, Arthur casually revealed his habit of quickly getting rid of five-dollar bills because Abraham Lincoln’s face still irks him. That’s right—Lincoln, the president who ended slavery, remains a personal affront to this withered artifact of the antebellum South.

    If I had to sum up Southern Charm in a single word, it would be imprisonment. These men are locked in a gilded purgatory, shackled by tradition, vice, and a desperate fear of anything beyond their insular Charleston bubble. They know their world is suffocating, yet they can’t—or won’t—leave it. And that’s what makes Southern Charm such a mesmerizing trainwreck: watching these men wriggle and rationalize, making their slow-motion deal with the devil, one bourbon at a time.

  • Bill Burr’s Drop Dead Years: Rage, Reflection, and the Long Road to Emotional Literacy

    Bill Burr’s Drop Dead Years: Rage, Reflection, and the Long Road to Emotional Literacy

    At 56 years old, Bill Burr strides onto the stage looking like a man who hasn’t just survived middle age but has trained for it—lean, sharp, and decked out in a blue sweatshirt, jeans, and sneakers, the unofficial uniform of a guy who’s seen some things but hasn’t yet gone full sweatpants. His latest special, Drop Dead Years (streaming on Hulu), finds him at a crossroads: He’s entered the danger zone—the phase of life where men his age can drop dead at any second. And so, standing before a Seattle crowd, a city he awards first prize in rain-soaked despair, he does what any man staring down mortality would do—he takes stock of his life.

    Burr has baggage, and he knows it. Anger issues? Check. Outdated, offensive language? His wife is on him about it. Emotionally repressed male conditioning? Oh, absolutely. For decades, he’s kept his demons on a leash by staying busy, but when the work stops, his personal hellscape begins. He decides to test a theory: After returning from a tour, instead of distracting himself with projects, he sits in a corner, stares at the TV, and marinates in his own misery. His wife, alarmed, asks if he’s okay. For the first time in his life, he admits the truth: I’m sad. A historic moment for a man raised on the doctrine of shut up and push through.

    But does Burr actually offer any solutions for his emotional demolition derby? Not really—at least not in the special. While he drops breadcrumbs in radio interviews about his self-improvement quest, including the occasional reference to psilocybin therapy, the special mostly stays in the realm of self-awareness rather than self-help. And don’t worry—the fangs are still sharp. Burr unloads on racist conservatives and hypocritical, self-congratulatory liberals with equal fervor, and despite the obvious political leanings of his Seattle audience, no one seems too offended. Maybe that’s part of Burr’s charm—he’s an equal-opportunity agitator, and the crowd knows they’re getting a sermon with a punchline, not a TED Talk.

    Here’s the thing: While I love Burr, I found Drop Dead Years a little… safe. The premise—that wisdom comes with age, that unchecked emotions can consume us, and that kindness and patience improve relationships—is undeniably true but hardly groundbreaking. The performance is solid, his honesty is refreshing, and his intelligence undeniable, but I couldn’t shake the feeling that he was more compelling when I heard him on Terry Gross’ Fresh Air a couple of weeks earlier. There, in a rare good-natured sparring match with the NPR icon, Burr revealed more of himself—and in funnier ways—than he did in his actual special.

    That said, Bill Burr is always worth watching. Even when he’s not at his absolute peak, he’s still one of the sharpest, most brutally honest voices in comedy. So, do I recommend Drop Dead Years? Absolutely. But if you want peak Burr, you might want to queue up that Fresh Air interview right after.

  • Teaching History Without Erasure: Frederick Douglass, Germany’s Reckoning, and the Power of Truth

    Teaching History Without Erasure: Frederick Douglass, Germany’s Reckoning, and the Power of Truth

    This is my second essay prompt in my freshman composition class:

    Teaching History Without Erasure: Frederick Douglass, Germany’s Reckoning, and the Power of Truth

    In recent years, fierce debates have erupted over how slavery, Jim Crow laws, and racial injustice should be taught in American classrooms. Some critics argue that these lessons have become excessively politicized, accusing educators of pushing a divisive narrative that portrays America as fundamentally irredeemable. They claim that such an approach fosters victimhood, undermines critical thinking, and turns education into a vehicle for ideological indoctrination.

    Others push back, arguing that this resistance is itself a form of historical distortion—an attempt to silence African-American voices and obscure painful but essential truths. They assert that teaching racial injustice is not about politics but about moral, psychological, and historical reckoning. Frederick Douglass’ writings offer a powerful counterpoint, illustrating how truth-telling about oppression is not an act of condemnation but one of empowerment. Much like Jordan Peele’s The Sunken Place concept, Douglass’ life reveals how acknowledging injustice can lead to personal agency, resistance, and the pursuit of justice. Similarly, Germany’s post-Holocaust reckoning provides a framework for confronting historical atrocities without fostering helplessness or national self-loathing.

    For this 1,700-word argumentative essay (MLA format required), analyze how Frederick Douglass’ personal fight against slavery and Germany’s effort to memorialize the Holocaust offer crucial lessons on addressing historical injustice. Drawing on Douglass’ Narrative of the Life of Frederick Douglass, An American Slave and Clint Smith’s essay “Monuments to the Unthinkable,” explore how bearing witness to historical truths can foster accountability, self-agency, and resilience. Consider how both examples highlight the importance of acknowledging past wrongs while also promoting national and individual growth.

    Essay Requirements:

    • Length: 1,700 words
    • Format: MLA (Modern Language Association)
    • Sources: Minimum of 4, cited in MLA format
    • Required Texts:
      • Narrative of the Life of Frederick Douglass, An American Slave (available online as a PDF)
      • Clint Smith’s “Monuments to the Unthinkable”
      • PBS NewsHour YouTube video “Why Americans Are So Divided Over Teaching Critical Race Theory”
      • David Pilgrim’s YouTube video “The Jim Crow Museum”
      • Childish Gambino’s “This Is America” (Optional for thematic analysis)

    Key Focus Areas for Analysis:

    • How Douglass’ narrative challenges oppression and promotes self-agency
    • How Germany’s post-Holocaust reforms serve as a model for confronting historical injustice
    • The moral responsibility of societies to acknowledge past atrocities and ensure they are not repeated
    • How historical awareness empowers future generations to break cycles of injustice
    • Strategies for teaching history in a way that fosters accountability, growth, and resilience—without promoting victimhood or division

    This essay invites you to step beyond the surface of modern political debates and examine how history, when taught truthfully, can serve as a tool for both personal and societal transformation. How should we reckon with our past, and what can we learn from those who have done it well?

  • Reading A Clockwork Orange in Russia

    Reading A Clockwork Orange in Russia

    In my early twenties, I was holding a copy of A Clockwork Orange on an Aeroflot flight from New York to Moscow, and I was fairly certain I’d be arrested before I even touched Soviet soil. This was not the book I was supposed to be reading. My grandfather, a proud, card-carrying Communist, had made it clear that my in-flight reading should be Cities Without Crisis: The Soviet Union Through the Eyes of an American by Mike Davidow—a glowing, uncritical love letter to the USSR. According to Davidow, the Soviet Union was well on its way to utopia, a land where happy, apple-cheeked children played in clean, orderly cities, miraculously untouched by the crime, chaos, and moral decay of capitalist America.

    I had every intention of honoring my grandfather’s wishes. He had, after all, funded my spot on this Sputnik Peace Tour, a Cold War-era cultural exchange designed to showcase the Soviet Union’s superiority and convince impressionable American university students that their homeland was little more than a dilapidated shack compared to the Soviet skyscraper. My grandfather, who spent his golden years vacationing in Russia and Cuba and had personally befriended Fidel Castro, hoped I’d return to the States ready to sing the Soviet anthem on command, with a crimson hammer-and-sickle tattoo stretched across my chest.

    But try as I might, I couldn’t stomach Davidow’s propaganda. It read like an overlong infomercial scripted by a particularly humorless bureaucrat. Every page was predictable, every assertion dripping with a blind, almost devotional reverence for the Soviet system. By chapter three, my eyelids were growing heavier than a Soviet cement block. That’s when I ditched it for A Clockwork Orange, a novel that, in its satirical depiction of authoritarianism and mindless conformity, was just about the worst reading material one could bring on a goodwill trip to the USSR. My grandfather would have called it “reactionary,” but I wasn’t worried about him.

    No, my real concern was the Soviet customs officers waiting for us on the tarmac. They’d be rummaging through our luggage, sniffing out any hint of anti-Soviet subversion. And there I was, gripping a book that, if noticed, might earn me an all-expenses-paid trip to the kind of re-education program I had no interest in attending.

    When one of my fellow tourists, Jerry Gold, who was studying law at Brown University, saw me reading the subversive novel while sitting next to me on the plane, he warned me that the Soviet police would probably confiscate it when we got to the airport. “Not only will they take your book,” he said, “they will mark you as a troublemaker and keep tags on you throughout the entire trip. You must now constantly look over your shoulder for spies, my friend. And remember, if anyone wants to offer you good money for your jeans, it’s probably KGB. Selling Western commodities for the black market is a crime that could get you sent to a Soviet prison.”

    I’ll admit, I was a little anxious about some stern-faced Soviet officer confiscating A Clockwork Orange from my hands, but that concern quickly took a backseat to a far more immediate crisis: the inedible horrors being passed off as food on the Aeroflot flight. The demure flight attendants, clad in their stiff, no-nonsense uniforms, moved through the cabin with a grim efficiency, depositing onto our trays what could only be described as Cold War rations—waxy cheese triangles entombed in foil, anemic cold cuts that looked like they had lost a war of their own, limp lettuce gasping for dignity, and carrot slices so soggy they seemed to be pre-chewed. It was a meal that could single-handedly refute Mike Davidow’s utopian vision in Cities Without Crisis. His thesis—that the Soviet Union was building thriving cities free of strife—collapsed under the weight of this culinary travesty. Because if a nation’s food is a reflection of its prosperity, then a country that serves despair on a tray is, in fact, in crisis. And a man who fails to acknowledge that crisis is a fraud.

    Across the aisle, Jerry Gold, the kind of guy who exuded the unshakable self-assurance of someone who spent his summers at debate camp and his winters skiing in Vermont, curled his lip in disgust. A mop of reddish-brown hair and a constellation of freckles gave him the air of a scholarly leprechaun. He peeled back the foil on his cheese triangle with surgical precision, examined its plasticky surface like a jeweler appraising a fake diamond, and let out a slow, deliberate sigh. Then, in a display of Ivy League pragmatism, he took the industrial-grade brown napkin from his tray, folded it with the care of a man preparing for a high-stakes origami competition, and tucked it into the inner pocket of his coat. “You might want to do the same,” he advised me in a tone that suggested this was less a suggestion and more a survival strategy. I nodded, following suit, because when faced with Soviet airline cuisine, you learned to take advice from the man with a backup plan.

    “This could be the only toilet paper you’re going to have on this trip,” he said. “You would be wise to save all your napkins. They’re worth their weight in gold around here.”

    “That’s disgusting.”

    “Have you ever used an Eastern European toilet?”

    I shook my head.

    “A hole in the ground. An invitation to the deep knee bend. It’s a free Jack Lalanne workout every time you go to the shitter. Things can be rather primitive.”

    “For someone so hellbent on horrifying me on every aspect of this tour, can you please tell me why you decided to go on this trip?”

    “It’s college credit. It’s exotic. How many Americans can boast of having been inside the Soviet Union?” He forced down a bite of cheese and asked me why I was going on the tour. 

    “My grandfather is a card-carrying communist,” I said. “He’s trying to convert me.”

    “So he sent you to paradise.” He laughed, then pinched a cold cut, lifted it before his face, and scrutinized it carefully.

    “The food isn’t a winning argument,” I said. “Nor is the absence of toilet paper.”

    “There is a saying in the Soviet Union,” he said while tossing the uneaten cold cut on his tray. “If you see people standing in line, make sure you stand in it. People are always waiting in line for something.”

    His statement proved to be true. A week later when we were in a sweltering market in Kyiv, we saw forlorn citizens, mostly stoic-faced babushkas, standing in a long line to buy wrinkled room-temperature chickens with flies swarming over them. I kept thinking to myself, “Cities without crisis? Bullshit.” Little did I know, I was standing 62 miles from Chernobyl and that two years later the nuclear reactor would explode causing worldwide radioactive contamination. Cities without crisis indeed.

    But in 1984 as I witnessed long lines, food shortages, nonexistent toilet paper, and primitive toilets, I found something about the Soviet Union that struck me as almost admirable: Everywhere we went, markets, train stations, parks, and museums, there were government speakers playing classical music, much of it from Rachmaninoff, Shostakovich, and Prokofiev. I wanted to believe, as my grandfather would want me to, that the violin chamber pieces and piano sonatas were the Soviet Union’s idea of music for the masses based on the government cultivating sophisticated taste in its citizens. But a darker motive was that the music was part of the Soviet Union’s propaganda: Classical music from Russian composers was a way of rebuking the vulgarity and corruption of the West. 

  • AN ESSAY MUST EMBRACE HUMANIFICATION

    AN ESSAY MUST EMBRACE HUMANIFICATION

    Returning to the classroom post-pandemic and encountering ChatGPT, I’ve become fixated on what I now call “the battle for the human soul.” On one side, there’s Ozempification—that alluring shortcut. It’s the path where mediocrity is the destination, and the journey there is paved with laziness. Like popping Ozempic for quick weight loss and calling it a day, the shortcut to academic success involves relying on AI to churn out lackluster work. Who cares about excellence when Netflix is calling your name, right?

    On the other side, we have Humanification. This is the grueling path that my personal hero, Frederick Douglass, would champion. It’s the deep work Cal Newport writes about in his best-selling books. Humanification happens when we turn away from comfort and instead plunge headfirst into the difficult, yet rewarding, process of literacy, self-improvement, and helping others rise from their own “Sunken Place”—borrowing from Jordan Peele’s chilling metaphor in Get Out. On this path, the pursuit isn’t comfort; it’s meaning. The goal isn’t a Netflix binge but a life with purpose and higher aspirations.

    Reading Tyler Austin Harper’s essay “ChatGPT Doesn’t Have to Ruin College,” I was struck by the same dichotomy of Ozempification on one side of academia and Humanification on the other. Harper, while wandering around Haverford’s idyllic campus, stumbles upon a group of English majors who proudly scoff at ChatGPT, choosing instead to be “real” writers. These students, in a world that has largely tossed the humanities aside as irrelevant, are disciples of Humanification. For them, rejecting ChatGPT isn’t just an academic decision; it’s a badge of honor, reminiscent of Bartleby the Scrivener’s iconic refusal: “I prefer not to.” Let that sink in. Give these students the opportunity to use ChatGPT to write their essays, and they recoil at the thought of such a flagrant self-betrayal. 

    After interviewing students, Harper concludes that using AI in higher education isn’t just a technological issue—it’s cultural and economic. The disdain these students have for ChatGPT stems from a belief that reading and writing transcend mere resume-building or career milestones. It’s about art for art’s sake. But Harper wisely points out that this intellectual snobbery is rooted in privilege: “Honor and curiosity can be nurtured, or crushed, by circumstance.” 

    I had to stop in my tracks. Was I so privileged and naive to think I could preach the gospel of Humanification while unaware that such a pursuit costs time, money, and the peace of mind that one has a luxurious safety net in the event the Humanification quest goes awry? 

    This question made me think of Frederick Douglass, a man who had every reason to have his intellectual curiosity “crushed by circumstance.” In fact, his pursuit of literacy, despite the threat of death, was driven by an unquenchable thirst for knowledge. But Douglass, let’s be honest, is an outlier—a hero for the ages. Can we really expect most people, particularly those without resources, to follow that path? Harper’s argument carries weight. Without the financial and cultural infrastructure to support it, aspiring to Humanification isn’t always feasible.

    I often tell my students that being rich makes it easier to be an intellectual. Imagine the luxury: you could retreat to an off-grid cabin (complete with Wi-Fi, obviously), gorge on organic gourmet food prepped by your personal chef, and spend your days reading Dostoevsky in Russian and mastering Schubert’s sonatas while taking sunset jogs along the beach. When you emerge back into society, tanned and enlightened, you could boast of your intellectual achievements with ease.

    Harper’s point is that wealth facilitates Humanification. At a place like Haverford, with its “writing support, small classes, and unharried faculty,” it’s easier to uphold an honor code and aspire to intellectual purity. But for most students—especially those in public schools—this is a far cry from reality. My wife teaches sixth grade in the public school system, and she’s shared stories of schools that resemble post-apocalyptic wastelands more than educational institutions. We’re talking mold-infested buildings, chemical leaks, and underpaid teachers sleeping in their cars. Expecting students in these environments to uphold an “honor code” and strive for Humanification? It’s not just unrealistic—it’s insulting.

    This brings to mind Maslow’s hierarchy of needs. Before we can expect students to self-actualize by reading Dostoevsky or rejecting ChatGPT, they need food, shelter, and basic safety. It’s hard to care about literary integrity when you’re navigating life’s survival mode.

    As I dive deeper into Harper’s thought-provoking essay on economic class and the honor code, I can’t help but notice the uncanny parallel to the “weight management code” my Critical Thinking students tackle in their first essay. Both seem to hinge not just on personal integrity or effort but on a cocktail of privilege and circumstance. Could it be that striving to be an “authentic writer,” untouched by the mediocrity of ChatGPT and backed by the luxury of free time, is eerily similar to the aspiration of achieving an Instagram-worthy body, possibly aided by expensive Ozempic injections?

    It raises the question: Is the difference between those who reject ChatGPT and those who embrace it simply a matter of character, or is it, at least in part, a product of class? After all, if you can afford the luxury of time—time to read Tolstoy and Dostoevsky in your rustic, tech-free cabin—you’re already in a different league. Similarly, if you have access to high-end weight management options like Ozempic, you’re not exactly running the same race as those pounding the pavement on their $20 sneakers. 

    Sure, both might involve personal effort—intellectual or physical—but they’re propped up by economic factors that can’t be ignored. Whether we’re talking about Ozempification or Humanification, it’s clear that while self-discipline and agency are part of the equation, they’re not the whole story. Class, as uncomfortable as it might be to admit, plays a significant role in determining who gets to choose their path—and who gets stuck navigating whatever options are left over.

    I’m sure the issue is more nuanced than that. These are, after all, complex topics that defy oversimplification. But both privilege and personal character need to be addressed if we’re going to have a real conversation about what it means to “aspire” in this day and age.

    Returning to Tyler Austin Harper’s essay, Harper provides a snapshot of the landscape when ChatGPT launched in late 2022. Many professors found themselves swamped with AI-generated essays, which, unsurprisingly, raised concerns about academic integrity. However, Harper, a professor at a liberal-arts college, remains optimistic, believing that students still have a genuine desire to learn and pursue authenticity. He views the potential for students to develop along the path of intellectual and personal growth, as very much alive—especially in environments like Haverford, where he went to test the waters of his optimism.

    When Harper interviews Haverford professors about ChatGPT violating the honor code, their collective shrug is surprising. They’re seemingly unbothered by the idea of policing students for cheating, as if grades and academic dishonesty are beneath them. The culture at Haverford, Harper implies, is one of intellectual immersion—where students and professors marinate in ideas, ethics, and the contemplation of higher ideals. The honor code, in this rarified academic air, is almost sacred, as though the mere existence of such a code ensures its observance. It’s a place where academic integrity and learning are intertwined, fueled by the aristocratic mind.

    Harper’s point is clear: The further you rise into the elite echelons of boutique colleges like Haverford, the less you have to worry about ChatGPT or cheating. But when you descend into the more grounded, practical world of community colleges, where students juggle multiple jobs, family obligations, and financial constraints, ChatGPT poses a greater threat to education. This divide, Harper suggests, is not just academic; it’s economic and cultural. The humanities may be thriving in the lofty spaces of elite institutions, but they’re rapidly withering in the trenches where students are simply trying to survive.

    As someone teaching at a community college, I can attest to this shift. My classrooms are filled with students who are not majoring in writing or education. Most of them are focused on nursing, engineering, and business. In this hypercompetitive job market, they simply don’t have the luxury to spend time reading novels, becoming musicologists or contemplating philosophical debates. They’re too busy hustling to get by. Humanification, as an idea, gets a nod in my class discussions, but in the “real world,” where six hours of sleep is a luxury, it often feels out of reach.

    Harper points out that in institutions like Haverford, not cheating has become a badge of honor, a marker of upper-class superiority. It’s akin to the social cachet of being skinny, thanks to access to expensive weight-loss drugs like Ozempic. There’s a smugness that comes with the privilege of maintaining integrity—an implication that those who cheat (or can’t afford Ozempic) are somehow morally inferior. This raises an uncomfortable question: Is the aspiration to Humanification really about moral growth, or is it just another way to signal wealth and privilege?

    However, Harper complicates this argument when he brings Stanford into the conversation. Unlike Haverford, Stanford has been forced to take the “nuclear option” of proctoring exams, convinced that cheating is rampant. In this larger, more impersonal environment, the honor code has failed to maintain academic integrity. It appears that Haverford’s secret sauce is its small, close-knit atmosphere—something that can’t be replicated at a sprawling institution like Stanford. Harper even wonders whether Haverford is more museum than university—a relic from an Edenic past when people pursued knowledge for its own sake, untainted by the drive for profit or prestige. Striving for Humanification at a place like Haverford may be an anachronism, a beautiful but lost world that most of us can only dream of.

    Harper’s essay forces me to consider the role of economic class in choosing a life of “authenticity” or Humanification. With this in mind, I give my Critical Thinking students the following writing prompt, which they will use for the introductory paragraph in their second essay:

    Personal Reflection Prompt: Imagining Wealth as a Path to Humanification

    Imagine that you have inherited a vast fortune, freeing you from the demands of work and financial survival. With all the time and resources you could ever need, you now have the opportunity to pursue a life focused on intellectual growth and personal fulfillment—a life of Humanification, as opposed to the shortcuts and superficial gains we often settle for in our daily lives.

    In this reflection, describe how you would use your newfound wealth to cultivate yourself as a deeply thoughtful, well-read individual. Consider the choices you might make to enrich your mind, whether through travel, rigorous study, artistic pursuits, or meaningful experiences that challenge and expand your understanding of the world. Reflect on how you would resist the temptation of “Ozempification”—the lure of easy, superficial achievements—and instead dedicate yourself to meaningful, enduring growth. How would this life of Humanification impact your values, relationships, and perspective on life?

    As you reflect, consider the role of economic class in the pursuit of an “authentic” or “intellectual” life. Do you think wealth plays a decisive role in people’s ability to focus on self-cultivation and Humanification, rather than opting for practical or mundane paths? In your view, is a lack of financial security a valid reason to abandon pursuits often associated with the privileged, like becoming well-read, exploring philosophy, or creating art? Or, do you think that intellectual and personal growth can (and should) be sought regardless of one’s economic situation?

    In your response, consider the following:

    1. Describe the intellectual and creative pursuits you would invest in, explaining why these activities appeal to you and how they might contribute to a richer, fuller life.

    2. Explore the challenges and choices involved in resisting the temptation for easy, unearned rewards. How would you stay true to your pursuit of meaning?

    3. Reflect on how living a life dedicated to Humanification might change the way you view success, happiness, and fulfillment.

    4. Finally, consider the role of privilege in your imagined life of Humanification. Would your goals and values shift if you had fewer resources, and would you find it justifiable to focus on more practical pursuits instead?

    ______

    While I acknowledge that Humanification is partly a function of class privilege, I can’t give up on it as a worthwhile and practical pursuit for my students. It doesn’t cost bucket loads of money to become a self-taught autodidactic, an intellectually curious person who hungers to learn something new every day. To be a person whose curiosity is more treasured than consumerism and pleasure-seeking is to be a happy person. This idea is argued persuasively in Jeffrey Rosen’s The Pursuit of Happiness, in which he delves into learning to free ourselves from the maudlin personality–a person who dotes on narcissistic and inconsequential trivia and is enslaved to the irrational passions while instead becoming a self-possessed person of hungers for wisdom and virtue. One of Rosen’s most inspiring examples is Frederick Douglass who had an early understanding that literacy was forbidden to enslaved people because it posed a direct threat to the institution of slavery itself. Douglass’ master knew that an illiterate slave was a docile, childlike being who, lacking the tools for critical thought, would be less likely to rebel or even question their role as a slave. Rosen captures the brilliance of Douglass’ epiphany: the realization that slavery’s cruelty lay not only in physical bondage but also in the systematic effort to shackle the mind. As Douglass learned to read in secret, under the threat of death, he embarked on a journey of self-liberation that proved literacy was both a radical act of defiance and a tool for Humanification—rising from ignorance to a life of meaning, purpose, and intellectual freedom.

    One of Douglass’ key turning points was his discovery of The Columbian Orator, a book he purchased at thirteen, which provided him with principles of eloquence and oratory, along with powerful antislavery messages. In it, Douglass encountered a dialogue between a master and slave, a reflection on the dehumanizing effects of slavery that resonated deeply with his own experience. This book laid bare the injustices of slavery and confirmed that developing literacy and reason were not just acts of rebellion, but essential to becoming fully human. Rosen points out that Douglass was convinced that slavery was rooted in the avarice of man, and his reading of The Columbian Orator dismantled any lingering doubts that God had willed his enslavement. For Douglass, literacy opened the door to understanding slavery as a violation of “God’s eternal justice.”

    Rosen’s analysis brings to life Douglass’ belief that the root of oppression—whether racial or otherwise—lies in people’s unreasoning hatred and their desire to dominate. Douglass realized that these “inflamed passions” existed across societies and were not exclusive to slavery. Douglass’ profound insight was that humanity’s failure to be governed by reason led to unjust societies that thrived on privilege for some and degradation for others. This understanding is deeply relevant today, especially when we reflect on the ways society continues to foster mediocrity, complacency, and self-degradation, which I have termed “Ozempification”—a lazy, shortcut-driven life that avoids the struggle required for meaningful self-development.

    Douglass’ argument for structured education as a path to freedom remains a cornerstone of his philosophy. As Rosen notes, in Douglass’ “Self-Made Men” speech, he articulates that true liberty means the opportunity to educate oneself and attain self-actualization. He rejected the notion that happiness or freedom would come from fate or divine intervention. Instead, Douglass embraced the belief that happiness was a result of hard work and virtuous self-control, not hedonistic pleasures or mindless pursuits. This aligns with Viktor Frankl’s philosophy in Man’s Search for Meaning: happiness is not something to be pursued directly but is a byproduct of living a life full of purpose.

    For me, Douglass’ story is both humbling and a powerful call to action. If Douglass risked his life to learn how to read and write, what excuse do I have to squander my intellectual freedom by grazing mindlessly on the Internet or indulging in dopamine hits from social media? His life forces me to reconsider my habits and reminds me that I need to engage in “deep work,” as Cal Newport would put it. Instead of wallowing in self-pity about the challenges AI presents to my teaching career, I need to recommit to the deep intellectual labor that gives life meaning and purpose. It’s clear that, like Douglass, I must fight against complacency and push myself to continuously grow.

    By following Douglass’ lead, I realize that my challenges today pale in comparison to his, yet the principles remain the same: the pursuit of knowledge, purpose, and self-improvement must be relentless. In a world filled with distractions and easy shortcuts, Douglass’ story teaches us what it means to live a life committed to true Humanification.

    I use Douglass’ example to create a counterargument assignment for the students’ third essay based on this personal reflection:

    Personal Reflection Assignment: Humanification Without Privilege—The Path of Frederick Douglass

    Frederick Douglass’ life is a powerful reminder that the pursuit of knowledge, purpose, and self-improvement can transcend material privilege. Douglass, born into the bondage of slavery and denied access to formal education, defied all odds to become a literate, free-thinking individual. His journey illustrates that while privilege may provide easier access to resources, it is not a requirement for Humanification—a life of intellectual growth, resilience, and personal liberation.

    For this 300-word reflection, consider a time when you faced a limitation—be it financial, social, or personal—that seemed to restrict your opportunities for growth or learning. How did you respond? Did you find a way to pursue your goals despite this limitation, or were there moments where you struggled to believe you could overcome it? 

    As you reflect, use Douglass’ story as a counterpoint to explore the following:

    1. Defining Your Own Humanification: How might Douglass’ example influence your understanding of Humanification? How can the absence of privilege push us to be more resourceful, determined, or resilient in our pursuit of personal growth?

    2. The Role of Personal Agency: Like Douglass’ commitment to literacy as a path to freedom, think about how you might pursue self-improvement without relying solely on external advantages. What resources—intellectual, emotional, or social—do you already possess that could support your growth?

    3. Examining Modern Privilege and Distraction: How does Douglass’ relentless pursuit of literacy contrast with today’s culture of convenience and distraction? How do you see privilege impacting the way people approach—or avoid—the work of self-education and personal development?

    Reflect on how Douglass’ example might encourage you to resist the temptations of “Ozempification” and choose the more challenging path toward lasting Humanification, regardless of your personal circumstances. Use this assignment to explore your own beliefs about privilege, growth, and the power of intentional, purpose-driven work.

  • WALTER CRONKITE AND FRANK SINATRA WERE THE TRUSTED PROPHETS OF MY YOUTH

    WALTER CRONKITE AND FRANK SINATRA WERE THE TRUSTED PROPHETS OF MY YOUTH

    At four years old, a pocket-sized philosopher in footie pajamas, I’d often find myself stationed in the living room like a tiny sentinel, transfixed by the glow of our hulking television set. The air was thick with the comforting aroma of my mother’s lasagna or spaghetti, a scent that promised warmth and stability, while my father and I tuned in to the evening sermon of Walter Cronkite. Cronkite, that square-jawed oracle of truth, delivered the news with the gravitas of a benevolent yet exhausted deity. His voice—measured, slightly weary—wrapped around the day’s events like a woolen blanket, equal parts reassurance and obligation, as necessary as a nightly dose of cod liver oil or a reluctant gulp of Ovaltine.

    But Cronkite, for all his journalistic divinity, did not hold the title of Supreme Voice in our household. That honor belonged to Frank Sinatra, whose velvet baritone floated from our Fischer Hi-Fi console stereo with the omnipresence of a household deity. Sinatra wasn’t merely a singer—he was a prophet, a sage in a sharp suit, the Cronkite of melody, issuing dispatches on love, loss, and longing with a conviction that made it clear: this was the stuff of life. His voice had the eerie authority of a celestial news anchor, forewarning me of adulthood’s looming weather patterns—storms of responsibility, gales of regret, hurricanes of heartbreak.

    At an age when my greatest concern should have been whether I got the last Nilla Wafer, I found myself drowning in premature nostalgia, gripped by the weight of Sinatra’s melancholic musings. “It Was a Very Good Year” hit my preschool psyche like an existential anvil—suddenly, I was an ancient soul trapped in a toddler’s body, debating whether to pair my Triscuits with a port wine cheddar spread or just give in and sip on some prune juice like a man resigned to his fate. Sinatra had me feeling so prematurely adult, I half-expected a cigar to materialize in my hand or to receive a personal invitation to an exclusive stockholder’s meeting.

    I wasn’t just waiting for dinner. I was reckoning with life’s grand metaphysical dilemmas, wrestling with the realization that the world was vast, unknowable, and, worst of all, drenched in longing. And yet, as I sat there, absorbing the gospel of Ol’ Blue Eyes, I couldn’t help but suspect that Sinatra had the answers—the ones I wouldn’t fully understand until I was old enough to toast my regrets with a stiff drink and a knowing smirk.