Cinemorphosis

Tag: relationships

  • Maybe There’s a Friendship Renaissance Waiting for Retirees, Or Maybe There Isn’t

    Maybe There’s a Friendship Renaissance Waiting for Retirees, Or Maybe There Isn’t

    In a recent conversation with Mike Moynihan on The Moynihan Report, media analyst Doug Rushkoff described social media life as a kind of self-inflicted madness: we willingly lobotomize ourselves into shrill binaries, flattening nuance until the “other side” is little more than a demon enemy. His words echoed Jaron Lanier’s decade-long dirge about how the online hive mind debases us into cheap caricatures.

    After fifteen years inside this funhouse, I can vouch for Rushkoff. Chasing likes and subs is a direct pipeline to despair. The algorithm isn’t designed for truth or connection — it’s a slot machine that spits out dopamine crumbs in exchange for outrage and hype. And yet, podcasters like Rushkoff and Moynihan point to a counterargument: in the right hands, social media can host intelligent conversations. But it’s a fragile victory, like surviving on a vegan diet — possible, but you’ll work twice as hard and swallow twice as much chalk.

    Socially, though, the medium is barren. Scroll long enough and the promise of “connection” curdles into loneliness.

    This hits me harder as retirement creeps closer — twenty-one months and counting. I’ve spent forty years teaching face-to-face, and I’ll miss it desperately. This semester I have student-athletes: sharp, disciplined, driven, engaging. Those classroom connections have been the marrow of my career, and they won’t be replicated by a Facebook feed.

    I’ll still have a family. I’ll still have two best friends in Torrance. But unlike my wife, who maintains a weekly social circuit of concerts, trips, dinners, and parties, my friendships are skeletal. Months-long “friendship fasts” punctuated by rare meetups. Husbands, as the cliché goes, lean too heavily on their wives for connection — a weight she may already feel pressed under. An isolated husband becomes a burden.

    You reap what you sow. Neglect friendships for decades, and you retire into isolation, wondering if you can still course-correct. Maybe it’s too late. Maybe habit calcifies into solitude.

    Or maybe not. Maybe there’s a friendship renaissance waiting out there: gray-haired amateur philosophers huddled at gritty diners, pickleball warriors at dawn, retirees solving the world over coffee. Maybe the beach yoga crowd will embrace me.

    Or maybe that’s just wishcasting. We’ll see.

  • The Warm Bath Illusion: Why Pleasure Culture Kills Relationships

    The Warm Bath Illusion: Why Pleasure Culture Kills Relationships

    When you’re married, you’ve closed the deal. You’ve made your public and private commitment to another person. Yet, as Phil Stutz points out in Lessons for Living, this loyalty oath collides with a culture that insists there’s always a better deal waiting. It’s our supposed “divine right” to find that deal, to “look outside ourselves for more.” In other words, FOMO infects the way we relate to our spouses. Stutz writes: “The result is a frenzy of activity, powered by the fear of missing something, which exhausts us emotionally and leaves us spiritually empty.”

    As a therapist to Hollywood’s wealthy actors and producers, Stutz sees people in perpetual pursuit of “bigger and better”—newer houses, flashier careers, younger spouses once they’ve “made it.” They want to “trade up,” convinced they deserve it. But what they crave isn’t a flesh-and-blood partner. It’s a “fantasy companion,” a frozen image of perfection that bears no resemblance to real life. As Stutz notes of one patient, a successful actor: “What he was really looking for was someone with the magical ability to change the nature of reality.”

    Why do so many of us want to change reality? Because reality is messy, uncertain, painful, and demands labor of mind and spirit. Consumer culture promises to scrub away that mess and deliver a “frictionless” existence. It sells us the Warm Bath: a world of perpetual pleasure and no conflict. But the Warm Bath is an adolescent fantasy—an illusion that reality will mold itself to our most immature notions of happiness.

    This fantasy always collapses. No “fantasy companion” exists, and even if one did, the Warm Bath curdles into hell. Experiences flatten, pleasures dull, the hedonic treadmill spins us into numbness, and from numbness we fall into rage—blaming the fantasy companion for failing to save us.

    Stutz argues we must abandon the fantasy of love—a stagnant “perfect” photograph—for the messier, real version: alive, unpredictable, and demanding effort. “To put it simply,” he writes, “love is a process. All processes require endless work because perfection is never achieved. Accepting this fact is not thrilling, but it is the first step to happiness. You can work on finding satisfaction in your relationship the same way you’d work on your piano playing or your garden.”

    So if you spend your days marinating in salacious fantasies and stoking your FOMO with consumer culture, you’re killing reality while feeding fantasy. And because you’re putting no work into your relationship, entropy sets in. Bonds fray, affection curdles, and instead of taking responsibility, you blame your partner and draft your exit strategy.

    To keep his patients from falling into this trap, Stutz prescribes three tools.

    The first is Fantasy Control. Fantasies, he warns, can grow “long and involved” until they compete with real relationships. Steely Dan’s “Deacon Blues” comes to mind. Its narrator is a suburban mediocrity who dreams himself into an edgy artist and seducer of women. Fans saw themselves in him, but the song is ironic: a portrait of a fallen man propping up a drab life with self-mythology. Such fantasies, Stutz says, “hold a tremendous amount of emotional energy.” The more energy you pour into a phantom partner, the less you have for your real one. When fantasies become sexual, the drain is worse. Stutz insists that when fantasies consume you, you must learn to interrupt them. “You’ll resent this at first,” he writes, “but each time you come down to earth you’re telling yourself that you are a committed adult who is strong enough to face reality. This will make you more satisfied with yourself, a precondition to becoming satisfied with any partner.”

    If you’re a boomer like me, this may sound like heresy. Raised in the 60s and 70s, we were taught to unleash the Id, to celebrate fantasies as expressions of the “true self.” The musical Hair didn’t just glorify wild locks but turned them into a metaphor of rebellion against authority. Hugh Hefner and Xaviera Hollander gave us ribald lifestyles to envy. Thomas Harris’s I’m Okay, You’re Okay blessed us with permission to indulge. And the cultural mantra was simple: “Let it all hang out!”

    But Stutz, a boomer himself, has watched fantasies devour his patients. His conclusion is blunt: curbing sexual fantasy is a crucial step toward adulthood and a stronger bond with one’s partner.

    The second tool is Judgment. Fixate on a fantasy partner and you suspend critical thought, surrendering to false perfection. You also sharpen your critique of your real partner until both fantasy and reality are grotesquely warped. To break free, Stutz says, you must recognize this distortion and choose a loving path over a fantasy path. “The process of loving requires that you catch yourself having these negative thoughts and dissolve them from your mind, replacing them with positive ones. You must actively construct thoughts about their good attributes, and let these thoughts renew feelings of attraction toward them.” This habit builds gratitude, restores attraction, and replaces helplessness with control.

    Reflecting on this, I recall Tim Parks’s essay “Adultery,” in which he describes a friend’s affair that destroyed his marriage. Parks likens sexual passion to a raging river that demolishes everything in its path, while domestic life is the quieter work of nest-building. The two impulses are locked in eternal conflict. Some people cannot resist hurling themselves into the river, even knowing it will consume them.

    To pull people out of that river, Stutz prescribes his third tool: Emotional Expression. Here self-expression works in reverse. Just as smiling can make you happier, acts of tenderness can make you feel tender. Stutz advises: when you’re alone with your partner, speak and touch them as if they are desirable. Do this consistently and not only will you find them more attractive, they’ll begin to find you more attractive too.

    It may sound counterintuitive. Who “works” for attraction? But that is Stutz’s point: love is work. Excessive fantasy, meanwhile, is infidelity—not only to your spouse, but to your adult self. Stay shackled to your adolescent hedonist, and like Lot’s wife, you’ll turn into a pillar of salt.

  • Arm-Wrestling My Way into Belonging

    Arm-Wrestling My Way into Belonging

    Last night, I had a dream so vivid it might as well have come with a recruitment brochure. Word had spread—apparently my reputation as the guy who could teach college football players to write sentences that didn’t cause nosebleeds had reached mythical status. Somewhere in South Carolina, perched on a beach with the casual arrogance of a luxury condo, a university decided they needed me. Urgently.

    Some guy—I don’t remember his name, only that he had the calm urgency of a cult recruiter—convinced me to hop on a bus. The ride took five seconds. Not metaphorically. Five actual seconds. Blink and boom: there I was, standing on a beach so perfect it made the California coast look like an overhyped sandbox.

    The air was humid but in a sensual, Southern Gothic sort of way. The kind of air that makes you forgive mosquitoes and contemplate linen pants. The sun was melting into the Atlantic like it had nowhere better to be. I was home, or something like it.

    Coaches greeted me like I’d just been drafted into sainthood. Players clapped me on the back and called me “Coach,” which I didn’t correct because, frankly, it felt good. Then came the arm wrestling. One by one, I took them down like some middle-aged Hercules hopped up on tenure and protein powder. Elbow to the table, bicep to the heavens. I wasn’t just respected—I was essential.

    It wasn’t about strength. It was about belonging. Every laugh, every handshake, every ridiculous display of masculine absurdity made me feel needed in a way that was almost embarrassing. I wasn’t just part of the team. I was the team.

    I wanted to call my wife back in California, to tell her we were moving. I had found the Promised Land, and it came with free gym access and a faculty parking permit. But the joyous noise around me was too loud. The players were hooting, the coaches were laughing, and the ocean kept slapping the shore like it had something to prove. I’d call her later, I told myself.

    Then I woke up.

    The ceiling fan was rattling. My desire for dark roast coffee was pressing. And I was back in the real world, where my inbox was probably filled with late assignments and vague threats from the IT department.

    Still, the dream stuck with me. Not because of the location, or the humidity, or the freakish arm strength—but because of the feeling. That feeling of being wanted. Of being part of something. Of mattering.

    There is no substitute for that. None.

  • The Farmer’s Carry and Other Acts of Suburban Defiance

    The Farmer’s Carry and Other Acts of Suburban Defiance

    Last night I had dinner at The Kebab Shop with an old friend—a former boxing champion turned engineer, the kind of guy who looks like he could build a bridge in the morning and break your nose that afternoon, all while discussing Tolstoy.

    He recently broke up with his girlfriend and confessed something strange and honest:

    “I feel like I’m chasing the sad,” he said. “Just so I’ll feel better about myself.”

    I told him not to worry—he’s sad, alright. Sometimes pain is too large to register. Like being so exhausted you can’t fall asleep, or so depleted you can’t even feel tired.
    He nodded, then casually dropped the bomb: he just bought a Lexus. I assumed an SUV—some respectable adult-mobile with storage. Nope. He turned his phone toward me and grinned. It was an obsidian black Lexus RC350 coupe, a low-slung, 311-horsepower statement of rebellion against mediocrity and middle age. Price tag? A cool $70,000.

    Why? Because he gets bored. Easily. He’s cursed with a mind that needs friction. His current job is too easy, and when things get too easy, life feels mechanical. He’s planning to move on—to another job, another city, more challenge, more money, more meaning.
    He told me staying home to watch TV feels like soul rot. So instead, he journals (in a real book, with prompts—who knew that was a thing?), plays soccer on weekends, and takes private dance lessons. Yes, dance. This man has better time management than most monasteries.

    I told him I admire him. I mean it. He’s not surrendering to entropy; he’s interrogating it with pen, ball, and motion. He’s writing his way out of the void. I might need to follow his lead when I retire in two years. No matter our age, we either rage our fists at mortality or we start sinking into the upholstery.

    I then told my friend that I nearly bought a $2,000 recliner last week. A magnificent beast of engineered comfort. But the moment I imagined myself melting into it, day after day, I envisioned not rest—but early burial. A leather sarcophagus with cupholders. I backed away like it was a cursed object.

    I was inspired by my friend’s hunger for adventure, so the next morning I punished myself with a new exercise: the Farmer’s Carry–two kettlebells, one in each hand, pacing in circles across my front lawn like a rogue warlord in gym shorts. Neighbors peeked through their blinds to watch this 63-year-old Larry Csonka doppelgänger lumbering across the grass like I was either training for something… or losing a very public battle with aging.

    The exercise nearly broke me. I’ll keep it in rotation, but with moderation. I train to feel alive, not to hemorrhage my last remaining Life Force into the turf of suburban California.

    And now, I wait for my friend to pull up and take me for a ride in his Lexus. He’s earned it. The man’s been driving the same Corolla for thirteen years. Now it’s his turn to live a little. And me? I’ll tag along, a passenger for a while, enjoying the ride through this strange, accelerating cycle of life.

  • The Ascent of Paper Towel Man

    The Ascent of Paper Towel Man

    Last night, my subconscious staged a farce: I was back on my old college campus, nervously ordering textbooks for my freshman comp classes—because that’s how my brain parties at night. After hours in the academic underworld of ISBNs and course numbers, I stumbled home under a moonless sky only to be seized by a grim realization: I forgot to order a crucial book.

    Panic.

    In this emergency, I reached not for Xanax, but a dark green landline phone, the color of envy or perhaps bureaucratic despair. I called the English Chair. Except in dream logic, the English Chair was not the overworked academic I know—but Scott Galloway, the sarcastic podcaster and economics professor. 

    I told him he had to submit the textbook order by midnight.

    True to form, he lobbed verbal grenades at me. Taunts, jabs, snide remarks. His voice had that tone—the kind that leaves you wondering if you’re being insulted or inducted into a secret society of useful idiots.

    I said, “Don’t joke over the phone. Only mock me in person.”

    He replied, “Fine. Come over. I’m having a dinner party.”

    Naturally.

    So, in the witching hour, I opened my front door—expecting a miles-long slog up a mountain—and instead, in the way only dreams and luxury real estate can allow, I was already at Casa Galloway, perched perilously on stilts over a cliff like some Bond villain’s hideout with a podcast studio.

    He was charming in person—gregarious, warm, practically glowing with hospitality. He led me into a dimly lit dining room where guests laughed and angel hair pasta sat arranged like delicate tumbleweeds on silver trays. White sauce shimmered like divine lubrication.

    “Take as much as you like,” he said, arms open.

    I hesitated. Did he make enough? Should I pretend restraint for the optics? Was this a test of my caloric discipline?

    I took a tiny, tragic portion.

    He raised an eyebrow. I mumbled something about “leaving enough for everyone,” which seemed to impress him. He praised my selflessness, as if I’d just refused seconds at a famine relief banquet.

    After eating my guilt-ridden noodle clump and participating in some effervescent dinner chatter, I left and returned home to my modest flat at the bottom of the hill. But before I could nestle into my bed of neuroses, it hit me: Galloway might be short on paper towels after his soirée.

    And I had a Costco-sized case.

    I threw the rolls under my arm and charged up the mountain like a sentient Amazon Prime delivery. My quads flexed with purpose. I was the Paper Towel Man, delivering absorbency and justice. I swung the rolls from hand to hand like batons of competence.

    I found him on the front porch—a cliffside slab barely larger than a yoga mat, with a waterfall crashing nearby like some sort of capitalist Shangri-La.

    “I’ve brought reinforcements,” I said, brandishing the paper towels like sacred scrolls.

    He smiled, then warned me: “The last fifty feet are treacherous.”

    Of course they were. The final ascent required mountaineering skills I didn’t have—jagged rocks, sudden drops, the kind of climb you’d expect in a spiritual thriller set in Tibet.

    But I was determined. Galloway had ordered my textbook and served me pasta. Reciprocity was sacred. I would reach that porch if it killed me.

    And then I woke up. Standing in my kitchen. Brewing coffee. Scribbling this fever dream into a notebook, trying to decide if it meant anything—or just meant I shouldn’t eat carbs after 9 p.m.

  • Divorced, Not Damned: Meghan Daum and the Art of Letting Go

    Divorced, Not Damned: Meghan Daum and the Art of Letting Go

    In The Catastrophe Hour, Meghan Daum’s 2016 essay “The Broken-In World” explores divorce with the same dry clarity one might use to describe cleaning out a fridge: inevitable, necessary, and oddly liberating. At 45, Daum finds herself in the middle of an amicable divorce—the kind without cheating, bruises, or courtroom melodrama. No one threw a lamp. No one stole the dog. Instead, it was just the slow, steady rot of benign neglect. Quirks once considered “charming” metastasized into full-blown repulsions. “Irreconcilable differences,” she concludes, isn’t a cop-out. It’s a dignified admission that entropy won.

    She discovers, to her great relief, that she is significantly less insane living alone. No more haggling over dinner, toothpaste caps, or passive-aggressive silences. Just peace. Divorce, in Daum’s telling, isn’t some tragic unraveling—it’s a grown-up’s fire extinguisher to a low-grade house fire of misery. It’s not weakness. It’s not moral collapse. It’s maturity, quietly slipping the ring off and stepping into air.

    Post-divorce, Daum moves to New York, joins the unofficial cult of the self-rescued, and discovers a radical truth: brokenness is the baseline. Normalcy is a myth. Everyone’s dragging a dented suitcase through life. Divorce just makes it public.

    Her real epiphany, however, isn’t just about divorce—it’s about the overinflated value of marriage itself. To Daum, marriage never felt like the final level of the video game, no Holy Grail behind velvet ropes. Monogamy had already given her a sneak preview. The ceremony, the legal bind—it was all anti-climax. If marriage is the gold standard, Daum suggests, then maybe we need a new currency.

    As a married person reading her work, you’re invited—no, cornered—into imagining a counterlife. The one where you’re single. I thought of the comedian and podcaster (soon to retire) Marc Maron: early sixties, unmarried, encircled by cats, vinyl, artisan boots, and a galaxy of fellow eccentrics. His life is cluttered, creative, obsessive. He has no wife, but he has a world.

    Daum’s point: we will find connection. If not through spouses and children, then through podcasts, group chats, improv classes, dogs, or elaborate hobbies that consume our evenings and fill the fridge of our loneliness with something edible. Marriage isn’t the only valid architecture for a life, and singleness isn’t a synonym for solitude. The real issue is connection. Not how we find it—but that we must.

    Now in her fifties, Daum is single, scraping by with podcast revenue and teaching gigs. No financial safety net. No partner to split the rent or cover her if she breaks a hip. But what she does have is agency. A voice. Essays that hum with intelligence and self-awareness. She doesn’t glamorize her choice. She doesn’t hold it above yours. She simply claims it as hers—and owns the wreckage and wisdom that came with it.

    She’s not superior. She’s just no longer married. And for her, that is enough.

  • From Raw to Ruin: The Self-Destruction of a Crashfluencer

    From Raw to Ruin: The Self-Destruction of a Crashfluencer

    To mock Brian Johnson, aka the Liver King, feels like low-hanging fruit off a poisoned ancestral tree. The man is a walking satirical sketch, a steroid-soaked cartoon preaching “natural living” while pumping $11,000 a month of growth hormone into his glutes. He branded himself the King, his wife the Queen, and his sons with names fit for a Mad Max reboot about a paleo militia family eating spleen jerky by moonlight.

    His entire enterprise was Caveman Cosplay with a GoPro: gnawing on cow testicles at a blood-slicked picnic table, barking into the void like a tribal prophet in a trucker hat. He promised salvation to a nation bloated on Cheetos, Twinkies, and Red Bull—offering raw liver as the Eucharist for the metabolically lost.

    Netflix’s Untold: The Liver King makes a flaccid attempt at chronicling his rise and fall. The documentary is weirdly deferential, like it’s afraid he’ll burst through the screen and challenge the viewer to a push-up contest. YouTube, in contrast, has done the real exhumation—countless videos dissecting his addiction to fame, vanity, and unregulated supplements with far more insight and bite.

    Still, the Netflix film does offer one crystalline moment of pathos-turned-parody: Johnson, preparing to repent for the lies and the deception and the overpriced ancestral liver gummies, admits on camera that he’ll need to Google the words “repentance” and “atonement” before proceeding. Imagine Martin Luther, nailing his Theses to the church door—then pulling out his phone to ask Siri what “contrition” means.

    The man is a moral dumpster fire, ablaze with the fumes of self-delusion, influencer marketing, and raw meat. But that dumpster fire casts a telling glow on the cultural cave we all inhabit—where attention is currency, truth is performative, and the algorithm rewards the loudest lunacy.

    So let us name what we’ve seen:

    • Brovangelism – The sacred zeal of gym bros converted to primal living by a shirtless messiah with abs and a coupon code.
    • Swoleblindness – The ability to overlook blatant fraud if the fraudster has veins on his deltoids.
    • Rawthenticity – Mistaking uncooked meat for unfiltered truth.
    • Cloutuary – A public, slow-motion social media death staged for likes and shares.
    • Crashfluencer – He went from virality to liability, taking his followers on a nosedive into madness.
    • Declinefluencer – An influencer whose main content is his own collapse.
    • Brandamaged – A man whose brand has outlived his dignity, but not his desperation.

    Watching Johnson spiral felt eerily familiar. It brought to mind Jaron Lanier’s Ten Arguments for Deleting Your Social Media Accounts Right Now, a book I once assigned to bright-eyed freshmen before they lost their souls to TikTok. Lanier warns that algorithmic performance rewires the brain, dragging us back to our reptilian roots. It doesn’t make us more “authentic”—it makes us worse. Dumber. Meaner. Hungrier for clicks and validation. Johnson is not just a cautionary tale. He’s the caution in full, swollen flesh—drenched in growth hormone and influencer pathology.

  • Love Is Dead. There’s an App for That

    Love Is Dead. There’s an App for That

    Once students begin outsourcing their thinking to AI for college essays, you have to ask—where does it end? Apparently, it doesn’t. I’ve already heard from students who use AI as their therapist, their life coach, their financial planner, their meal prep consultant, their fitness guru, and their cheerleader-in-residence. Why not outsource the last vestige of human complexity—romantic personality—while we’re at it?

    And yes, that’s happening too.

    There was a time—not long ago—when seduction required something resembling a soul. Charisma, emotional intelligence, maybe even a book recommendation or a decent metaphor. But today? All you need is an app and a gaping hole where your confidence should be. Ozempic has turned fitness into pharmacology. ChatGPT has made college admissions essays smoother than a TED Talk on Xanax. And now comes Rizz: the AI Cyrano de Bergerac for the romantically unfit.

    With Rizz, you don’t need game. You need preferences. Pick your persona like toppings at a froyo bar: cocky, brooding, funny-but-traumatized. Want to flirt like Oscar Wilde but look like Travis Kelce? Rizz will convert your digital flop sweat into a curated symphony of “hey, you up?” so poetic it practically gets tenure. No more existential dread over emojis. No more copy-pasting Tinder lines. Just feed your awkwardness into the cloud and receive, in return, a seductive hologram programmed to succeed.

    And it will succeed—wildly. Because nothing drives app downloads like the spectacle of charisma-challenged men suddenly romancing women they previously couldn’t make eye contact with. Even the naturally confident will fold, unable to compete with the sleek, data-driven flirtation engine that is Rizz. It’s not a fair fight. It’s a software update.

    But here’s the kicker: she’s using Rizz too. That witty back-and-forth you’ve been screenshotting for your group chat? Two bots flirting on your behalf while you both sit slack-jawed, scrolling through reality shows and wondering why you feel nothing. The entire courtship ritual has been reduced to a backend exchange between language models. Romance hasn’t merely died—it’s been beta-tested, A/B split, and replaced by a frictionless UX flow.

    Welcome to the algorithmic afterlife of love. The heart still wants what it wants. It just needs a login first.

  • Cheerios, Sea Monsters, and the Jungian Breakfast of Champions

    Cheerios, Sea Monsters, and the Jungian Breakfast of Champions

    Last night I dreamed I was swimming across what had to be the world’s largest swimming pool—except, instead of water, it was filled with milk and multicolored Cheerios bobbing around like tiny life preservers for the cereal-obsessed. And, of course, because my subconscious loves a good thrill, various sea creatures—none of which belong anywhere near a bowl of breakfast—kept surfacing to snap their jaws at me. I fought them off with my muscular forearms like some kind of gladiator in a lactose-laden arena. Honestly, it was like being trapped in a fever dream where Captain Crunch had declared war on Aquaman.

    As I swam across this absurd pool—which seemed to stretch the entire length of the Atlantic Ocean—I looked up and saw the hospital where my twins were born. The place loomed over me like some ominous beacon, and as I crawled my way to the shore of this milky abyss, a nurse with a face like she’d just seen a ghost greeted me in the lobby. “Your daughters,” she said, voice trembling with dread, “they’ve got insomnia. They’re in desperate need of sleep.”

    Without missing a beat, I sprinted up several flights of stairs like a man possessed. When I finally reached the nurses’ station, I found my teenage daughters lying on what looked like a giant operating table, their faces twisted in grumpy desperation, practically begging me to do something, anything, to help them sleep. And that’s when the superhuman strength kicked in—because, of course, I suddenly had the strength of ten men, which is exactly what every sleep-deprived dad needs in a crisis like this.

    With a heroic grunt, I lifted the entire table—daughters and all—over my head with one arm. Yes, you heard that right, one arm, like I was the world’s most overqualified waiter balancing the world’s most precious (and cranky) cargo. I started rocking the table back and forth, shifting the weight from my thumb to my forefingers and back again, like some kind of human metronome. My daughters, who moments before looked like they were auditioning for a remake of The Exorcist, gradually succumbed to the soothing motion and fell fast asleep, their grumpy expressions finally relaxing into peaceful slumber.

    A team of nurses watched the whole spectacle with admiration, their eyes practically glowing with awe. I could hear them murmuring to each other, “He’s the father, the strongest man I’ve ever seen, the protector of the family!” I stood there, basking in the glory of my newfound superhero status, wondering how I’d ever top this one when I woke up—because let’s be real, after this, changing a lightbulb just wasn’t going to cut it.

    If Carl Gustav Jung could’ve pulled up a leather chair beside my cereal sea of subconscious absurdity, I imagine he’d have looked at me, chin thoughtfully perched on hand, and said something like:

    “So. You swam through milk, eh?”

    I’d nod sheepishly.

    “Cheerios bobbing like archetypes—tiny, edible mandalas. You’re not just swimming, my friend. You’re navigating the numinous chaos of fatherhood, drenched in the nourishment of your own psychic regression. That milk? Pure maternal archetype. You’ve returned to the source, not to wallow, but to confront the primordial forces that made you.”

    “Okay,” I’d say. “But what about the sea creatures trying to eat me?”

    “Ah,” Jung would say, eyes twinkling. “The Shadow. Those snapping beasts are the parts of you you’ve tried to bury—rage, fatigue, perhaps even your occasional longing for a quiet, childless breakfast. They surface not to destroy you, but to be integrated. You fought them off like a gladiator. That is… admirable, if a bit performative.”

    I’d squint at him. “And the hospital?”

    “Ah yes, the birthplace of your twins. But more importantly, the anima’s cathedral. When that nurse appeared to tell you your daughters couldn’t sleep, she wasn’t just talking about them. She was voicing your own inner unrest. Your psyche—tired, stretched, anxious. And yet, what do you do? You charge up the stairs like a mythic hero.”

    “You mean when I lifted the gurney over my head with one arm?”

    “Precisely. That’s not strength—it’s symbolic function. You became the archetypal Father—the Protector, the soothing hand of structure in a chaotic world. You rocked them to sleep not with muscle, but with the rhythmic power of reliability. That motion—the back and forth—is the dance of integration. Thumb to finger, self to role, ego to responsibility.”

    I’d pause. “And the part where the nurses called me the strongest man they’d ever seen?”

    Jung would smile, not unkindly. “That is your ego talking. Let it have its moment. You’ve earned it. But beware: the Hero archetype casts a long shadow. Today you’re Hercules. Tomorrow, you’re just a guy trying to fix a dishwasher while muttering about socket wrenches.”

    I’d sit in silence for a moment. “So what do I do with all this?”

    He’d lean forward, eyes fierce with ancient knowing. “You write it down. You tell the story. You turn the absurd into meaning. Because every milk-drenched monster, every insomniac child, every fever dream is not just chaos—it’s your soul, begging to be decoded.”

    And with that, he’d vanish—leaving me soggy, humbled, but strangely seen.

  • Marriage as a Three-Headed Beast: A Review of The Four Seasons

    Marriage as a Three-Headed Beast: A Review of The Four Seasons

    I’ve worshipped at the altar of Tina Fey’s comedic brilliance for decades, so when The Four Seasons popped up on my Netflix feed, I was dismayed. This didn’t smell like Fey’s usual ambrosia of wit and subversion—it reeked of midlife schlock. I swatted it away like a pop-up ad and went back to Black Mirror Season 7, content to wallow in algorithmic despair. But then the critics on Larry Mantle’s AirTalk (KPCC 89.3, for the culturally literate) described the show as “a good hang.” That faint praise intrigued me. My wife and I hit play, expecting light entertainment. What we got was a surprise: not only was it watchable, it became quietly addictive—then, unsettlingly, admirable.

    In eight breezy half-hours, The Four Seasons somehow captures the slow psychic erosion of long-term marriage with unsettling accuracy. Tina Fey and Will Forte play Kate and Jack, a couple who seem… fine. Functional. Even affectionate. Until the cracks begin to spread like hairline fractures on a windshield. By episode three, they’re in the car, both shouting expletives at the realization they need couples therapy. Not because they’re broken, but because their marriage has mutated into an ungovernable third organism—a beast with its own moods, tantrums, and existential despair. Therapy is no longer optional. It’s marital chemo.

    And so they go. They learn the rules: de-escalation, boundary-setting, “I” statements. The fights stop, which sounds good—until they stop talking altogether. What remains is a dried-out husk of a relationship, padded with therapy-speak and mutual avoidance. Every conversation is a minefield of affirmations and self-soothing clichés. They’ve traded rage for beige. No more screaming matches, but no more real connection either. They look like two grad students in a toxic group project, just trying to pass the semester without killing each other.

    Yet somehow, this truce counts as a win. The marriage is stable. Homeostasis, if not happiness. It’s better than divorce, which they watch unfold in their friends’ lives with morbid fascination. Their pal Nick leaves his wife for a younger woman named Ginny, who speaks in TikTok euphemisms and bathes him in fresh-eyed adoration. Nick is euphoric, weeping with gratitude like a man who’s just discovered fire. But Kate and Jack look at him the way you’d watch someone dancing on the deck of the Titanic. They’ll take their muted misery over the exhausting ecstasy of dating a woman who thinks Kenny Loggins is a type of sourdough. And who can blame them?