There’s a fitness influencer I’ve followed on YouTube for a while—a guy who blends science-based insights with bro-tier charisma, serving up advice on hypertrophy, fat loss, and the alchemy of supplements with the confidence of a man who knows his macros better than his mother’s birthday.
He’s shredded, of course—because on YouTube, being credible in fitness means having the torso of a Greek statue and the face of someone who hasn’t eaten a donut since the Obama administration. As another influencer once confessed, the price of entry into fitness fame isn’t just knowledge. It’s abs sharp enough to julienne zucchini.
But lately, something’s changed. The man looks wrecked. Gaunt. Like he’s been sleeping in a protein tub and bathing his eyes in pool chemicals. His cheekbones could slice paper. His eyes are red and sunken, with the haunted look of someone who’s either seen a ghost or hasn’t blinked since hitting “record.”
I don’t think this is just lighting or a bad filter. I think this guy is overworked, underfed, and teetering on the edge of burnout. He probably wakes up at 4 a.m. to research clinical studies on mitochondrial function, spends six hours editing thumbnails and B-roll, then crushes a fasted two-hour workout before filming five segments in a single dry-scooped breath. If he’s eating more than 2,000 calories a day, I’ll eat my creatine scoop straight from the tub.
The irony is hard to miss: he’s the poster boy for health and vitality, yet he looks like a prisoner in the content mines. At nearly four million subscribers, maybe it’s time he hires an editor, gets a co-host, and reclaims his circadian rhythm. Right now, he looks less like a beacon of wellness and more like an exhausted monk, punishing himself in service to the Algorithmic God.
Exactly three months from today, I’ll turn 64. Which means I now live in that strange hinterland between actuarial footnote and walking myth. If adolescence introduces a 13-year-old to waves of chemical chaos and operatic feelings, one’s sixties bring their own interior weather system—gusts of existential dread, sudden squalls of nostalgia, and long humid stretches of unnameable longing.
One thing I’ve learned: I detest cowardice in the face of mortality. I’m not after false bravado or some barrel-chested denial of death. What I want is a middle path—courage without spiritual negligence, composure without cosmic amnesia. My Jewish relatives on my mother’s side don’t see the need for salvation—certainly not in the harrowing Christian sense of eternal stakes. Meanwhile, my Catholic father’s family insists you better not die with your pants down. Meaning: be ready. Eternity, like a TSA agent, does not tolerate surprises.
These opposing legacies leave me bouncing between Kierkegaard’s Fear and Trembling and Pascal’s cold-blooded Wager. What if belief is a cosmic bet and I’m holding a busted flush? The writer Jerry L. Walls offers a possible lifeline with his arguments for post-mortem salvation—but only if you squint hard enough and don’t mind a theological gray zone. Still, I’m annoyed—and I mean truly annoyed—that I remain agnostic on the most important question of all.
But let’s leave eschatology for now and talk about something far more pressing: my inexplicable, almost primal desire to move to the tropics.
More specifically, Florida. Yes, that Florida—the state of my birth, the national punchline. But in my dreams, it’s not today’s meth-and-misrule Florida. It’s a mythic, fragrant Eden—a sensual vision of coconut palms, mango air, tropical rain falling like music, and an ocean that feels more like the Mother’s Womb than a giant salty death trap. It’s not a real place. It’s Jung’s beach resort.
Unfortunately, my wife refuses to move there. Too many reasons to name. So I’ve drafted a respectable Plan B: South Carolina. Still sticky, still green, still filled with those sweet tropical mangoes that perfume your skin. Close enough to my psychic homeland. Good enough for the myth to survive.
And while we’re speaking of myths—let’s talk about the one in my mirror.
I want to look like the teenage Adonis I once was. Not in some delusional “Silver Sneakers” sort of way, but with genuine conviction. I hit the garage gym, slam down protein and fish oil, and pop creatine like I’m prepping for Mr. Olympia 2089. Deep down, I know my aging joints and erratic hormones are staging a quiet rebellion. But I lift anyway, as if my Mythical Self must match the Mythical Seascape. Call it folly, call it denial—but when reality stings, myth becomes the better moisturizer.
Then there are The Big Questions, hovering like philosophical fruit flies: Does life have meaning? Is ennui a moral failure or simply being awake in a stupid world? Is anhedonia just a side effect of broadband internet? Are our souls sculpted by divine intention or evolutionary leftovers? Why are the most sincere believers often either morally wholesome or the most toxic people alive? And why is sincerity—God help us—no guarantee of goodness?
I should care about these questions. But honestly, I care more about my morning bowl of buckwheat groats slathered with mango slices and a French-press tsunami of dark roast. I care about losing ten pounds before my doctor lectures me about cholesterol. I care about making it to 64 with most of my joints intact and my mind still more interested in Kierkegaard than clickbait.
And I suppose that’s the final humility: I’ve lived long enough to know I don’t have the answers. Like any person, I wish I could be comforted by certainty and absolutes. The only certainty and absolute I have is to be humble in the face of my skepticism and doubts.
I am in agony—real, soul-bruising agony—because for the past few months, I have been drunk on the seductive fumes of a dream: early retirement in Royal Palm Beach, Florida. Not Palm Beach proper—no, that would be too garish, too Gatsby. I mean the inland cousin, fifteen humid miles from the Atlantic, nestled inside a gated community with a neighborhood pool, a bubbling hot tub, and the promise of palms swaying while my family lounges like extras in a Jimmy Buffett fever dream.
This fantasy has infected my sleep, crept into the margins of my Google Maps history, and left me hypnotized by listing photos of stucco homes with outdoor ceiling fans and screened-in lanais. I dared to believe I could trade my overworked California existence for a new life—a life of 5 a.m. swims, grocery runs in flip-flops, and the quiet joy of hearing my daughters say, “I’m bored,” while floating in chlorinated bliss.
And then—smack. My wife crushed the dream with one phrase: “Florida’s a big no.”
Just like that, the mirage dissolved. I am at the age—let’s not name it—where the idea of fleeing to a tropical holding cell with reliable AC and an HOA that enforces silence after 9 p.m. sounds not just reasonable but romantic. But maybe that’s the trick. Maybe Florida isn’t salvation. Maybe it’s a siren song crooned by real estate agents with perfect teeth and mosquito-resistant tans.
Next week we fly to Oahu, and yes, I hope my family finds some version of the enchantment I’ve been chasing. But let’s be honest: deep in the humid corners of my heart, I’ll still be yearning for Royal Palm Beach—a gated Eden with pool rules and a hot tub that works.
Last night, I dreamed I was nineteen again—muscular, misfit, and miserably alone. In this grim redux of my youth, I spent my days floating in what I now call The Pool of Sorrow, a sunlit rectangle of water where I wept at the shallow end, pressed against the concrete like a man sentenced to purgatory via chlorination. Beside me sat a black labrador, nameless but noble, whose soft howls echoed my despair. I stroked his damp fur. He leaned into my touch. We were two abandoned souls, bound by melancholy and mutual need.
Something changed. Maybe it was the dog’s quiet loyalty, or the absurd beauty of the moment. I returned to bodybuilding with manic fervor and resumed clean eating as if redemption could be measured in grams of protein. My body sculpted itself back into its mythic prime, and soon I was posing poolside in black-and-white glamour shots—oiled up like a Greek statue, grinning with an almost religious clarity. The dog watched my transformation with admiration, tail thumping like a metronome of approval.
Now that I looked like a well-oiled demigod, I needed to promote myself. I searched the streets of San Francisco for an influencer. I found him in a San Francisco alley behind a velvet curtain. Tom Wizard. Pale, lanky, vaguely elfin, Tom agreed to help me make my photos go viral. But there was a catch. “You love the dog too much,” he warned. “Be more aloof.”
Naturally, I did the opposite. I hugged the dog. Whispered sweet canine nothings. Called him my soulmate. Tom watched this display of defiance and smiled like a gatekeeper pleased with an unexpected answer.
“You’ve passed the Dog Test,” he said, handing me two gifts. The first: a large, coral-orange Magic Towel, woven with healing properties. It could dry you off and erase your deepest psychological wounds. The second: admittance to a Harvard night class where I’d learn to wield the towel’s powers properly.
Harvard, it turns out, was a dump. The class was run by Professor Kildare, a stout bureaucrat with the warmth of a refrigerator. He vanished often—wrapped up in legal issues—leaving the course in the calloused hands of three grad students who resembled hungover dockworkers. They smoked indoors, bickered about their failed marriages, and offered nothing resembling instruction.
In that dimly lit classroom, I met a woman who looked exactly like Sutton Foster. She whispered that her eczema came from childhood trauma. I swore on my Magic Towel I’d cure her. She believed me. That was enough.
One day, one of the grad students—Jimbo, a lemon-faced scowler in sun-bleached overalls—presented a radio. “Useless junk,” he said. “Dead as a doornail.”
I stood, seized the radio, adjusted its telescopic antenna, and revealed its miraculous clarity. Music blared. Static disappeared. Everyone gawked like I’d just raised Lazarus with a dial.
Jimbo lunged for it. I blocked him. “You had your chance,” I said. “This radio is mine now.”
I flapped the Magic Towel with dramatic flair. A colossal truck, part semi, part spaceship, pulled up outside. Sutton and I climbed its twenty-foot ladder toward the cockpit. Jimbo and his cronies gave chase, but I yanked the ladder up behind us, sending them tumbling like sitcom villains. The truck roared to life.
Sutton sat beside me, silent but radiant with hope. The Heavy-Duty Radio crackled softly behind us, the Magic Towel folded in my lap like a relic of prophecy. We barreled into the night. I didn’t know if I could cure her eczema or heal her past, but I knew this: I had a truck, a towel, a miracle radio, and a mission. And sometimes, that’s enough.
A month ago, I dreamed I was already in heaven—which is to say, I was somewhere astonishing and didn’t realize it, because apparently that’s the human condition.
It started in a classroom, naturally. I was teaching at a college that felt familiar but off—like a liberal arts Hogwarts or a Wes Anderson remake of Dead Poets Society. The students were unnervingly sharp. Not freshmen. These were postgrads of the soul—opinionated, caffeinated, and engaged with the material in ways that implied they’d actually done the reading.
We were knee-deep in discussion when I glanced out the window and saw the rain falling—not pelting, but gliding, like silk scarves from the sky. I drifted for one moment. That was all Tim Miller needed.
Tim, a student and part-time podcast prophet, seized the room like a man born to lecture. He told everyone to open the expensive blue textbook. The one I assigned. The one I had never read. I stared at the cover like it was an unfamiliar casserole I’d brought to a potluck. “What did you think?” I asked, bluffing. “It’s okay,” they said. The academic equivalent of a shrug at your own funeral. I nodded, defeated, and dismissed them early—a mercy for us all.
Outside the door, a nearsighted colleague half my age pushed a convoy of book carts like a noble foot soldier. I offered help. He smiled, already finished. I was obsolete, politely.
I wandered the campus like a ghost who hadn’t been told he was dead. Then I saw it: a green coffee mug I’d left behind earlier, now glowing like a sacred artifact on a forgotten table. I snatched it and jogged through the rain to the library. I placed it on a windowsill with reverence, and two librarians appeared—silent, reverent, stunned. I’d returned the Holy Mug. They smiled as if I’d cured blindness.
Still raining. Still warm. Still beautiful. I pulled out my phone—also green, because apparently I was living inside an emerald dream. It was dusted with beach sand, and I wiped it down like it was a relic I wasn’t worthy to hold.
I wasn’t driving. I never drove. Why ruin the moment? I walked. Five miles, barefoot, maybe. The rain was gentle, more sacrament than storm.
Then, through the mist, I saw my home.
Three pyramids, each one the size of a small mountain, woven from stone in purple and gold. They spiraled into the sky like something the gods forgot to take with them. I’ve always loved purple. It makes sense now. But the gold—that was new. I’ve spent a lifetime disliking gold. Too gaudy. Too Trump Tower. Too cheap. But this gold wasn’t decoration—it was divine. It pulsed. It whispered. It glowed like it remembered being forged in the heart of stars.
And it hit me.
I lived there. In that zigzagged trio of pyramids, tucked in the mist. It was mine. I’d always been there. Somehow, until that moment, I’d failed to see it.
Then I woke up.
No rain. No pyramids. Just me, blinking in the early gray, stunned by the feeling that I’d glimpsed something holy and managed to mistake it for Tuesday.
And I wondered: How much of life am I sleepwalking through? What miracles have I mislabeled as mundane? What if heaven isn’t a reward but a frequency we forget to tune in?
Last night I dreamed myself into a surreal mashup of The Great British Bake Off, Yellowstone, and a calorie-induced nervous breakdown.
It began at a retirement party for D, a former colleague who had apparently left academia behind to study gourmet pastry arts in Europe. Now reborn as a culinary goddess, she presided over a dining room that looked like it had been styled by a Michelin-starred fever dream: trays of deconstructed brownies arranged like abstract sculpture, sourdough donuts with the texture of warm clouds, cinnamon rolls coiled with existential menace, and a chocolate cake so dense it might have had its own gravitational field.
In the corner sat a magical grand piano, humming with faint luminescence. I was meant to play it—perhaps to provide ambiance for the pastry rapture—but I never made it past the donuts. They called to me. I answered with both hands and minimal dignity.
Mid-binge, I was struck with a bolt of dietary guilt. I remembered I had a dinner date with my wife at her best friend C’s house. Worse, it wasn’t just any dinner—it was a social obligation. I arrived in C’s oversized dining room to find the ghost of a party long gone. Tables were abandoned like an upscale Pompeii, the air buzzing with lazy flies circling over still-warm piles of food: chicken pot pies glowing under golden crusts, French dips bleeding delicious regret, carne asada tacos wafting guilt into the air, and blueberry pie with a lattice crust so precise it looked like it had been braided by angels.
I ate. With one hand I fed myself; with the other, I held my phone to my ear, explaining the situation to my wife. She responded with calm detachment: “When you’re done, meet us in Montana.”
Of course. Montana.
I was then transported—no explanation needed, dream logic intact—to a bustling Montana restaurant. I wandered from table to table in search of my wife, passing clusters of archetypes: the Trust Fund Cowboy, the Patagonia-clad Nutrition Mystic, the Ex-Brooklyn Homesteader. They were deep in conversation about the social fault lines of modern Montana. At one table, a blonde woman lectured an enraptured audience. “There are only two kinds of people in Montana,” she declared. “Old-comers and New-comers. And the old-comers don’t want anyone else coming.”
Enter my friend Mike—ex-Navy SEAL, tropical city-builder, and walking rebuttal to provincial snobbery. He appeared like the Deus ex Machina he is, still radiating heat from his last humanitarian war-zone operation.
I turned to the blonde know-it-all. “Mike’s a new-comer,” I said, “but he built an entire city in the tropics in under forty-eight hours. Not only could he settle in Montana—he could govern the state.”
Silence fell. Victory was mine.
But before I could savor the moment, I was ambushed by a different horror: the specter of calories consumed. The desserts at D’s party, the savory gluttony at C’s—how much damage had I done? Had I ruined months of progress? Was I now one sourdough donut away from emotional collapse?
And then I woke up. The sweat was real. The calories were not.
Relief washed over me like cold Montana spring water. My body was intact. My diet undisturbed. I had survived the sugar apocalypse, and all of it—Mike, Montana, the magical brownies—had happened in the safe, consequence-free realm of REM sleep.
One of the bitter ironies of the watch addict is that he seeks a “manly watch” with “bold wrist presence,” yet much of his behavior as it pertains to his hobby is similar to that of a thirteen-year-old girl crying effusively as she leafs through her journals and scrapbooks in which she chronicles her “lost loves” and tries to mend her “broken heart” with the excessive self-regard one would expect from a thirteen-year-old. However, the watch addict, a man somewhere between his thirties and sixties, perhaps even older, is going down the same rabbit hole of melodrama as the thirteen-year-old. When he does a watch unboxing on his YouTube channel and trembles with tears running down his cheeks with anticipation, or does a YouTube rant about the regrets for all the prized watches that he “let get away” and left him with irreparable heartbreak, or stands before his YouTube watchers like a five-star-general as he announces with maniacal self-regard his “plans” to create his “ultimate collection,” or agonizes over the black and orange strap on his diver and goes back and forth over and over because he “loves both but can’t decide,” he probably doesn’t know that he is committing an act of colossal folly: He is embodying the Maudlin Man.
To understand the Maudlin Man and the folly he partakes in, we are well advised to consult Jeffrey Rosen’s book The Pursuit of Happiness. Rosen discovers that major American thinkers such as Benjamin Franklin draw their wisdom from Cicero’s Tusculan Disputations, which state that the soul must be “tranquilized by restraint and consistency.” In such a state, the soul “neither pines away in distress, nor is broken down by fear, nor consumed with a thirst of longing in pursuit of some ambition, nor maudlin in the exuberance of meaningless eagerness–he is the wise man of whom we are in quest, he is the happy man.”
There is much to unpack here. Perhaps the best way to do so is to divide man into two types: Restrained Man and Maudlin Man. Restrained Man is the type we should aspire to be. He is tranquilized by his own restraint, consistency, and self-agency and does not pine after things that cause him distress, anxiety, and FOMO.
Just reading the above words makes the addict inside me rebel. As a watch addict, I enjoy pining after watches and being caught in the melodrama of distress, FOMO, and desire for watches as shiny new objects my greedy little fingers can get a hold of. Wrap your head around that: I’m addicted to the very maudlin drama of my watch hobby. To be the Maudlin Man, therefore, is to be addicted to addiction.
But what Cicero is arguing is this: This melodramatic state that causes us to froth at the mouth for the things we desire is a form of “meaningless eagerness.”
Again, my inner addict rebels. It rages and counterargues, “Cicero, watches are my hobby. The very point of this hobby is that it is a benign and meaningless pastime that gives me enjoyment and relaxation.”
Of course, I am in denial. As I write this, I have a very beautiful diver watch with a wave-blue dial to be delivered from Singapore today from a DHL carrier. I’ve tracked the package six times since five this morning, and I couldn’t sleep last night because I agonized over whether I should keep it on the stock bracelet, put a sedate black Divecore on it, or put a loud orange Divecore on it. The stress is almost causing me to have a nervous breakdown.
I’m acting just like Maudlin Man. I’m experiencing effulgent emotions over something that is basically meaningless. As a result, I’m investing way too much energy and emotion toward my “watch situation,” and as a result, I am showing a lack of contact with reality.
Cicero’s point is that when we lack self-possession because we are in the maudlin state, we cannot be happy. Happiness is the byproduct of having self-agency and self-control.
I wince at Cicero’s words. Do I even want self-control? Do I not enjoy the drama of a watch strap “dilemma”? Do I not enjoy being an exuberant man-child?
Cicero would argue otherwise. He would argue that the “pleasures” I experience from my maudlin indulgences are at the root of my unhappiness. To understand Cicero’s argument better, let us look at the entire quotation:
Therefore the man, whoever he is, whose soul is tranquilized by restraint and consistency and who is at peace with himself, so that he neither pines away in distress, nor is broken down by fear, nor consumed with a thirst of longing in pursuit of some ambition, nor maudlin in the exuberance of meaningless eagerness–he is the wise man of whom we are in quest, he is the happy man.
My inner pessimist, which I call Glum, scoffs at Cicero’s words of wisdom and gives me a litany of my failures, which prove me unworthy of Cicero’s portrait of a happy man. Glum says to me the following:
“Regarding restraint, your appetites for tacos, spaghetti, garlic bread, homemade sourdough loaves stuffed with kalamata olives, semi-sweet chocolate chunk peanut butter cookies, chocolate cake, and pineapple cheesecake are so monstrous, you don’t have a chance in hell of exercising restraint when it comes to your appetites. Your very self is defined by your excesses, so good luck talking about restraint and moderation. You’re doomed.”
“Regarding ambition, it is only repeated failure of many decades, not humility, that abates your grandiose designs and fantasies of being famous and ubiquitous on television as a talking head whose opinions everyone greedily consumes as if your every word is a delicious morsel to be savored. So don’t go around bragging about your modesty and humble aspirations. Old age and an eye for the inevitability of your failure are your only salves, so you have no bragging rights.”
“Regarding maudlin exuberance and meaningless eagerness, you are the worst violator of these infractions, gushing with lame euphoria as you curate your watch collection to your YouTube viewers. Your entire enterprise of incorporating the wisdom of the Stoics and other classical thinkers is the biggest joke I’ve ever heard of and may qualify you for a life in comedy.”
My rebuttal to Glum is this. “With your keen insight into my wretched being, you have helped me see the very depth of my pathology. So thank you, Glum, you have helped me with an unflinching diagnosis of my spiritual dissolution, and thanks to you, this accurate diagnosis marks the beginning of my long road to recovery.”
I am grateful that I am both honest and smart enough to offer rebuttals to Glum, but having an intellectual grasp of what I should do and actually doing it are two vastly different things. For now, I have a clear grasp of Cicero’s notion of Maudlin Man. The seeds have been planted. I now hope that with those seeds, a counter self can grow that will put the Maudlin Man inside of me out of business.
The TV show Loudermilk is part sitcom, part group therapy, and part existential smackdown. Ron Livingston plays Sam Loudermilk, a grizzled music critic and recovering alcoholic with the face of a hungover basset hound and the social graces of a man allergic to kindness. He barrels through life offending everyone within a five-foot radius, insulting his fellow addicts with toxic flair. But beneath the wreckage lies a strange tenderness—a story not just about addiction, but about people trying to survive themselves.
Loudermilk lives in a halfway house with a cast of human tire fires, and the comedy burns hot: irreverent, profane, and deeply affectionate. The show loves its damaged characters even as it roasts them alive. Naturally, I love Loudermilk. Love it like a convert. I’ve become a low-key evangelist, promoting it to anyone within earshot—including the assistant at my local watch shop.
This isn’t just any watch shop. I’ve been going there for 25 years. The Owner and the Assistant know me well—well enough to have witnessed the slow, expensive progression of my watch addiction, including the day I came in twice because the first bracelet adjustment “didn’t feel quite right.” It’s my barbershop. My confessional. My dopamine dispensary.
So one afternoon, I’m there getting a link removed from my Seiko diver and I bring up Loudermilk. I describe the show’s gallery of screwups—addicts clawing toward redemption by way of insults, setbacks, and semi-functional group hugs. The Assistant looks up from his tools and tells me something personal. He watches Loudermilk too. And he gets it. He’s thirteen days sober and goes to five meetings every morning—not because he’s a morning person. He tells me that in his culture, drinking into one’s eighties is just called “living.” But for him, it was a slow-motion self-immolation. Now, he’s trying to claw his way back.
Before I can respond, a woman with a chihuahua tucked under her arm chimes in from across the shop. She too is a Loudermilk fan. “What a shame it got canceled after three seasons,” she laments. The Assistant counters—there’s still hope for a revival. They argue lightly, both fully engaged, two strangers momentarily bonded over their shared love of a comedy about pain.
I say goodbye and step out of the store. That’s when it hits me.
I love Loudermilk because I see myself in it. I am an addict. Not just of watches, but of distraction, validation, control—whatever lets me delay the moment when I must confront the snarling voice inside me.
Writers like Steven Pressfield and Phil Stutz describe this inner saboteur with chilling clarity. Pressfield calls it Resistance, the destructive force that undermines your better self. Stutz names it Part X, the anti-you that wants you to abandon meaning and pursue comfort. Both insist the enemy must be fought daily.
And I know that voice. It’s lived in my head for decades.
Once, at an English Department Christmas party, a colleague called me “Captain Comedown.” I don’t remember what I said to earn the nickname, but it tracks. I’ve got that bleak edge, the voice that sees futility everywhere and calls it wisdom. But a better name than Captain Comedown comes from my childhood: Glum, the joyless little pessimist from The Adventures of Gulliver, whose go-to phrase was: “It will never work. We’ll never make it. We’re doomed.”
That’s my inner monologue. That’s my Resistance. That’s my Glum.
Every day I wrestle him. He tells me not to bother, not to try, not to hope. That joy is a scam and effort is for suckers. And some days, I believe him. Other days, I don’t. But the battle is constant. It doesn’t end. As Pressfield says, the dragon regenerates. My job is to keep swinging the sword.
And maybe, just maybe, buying a new watch is my way of telling Glum to shut up. It’s a shiny, ticking middle finger to despair. A symbolic declaration: The world still contains wonder. And precision. And brushed stainless steel.
But there must be cheaper ways to silence Glum. A walk. A song. A friend. A laugh. Even a half-hour with Loudermilk.
Because, irony of ironies, what addicts like me really want isn’t the next hit. It’s relief from the craving.
In her darkly hilarious comedy special Father, Atsuko Okatsuka shares the origin story of her career in punchlines. Her schizophrenic mother once “kidnapped” her in Japan and whisked her away to the United States without warning, severing her ties to her father in the process. The trauma was so disorienting, so profound, that Atsuko now mines laughter for survival. She tells us, with a comedian’s grin and a survivor’s twitch, that she performs to fill an infinite hole in her soul with the validation of strangers.
That hole is not unique to her. It’s a universal pit—bottomless and demanding. Validation comes in many flavors. For some, it’s esteem and admiration. For others, it’s expertise, artistry, the warm glow of audience approval. For Atsuko, it’s laughter. For others, it’s the faint buzz of a “like” on a post about a wristwatch.
Let us now consider the watch obsessive, a different breed of relevance-seeker, but a kindred spirit nonetheless. He isn’t doing five-minute sets at the Laugh Factory, but he is performing—on Instagram, on forums, on YouTube, in the comment sections of strangers’ macro shots. He presents his taste, his “knowledge,” his ever-shifting collection. But underneath the sapphire crystals and brushed titanium is the same primal whisper: Do I still matter? Do they still see me?
Here’s the tragic twist: he may already have the perfect collection. It gives him joy. It’s balanced. It fits in a single watch box. By all logic, he should stop. Buying another watch would be like adding a fifth leg to a table—wobbly and unnecessary. But he doesn’t stop. He can’t stop.
Why? Because if he stops collecting, he stops posting. If he stops posting, he stops being seen. And in a world addicted to scrolling, disappearing feels like dying.
Relevance is the new oxygen. And social media is a machine that runs on novelty, not legacy. The digital hive forgets fast. “Gangnam Style” is now a fossil. “Call Me Maybe” is background noise at the grocery store. To stay visible, you must be new. You must be shiny. You must offer dopamine.
And what happens when the watch addict manages his demons, reaches peace, and stops feeding the machine?
He becomes boring. He becomes silent. He becomes irrelevant.
And the parasocial bonds he once had—those illusory friendships, those mutual obsessions—fade. The sense of exile is real. It doesn’t matter that the exile is self-imposed. The pain still lingers.
That fear—that primordial fear of irrelevance, of being cast out from the tribe—can be so powerful it masquerades as passion. It convinces the watch obsessive to keep flipping, keep chasing, keep posting. Not out of love, but out of fear.
So the question becomes: Are we collectors? Or are we hostages? Do we love horology? Or are we simply terrified of vanishing?
Last night I dreamed I was adrift in a farmer’s market purgatory, toggling between two dried fruit stalls like a man on a doomed pilgrimage. At one end stood my friend Adam, hawking dried apricots beside his immaculate new Honda Accord, polished to a showroom glint. At the other, Andre offered prunes with the calm assurance of a man backed by a brand-new Toyota Camry.
I paced between them, acting like a mildly deranged Consumer Reports correspondent. I asked about mileage, comfort, tire pressure, road feel. Adam, ever candid, confessed that his Accord’s 19-inch tires required constant babysitting—a weekly ritual of crouching beside his car like a penitent monk, pumping air into finicky rubber. Andre, on the other hand, practically preened. His Camry had no such neediness. His tires, he implied, were stoic and self-reliant, like Roman centurions.
As my dithering grew more manic, Adam and Andre began to notice. They called each other—yes, in the dream they phoned each other mid-market—and the temperature dropped. Andre, initially genial, grew terse. Adam smirked defensively over his dried apricots. The whole affair soured like old fruit.
Then, like a man possessed, I made my declaration. I would buy the Camry. Not for the horsepower. Not for the design. But because I refused—refused!—to spend my golden years crouching beside a car, inflating tires like a desperate cyclist.
No sooner had I made my proclamation than the dream world pivoted sharply, as dreams do. I was no longer in a farmer’s market—I was on a college campus. But not my college. Not the place where I once held a proud tenure-track post. No, I had been demoted. My prestigious job had evaporated. I was now an adjunct at some podunk backwater school with low ceilings and fluorescent lights that hummed with institutional malaise.
Why the fall from grace? Simple. My years spent obsessing over the Camry-vs-Accord dilemma had not gone unnoticed. While I was inhaling tire PSI data and fondling prune samples, my absence from the college became conspicuous. The administrators, ruthless as vultures in blazers, terminated me. I had toggled too long. My career had flatlined.
I woke at 5 a.m. in a wash of dread and despair—not from the dream’s end, but from the clatter of the real world: an Amazon delivery person, fumbling at the gate, dropping a box on the porch like a coffin lid.
I opened it. Inside was a stainless steel bathroom trash can, taller, sleeker, with built-in liners—my daughter’s request. Unlike our old can, which was a rust-streaked monument to hygienic defeat, this one gleamed with a kind of futuristic dignity. Its surface mirrored my face: puffy, sleepless, faintly haunted.
And yet, in its shimmering steel, I saw something unexpected: hope. Renewal. The modest redemption of functional design.
Cinemorphosis 