Category: Education in the AI Age

  • Kayfabe Nation: How Wrestling Pinned American Politics: Exploring the Blurred Line Between Performance and Reality in the Post-Truth Era: A College Writing Prompt

    Kayfabe Nation: How Wrestling Pinned American Politics: Exploring the Blurred Line Between Performance and Reality in the Post-Truth Era: A College Writing Prompt

    Prompt:
    In his essay “The Rise and Fall of Vince McMahon,” Vinson Cunningham examines how the theatricality and blurred lines between reality and fiction in professional wrestling have permeated American politics, leading to a culture where spectacle often trumps substance. This phenomenon raises concerns about the erosion of truth and the rise of performative politics.

    Drawing upon the Netflix docuseries Mr. McMahon, Cunningham’s insights and the following essays, analyze the extent to which professional wrestling’s narrative techniques have influenced contemporary political discourse. Consider the implications of this shift for democratic processes, public trust, and the role of media in shaping political realities.

    Related Readings:

    1. Cunningham, Vinson. “The Rise and Fall of Vince McMahon.” The New Yorker, October 21, 2024. 
    2. Greene, Dan. “How Much Does Pro Wrestling Matter?” The New Yorker, March 31, 2023. 
    3. Hendrickson, John. “How Wrestling Explains America.” The Atlantic, March 26, 2023.
    4. Hendrickson, John. “Trump’s WWE Theory of Politics.” The Atlantic, March 31, 2023. 
    5. Parker, James. “Viceland’s ‘Dark Side of the Ring’ Shows the Sleaze and Humanity of Wrestling.” The Atlantic, May 17, 2019. 
    6. Newkirk II, Vann R. “Jesse Ventura’s Theory of Politics.” The Atlantic, July 25, 2016. 
    7. Haidt, Jonathan. “Why the Past 10 Years of American Life Have Been Uniquely Stupid.” The Atlantic, April 11, 2022. 
    8. Garber, Megan. “Are We Having Too Much Fun?” The Atlantic, April 27, 2017.
    9. Beckerman, Gal. “A Book That Was Like Putting on ‘a New Set of Glasses.’” The Atlantic, November 3, 2023.
    10. Miller, Laura. “Still Amusing Ourselves.” Slate, March 25, 2025.

    Instructions:

    • Thesis Development: Formulate a clear, argumentative thesis that addresses the influence of professional wrestling’s narrative style on American political discourse.
    • Evidence Integration: Support your argument with specific examples and quotations from the provided readings. Analyze how these examples illustrate the blending of entertainment and politics.
    • Critical Analysis: Evaluate the consequences of this phenomenon for democratic engagement and public perception of truth. Consider counterarguments and address potential criticisms of your position.
    • Conclusion: Summarize your findings and reflect on the broader implications for the future of political communication and civic responsibility.

    Essay Requirements:

    • Length: 1,500–2,000 words
    • Citations: Use MLA format for in-text citations and the Works Cited/References page.
    • Submission: Typed, double-spaced, 12-point Times New Roman font

    Here’s a 9-paragraph essay outline for the prompt “Spectacle Over Substance: Wrestling’s Influence on American Political Discourse.” This outline follows a logical, argumentative structure that weaves together the assigned readings while encouraging students to build a cohesive, persuasive essay.


    I. Introduction

    • Hook: Begin with a vivid moment—perhaps Trump’s triumphant fist pump after the assassination attempt, or Vince McMahon strutting to the ring—blurring entertainment and politics.
    • Context: Introduce Vinson Cunningham’s claim that McMahon’s wrestling empire laid the foundation for modern American political spectacle.
    • Thesis Statement: American politics has adopted the narrative strategies of professional wrestling—flattening truth, elevating spectacle, and turning public discourse into a performance—creating a civic culture where democracy is treated less like a system of governance and more like a ratings game.

    II. The McMahon Doctrine: Kayfabe and the Politics of Performance

    • Define kayfabe (the wrestling term for presenting fiction as real) and show how McMahon’s WWE blurred the lines between villainy and heroism for the sake of crowd reaction.
    • Use Cunningham’s insights to show how this strategy has infiltrated American political identity: politicians as characters, scandal as storyline, truth as a flexible tool.

    III. Trump as Wrestling Archetype

    • Draw on John Hendrickson’s The Atlantic essays and Cunningham’s portrayal of Trump’s staged bravado.
    • Analyze how Trump models the heel-turned-babyface narrative, using defiance, cruelty, and performative grievance to cultivate loyalty.
    • Show how this political theater leaves truth irrelevant—as long as the audience is entertained.

    IV. The Algorithm Joins the Ring

    • Introduce the role of social media algorithms in amplifying performative politics.
    • Reference Haidt’s and other essayists’ concerns about how outrage and spectacle rise to the top of the feed.
    • Connect to WWE’s formula: escalation, emotional arousal, and moral oversimplification.

    V. Wrestling with the Truth: The Death of Nuance

    • Explore how the binary storytelling of wrestling—good guys vs. bad guys—maps onto political polarization.
    • Use Cunningham and Greene to illustrate how political complexity has been flattened for audience catharsis and tribal loyalty.
    • Show how this environment punishes nuance, deliberation, and compromise.

    VI. The Erosion of Democratic Discourse

    • Argue that when politics becomes performative, democratic institutions suffer: debates become promos, policies become props.
    • Use Vann R. Newkirk II’s piece on Jesse Ventura to show how long this has been brewing.
    • Analyze the consequences: diminished trust, manipulated electorates, and emotional extremism.

    VII. Counterargument: Populist Connection or Dangerous Spectacle?

    • Acknowledge the defense: wrestling-style politics connects to “the people,” makes issues accessible, and breaks elite control of discourse.
    • Rebut: accessibility without integrity breeds demagoguery, and emotional spectacle is not a substitute for civic truth.

    VIII. Cultural Addiction to Spectacle

    • Tie together the readings’ concern that Americans are now addicted to the drama of public life more than its consequences.
    • Show how wrestling trained audiences to want louder, meaner, simpler characters—and how democracy now suffers for it.
    • Cite Dark Side of the Ring or How Wrestling Explains America for evidence of how low the spectacle can go.

    IX. Conclusion

    • Reaffirm thesis: politics has become wrestling with better suits and worse consequences.
    • Reflect on Cunningham’s closing concern: if spectacle is the new substance, democracy is no longer deliberative—it’s kayfabe.
    • Close with a challenge to the reader: if we want a democracy rooted in reality, we’ll need to stop confusing entertainment with governance.
  • The Death of Truth: Vince McMahon, the Algorithm, and the Rise of Unreality

    The Death of Truth: Vince McMahon, the Algorithm, and the Rise of Unreality

    In “The Rise and Fall of Vince McMahon,” New Yorker writer Vinson Cunningham stares into the sideshow funhouse mirror of American public life and recoils at what stares back: a nation wading chest-deep in a swamp of “public unreality,” where reason drowns and absurdity floats like a bloated carnival prize. He paints a disquieting tableau: one political figure visibly unraveling into cognitive soup while handlers chirp, “Nothing to see here!”—and another candidate howling about alien intruders abducting and gobbling the nation’s household pets. As if things weren’t deranged enough, an assassination attempt unfolds before our eyes—and instead of ducking for cover, the former President rises like a messianic pro-wrestler, bloody and defiant, pumping his fist in glorious kayfabe triumph. In that moment, Cunningham writes, he isn’t just a politician—he’s a character on the WWE stage. And just like that, the cultural script is flipped: he’s the babyface, and his critics are heels.

    This unreality show has a ghostwriter, and his name is Vince McMahon. As Cunningham brilliantly argues, the Netflix docuseries Mr. McMahon is not simply the chronicle of a wrestling mogul—it’s a grim allegory for how American storytelling devolved into moral junk food. McMahon, the snarling CEO of WWE, pioneered a brutal formula: distort narrative, vilify truth, exalt spectacle. He didn’t just conquer the wrestling world—he scripted a worldview that has metastasized into the nation’s political bloodstream. The WWE, Cunningham reminds us, is the prototype of reality TV, the primordial ooze from which influencer culture, troll politics, and clickbait populism have crawled.

    In McMahon’s moral universe, lying is a skill, cruelty is charisma, and domination is the only virtue. So long as you win—and do it with flair—you’re golden. Sound familiar? This cartoon villainy, once confined to the ring, now governs the debate stage. It infects our civic discourse like a virus in a locker room. Cunningham doesn’t just lament this transformation—he diagnoses it with the precision of someone who’s watched democracy tap out to the roar of an overstimulated crowd.

    For Cunningham, Mr. McMahon is a documentary about wrestling in the same way Jaws is about fishing. It’s a cautionary tale about the American mind: how we’ve flattened good and evil into caricature, how we crave cheap catharsis and blood-soaked redemption arcs, how dopamine-dripping spectacle has replaced the hard work of truth and critical thought. WWE fans were just the beta testers—social media made us all marks. And if you think it can’t get worse, Cunningham points you to wrestling’s most grotesque era, the “Attitude Era,” when the distinction between hero and villain disintegrated entirely. No good guys, no bad guys—just degenerates in speedos vying for attention through escalating acts of moral collapse. A decade later, Twitter took notes.

    Cunningham’s alarm is more than justified. American politics isn’t just flirting with the WWE playbook—it’s plagiarizing it. We are no longer governed by statesmen but by characters playing to the cheap seats. When every tweet is a finishing move, every debate a promo, and every scandal a setup for the next storyline, democracy isn’t just weakened—it’s kayfabe’d. And Vince McMahon, smirking from his throne of steroid-soaked storylines, already wrote the script.

  • Digital Narcissus: How Social Media Is Hollowing Out the Mind and Endangering Democracy: A College Essay Prompt

    Digital Narcissus: How Social Media Is Hollowing Out the Mind and Endangering Democracy: A College Essay Prompt

    Essay Prompt: In Jonathan Haidt’s essay “Why the Past 10 Years Have Made America Uniquely Stupid,” he argues that social media has eroded the psychological foundations of democracy by fostering tribalism, outrage, and intellectual shallowness. Sherry Turkle’s TED Talk “Alone, together?” offers a related diagnosis: that our reliance on devices has replaced meaningful connection with curated performances and hollow validation. The Black Mirror episodes “Nosedive,” “Fifteen Million Merits,” and “Smithereens” dramatize these arguments by depicting dystopian futures in which people are addicted to digital approval, trapped in echo chambers, and rendered incapable of genuine autonomy or critical thought.

    In a well-structured argumentative essay, respond to the following claim:

    Social media is a malignant force that has caused a cultural dumbing-down, infantilization, self-fragmentation, and dopamine addiction. It has shortened attention spans, eroded critical thinking, and undermined the civic maturity necessary to sustain a free democracy.

    Your essay should:

    • Take a clear and defensible stance on the claim.
    • Analyze how each text (Haidt’s essay, Turkle’s talk, and the three Black Mirror episodes) supports or complicates the claim.
    • Consider counterarguments (e.g., potential benefits of digital platforms or examples of responsible online engagement).
    • Use specific examples and quotes from each source.
    • Explore how the cultural symptoms portrayed in these texts might reflect or distort our own digital behaviors.

    9-Paragraph Essay Outline

    I. Introduction

    • Hook: A vivid image or anecdote that illustrates digital dysfunction in everyday life.
    • Context: Introduce the central concern shared by Haidt, Turkle, and Black Mirror: social media’s corrosive influence on cognition and civic life.
    • Thesis: While social media was once hailed as a democratizing force, Haidt, Turkle, and Black Mirror reveal it as a malignant system that fragments identity, fuels addiction, and erodes the intellectual maturity required to sustain democratic culture.

    II. Haidt’s Argument: The Breakdown of Collective Intelligence

    • Summarize Haidt’s diagnosis of how social media rewards tribalism and outrage.
    • Analyze his claim that platforms like Twitter and Facebook are incompatible with democratic deliberation.

    III. Turkle’s Argument: From Connection to Isolation

    • Explain Turkle’s concept of being “alone together.”
    • Analyze her argument that technology has infantilized us emotionally and eroded our tolerance for authentic conversation.

    IV. “Nosedive”: Performing Ourselves to Death

    • Discuss how the episode satirizes a world of curated identity and dopamine-driven status games.
    • Connect to Haidt’s and Turkle’s points about fragile selfhood and emotional dependence on validation.

    V. “Fifteen Million Merits”: Entertainment Overload and Intellectual Starvation

    • Explore how the episode portrays a society addicted to entertainment, spectacle, and passive consumption.
    • Link to Haidt’s fear of attention scarcity and Turkle’s concern about emotional shallowness.

    VI. “Smithereens”: Addiction, Control, and the Collapse of Autonomy

    • Analyze the protagonist’s breakdown as a metaphor for dopamine dependency and loss of agency.
    • Connect to real-world attention economy and surveillance capitalism.

    VII. Counterargument: Can Social Media Be Used Responsibly?

    • Acknowledge arguments that social media can empower marginalized voices or promote awareness.
    • Respond by showing how the structural incentives of the platforms still reward impulsivity over depth.

    VIII. Synthesis and Broader Implications

    • Tie together all five texts.
    • Argue that the symptoms depicted are not exaggerated fiction but recognizable in our own habits.
    • Reflect on what kind of reform or resistance is needed.

    IX. Conclusion

    • Reaffirm the thesis.
    • Offer a final insight: perhaps the most urgent democratic act today is to reclaim our attention, agency, and intellectual dignity from the machines designed to erode them.

  • Out of the Sunken Place: Literacy, Identity, and Resistance in American Media and History: A College Essay Prompt

    Out of the Sunken Place: Literacy, Identity, and Resistance in American Media and History: A College Essay Prompt

    Essay Prompt:

    In Jordan Peele’s Get Out, the “Sunken Place” is a haunting metaphor for racial oppression, psychological erasure, and the paralysis of learned helplessness. In Childish Gambino’s “This Is America,” we witness the chaos and spectacle that distract from—and contribute to—that same systemic dehumanization. Across both works, the Sunken Place is not just a cinematic device—it is a chilling representation of the Black American experience under white supremacy, media manipulation, and cultural exploitation.

    Meanwhile, in Narrative of the Life of Frederick Douglass and Spike Lee’s movie Malcolm X, we see two historical figures who not only diagnosed their own versions of the Sunken Place but fought like hell to escape it—and to pull others out with them. Both men confront the dehumanizing force of racism, the danger of false identity imposed by the dominant culture, and the urgent need for self-definition through education, oratory, and rhetorical power.

    Your Task:

    Write a well-structured, argumentative essay in which you compare and analyze how the Sunken Place operates as a metaphor for racial oppression in Get Out and “This Is America,” and then examine how Frederick Douglass and Malcolm X function as heroes because they:

    • Identified and articulated the psychological and cultural dimensions of the Sunken Place,
    • Used literacy and self-education to transform their consciousness and identity,
    • Embraced self-reinvention to reject the roles society had written for them,
    • And wielded rhetoric, public speech, and writing as tools of resistance and uplift.

    Your Essay Should:

    • Develop a clear thesis that connects all four texts and takes a position on why Douglass and Malcolm X are essential in the larger conversation about the Sunken Place.
    • Use specific evidence from the film Get Out, the music video “This Is America,” Narrative of the Life of Frederick Douglass, and Spike Lee’s Malcolm X.
    • Analyze how self-reinvention and literacy act as tools of resistance in both historical and contemporary contexts.
    • Explore the power of rhetoric and performance—whether in speeches, writing, or visual media—as a means of disrupting oppression.
    • Consider how media, identity, and oppression intersect across the past and present.

    Length: 1,700–2,000 words

    Format: MLA, double-spaced, 12-point Times New Roman

    Sample 9-Paragraph Essay Outline: Out of the Sunken Place

    I. Introduction

    • Hook: A striking image or quote from Get Out or Douglass’s memoir that captures the feeling of being silenced, erased, or controlled.
    • Context: Briefly introduce the concept of the Sunken Place and how it serves as a metaphor for racial oppression in both modern media and historical reality.
    • Thesis: Jordan Peele’s Get Out and Childish Gambino’s “This Is America” depict the Sunken Place as a form of psychological and cultural imprisonment, while Frederick Douglass and Malcolm X represent heroic resistance through literacy, self-reinvention, and rhetoric—tools they used to break free from the false identities imposed by a racist society and to help others escape as well.

    II. Paragraph 1: The Sunken Place as Metaphor in Get Out

    • Analyze the concept of the Sunken Place in Peele’s film as a visual and psychological metaphor for helplessness, erasure, and loss of agency.
    • Discuss how the character of Chris embodies this forced subjugation.
    • Connect the visual metaphor to systemic racism and cultural silencing.

    III. Paragraph 2: Spectacle and Distraction in “This Is America”

    • Analyze how Childish Gambino’s video presents Black suffering behind the mask of American entertainment and spectacle.
    • Examine the use of chaos, dance, and violence as metaphorical distractions from systemic oppression.
    • Connect to the Sunken Place as a cultural state where truth is obscured by media performance.

    IV. Paragraph 3: Douglass Diagnoses and Escapes the Sunken Place

    • Show how Douglass identifies slavery not just as physical bondage but as psychological erasure.
    • Analyze how literacy becomes his path out of the Sunken Place.
    • Use key moments from the memoir (e.g., learning to read, confrontation with Covey).

    V. Paragraph 4: Malcolm X and the Power of Self-Reinvention

    • Explore how Malcolm X’s transformation (Malcolm Little → Detroit Red → Malcolm X) illustrates his escape from imposed identity.
    • Discuss how the prison-to-platform arc parallels Douglass’s journey.
    • Emphasize the role of reading, writing, and faith in his transformation.

    VI. Paragraph 5: Literacy and Rhetoric as Weapons of Resistance

    • Compare how both men use writing and oratory as tools of liberation.
    • Show how speeches, autobiographies, and essays were used to expose racism and awaken others.
    • Draw parallels to how modern media (like Get Out) also aims to awaken.

    VII. Paragraph 6: Counterargument & Rebuttal

    • Acknowledge the claim that historical figures and modern entertainers operate in fundamentally different spaces.
    • Rebut by showing that both use performance and storytelling to fight cultural amnesia and reclaim Black identity.

    VIII. Paragraph 7: Synthesis of Past and Present Resistance

    • Tie together the works: How Douglass and Malcolm X laid the rhetorical groundwork that Peele and Gambino build on.
    • Emphasize the continuity of struggle and evolution of the Sunken Place.

    IX. Conclusion

    • Reaffirm the thesis with renewed emphasis.
    • Reflect on what it means to escape the Sunken Place in today’s cultural landscape.
    • End with a powerful final thought about the ongoing power of education, identity, and resistance.

  • The Wired Warrior: Football, Technology, and the Price of Glory: Is the Modern Athlete a Gladiator, a Lab Experiment, or Both? A College Writing Prompt

    The Wired Warrior: Football, Technology, and the Price of Glory: Is the Modern Athlete a Gladiator, a Lab Experiment, or Both? A College Writing Prompt

    Football is more than a game—it’s a national ritual built on sacrifice, spectacle, and, increasingly, moral controversy. As medical research continues to link tackle football to chronic traumatic encephalopathy (CTE), long-term disability, and early death, the sport faces growing scrutiny. Critics like Malcolm Gladwell, Kathleen Bachynski, and Steve Almond argue that football is an unethical institution that profits from the pain of young men—especially those from lower-income communities—who are treated more like commodities than people. Others defend football as a legitimate form of personal agency and cultural identity, where athletes like Ronnie Coleman and other elite performers knowingly risk their bodies for glory, pride, and a path to opportunity.

    At the same time, advances in technology—including smart helmets, biometric tracking, and AI-powered safety protocols—promise to make the game significantly safer. Some see these developments as the key to football’s survival, while others fear that a “watered-down” version of the sport would strip it of the danger, drama, and warrior ethos that fans crave.

    In a well-structured argumentative essay, respond to the following question:

    Should football be fundamentally reformed in response to CTE research and emerging safety technologies, or should it remain a high-risk sport built on personal choice, cultural tradition, and the pursuit of greatness?


    Your essay should:

    • Take a clear, defensible position on the central question.
    • Consider multiple perspectives, including ethical critiques, technological optimism, and the value of personal agency.
    • Engage with course materials such as Killer Inside, Evolution of the Black Quarterback, CTE case studies, and relevant authors (e.g., Gladwell, Almond, Bachynski).
    • Explore how reform could affect not only players and fans, but also the future cultural identity of the sport.

    Here is a 9-paragraph argumentative essay outline that follows the Toulmin structure, tailored specifically to your prompt on football, ethics, and technology:


    Title: Challenging the Football Status Quo: Risk, Reform, and the Future of the Game


    I. Introduction

    • Hook: Open with a vivid image of a high-stakes NFL game—stadium roaring, players colliding, the quarterback limping off the field.
    • Context: Briefly explain how football’s cultural dominance is being challenged by increasing awareness of CTE, exploitation, and emerging safety technologies.
    • Thesis (Claim): Football must be fundamentally reformed in response to CTE research and technological advances—not to destroy the sport, but to preserve its integrity, protect its players, and allow it to evolve ethically in a changing society.

    II. Background

    • Define CTE and its connection to tackle football.
    • Summarize how football traditionally valorizes physical sacrifice and risk.
    • Introduce the ethical controversy: entertainment vs. exploitation.

    III. Point 1 – The Moral Imperative to Reform

    • Warrant: If a system knowingly causes irreversible harm, society has a duty to intervene.
    • Evidence: Reference studies on CTE and examples of players suffering post-retirement (e.g., Junior Seau, Aaron Hernandez).
    • Tie-in: Reform isn’t a moral overreach—it’s damage control.

    IV. Point 2 – Technology Makes Reform Feasible

    • Claim: Smart helmets, AI-driven impact analysis, and biometric wearables can reduce injury without eliminating physicality.
    • Evidence: Cite current innovations and their projected benefits.
    • Warrant: Technological reform isn’t fantasy—it’s already happening.

    V. Point 3 – True Player Choice Requires Full Awareness

    • Claim: Arguing that players “know the risks” assumes informed consent—but many players start young and lack full knowledge of long-term effects.
    • Evidence: Use Bachynski’s critique of youth football and the financial coercion tied to poverty.
    • Warrant: Informed choice is only valid when other viable opportunities exist.

    VI. Counterargument – The Tradition of Risk is Central to the Game

    • Present the argument: Football, like MMA or bodybuilding, is about voluntary risk and personal glory.
    • Use Noah’s and Daniel’s perspectives from Bodenner’s essay to show how some players accept risk with pride.
    • Acknowledge the emotional weight of this argument.

    VII. Rebuttal – Spectacle Doesn’t Justify Preventable Harm

    • Response: Cultural tradition is not a moral defense; sports have evolved before.
    • Use comparisons: NASCAR added safety after deaths, boxing implemented concussion protocols.
    • Argue that reform can preserve the game’s intensity without making sacrifice its currency.

    VIII. Broader Implications

    • Claim: Reforming football could ripple outward—setting ethical standards for other sports and youth programs.
    • Connect to societal values: Is our entertainment worth the human cost?
    • Suggest that football can remain powerful and inspiring without being a bloodsport.

    IX. Conclusion

    • Reaffirm thesis: Reform is not the death of football—it’s the only path to preserving it responsibly.
    • Emphasize the dual benefit: safer players and a sport that aligns with evolving cultural ethics.
    • Leave readers with a final image: a new generation of players thriving in a game that challenges them without destroying them.
  • Bloodlust or Civic Ritual? The Moral Dilemma of Watching Football

    Bloodlust or Civic Ritual? The Moral Dilemma of Watching Football

    In his Guardian column, American football is too dangerous, and it should be abolished,” David Bry doesn’t just critique the sport—he indicts its audience. Football, he argues, is not merely unsafe; it’s immoral. He anticipates the backlash to this charge and admits, with self-deprecating honesty, that he’s no moral saint himself—he still eats foie gras, knowingly prioritizing his pleasure over a duck’s suffering. But to him, there’s a moral line between indulging in ethically murky cuisine and consuming a sport that rewards the destruction of human bodies for mass entertainment. If he values human life more than duck life, he cannot, in good conscience, support a game that feeds off head trauma and early death.

    Bry insists the game can’t be meaningfully reformed. The violence is not incidental—it’s structural. Helmets and rule changes may offer cosmetic fixes, but the fundamental problem lies in the collisions themselves: the brain, he writes, “sloshes around and smashes against its bone casing.” No amount of tweaking can erase that brutal fact. While his friend Todd defends the freedom of adults to play if they choose, Bry shifts the focus from the players to the fans. The deeper immorality, he claims, lies not on the field but in the stands and living rooms, where audiences cheer and fund the spectacle that maims its participants.

    This position challenges evolutionary theorists like Jonathan Gottschall, who argue that violent sports are hardwired into us. From his view, sports like football are not moral failures, but social adaptations—ritualized combat that establishes hierarchies and offers a controlled outlet for natural male aggression. If we don’t have football, we’ll invent some other surrogate for the same primal thrill.

    And here lies the moral paradox: If we are biologically inclined to enjoy violence in symbolic form, can we still be held ethically accountable for watching it? Or does evolutionary determinism become a convenient alibi that masks complicity? Is football a barbaric indulgence we should outgrow—or a necessary safety valve that prevents worse outcomes?

    This tension gets at the philosophical core of the football debate. Are we morally responsible for what we watch, or are we acting out ancient instincts that override reason and empathy? If Bry is right, we’re sanitized Romans in bleachers, watching men destroy themselves for our pleasure. If Gottschall is right, those same bleachers might be the only thing keeping us from something darker, something more chaotic, something even harder to justify.

    Ultimately, the question is not whether football is violent—we know it is—but whether our appetite for it can be governed by ethics or will simply reinvent itself in another uniform, another arena, another “acceptable” outlet. Are we spectators or just better-dressed predators?

  • Brains for Glory: How Football Became the Lottery of the Left Behind

    Brains for Glory: How Football Became the Lottery of the Left Behind

    In Alana Semuels’ “The White Flight from Football,” we meet Shantavia Jackson, a single mother working the night shift at Home Depot. With three sons—ages 11, 12, and 14—she turns to youth football not just for recreation but as a form of structure, mentorship, and protection. Coaches become surrogate father figures, teaching discipline and teamwork. For her son Qway, who lives with a mental disorder, football provides a stabilizing force: a team that functions as his support system.

    For Shantavia, football isn’t just a sport—it’s an escape hatch. She can’t afford to send her sons to college, and she sees football as the only viable route out of a life circumscribed by poverty. It’s a desperate gamble, but in communities like hers, desperate gambles are often the only kind available.

    Against this backdrop, research continues to pile up showing that tackle football can cause severe and irreversible brain trauma. In response, many parents—particularly white and affluent—are pulling their children out of youth leagues. The ability to make that choice is, at its core, an expression of privilege. While white participation in youth football declines, Black participation remains disproportionately high: 44 percent of Black boys play tackle football, compared to just 29 percent of their white peers. This racial divide plays out on the national stage: today, Black athletes make up nearly half of all Division I college football players, up from 39 percent in 2000, while white athletes have dropped from 51 percent to 37 percent.

    The implication is grim: Black children are more likely to accept long-term risks because they have fewer short-term options. White children, cushioned by economic security and broader educational opportunities, can afford to walk away. The more the science reveals about the dangers of early head trauma, the more it becomes clear who is left holding the risk.

    And the science is damning. A 2017 Boston University study found that athletes who began playing tackle football before age 12 were twice as likely to develop behavioral problems and three times as likely to suffer from clinical depression. A separate study by Wake Forest University revealed that boys who played just one season of tackle football between the ages of 8 and 13 showed diminished brain function. The greatest fear is CTE—chronic traumatic encephalopathy—a degenerative brain disease caused by repeated hits to the head, not just concussions. Even subconcussive blows can cause lasting damage. In 2017, researchers examined the brains of 111 deceased NFL players. They found CTE in 110 of them.

    In response, some former players and medical experts now advocate delaying tackle football until high school, when bodies are more physically mature and kids are better able to understand and implement safe tackling techniques. But the sport is growing, not shrinking, and its profitability only reinforces the risk. At Texas A&M University, football generates $148 million a year. That revenue stream depends on a constant influx of young talent—often from families like Shantavia’s—eager for a scholarship and a shot at something better.

    The decision to play football, or not to, has become yet another expression of America’s racial wealth divide. As of 2021, the median wealth of white households was $250,400—about 9.2 times that of Black households, which stood at just $27,100. Though there have been modest gains in Black wealth, the gap remains vast. In 2022, the median wealth for Black households rose to $44,890—still far behind the $285,000 median for white households. This disparity isn’t merely numerical; it’s structural, baked into the opportunities people can or cannot access.

    In this context, football becomes less a sport and more a bloodletting ritual—one that disproportionately brutalizes the bodies of those with the fewest alternatives. For children growing up in neighborhoods with failing schools, limited healthcare, and short life expectancies, football isn’t just a game. It’s a high-stakes wager: risk your brain for a future, or settle for no future at all.

  • Glory or Exploitation? The Ethics of Football in a Culture Addicted to Spectacle: A College Argumentative Writing Prompt

    Glory or Exploitation? The Ethics of Football in a Culture Addicted to Spectacle: A College Argumentative Writing Prompt


    Essay Prompt:

    Football is more than just a sport—it’s a cultural ritual defined by sacrifice, danger, and, increasingly, moral controversy. With mounting evidence linking the game to brain trauma, long-term disability, and early death, critics such as Malcolm Gladwell, Kathleen Bachynski, and Steve Almond argue that football is not only dangerous but exploitative: a spectacle built on the suffering of young men whose bodies and futures are traded for profit and entertainment. Others defend the sport, insisting that football—like MMA, gymnastics, or bodybuilding—simply demands extreme physical sacrifice, and that athletes like Ronnie Coleman embody the right to choose that pain in pursuit of greatness. Meanwhile, cases like Aaron Hernandez raise disturbing questions about whether teams prioritize talent and profit over the psychological well-being and humanity of their players.

    The central argument you will address is this: Is football an unethical and exploitative institution that sacrifices player welfare for public entertainment, or is it a legitimate arena of personal choice, physical excellence, and cultural tradition?

    In your essay, take a clear position on this question and support it with evidence from Concussion, Ronnie Coleman: The King, Killer Inside: The Mind of Aaron Hernandez, and at least three essays from our course materials. As you develop your claim, consider related issues such as:

    • Whether colleges and the NFL commodify athletes or empower them;
    • Whether spectators are morally complicit in the harm done;
    • Whether banning football would protect vulnerable individuals or create worse unintended consequences;
    • And whether the pursuit of greatness necessarily involves bodily sacrifice—and if so, whether that sacrifice is a noble choice or a form of exploitation.

    Use 4 or more of the following sources to construct a well-argued position:

    1. “Youth Football Is a Moral Abdication” by Kathleen Bachynski
    2. “The White Flight from Football” by Alana Semuels
    3. “American football is dangerous, and it should be abolished” by Dave Bry
    4. “Exactly How Dangerous Is Football?” by Ingfei Chen
    5. “Offensive Play” by Malcolm Gladwell
    6. “Is It Immoral to Watch the Super Bowl?” by Steve Almond
    7. “Diehard Fans Defend the Game” by Matt Vasilogambros
    8. “Is It Patronizing to Say Football Players Are Exploited?” by Chris Bodenner
    9. “Book review: ‘Why Football Matters,’ and ‘Against Football’” by James Trefil
    10. Concussion (2015 movie on Amazon Prime)
    11. The Cost of Winning (2020 documentary on HBO)
    12. Student Athlete (2018 documentary on HBO)
    13. Killer Inside: The Mind of Aaron Hernandez (2020 3-part series on Netflix)

    Sample 9-Paragraph Outline


    Title: Blood, Glory, and Profit: The Ethical Dilemma of American Football


    Paragraph 1: Introduction (Choose One)

    • Hook: Start with a vivid image—an NFL player lying motionless on the turf while the crowd cheers for the next play.
    • Context: Football’s status as a national ritual, its cultural significance, and the growing controversy surrounding its dangers.
    • Introduce the central debate: Is football exploitative, or is it a legitimate, even noble, pursuit of greatness?

    Paragraph 2: Thesis (Claim)

    • Example of thesis that opposes football: Football has become an ethically compromised institution that commodifies its players for entertainment and profit, often under the illusion of personal choice—making reform, not abolition, a moral imperative.
    • Example of a thesis that supports football: While football is a physically demanding sport, it is not an exploitative institution—it is a legitimate, voluntary arena where athletes exercise personal agency, pursue greatness, and knowingly accept risk. Far from being ethically compromised, football represents a cultural tradition that honors sacrifice, fosters opportunity, and should be preserved without further moral panic or unnecessary reform.

    Paragraph 3-6: Your supporting paragraphs that explain the reasons behind your thesis or argument. 

    Paragraphs 7 and 8: Your 2 counterarguments and 2 rebuttals to those counterarguments.

    Paragraph 9: Your conclusion, a dramatic restatement of your thesis.

    ***

    Unintended Consequences of Banning Football (to address in your counterargument-rebuttal section)

    Here is a full list of unintended consequences you may need to address to make your argument more persuasive:

    Banning football might sound like a bold ethical stance, but it would unleash a cascade of unintended consequences—cultural, economic, psychological, and even moral. Here’s a breakdown of what might happen if the most popular sport in America were outlawed:


    1. Loss of Opportunity for Marginalized Youth

    • Unintended Consequence: For many young men, especially from under-resourced communities, football is a rare (and sometimes only) path to higher education and upward mobility.
    • Result: Banning the sport could cut off scholarships and recruitment pipelines, exacerbating socioeconomic inequality rather than alleviating harm.

    2. Black Market Football

    • Unintended Consequence: If football goes underground, it doesn’t disappear—it just gets more dangerous.
    • Result: Unregulated leagues may spring up, especially in areas with strong football culture. Without safety oversight, proper coaching, or medical supervision, injury rates could worsen.

    3. Economic Collapse of Local Ecosystems

    • Unintended Consequence: Football is a multi-billion-dollar industry with deep ties to universities, cities, and small towns.
    • Result: A ban could devastate local economies dependent on Friday night lights or Saturday college games—hotels, restaurants, sports vendors, media jobs, and more would be gutted.

    4. Identity Crisis in American Masculinity

    • Unintended Consequence: Football, like it or not, is one of the last culturally sanctioned rituals of toughness, aggression, and team-based male bonding.
    • Result: Without football as a socially accepted outlet, young men may turn to other riskier or more alienating behaviors to express identity or test resilience.

    5. Decline in College Enrollment and Funding

    • Unintended Consequence: At many universities, football programs are major revenue engines—not just for athletics, but for branding and student recruitment.
    • Result: Removing football could lead to reduced enrollment, cutbacks in academic programs, and tuition hikes as schools scramble to replace lost revenue.

    6. Loss of Cultural Cohesion and Civic Ritual

    • Unintended Consequence: Football games are communal rituals—tailgates, traditions, and team pride bind communities together.
    • Result: Banning football could fracture local identity, particularly in the South and Midwest, where the sport acts as social glue.

    7. Displacement of Violence to Other Arenas

    • Unintended Consequence: Football channels aggression into rules, teams, and strategy.
    • Result: Without that structure, we might see more unchanneled aggression, risk-taking behavior, or violence manifesting in less regulated spaces (gangs, reckless driving, amateur fighting).

    8. Moral Hypocrisy and Slippery Slope Questions

    • Unintended Consequence: Singling out football raises the question: what about boxing, MMA, rugby, or even ballet and gymnastics?
    • Result: Banning football opens the door to more bans—or worse, selective enforcement that reeks of moral inconsistency and political backlash.

    9. Undermining of Bodily Autonomy

    • Unintended Consequence: While the intent is to protect, the act of banning a sport removes agency from individuals who knowingly choose risk.
    • Result: This could spark debates about freedom, personal sovereignty, and whether society has the right to intervene in personal decisions about pain and sacrifice.

    The Relevance of Killer Inside: The Mind of Aaron Hernandez:

    The documentary Killer Inside: The Mind of Aaron Hernandez is a chilling, necessary companion to any serious discussion of the moral crisis surrounding football. Hernandez, a star athlete groomed through the college football system and elevated to NFL glory, was both a product and a casualty of a sport that prized performance over personhood. The film exposes how institutions—from the University of Florida to the New England Patriots—enabled and ignored warning signs: violence, erratic behavior, and deep psychological instability. These weren’t just isolated red flags; they were systemic blind spots, fostered by a culture that commodifies players as disposable assets in a billion-dollar entertainment machine. Hernandez’s case forces students to confront the darker truth behind athletic excellence: when fame, concussions, and unchecked aggression intersect, the results can be lethal.

    Moreover, the documentary complicates the question of self-agency. Yes, Hernandez made choices—but were they truly free? Killer Inside makes a compelling case that chronic traumatic encephalopathy (CTE), diagnosed in Hernandez posthumously, contributed to his instability. It raises hard questions about whether players fully understand the long-term cost of participation, and whether teams, coaches, and fans are complicit in a cycle that glamorizes sacrifice while suppressing inconvenient consequences. As students grapple with the ethics of spectatorship and institutional responsibility, this documentary offers a haunting portrait of how far a system will go to protect its profit, even if it means nurturing a time bomb in shoulder pads.

  • 3 College Essay Prompts That Address the Argument That Football Should be Banned (Brain vs. Game: Is Football Worth the Risk?)

    3 College Essay Prompts That Address the Argument That Football Should be Banned (Brain vs. Game: Is Football Worth the Risk?)

    Here are three argumentative essay prompts suitable for a 9-paragraph essay that ask college students to critically evaluate the claim that football is too dangerous to be allowed, while integrating multiple sources and perspectives:


    Prompt 1: “Freedom vs. Paternalism: Should Football Be Banned for Its Dangers?”

    Essay Prompt:
    Some argue that football should be banned due to its inherent risks—brain trauma, long-term disability, and early death—especially when these dangers are now well-documented through studies, documentaries like Concussion, and essays such as “Offensive Play” by Malcolm Gladwell and “Youth Football Is a Moral Abdication” by Kathleen Bachynski. Others argue that adults, like bodybuilder Ronnie Coleman in The King, have the right to punish their bodies for greatness. Should society protect athletes from themselves, or should personal freedom and the pursuit of glory override concerns about safety?

    Thesis Requirement:
    Take a position on whether football should be banned, regulated further, or left alone. Consider the ethical tension between protecting individuals and respecting their freedom to accept risk.


    Prompt 2: “Is Football Immoral Entertainment or Heroic Spectacle?”

    Essay Prompt:
    Critics like Steve Almond in “Is It Immoral to Watch the Super Bowl?” argue that football is exploitative, violent, and unethically consumed as entertainment by fans who ignore the human cost. Yet, defenders claim that physical sacrifice is the very essence of elite sports, citing Ronnie Coleman’s punishing regimen or the spectacle of NFL Sundays. Drawing from Concussion, Ronnie Coleman: The King, and at least three essays from the list above, argue whether watching and supporting football is morally indefensible—or a celebration of human extremes that demands respect, not condemnation.

    Thesis Requirement:
    Argue whether football spectatorship is morally wrong, or whether it reflects a deeper cultural valorization of sacrifice and spectacle that deserves to continue.

    Prompt 3: “A Necessary Risk? Comparing Football to Other High-Impact Sports”

    Essay Prompt:
    Football is often singled out for its violence and long-term damage to players, as shown in the essays by Dave Bry and Ingfei Chen. But many other sports—MMA, boxing, gymnastics, bodybuilding—also inflict harm in pursuit of greatness. Is it fair to hold football to a different standard? Using Concussion, Ronnie Coleman: The King, and at least three essays from the list, write an argumentative essay that addresses whether football is uniquely immoral—or simply another example of how society accepts risk in exchange for performance and entertainment.

    Thesis Requirement:
    Argue whether football should be abolished due to its extreme risks, or whether it should be viewed in the same ethical category as other dangerous yet glorified sports.

    ***

    Here are three 9-paragraph essay outlines, each corresponding to one of the prompts I gave you. These outlines are structured to guide students in developing strong thesis-driven arguments with counterargument and rebuttal sections.


    Prompt 1 Outline: “Freedom vs. Paternalism: Should Football Be Banned for Its Dangers?”

    Paragraph 1 – Introduction

    • Hook: Paint a vivid image of the risks of football (e.g., brain damage, CTE).
    • Context: Mention growing concern from scientists, journalists, and cultural critics.
    • Thesis: While football poses undeniable dangers, banning it would violate the principle of personal freedom; instead, informed adults should be allowed to take risks in pursuit of meaning, glory, and identity.

    Paragraph 2 – Background on Football’s Dangers

    • Use examples from Concussion, Gladwell’s “Offensive Play,” and Ingfei Chen’s article to detail the physical and neurological toll of the game.
    • Discuss youth football concerns using Bachynski’s critique.

    Paragraph 3 – The Paternalist Case for Banning Football

    • Lay out the moral argument that society has an obligation to protect players from harm—even from themselves.
    • Reference Steve Almond’s and Dave Bry’s essays.
    • Raise the point about fans being complicit in systemic exploitation.

    Paragraph 4 – The Freedom to Choose Dangerous Paths

    • Use Ronnie Coleman as a counterpoint: he knowingly destroyed his body in pursuit of greatness.
    • Argue that personal agency and risk are part of greatness in many sports.

    Paragraph 5 – Informed Consent and Regulation

    • Propose that the real solution is not banning but making sure players are fully informed and medically monitored.
    • Mention existing reforms in football and suggestions for further safety protocols.

    Paragraph 6 – Counterargument: The Problem of Informed Consent in Minors

    • Acknowledge that children and teenagers cannot truly give informed consent.
    • Revisit Bachynski’s argument about moral abdication in youth football.

    Paragraph 7 – Rebuttal: Ban Youth Football, Not the Whole Game

    • Suggest a middle-ground policy: ban tackle football for minors, regulate pro and college levels.
    • Emphasize adult autonomy and institutional responsibility.

    Paragraph 8 – Broader Implications: Personal Risk in a Free Society

    • Link to other professions and sports with risk (e.g., firefighting, racing).
    • Defend risk as a necessary ingredient in human excellence and personal identity.

    Paragraph 9 – Conclusion

    • Reaffirm thesis: Football is dangerous, but banning it would be paternalistic overreach.
    • End with a call for ethical regulation, informed choice, and cultural honesty.

    Prompt 2 Outline: “Is Football Immoral Entertainment or Heroic Spectacle?”

    Paragraph 1 – Introduction

    • Hook: Contrast images of Super Bowl Sunday parties with a football player in a wheelchair, suffering CTE.
    • Context: Critics argue football is a bloodsport; defenders see valor.
    • Thesis: While football’s dangers are real, condemning it as immoral entertainment ignores the deeper human drive toward spectacle, risk, and transcendent physical achievement.

    Paragraph 2 – The Moral Case Against Watching Football

    • Summarize Almond’s, Bry’s, and Gladwell’s critiques of football as exploitative.
    • Emphasize the consumer’s moral responsibility.

    Paragraph 3 – The Physical Toll of Greatness

    • Compare football players to Ronnie Coleman: both destroy their bodies to reach the top.
    • Use Ronnie Coleman: The King as evidence of informed sacrifice.

    Paragraph 4 – The Heroic Spectacle Argument

    • Argue that what we celebrate in sports is the extreme: speed, pain tolerance, power.
    • Football is thrilling precisely because it pushes limits.

    Paragraph 5 – Football and Consent

    • Highlight that football players, unlike gladiators, choose their path.
    • Many see it as a path to identity, meaning, and upward mobility.

    Paragraph 6 – Counterargument: Viewers Are Still Morally Complicit

    • Acknowledge Almond’s point that fans create the demand.
    • Point out that cheering injuries is a moral low point.

    Paragraph 7 – Rebuttal: Admiration Is Not Exploitation

    • Make the case that admiration and exploitation are not the same.
    • Use examples from Concussion and Vasilogambros’ essay showing many players don’t see themselves as victims.

    Paragraph 8 – The Cultural Importance of Football

    • Explore football’s symbolic value in American identity and tradition.
    • Mention Concussion to show that reform, not erasure, may be the better path.

    Paragraph 9 – Conclusion

    • Restate thesis: Football’s violence is part of its mythic power, not its moral failure.
    • Leave reader with a question: Do we truly want to live in a world without high-stakes heroism?

    Prompt 3 Outline: “A Necessary Risk? Comparing Football to Other High-Impact Sports”

    Paragraph 1 – Introduction

    • Hook: Imagine a risk-free Olympics—no broken bones, no injuries, no edge. Would anyone watch?
    • Context: Football is under fire, but risk is foundational to many beloved sports.
    • Thesis: Though football is dangerous, it should not be singled out for abolition when other high-risk sports continue with public admiration and participant consent.

    Paragraph 2 – The Case Against Football’s Danger

    • Outline the evidence from Concussion, Chen’s article, and Bry’s essay.
    • Include the cultural concern about long-term brain injuries.

    Paragraph 3 – Football’s Uniqueness (Critics’ View)

    • Present the argument that football is worse due to repeated head trauma.
    • Highlight Gladwell’s and Bachynski’s emphasis on sub-concussive hits.

    Paragraph 4 – But Other Sports Are Just as Brutal

    • Bring in MMA, boxing, gymnastics, bodybuilding.
    • Describe Ronnie Coleman’s spinal degeneration from lifting.

    Paragraph 5 – The Freedom to Risk and the Myth of the “Safe Sport”

    • Emphasize that even “safe” sports carry injury risks.
    • Athletes know the trade-off and often embrace it.

    Paragraph 6 – Counterargument: Kids Can’t Choose Risk Responsibly

    • Acknowledge the issue of youth sports, echoing Bachynski.
    • Minors can’t weigh long-term risk like adults.

    Paragraph 7 – Rebuttal: Reform, Not Abolition

    • Support banning tackle football for kids, but defend adult participation.
    • Cite reforms in helmets, rules, and concussion protocols.

    Paragraph 8 – Sports and the Human Drive for Glory

    • Revisit Ronnie Coleman: he knowingly embraced suffering for excellence.
    • Link this drive to the nature of sport and human aspiration.

    Paragraph 9 – Conclusion

    • Restate thesis: Football isn’t uniquely immoral—it’s one chapter in a larger story of human performance and risk.
    • Conclude with a call for honest conversations, not blanket bans.
  • The Salma Hayek-ification of Writing: A Love Letter to Our Slow-Motion Doom

    The Salma Hayek-ification of Writing: A Love Letter to Our Slow-Motion Doom

    I’ve done what the pedagogical experts say to do with ChatGPT: assume my students are using it and adjust accordingly. I’ve stopped trying to catch them red-handed and started handing them a red carpet. This isn’t about cracking down—it’s about leaning in. I’ve become the guy in 1975 who handed out TI calculators in Algebra II and said, “Go wild, kids.” And you know what? They did. Math got sexier, grades went up, and nobody looked back.

    Likewise, my students are now cranking out essays with the polish of junior copywriters at The Atlantic. I assign them harder prompts than I ever dared in the pre-AI era—ethical quandaries, media critiques, rhetorical dissections of war propaganda—and they deliver. Fast. Smooth. Professional. Too professional.

    You’d think I’d be ecstatic. The gap between my writing and theirs has narrowed to a hair’s width. But instead of feeling triumphant, I feel…weirdly hollow. Something’s off.

    Reading these AI-enhanced essays is like watching Mr. Olympia contestants on stage—hyper-muscular, surgically vascular, preposterously sculpted. At first, it’s impressive. Then it’s monotonous. Then it’s grotesque. The very thing that was once jaw-dropping becomes oddly numbing.

    That’s where we are with writing. With art. With beauty.

    There’s a creeping sameness to the brilliance, a too-perfect sheen that repels the eye the way flawless skin in a poorly-lit Instagram filter repels real emotion. Everyone’s beautiful now. Everyone’s eloquent. And like the cruelest of paradoxes, if everyone looks like Salma Hayek, then no one really does.

    AI content has the razzle-dazzle of a Vegas revue. It’s slick, it’s dazzling, and it empties your soul faster than a bottomless mimosa brunch. The quirk, the voice, the twitchy little neurosis that makes human writing feel alive? That’s been sanded down into a high-gloss IKEA finish.

    What we’re living through is the Salma Hayek-ification of modern life: a technologically induced flattening of difference, surprise, and delight.

    We are being beautified into oblivion.

    And deep inside, where the soul used to spark when a student wrote a weird, lumpy, incandescent sentence—one they bled for, sweated over—I feel the faint echo of that spark flicker.

    I’m not ready to say the machines have killed art. But they’ve definitely made it harder to tell the difference between greatness and a decent algorithm with good taste.