Tag: blog

  • Why I Can’t Let Go of G-Shock’s Chromatic Certainty

    Why I Can’t Let Go of G-Shock’s Chromatic Certainty

    Before the technical specifications, before the discussion of movements, and before the endless debates about quartz versus mechanical watches, something unexpected happened inside my head.

    Six months ago I underwent what now strikes me as a genuine conversion. I almost stopped wearing analog mechanical watches and entered the world of G-Shock Multiband-6 digital watches. To my surprise, a number of my YouTube subscribers later described the very same journey. They had once adored mechanical watches, only to discover that after living with atomically synchronized digital time, they could never comfortably return.

    At first glance, the conversion makes little sense.

    A quality mechanical watch running five seconds fast per day is an astonishing feat of engineering. For every practical purpose, it tells the correct time. It gets you to appointments. It catches flights. It reminds you when class begins. Its error is so small that it almost never matters.

    And yet it no longer feels right.

    That is the mystery.

    Objectively, nothing important has changed. Subjectively, everything has.

    What changes is not the watch but the standard by which the watch is judged.

    Before owning a Multiband-6 G-Shock, my standard was simple: close enough.

    After Multiband-6, my standard became: exactly right.

    Every night my watch quietly synchronizes with the atomic clock. Every morning I wake knowing—not hoping, not estimating, not approximating—that the time on my wrist is identical to the world’s official standard. Five seconds fast, once a badge of mechanical excellence, now feels oddly imprecise.

    I call this Chronometric Certainty: the psychological satisfaction that arises from knowing one’s timepiece is synchronized with an external objective standard, eliminating even trivial uncertainty about its accuracy.

    The difference is not practical.

    It is psychological.

    An analog watch always feels like an interpretation of time. The hands point. They suggest. They approximate.

    A digital display does something altogether different.

    It declares.

    When my G-Shock reads 12:37:42, there is no interpretation. It does not hint at the time. It announces it with unapologetic authority. One of my favorite G-Shocks, the enormous King, reinforces this feeling. Its giant television-shaped display gives me the uncanny impression that I am not wearing a watch at all. It feels like I have strapped a broadcast monitor to my wrist, one that receives the world’s official time directly from reality itself.

    The mechanical watch, by contrast, quietly asks for my participation.

    I know it gains a few seconds.

    I occasionally reset it.

    I mentally compensate.

    None of this requires much effort, but each act reminds me that the watch is only approximating reality.

    The G-Shock abolishes those tiny negotiations.

    It simply tells the truth.

    This realization has convinced me that my conversion was never really about watches.

    It was about certainty.

  • When Father Time Becomes Your Authorized Watch Dealer

    When Father Time Becomes Your Authorized Watch Dealer

    At sixty-five, with retirement approaching, I have aged out of five-thousand-dollar watches.

    Not because I can’t appreciate them.

    Not because they aren’t beautiful.

    Because I no longer have the wrist time.

    Twenty more years—if fortune is generous—is not enough to justify rotating my current collection alongside two additional grail pieces that would spend most of their lives quietly aging in a watch box. I call this Chronological Misalignment: the condition in which a person’s remaining lifetime no longer justifies acquiring possessions intended to be enjoyed over a much longer horizon.

    Time eventually becomes the harshest accountant.

    But time is only half the problem.

    The other half is geography.

    Or, more accurately, lifestyle.

    I still admire the Grand Seiko GMT. I still admire the Tudor Pelagos. They remain magnificent objects.

    I simply struggle to imagine wearing one while binge-watching Hulu, pushing a shopping cart through Target, or taking my daughters to YogurtLand for frozen yogurt.

    The watch would be dressed for an expedition to Antarctica.

    I would be buying gummy bears by the ounce.

    The mismatch is almost comic.

    I call this Environmental Misalignment: the condition in which one owns or desires objects whose elegance exceeds the ordinary circumstances of one’s daily life.

    Recognizing these two forms of misalignment is not depressing.

    It is liberating.

    Reality has performed the difficult task of setting my priorities for me.

    The question is no longer whether I can justify another grail watch.

    The question is what deserves that energy instead.

    For decades, watches occupied an astonishing amount of mental real estate. They required research, comparison, speculation, buying, selling, photographing, discussing, and occasionally irrational justification.

    Now that enthusiasm has become available for reassignment.

    It belongs elsewhere.

    It belongs in writing.

    It belongs at the piano.

    It belongs in my kettlebell-filled garage.

    Most of all, it belongs to my health.

    I am still about twenty pounds overweight.

    My physician periodically reminds me that it is time for fasting bloodwork—cholesterol, blood sugar, and the rest of the annual report card. I already know roughly what the results will say. At 230 pounds, everything will probably look respectable except my LDL cholesterol, which has an annoying habit of hovering around the borderline.

    So the mission is obvious.

    Reach 210 pounds.

    Then endure the ritual: skip breakfast, forgo the morning coffee, wait patiently while someone extracts several vials of blood, drive home slightly lightheaded, and receive laboratory numbers worthy of the inconvenience.

    At thirty-five, my grail was a Tudor Pelagos.

    At sixty-five, my grail is different. It’s a total cholesterol below 200 and a blood pressure reading of 120 over 80.

    That is not surrender.

    That is maturity.

    There comes a point in life when we stop negotiating with Father Time.

    He begins issuing instructions.

    He says:

    “You’re not wearing a Grand Seiko to Trader Joe’s.

    You’re not timing your afternoon nap with a luxury GMT.

    Your assignment now is different.

    Become as healthy as possible.

    Remain mentally sharp.

    Write your books.

    Play your piano.

    Stay strong enough that your family never has to carry you through the final chapters of your life.”

    For once, I find myself with no desire to argue.

    His orders make perfect sense.

    The remarkable thing is that they do not diminish my life.

    They simplify it.

    The pursuit of watches has quietly given way to the pursuit of longevity, creativity, and strength. Those ambitions promise far greater returns than another polished titanium case ever could.

    I wrote this little manifesto wearing a G-Shock Frogman.

    It told time just as faithfully as any luxury watch.

    More importantly, it reminded me that I have finally found a grail worthy of the time I have left.

  • The Watch Channel at a Crossroads

    The Watch Channel at a Crossroads

    My video production is on hold because I find myself interrogating my place in the watch world. I have little appetite for another “State of the Collection” video. That genre has become the YouTube equivalent of a sitcom reunion special: everyone knows the script before the opening credits roll. Likewise, I am convinced I have exhausted the lexicon of watch addiction. I have dissected acquisition syndrome, rationalization, buyer’s remorse, dopamine hits, grail watches, collection pruning, and every psychological contortion a watch enthusiast performs while pretending another purchase is somehow “different this time.” At some point, the commentary begins recycling itself, and I have no desire to become an echo of my former self.

    The irony is that none of this means I love watches any less. They remain as captivating—and as capable of hijacking my imagination—as they were twenty years ago. Two pieces continue to haunt me. The first is the Grand Seiko SBGP009, whose champagne-silver dial possesses the quiet authority of vintage elegance while its quartz movement drifts no more than ten seconds in an entire year. The second is the Orient Star M42 Diver 1964 Recreation (RE-AU0503N), a watch that somehow manages to look both nostalgic and purposeful without descending into retro cosplay. My greatest misfortune is that neither watch is outrageously expensive. The Grand Seiko costs only about three thousand dollars, and the Orient Star about one thousand. I almost wish they were twice as expensive. Overpriced luxury has an odd virtue: it occasionally protects us from ourselves.

    Meanwhile, most of my creative energy has migrated to my blog. There I can pursue ideas that would suffocate inside a fifteen-minute YouTube video. I can move from watches to literature, from moral philosophy to true crime, from AI to theology without asking whether the algorithm will punish me for changing lanes. The writing feels richer, stranger, and ultimately more meaningful. Unfortunately, blogs occupy the cultural equivalent of a deserted side street while YouTube resembles Times Square. One offers freedom without an audience; the other offers an audience that constantly demands the familiar. Whether I can remain content scribbling thoughtful essays into relative obscurity is a question I have not yet answered.

    One conclusion, however, no longer requires interrogation. I am an incurable watch enthusiast. There is no treatment, no twelve-step program, no miraculous cure. I have accepted that reality. My task is not to extinguish the fascination but to discipline it. I must keep reminding myself that admiring a watch is not the same thing as needing to own it. Beauty can be appreciated without becoming another possession. In fact, the older I become, the more I suspect that an overcrowded collection diminishes rather than enriches the experience, spreading affection so thinly that no single watch receives the attention it deserves. Perhaps the highest form of collecting is learning that appreciation sometimes reaches its fullest expression the moment you decide to walk away.

    Happy Fourth, everyone.

  • Every Watch Collector Dreams of Losing His Collection

    Every Watch Collector Dreams of Losing His Collection

    I’ve been obsessing over watches for more than twenty years. During that time I’ve come to know hundreds of fellow obsessives, and I’ve learned that we all suffer from the same peculiar affliction.

    Many of us eventually assemble collections that should, by any reasonable standard, satisfy us. Mine certainly should. I own watches I genuinely love and wear regularly. The hunt is largely over.

    Or so it would seem.

    Because every serious collector eventually asks the same deliciously irrational question.

    What if I had to start over?

    Suppose I came home from work and discovered that an earthquake, a burglary, or perhaps the Rapture had removed every watch from my collection. My watch box sat open like an abandoned nest.

    Tabula rasa.

    Nothing remained.

    What would I buy first?

    Among watch enthusiasts, this thought experiment produces an excitement that borders on religious ecstasy. It is Dorothy taking her first step onto the Yellow Brick Road. The adventure begins anew.

    The appeal isn’t difficult to explain.

    You would have the opportunity to lose your mind all over again.

    You could experience, for a second time, the exquisite madness of becoming a watch collector.

    When you were young in the hobby, you complained endlessly about the obsession. The endless research. The sleepless nights. The compulsive buying and selling. The dopamine dripping from every incoming package and every outgoing shipment.

    You called it addiction.

    You called it insanity.

    You swore that one day you would finally reach contentment.

    Then contentment arrived.

    And quietly, almost shamefully, you began missing the insanity.

    The seasoned collector sometimes resembles Neddy Merrill in John Cheever’s “The Swimmer.” Like Neddy, he imagines himself younger than he really is, setting out once more on an impossible journey, convinced that somewhere ahead waits the exhilaration of youth. Not because youth was wiser—it certainly wasn’t—but because everything still shimmered with possibility.

    That is what the empty watch box promises.

    Possibility.

    So what would I do if fate forced me to begin again?

    I’d like to think experience has made me wiser.

    I’d probably abandon mechanical watches altogether. I’d pursue precision instead of romance.

    Every watch would be solar-powered.

    Every watch would synchronize itself through atomic radio signals or GPS satellites.

    No winding.

    No battery changes.

    No time drift.

    Just effortless perfection beneath the endless Southern California sun.

    The collection might include several digital G-Shocks, unquestionably a Frogman, a couple of Citizen Promasters, one or two Citizen Attesas, and perhaps a pair of Seiko Astrons.

    On paper, it sounds almost ideal.

    Until I imagine living with it.

    Then the doubts begin.

    I’d miss my Seiko mechanical divers.

    I’d miss my quartz Tuna.

    I’d miss the gentle sweep of a mechanical seconds hand doing absolutely nothing more accurately than a quartz movement while somehow feeling infinitely more alive.

    Before long, I’d find myself rebuilding almost exactly the collection I own today.

    That’s when the embarrassing truth becomes impossible to ignore.

    The exercise was never about watches.

    It was about the rabbit hole.

    Collectors often imagine they’re addicted to acquiring things.

    I don’t think that’s quite right.

    We’re addicted to anticipation.

    To research.

    To comparison charts.

    To late-night YouTube reviews.

    To convincing ourselves that the next purchase will finally resolve the argument raging inside our heads.

    The object merely gives the obsession somewhere to land.

    Take away the watches, and we’d simply begin manufacturing another fantasy.

    The empty watch box isn’t appealing because it contains nothing.

    It’s appealing because it gives us permission to become beautifully irrational one more time.

    That is the secret longing of the seasoned collector.

    Not another watch.

    Another chance to go gloriously, ecstatically, and completely mad.

  • The Watches Were Never the Addiction–It Was the Rabbit Holes

    The Watches Were Never the Addiction–It Was the Rabbit Holes

    Over the past twenty years, I’ve learned that I love watches a little too much.

    Not because I own too many.

    Because I expected too much from them.

    I made two mistakes. First, I convinced myself that the next watch would somehow complete me, that a particular dial, bezel, or movement would usher me into a higher state of existence. Second, I became addicted to flipping watches—not because I disliked them, but because every purchase, every sale, every unboxing delivered another hit of dopamine and another round of approval from fellow enthusiasts online.

    The watches became secondary.

    The chase became the hobby.

    Fortunately, my collection has settled into something resembling adulthood. I own five Seiko divers and five G-Shocks. After falling under the spell of G-Shock’s atomic precision—watches so obsessively punctual they correct themselves while I sleep—I have found myself drifting back toward my mechanical Seikos with fresh appreciation. As I write this, I’m wearing my Seiko SBDC203 Coastline Diver on a Divecore Waffle strap, watching its blue wave dial catch the light with quiet confidence.

    Oddly enough, I have nothing on my wish list.

    That statement would have sounded impossible a few years ago.

    I still admire watches. I linger over Citizen Attesas, Seiko Astrons, and Grand Seikos. My favorite watch ever made remains the Seiko SLA017, but I suspect our relationship will remain safely one-sided. I’ll admire it from afar on YouTube, where it can continue living its best life without emptying my wallet.

    That realization has spilled into other corners of my life.

    Once you discover that a watch cannot make you whole, you begin looking suspiciously at everything else trying to make the same promise.

    A forty-thousand-dollar Honda.

    A forty-thousand-dollar Toyota.

    A four-thousand-dollar luxury mattress.

    Consumer culture speaks with remarkable consistency.

    “Buy me,” it whispers. “Your new life begins here.”

    No, it doesn’t.

    At best, your new life begins with a slightly nicer object.

    The harder truth is that the improvements I actually want cannot be purchased.

    I want to become healthier.

    I want to lose twenty pounds.

    I want more discipline.

    I want to be fully present for my wife and daughters.

    I want to become the kind of man whose character quietly exceeds his possessions.

    No watch accomplishes that.

    No car does.

    No mattress does.

    The real danger isn’t believing that buying something will make me happy.

    That illusion is almost too obvious.

    The greater danger is subtler.

    It’s the research.

    I can disappear for hours into consumer rabbit holes with the enthusiasm of an archaeologist uncovering a lost civilization. I compare specifications, memorize model numbers, watch endless YouTube reviews, read forum debates, and convince myself that this painstaking investigation is somehow productive.

    It isn’t.

    It’s beautifully disguised procrastination.

    The internet has become a casino where information replaces slot machines. Every click offers the possibility that the next review, the next comparison, the next expert opinion will reveal the perfect purchase. Hours disappear without resistance.

    The acquisition isn’t the addiction.

    The pursuit is.

    That’s the part that frightens me.

    I have an obsessive personality. Obsession can be useful when it is harnessed toward writing, teaching, or improving my health. Left unattended, however, it happily attaches itself to titanium watch cases, mattress coil counts, automobile trim packages, fountain pens, headphones, or whatever shiny object wanders into view.

    Obsession doesn’t particularly care about the subject.

    It simply wants something to consume.

    Going forward, I want to become more suspicious of that impulse.

    Not because curiosity is bad.

    Curiosity is wonderful.

    But there is a profound difference between curiosity that enlarges your life and curiosity that distracts you from it.

    I want to spend fewer afternoons researching products and more afternoons becoming the kind of man who no longer needs them to feel complete.

    The irony is almost embarrassing.

    For years I believed I was searching for the perfect watch.

    What I was really searching for was the discipline to stop searching.

    ***

    For my fellow watch addicts, here is the link to my book The Man Who Lost His Mind to Watches:

  • The Speaker That Ate My Bedroom

    The Speaker That Ate My Bedroom

    A month ago, I reached my breaking point with the smart speakers in my house.

    I finally accepted an uncomfortable truth: they were not smart.

    They were the technological equivalent of an overconfident waiter who gets every order wrong while insisting he knows exactly what you want. Every interaction became an argument. When I asked for Bach, I got Led Zeppelin. When I asked for jazz, I got information about a music festival in a pumpkin patch somewhere near Santa Cruz. The speakers spent less time serving me than forcing me into a hostage negotiation with their algorithms.

    I found myself shouting at inanimate objects far more often than seemed healthy.

    Something had to change.

    The first casualty was the kitchen speaker.

    I removed it and replaced it with a Marshall Acton III. The improvement was immediate. Music sounded richer, podcasts sounded fuller, and the speaker itself looked handsome sitting on the countertop. Instead of feeling like a piece of disposable technology, it felt like a piece of furniture with a purpose.

    Before long, I wanted the same experience in the bedroom.

    Buying a second Acton III would have been the sensible decision, but sensible decisions are not always the most entertaining. I measured the space on my bedside table and convinced myself that I needed an upgrade. Thus began my journey into the upper reaches of Bluetooth speaker excess.

    I ordered a Marshall Stanmore III.

    Larger than the Acton and packing more power, the Stanmore occupies a different class of speaker altogether. It is less a Bluetooth speaker than a luxury liner disguised as one.

    Appropriately enough, it arrived on Father’s Day.

    When I opened the box, I experienced a moment of panic.

    This thing was enormous.

    I placed it on my bedside table and immediately began comparing it to the Acton. I played classical music. I played podcasts. I switched back and forth.

    And then I arrived at an awkward conclusion.

    The difference wasn’t dramatic.

    If the Stanmore sounded better—and I believe it did—the improvement was subtle. The Acton III had already crossed the threshold where additional performance produces diminishing returns. The smaller speaker would have been more than sufficient.

    Unfortunately, that observation leads to the painful portion of this review.

    The Stanmore dominates the room.

    Not physically.

    Psychologically.

    Its presence reminds me of John Cheever’s short story “The Enormous Radio,” in which a household appliance gradually takes on an outsized role in a family’s life. The Stanmore radiates a similar energy.

    It seems to say:

    “I’m not here merely to play music. I’m here to become the main character.”

    The speaker sits beside my bed like an ambitious monarch surveying its kingdom.

    “Look at me,” it seems to whisper. “Notice my beautiful cabinet. Admire my brass controls. Listen to my glorious sound. Rearrange your priorities around me.”

    It is a speaker with the confidence of a cruise ship.

    I’m hoping adaptation will solve the problem.

    Five months ago, when I bought a G-Shock Frogman, its enormous size dominated my wrist. For weeks I felt as though I had strapped a small appliance to my arm. Then something curious happened. My eyes adjusted. The watch stopped looking gigantic and started looking normal.

    I’m hoping the same thing happens with the Stanmore.

    At the moment, however, when I lie in bed, I remain acutely aware of its presence. It looms beside me like a luxury ocean liner docked next to a studio apartment.

    Sometimes I feel as though I should christen it properly.

    Perhaps I should smash a champagne bottle against its side before asking it to play Mendelssohn’s Scottish Symphony.

    And yet, despite my complaints, I find myself increasingly charmed by the thing.

    The more I listen, the better it sounds.

    The strings grow richer. The voices become warmer. The music seems to expand beyond the walls of the room.

    Perhaps that is the secret behind all successful indulgences. At first they feel excessive, even absurd. Then, little by little, they win their case.

    I suspect the Stanmore III is doing exactly that.

    The cruise ship has arrived in port.

    Now I just need to stop staring at its size and enjoy the voyage.

  • The Solitary Consumption Economy

    The Solitary Consumption Economy

    Yesterday, while enjoying the small thrill of introducing new kettlebell movements into my workout—single- and double-handed thrusters, reverse-lunge thrusters, and offset cleans—I had a podcast murmuring in the background, as I usually do. Few pleasures rival the discovery of a new exercise. It is like finding a hidden room in a house you thought you knew by heart.

    The podcast featured Bill Maher interviewing Sam Levinson, the creator of Euphoria. Levinson spoke candidly about addiction, explaining that his own began at age eleven with pharmaceuticals. Addiction, he said, would be a central theme in Euphoria’s final season because it had become one of the defining forces of modern life.

    Levinson then turned to OnlyFans. He described an industry generating revenues comparable to major entertainment sectors while gradually degrading many of the people who participate in it. The descent, he suggested, is often incremental. A few suggestive photos become a stream of content. The stream becomes a livelihood. The livelihood becomes an identity. Before long, the dream of escaping the drudgery of a conventional job transforms into something more unsettling. You become both entrepreneur and product. You begin exploiting yourself for an audience whose appetite is never fully satisfied. The result is a kind of spiritual erosion. The person becomes hollowed out, exhibiting many of the same compulsive traits associated with addiction.

    Maher agreed and argued that most people fail to grasp how profound a cultural shift OnlyFans represents. He said we now live in a “masturbation economy.”

    As I worked through a set of offset cleans, his observation lingered in my mind.

    I have spent the past several years reading about declining rates of dating, sex, marriage, and face-to-face social interaction among younger generations. Increasingly, many people appear content to retreat into simulations of intimacy that deliver pleasure without requiring vulnerability, compromise, rejection, or genuine connection.

    I was reminded of a stand-up routine by Chris Rock. Reflecting on his divorce, infidelity, and pornography addiction, Rock explained that therapy helped him recognize the damage pornography had done to his ability to connect with other people. His provocative way of describing it was that pornography had made him “autistic”—not in the clinical sense, but in the sense that he had become trapped inside his own head, detached from the emotional realities of those around him.

    Listening to Maher and Levinson, I found myself wondering whether this condition had escaped the boundaries of individual pathology and become cultural.

    What if the isolated, screen-mediated existence once associated with addiction is becoming normal?

    What if more and more people prefer substitutes to relationships, simulations to experiences, and curated fantasy to the friction of actual human life?

    What if the dystopia is not approaching but has already arrived?

    As someone who teaches critical thinking and spends an unhealthy amount of time searching for the defining themes of modern culture, I immediately began thinking about how I might frame this discussion in a classroom.

    Maher’s terminology, “the masturbation economy,” works perfectly on television. It grabs attention. It provokes. It entertains.

    But in a college classroom, I would probably use a different phrase.

    I might call it the Solitary Consumption Economy or the Self-Gratification Marketplace.

    Students could then examine the argument that platforms like OnlyFans are not merely examples of personal empowerment but symptoms of a larger cultural shift toward self-exploitation, alienation, dopamine dependency, and emotional isolation.

    Viewed this way, OnlyFans is not an anomaly. It is the logical extension of several trends that have been developing for decades.

    One precursor is the modern obsession with optimization.

    Why endure the messiness of courtship when technology can deliver a carefully curated fantasy tailored to your preferences?

    Why invest time in building a relationship when digital alternatives can be scheduled conveniently between deadlifts and protein shakes?

    Why risk rejection when algorithms offer endless affirmation?

    Optimization culture promises efficiency in every domain of life. The problem is that many of life’s most meaningful experiences are inherently inefficient. Friendship, romance, family, and community require patience, sacrifice, awkwardness, misunderstanding, and compromise. Remove those elements and you often remove the humanity as well.

    A second precursor is the social conditioning produced by the pandemic.

    Many people discovered that life could be organized around isolation. Work from home. Food delivered. Entertainment streamed. Social interaction filtered through screens. For some, this arrangement felt less like an emergency measure than a permanent upgrade. Why drive across town? Why spend money on gas? Why risk discomfort when one can remain safely cocooned inside a personalized digital environment?

    The result is a culture increasingly comfortable with substitutes.

    And the phenomenon extends far beyond sexuality.

    Today people seek fitness coaching, nutritional guidance, therapy, cooking instruction, financial advice, and life direction through screens. Entire industries now exist to provide virtual versions of activities once rooted in face-to-face relationships and local communities.

    As I thought about all this, I was reminded of an episode of Lost in Space that haunted me as a child.

    The episode, “The Promised Planet,” aired in 1968.

    The Robinson family arrives on a planet populated by perpetual teenagers. The inhabitants speak in fashionable slang, dance compulsively, and embrace a culture of endless stimulation. New arrivals are placed in individual booths where a machine bombards them with loud music and psychological conditioning until they become compliant members of the tribe.

    One of the victims is Penny Robinson.

    After undergoing the process, she stands on a platform, swaying mindlessly to the music while parroting clichés about being “with it” and “cool.” Her father watches in horror. He sees that his daughter has not merely adopted new habits. She has surrendered her individuality. She has become a consumer of slogans and sensations.

    The scene terrified me as a child.

    Watching it today is even more unsettling.

    Written nearly sixty years ago, the episode feels less like science fiction than prophecy. Its creators anticipated a world in which overstimulation, conformity, and technological manipulation would become normal features of everyday life. They imagined a generation pacified not by force but by pleasure.

    The frightening possibility is that they were not predicting some distant future.

    They were describing us.

    The Solitary Consumption Economy may simply be the latest chapter in a story that began long ago—a story in which technology gradually teaches us to prefer stimulation over connection, convenience over community, and fantasy over reality.

    The question is not whether such a culture can generate wealth.

    Clearly it can.

    The question is whether a civilization can flourish when more and more of its citizens are living alone inside their heads, consuming experiences that feel increasingly vivid while becoming increasingly detached from the world itself.

  • G-Shock Atomic Time Is Too Perfect to Talk About

    G-Shock Atomic Time Is Too Perfect to Talk About

    I’m reluctant to make a video about my G-Shock saga and how atomic time cured me of my restless quest for timekeeping.

    That’s not a boast. It’s a problem.

    In a hobby that runs on dissatisfaction—the faint itch that your mechanical watch is almost right but not quite—content thrives on unrest. There’s always another model to chase, another micro-adjustment to obsess over, another reason to believe the next acquisition will finally close the gap. Discontent is the engine. It powers the reviews, the comparisons, the late-night rationalizations dressed up as research.

    And then along comes atomic time, which does something unforgivable: it removes the gap.

    My G-Shocks are correct. Not “close enough,” not “within spec,” but correct in a way that leaves nothing to argue about. The second hand doesn’t drift. The numbers don’t wander. The watch does its job with a kind of quiet authority that makes further discussion feel like talking to fill the silence.

    That silence is the problem.

    Because what, exactly, am I supposed to say now? I can’t keep making variations of the same video—“I’m still happy,” “Still accurate,” “Nothing has changed except my continued satisfaction.” That’s not content. That’s a man reporting, week after week, that the sun rose on schedule.

    Making such a video would amount to a confession: the story has reached its logical conclusion. The quest for perfect timekeeping—the narrative arc that justified the channel—has ended, not with a triumphant crescendo, but with a polite, digital beep.

    And endings are bad for business.

    The only way forward would be to pivot—to talk about something other than watches. But let’s be honest: people didn’t subscribe for my thoughts on life, philosophy, or the alarming moral implications of oatmeal. They came for watches. Leave the watches behind, and you risk discovering that the audience was never there for you—only for the object you orbited.

    So yes, making such a video is terrifying.

    Not because it’s difficult to make, but because it points, with uncomfortable clarity, to my limitations. It suggests that I’ve solved the very problem that made me interesting to watch. It hints—quietly but persistently—that the channel may have been a story with a natural endpoint all along.

    And I’m not sure I’m ready to film that ending.

  • Two Hours in a Hotel Room: My Mechanical Watch Purgatory

    Two Hours in a Hotel Room: My Mechanical Watch Purgatory

    At night, I go to bed wearing one of my Tough Solar, Multiband-6 G-Shocks. When I wake up, it’s still there—quietly correct, indifferent to my dreams. I make coffee. I eat porridge fortified with protein powder, as if I’m feeding a machine that happens to have a pulse. I write. I take my daughters to school. I return home, sit at the piano, and tap out something halfway between discipline and distraction before changing into workout clothes.

    Then the ritual begins.

    Before I train, I remove the G-Shock and place it—carefully, almost ceremonially—into an open ceramic butter dish. Inside are two watch pillows, like small upholstered altars. I set the dish by the living room window, perched on actual pillows, and let the watches drink sunlight. I don’t charge them. I feed them. They sit there absorbing photons like obedient livestock while I sweat through my penance.

    After the workout, after the shower, after lunch, I leave the G-Shocks at the window, basking in their solar feast, and I reach for a mechanical Seiko diver. This is where things get strange.

    I wear the mechanical for my nap.

    Not because I prefer it. Not because I need it. But because I feel I owe it something.

    For two hours, I strap on a relic of my former life—polished steel, automatic movement, the old romance of gears and springs. I rotate through four of them, day after day, as if fulfilling a contractual obligation. They sit on my wrist like ghosts with good machining.

    And then I take them off.

    I return to my G-Shock the way a traveler returns home after a brief, awkward stay in a hotel. The mechanical watch is the Holiday Inn—clean, respectable, vaguely unsettling in its impermanence. I check out after two hours, hand in the key to a staff member in the hotel lobby, and fly back to where I actually live: atomic time, solar power, numbers that tell the truth without flourish.

    Something happened to me. I can feel it, but I can’t fully explain it yet.

    For twenty years, I was immersed in mechanical dive watches. Not casually—devotionally. They were objects of study, desire, identity. And now, when I look at them, I don’t feel longing. I feel… residue. A faint aftertaste of something that once promised more than it could deliver.

    Pain might be too strong a word. But it’s in the neighborhood.

    I find myself wondering if addiction—because let’s stop pretending it wasn’t that—is less about pleasure and more about escape. About trying to solve something internal with something external. A watch becomes a talisman, a small, gleaming object that whispers: This will fix it. This will complete you.

    It never does, of course. It just resets the hunger.

    Maybe that’s what I’m processing now. Not just the watches, but what they stood in for. The idea that acquiring the right object could quiet something restless inside me. The belief that completion was one purchase away.

    Now I’m in a strange in-between state. Not fully attached to the old world, not entirely settled into the new one. The two-hour mechanical watch session feels like a concession—an obligation to a former self I haven’t fully buried. It’s polite. It’s controlled. It’s also faintly absurd.

    The G-Shocks, by contrast, feel like clarity. They don’t seduce. They don’t promise transcendence. They just tell the time—accurately, relentlessly, without commentary. And for now, that’s enough.

    But I don’t fully understand what’s happened to me yet.

    Give me a year.

    I suspect I’ll have a better answer—or at least a more honest question.

  • Take a Year Off Buying Watches—And See What’s Left

    Take a Year Off Buying Watches—And See What’s Left

    Daniel Samayoa and I met at several watch meet-ups in Long Beach, just outside Mimo’s Jewelry. We quickly discovered a shared fascination not only with watches themselves, but with the strange ways timepieces take hold of the mind. With that in mind, Daniel offers a guest post for my blog Cinemorphosis, examining the psychology of watch addiction and the habits that keep collectors in its grip:

    At a certain point, the habit stops being a hobby and starts looking like compulsion dressed up as enthusiasm.

    We all like new watches. We also all like taking a good shit. That doesn’t mean you should do it ten times a day and call it a hobby.

    The same principle applies to watch collecting. Just because you feel the urge doesn’t mean you need to act on it. That “great value” diver you just discovered—the one you’re convinced is different this time—will likely be worn twice before it disappears into the padded anonymity of your watch box.

    And that’s the problem.

    You tell yourself you’re building a collection, but what you’re really doing is chasing a small hit of excitement with every purchase. The watch isn’t the point. The transaction is. The anticipation is. The brief illusion of completion is.

    Then it fades, and you’re back where you started.

    It shows.

    Some of you don’t have collections. You have accumulation—watch boxes that resemble clearance racks, full of pieces that once felt essential and now feel optional at best.

    Here’s a simple experiment: stop buying watches for a year. Not a month. Not a “cooling-off period.” A full year.

    A one-year hiatus isn’t punishment; it’s diagnostic. When you remove the option to buy, you strip away the easiest form of self-distraction and force the habit into the open. The itch doesn’t disappear—it sharpens. You start to notice when it shows up: late at night, after a long day, in those idle gaps where boredom masquerades as curiosity. Without the relief of a purchase, you’re left to examine the mechanism itself—the rationalizations, the urgency, the quiet belief that the next watch will complete something that has never quite been defined. Over time, the noise subsides. What remains is clarity: which watches you actually reach for, what you value in them, and how much of your “collection” was built on impulse rather than need. The hiatus doesn’t take anything away. It reveals what was never there to begin with.

    More importantly, you’ll be forced to confront what you actually enjoy wearing. Not what impressed you in a YouTube review. Not what felt like a smart deal. The watches that earn wrist time—the ones that fit your life without effort.

    If you own nineteen watches and rotate through four, then you already have your answer. The rest are noise.

    The next time the urge hits, pause. Ask a direct question: does this watch have a clear role in my collection, or am I just bored and looking for stimulation?

    That question alone will eliminate most purchases.

    Then take it one step further: sell what you don’t wear. Not someday. Not when the market is better. Now.

    What remains won’t just be smaller—it will be coherent. Intentional. Yours.

    Because most people don’t need another watch.

    They need restraint.

    And a watch box that reflects decisions, not impulses.