Cinemorphosis

Tag: books

  • There Is No Such Thing as a Holy Grail Watch

    There Is No Such Thing as a Holy Grail Watch

    The watch-obsessive’s quest for the so-called Holy Grail of watches is not heroic—it’s theatrical, maudlin, and embarrassingly earnest. He speaks of it with reverence, as if he’s Sir Galahad in a NATO strap. But what he’s chasing isn’t a singular object of desire—it’s a shapeshifting chimera, a delusion dressed in brushed stainless steel.

    Today’s grail is a bronze diver with gilt indices. Tomorrow it’s a minimalist field watch with a sandwich dial. By the weekend it’ll be a 41mm titanium chronograph with a “stealth” finish. Each new acquisition is preceded by the familiar declarations: This is it. The one. The final piece. And yet, within weeks—days, even—that “final piece” becomes just another stepping stone in a never-ending wrist safari.

    There is no grail. There is only motion sickness.

    The watch obsessive, in his tortured enthusiasm, is less knight and more Tantalus. In Greek mythology, Tantalus is doomed to stand waist-deep in a pool of cool water beneath a tree dripping with ripe, fragrant fruit. But as he reaches out—just a bit more—the water recedes, the fruit retreats. His thirst is never quenched. His hunger never satisfied. Only the illusion of satisfaction persists.

    And so it goes with the watch addict. His fingertips brush the bezel. His nostrils catch a whiff of Horween leather. His YouTube thumbnails promise “GRAIL ACHIEVED” in all caps. But it’s never real. The moment fades. The watch, once unboxed and adored, begins its quiet drift into mediocrity. It no longer sings. It just ticks.

    And like a fool with a ring light, he’ll sit in front of his camera, describing the myth of Tantalus with tragic flair—his voice trembling as if he’s reciting Homeric verse—while wearing a watch he no longer loves, but can’t yet admit has failed him.

    Because admitting that would mean facing the truth: the grail isn’t late—it’s a lie.

  • The Portrait of the Artist as a Sweaty Young Man

    The Portrait of the Artist as a Sweaty Young Man

    The Portrait of the Artist as a Sweaty Young Man
    by Jeff McMahon

    Jeff McMahon was supposed to be a titan—or so he believed. His father, a man so dominant he once stole McMahon’s future mother from none other than General John Shalikashvili with the cold-blooded finesse of a Komodo dragon, radiated command like a halogen lamp. In the long shadow of that military bearing, McMahon sought to carve out his own myth—one barbell at a time.

    As a competitive Olympic weightlifter and golden-era bodybuilder in the 1970s, McMahon sculpted not just muscle, but identity. He was a Greek statue in motion, a walking promise of masculine potential. But while others were flexing in the mirror, he was gasping for air in a high school locker room, undone not by physical strain, but by panic attacks, a Nabokov fixation, and a Kafkaesque obsession with grammar. This was not ascension to Mount Olympus. This was implosion.

    The Portrait of the Artist as a Sweaty Young Man is a semiautobiographical novel in two acts. The first unfolds in the sun-drenched, protein-soaked Bay Area of the 1970s, where McMahon trained alongside a tribe of emotionally stunted muscleheads. The second takes place decades later, when he emerges as a reluctant intellectual—still jacked, still haunted—teaching college writing in a desert town where ambition goes to die and office politics are played with knives.

    Told in the second person, the novel is both an interrogation and a darkly comic trial of McMahon’s younger self—a character he observes with a mix of horror, sympathy, and disbelief. This is not a story of triumph, but the brutally funny autopsy of one. With merciless wit and an eye for the absurd, McMahon dismantles the treacherous myth of transformation and the masculine delusion that biceps can shield one from existential despair.

    For Gen X and Boomer men raised on Schwarzenegger and Bukowski, now softening into middle age and Googling blood pressure medication, Sweaty Young Man punctures the performance-driven culture of the gym, the classroom, and the self-help aisle. What begins as a memoir of obsession and physicality ends as a meditation on identity, shame, nostalgia, and the slow, bewildering shift from symbol to person.

    This is McMahon’s offering to the younger man he once was—the sweaty, striving, half-mad lifter who believed that heroism could be bench-pressed. He was wrong. But he was trying.

    And that’s where the story begins.

  • Relevance or Death: The Watch Collector’s Dilemma

    Relevance or Death: The Watch Collector’s Dilemma

    In her darkly hilarious comedy special Father, Atsuko Okatsuka shares the origin story of her career in punchlines. Her schizophrenic mother once “kidnapped” her in Japan and whisked her away to the United States without warning, severing her ties to her father in the process. The trauma was so disorienting, so profound, that Atsuko now mines laughter for survival. She tells us, with a comedian’s grin and a survivor’s twitch, that she performs to fill an infinite hole in her soul with the validation of strangers.

    That hole is not unique to her. It’s a universal pit—bottomless and demanding. Validation comes in many flavors. For some, it’s esteem and admiration. For others, it’s expertise, artistry, the warm glow of audience approval. For Atsuko, it’s laughter. For others, it’s the faint buzz of a “like” on a post about a wristwatch.

    Let us now consider the watch obsessive, a different breed of relevance-seeker, but a kindred spirit nonetheless. He isn’t doing five-minute sets at the Laugh Factory, but he is performing—on Instagram, on forums, on YouTube, in the comment sections of strangers’ macro shots. He presents his taste, his “knowledge,” his ever-shifting collection. But underneath the sapphire crystals and brushed titanium is the same primal whisper:
    Do I still matter?
     Do they still see me?

    Here’s the tragic twist: he may already have the perfect collection. It gives him joy. It’s balanced. It fits in a single watch box. By all logic, he should stop. Buying another watch would be like adding a fifth leg to a table—wobbly and unnecessary. But he doesn’t stop. He can’t stop.

    Why? Because if he stops collecting, he stops posting. If he stops posting, he stops being seen. And in a world addicted to scrolling, disappearing feels like dying.

    Relevance is the new oxygen. And social media is a machine that runs on novelty, not legacy. The digital hive forgets fast. “Gangnam Style” is now a fossil. “Call Me Maybe” is background noise at the grocery store. To stay visible, you must be new. You must be shiny. You must offer dopamine.

    And what happens when the watch addict manages his demons, reaches peace, and stops feeding the machine?

    He becomes boring. He becomes silent. He becomes irrelevant.

    And the parasocial bonds he once had—those illusory friendships, those mutual obsessions—fade. The sense of exile is real. It doesn’t matter that the exile is self-imposed. The pain still lingers.

    That fear—that primordial fear of irrelevance, of being cast out from the tribe—can be so powerful it masquerades as passion. It convinces the watch obsessive to keep flipping, keep chasing, keep posting. Not out of love, but out of fear.

    So the question becomes: Are we collectors? Or are we hostages? Do we love horology? Or are we simply terrified of vanishing?

  • Camry vs. Accord: The Obsession That Killed My Career

    Camry vs. Accord: The Obsession That Killed My Career

    Last night I dreamed I was adrift in a farmer’s market purgatory, toggling between two dried fruit stalls like a man on a doomed pilgrimage. At one end stood my friend Adam, hawking dried apricots beside his immaculate new Honda Accord, polished to a showroom glint. At the other, Andre offered prunes with the calm assurance of a man backed by a brand-new Toyota Camry.

    I paced between them, acting like a mildly deranged Consumer Reports correspondent. I asked about mileage, comfort, tire pressure, road feel. Adam, ever candid, confessed that his Accord’s 19-inch tires required constant babysitting—a weekly ritual of crouching beside his car like a penitent monk, pumping air into finicky rubber. Andre, on the other hand, practically preened. His Camry had no such neediness. His tires, he implied, were stoic and self-reliant, like Roman centurions.

    As my dithering grew more manic, Adam and Andre began to notice. They called each other—yes, in the dream they phoned each other mid-market—and the temperature dropped. Andre, initially genial, grew terse. Adam smirked defensively over his dried apricots. The whole affair soured like old fruit.

    Then, like a man possessed, I made my declaration. I would buy the Camry. Not for the horsepower. Not for the design. But because I refused—refused!—to spend my golden years crouching beside a car, inflating tires like a desperate cyclist.

    No sooner had I made my proclamation than the dream world pivoted sharply, as dreams do. I was no longer in a farmer’s market—I was on a college campus. But not my college. Not the place where I once held a proud tenure-track post. No, I had been demoted. My prestigious job had evaporated. I was now an adjunct at some podunk backwater school with low ceilings and fluorescent lights that hummed with institutional malaise.

    Why the fall from grace? Simple. My years spent obsessing over the Camry-vs-Accord dilemma had not gone unnoticed. While I was inhaling tire PSI data and fondling prune samples, my absence from the college became conspicuous. The administrators, ruthless as vultures in blazers, terminated me. I had toggled too long. My career had flatlined.

    I woke at 5 a.m. in a wash of dread and despair—not from the dream’s end, but from the clatter of the real world: an Amazon delivery person, fumbling at the gate, dropping a box on the porch like a coffin lid.

    I opened it. Inside was a stainless steel bathroom trash can, taller, sleeker, with built-in liners—my daughter’s request. Unlike our old can, which was a rust-streaked monument to hygienic defeat, this one gleamed with a kind of futuristic dignity. Its surface mirrored my face: puffy, sleepless, faintly haunted.

    And yet, in its shimmering steel, I saw something unexpected: hope. Renewal. The modest redemption of functional design.

    A new beginning, sealed in plastic wrap.

  • The Timekeeper’s Curse: Why You’ll Never Be Satisfied with Your Watch Collection

    The Timekeeper’s Curse: Why You’ll Never Be Satisfied with Your Watch Collection

    To understand the tortured psyche of the modern Timekeeper, you must first meet his most conniving organ: the Cavebrain. This primal relic, forged in an age of spear tips and saber-toothed tigers, was never designed for eBay, Instagram wrist shots, or limited-edition dive watches with meteorite dials. And yet, here he is in the 21st century, a man both blessed and cursed with opposable thumbs, a PayPal account, and a psychological need for existential renovation every time he clicks Buy It Now.

    A high-ticket watch purchase for the Timekeeper is not a simple act of consumer indulgence—it is a rite of passage, a narrative arc, a full-blown identity reboot. He isn’t just buying a watch; he’s staging a personal renaissance, performing emotional alchemy with brushed titanium and spring-drive movements. He craves the sensation of getting something done—and if he can’t change his life, he’ll change his wrist.

    But a new acquisition can’t simply squeeze into the old watch box like another hot dog in an overstuffed cooler. No, it demands sacrifice. One or more watches must be winnowed down, exiled like loyal but unremarkable lovers who just didn’t “spark joy.” There is drama here—drama more potent than remodeling a kitchen or repainting the bedroom a daring eggshell white. This is a domestic upheaval that matters. The arrival of a new timepiece—let’s call it “the new kid in town”—requires a realignment of the soul.

    Now, for those poor souls unacquainted with Timekeeper theology, let me explain: He cannot simply collect indiscriminately. He is bound by the Watch Potency Principle, a dogma revered by enthusiasts. This principle states that the more watches a man owns, the less any of them mean. Like watering down bourbon, or stretching a heartfelt apology into a TED Talk, the essence gets lost. The once-sacred grails—the unicorns he hunted with obsessive glee—go sour in the dilution of excess. Only by restricting the herd to five to eight carefully curated specimens can he maintain potency and fend off emotional ruin.

    Of course, there’s a devil in the details. The Timekeeper suffers from a chronic affliction known as Watch Curiosity. He’s always sniffing around the next shiny object, eyes darting at macro shots on forums, lurking on Reddit, and falling prey to influencers wearing NATO straps and faux humility. Inevitably, he pulls the trigger on yet another must-have diver, thus initiating the ritual purge. A watch he once swore eternal fidelity to must now be cast out—not because it’s inadequate, but because he has convinced himself that it is. This self-gaslighting feeds a demonic loop known as Watch Flipping Syndrome, wherein watches are bought, sold, and rebought with the desperation of a man trying to time-travel through retail therapy.

    If the Timekeeper is lucky, if he can wrestle his impulses into a coherent, lean collection, he may briefly find peace. But peace is not his natural state. Beneath his curated restraint lies a restlessness, a gnawing sense that time—his most feared adversary—is standing still. His desire for a new watch is not about telling time; it’s about rewriting it. When he buys a new watch, he isn’t updating his collection—he’s updating himself. He wants change, achievement, rebirth.

    Enter the Honeymoon Period—a temporary euphoria where the new watch becomes a talisman of transformation. He floats, rhapsodizes, posts gushing tributes on enthusiast forums. He becomes a preacher in the Church of the Chronograph, recruiting others to experience this miracle. The watch didn’t just change his wardrobe—it changed his life.

    But, as all honeymoons do, the enchantment fades. The novelty rusts. What was once a grail becomes just another object—another timestamp on the long and winding road of emotional substitution. He finds himself, once again, alone with his Cavebrain, who, ever the unreliable life coach, whispers, “Maybe there’s something better out there.”

    Thus, the cycle repeats—endless, compulsive, costly. The Timekeeper is not a collector. He is an evolutionary casualty. A caveman in a smartwatch world, still looking for meaning in a bezel.

  • The Wind Stole My Midterm

    The Wind Stole My Midterm

    Last night I dreamed I was co-teaching a college course on health and mixed martial arts with Eliot—the bearded jazz musician who moonlights as a Trader Joe’s clerk. He was fired up like a preacher at a tent revival. I, on the other hand, had the enthusiasm of a dogwalker who’s just spotted a fresh pile and no bag.

    Eliot, bless his plaid soul, had prepped a morning exam for his students—neatly typed, stapled, and probably color-coded. Meanwhile, I forgot I was even supposed to give a test. My lectures were improvised jazz solos, long on flair and short on structure. I’d wander into class and riff about cholesterol, Muay Thai, or the history of granola, depending on my mood or what I’d eaten for breakfast.

    But here’s the kicker—I had better material. Buried under the kitchen of my imaginary mansion was a secret archive: white binders filled with decades of syllabi, obscure readings, quizzes, interviews, and errant genius. I never used them. Too lazy. Too proud. Too me.

    Eliot, the eager grasshopper, somehow discovered the hidden staircase that led to the front porch—don’t ask how dream architecture works—and climbed it with evangelical zeal. I watched from my perch in a bathrobe, coffee in hand, while he scaled those steps like a man training for the Tour de France. When he reached the door, breathless and bright-eyed, he begged for the archive.

    So I gave it to him—several white binders, edges fraying like the conscience of a plagiarist. He held them like sacred scrolls, eyes gleaming with the same reverence I once had before tenure made me soft and cynical. I felt a flicker of gratitude. At least someone would use them. At least the work would live on.

    Then came the twist.

    He informed me, with the officious glee of a parking enforcer, that according to some obscure clause in the college handbook, I’d have to sit for his early-morning exam to renew my credential. Me—the man who had literally written the test’s DNA. I considered studying, briefly. Then I took a nap instead.

    The exam was held in the middle of a chaotic street fair, somewhere between a kettle corn booth and a band playing off-key Fleetwood Mac covers. Wind tore through the papers like it was auditioning for a disaster movie. Test pages flew like startled pigeons, and students chased them in panic. It was academic absurdism, pure and uncut.

    And me? I was at peace. I knew—somehow, with prophetic clarity—that there would be no consequences. That the wind, the noise, the anarchy, would camouflage my ignorance. Eliot’s students would struggle. I’d bluff. The test would become performance art, and no one would remember the score.

    What separated me from Eliot wasn’t intelligence or experience. It was weariness. He was still playing to win. I was waiting for the buzzer. He taught with the fire of the newly converted. I taught like a man allergic to rubrics and enthusiasm. He saw a future. I saw a pension.

    And maybe, in that dream, I realized I had already started to retire—from effort, from purpose, from caring about the difference between good teaching and showing up with anecdotes and gumption. Eliot wanted to be me. I wanted to be gone.

  • Everyone Has an Origin Story. Here Is Mine

    Everyone Has an Origin Story. Here Is Mine

    The Road Trip That Made You Possible

    Everyone has an origin story. You are no exception. Yours begins with your father. Without your father’s sheer audacity and competitive determination, you wouldn’t even be here today. Long before you were a glint in his eye, your father was locked in a battle of epic proportions—an all-out, no-holds-barred contest for the affections of your eighteen-year-old mother. And this wasn’t just any competition. His rival? None other than John Shalikashvili, future United States General and Chairman of the Joint Chiefs of Staff. Their battlefield? The smoky, beer-soaked bar scene of Anchorage, where the stakes were higher than a highball glass during happy hour.

    Their duel for your future mother’s heart took a brief Christmas ceasefire when Shalikashvili retreated to his tactical command center in Peoria, Illinois, while your father returned to Hollywood, Florida, to soak up some sunshine and plot his next move. But as he lounged by the pool, your father realized that victory in this romantic Cold War required swift and decisive action. So he cut his vacation short, crammed himself into a cream-colored 1959 Morris Minor—a vehicle that looked like it had been assembled from the Island of Misfit Toys, complete with a coat hanger for an antenna and door handles barely clinging on by the grace of duct tape—and embarked on the most high-stakes road trip of the 20th century.

    Halfway through this odyssey, the car’s fuel filter decided to go on strike, leaving your father stranded in the middle of nowhere. When the local auto parts store couldn’t supply a replacement, your father—who would later perform engineering miracles at IBM—pulled off a MacGyver-level feat of mechanical wizardry. Armed with nothing but a prophylactic and a paperclip, he fashioned a makeshift fuel filter that was equal parts creative desperation and mechanical blasphemy. This duct-taped miracle kept the fuel pump from either flooding the engine or abandoning ship entirely, depending on its mood.

    Driven by the urgency of love and the fear of losing ground to Shalikashvili’s brass-polished charm, your father powered through the journey, ignoring his growling stomach like a man possessed. Subsisting on loaves of bread devoured like a feral squirrel, he soldiered on, skipping meals because, who needs food when you’re racing against the clock to prevent a military coup over your future wife?

    After a ferry ride that probably felt like crossing the River Styx, your father finally arrived in Anchorage, a full forty-eight hours before Shalikashvili could swoop in with his military swagger and irresistible authority. Nine months later, you were born, the ultimate trophy in this love-struck arms race.

    Even before you took your first breath, your father’s victory over Shalikashvili imparted some crucial life lessons: The competition is fierce, and life is a zero-sum game where you’re either a winner or a nobody. To survive, you must find a competitive edge, and if you ever get complacent, rest assured, someone will move in on your turf faster than you can say “ranked second.”

    As a teenage bodybuilder obsessed with becoming Mr. Universe, opening a gym in the Bahamas, and silencing your critics, you often thought about bodybuilding great Ken Waller stealing Mike Katz’s shirt before a competition in the movie Pumping Iron. Something as trivial as a missing shirt could send your opponent into a tailspin, disrupt his focus, and rattle his confidence like a cheap shaker bottle. Like Mr. Universe Ken Waller, your father taught you that power is a road paved with relentless cunning, ruthless strategy, and a healthy dose of underhanded shenanigans. 

    But underneath the shenanigans and Machiavellian flair, your father taught you one core truth: sweat more than everyone else. Out-hustle, out-grind, outlast. In his gospel, sweat wasn’t just effort—it was currency. The person who left the biggest puddle won. 

  • How Your Flintstones Moment Made You Pursue Higher Education

    How Your Flintstones Moment Made You Pursue Higher Education

    Charlene’s office had been a shrine to immaculate control—gleaming surfaces, aligned papers that looked like they’d been measured with a laser level, and an air of clinical precision that could make a Swiss watchmaker weep tears of admiration. But that day, the outside world was doing its damnedest to breach her fortress. A dust storm had rolled into Hobcallow with all the subtlety of a biblical plague. It was mid-afternoon, but you wouldn’t have guessed it. The sky was choked in an apocalyptic shade of brown, casting the office in a bruised sepia tone. The overhead lights flickered like they’d given up hope. Dust smeared the windows like greasy fingerprints on a crime scene, and Charlene—who waged holy war against dirt—cringed at every grain that dared defile her glass.

    If anyone could stare down Mother Nature and win on points, it was Charlene. You’d have bet your last protein shake on it.

    She tried to tune it all out and focus on her latest mission: turning you into some kind of intellectual demigod for her next newspaper feature. She tapped her pen on her notepad with the kind of sharp, deliberate rhythm that could cut glass. Then she leaned in, smiling like a predator who’d just cornered a wounded animal. “Tell me,” she said, “what were the defining moments that led you to pursue higher education?”

    The wind screamed outside like a banshee in heat, but you leaned back and let yourself drift. “There was this bouncer gig I had at seventeen,” you began. “Maverick’s Disco in San Ramon. Three bucks an hour—ten cents above minimum wage. Free soda, free peanuts. I thought I was rich.”

    You could still picture it: a swirling disco inferno of polyester pantsuits, platform shoes, and hair sculpted into helmet-grade updos. The Bee Gees were on loop, the dry ice fog never cleared, and the lights pulsed like a migraine. It was paradise—until it wasn’t.

    “At first,” you said, “I thought I’d struck gold. I got to flex my lats and mingle. But after a while, it all started blending together. The same couples, the same fights, the same sweaty desperation. One night, mid-shift, I had this epiphany—Fred and Barney cruising in their Flintstone-mobile, but the background just repeated: tree, rock, house, tree, rock, house. That loop ruined the cartoon for me. And suddenly, it was ruining my life, too.”

    Charlene’s pen was flying. You could tell she was high on narrative gold.

    “Maverick’s became my Flintstones moment,” you said. “Week after week, the same loop: wide-eyed people chasing magic and leaving with hangovers and broken heels. And I realized I was part of it—punching the clock, buying into the monotony. I needed something more unpredictable. So I chose college. I needed to break the loop.”

    Charlene looked like she was about to levitate from her chair. The dust storm outside didn’t matter—she was in a state of pure journalistic ecstasy.

    And then you got honest.

    “But look at me now,” you said, and your voice had that creeping bitterness you couldn’t quite stifle. “Degrees? Check. Stable career in higher ed? Check. And what have I built? A life of structure and repetition. Same workouts, same egg whites, same damn protein shakes, same naps, same Angels game every night. I wrapped myself in the very loop I thought I’d escaped. The Flintstones background just changed colors.”

    Charlene’s pen froze mid-air. Her gaze snapped to you with a gleam of ice behind it. That calculating smile returned—sleek, practiced, a smile that had shut down board meetings and ended more than one marriage. “We won’t tell them that part,” she said sweetly. “That’s just between us.”

    You felt the temperature drop, despite the swirling storm outside. It was the smile of someone who took pleasure in control—over narrative, over outcomes, over people.

    You glanced toward the window. The storm was still there, clawing at the glass like a desperate thing. But Charlene’s smile? That was the real weather system in the room.

  • The News Anchor of the Shallow End

    The News Anchor of the Shallow End

    A poolside pestilence—you knew him as Roland Beavers. He was the kind of poolside companion nightmares were made of. Picture it: a pudgy man in his early thirties with dishwasher-blond hair clinging lifelessly to a scalp that looked perpetually annoyed at its assignment. His physique was more Pillsbury than gladiator, his chin having taken early retirement sometime around 1996. And yet, this proud specimen insisted on strutting around the pool in lava-red terry cloth trunks so tragically undersized they clung to his hips like terrified hikers on a cliffside. The stretch marks? They splayed across his skin like graffiti sprayed by a disgruntled street artist.

    Naturally, Roland had an explanation at the ready for anyone who dared lock eyes with him long enough to hear it. Those stretch marks? Not from powdered donuts, perish the thought. No, they were the battle scars of a world-class daredevil—his words—earned from leaping off the cliffs of Acapulco. You could practically hear the collective eye-roll from the pool regulars every time he launched into one of his airbrushed tales of aerial glory.

    But Roland’s true calling wasn’t daredevilry—it was unsolicited poolside broadcasting. Armed with a crumpled newspaper, he’d take up his post like an aging news anchor, providing loud, unfiltered commentary on every blurb and headline, under the delusion that everyone within earshot was waiting with bated breath for his take on gas prices and tabloid divorces. His “audience,” meanwhile, muttered oaths under their breath, praying he’d take up knitting—somewhere indoors, ideally underground.

    You watched his social cluelessness peak during innocent pool games—playful couples tossing a football or frisbee back and forth. For Roland, this wasn’t just casual recreation to be observed; it was a direct invitation. He’d launch himself into the water with the grace of a bowling ball dropped from a rooftop, crashing into their game like a forgotten uncle showing up drunk at a family reunion. The couples would pause, stunned, then shuffle off with expressions reserved for people who talk during movies.

    And heaven help the women just trying to sunbathe in peace. Roland, ever the gallant poolside creep, took it upon himself to offer his “services” to any woman within spraying distance. Whether it was spritzing their backs with water or offering to rub in sunscreen, Roland never missed an opportunity to “help”—oblivious to the fact that his mere presence was enough to derail an entire afternoon of tanning and tranquility.

    These long, unwanted days at the pool weren’t just for his entertainment—they were an extension of the strange domestic theatre unfolding upstairs. His mother, Nadine, loomed over the scene from their apartment balcony, a woman built like she could bench-press a Buick, her muu-muu rippling in the desert breeze like a circus tent threatening lift-off. With her hair wound into curls so tight they looked ready to spring off and attack, she’d bark orders with the authority of a drill sergeant with a megaphone.

    “Slather on more sunscreen, Roland!” she’d bellow, veins throbbing in her neck like they were sending an SOS in Morse code. “Get inside and eat something! You’re wasting away!” This, despite the fact that Roland had a good 40 pounds he could have “wasted away” without anyone shedding a tear.

    You’d think all this doting and nagging might eventually motivate Roland to get a job—maybe contribute something to society, or at the very least give the rest of you a break. But no. Roland and Nadine were comfortably buffered by the settlement from a lawsuit tied to Roland’s brief, disastrous stint at flight school in San Diego. Apparently, his dorm mates decided his face needed some rearranging, and after a skull fracture and several court dates, Roland walked away with a broken head and a windfall large enough to fund his permanent poolside residency.

    So there he was—your unwanted mascot in red trunks—coasting through life on lawsuit money and his mother’s militant affections, interrupting your peaceful afternoons with unsolicited news updates and delusions of former glory. Thanks to the faded glory of his imaginary daredevil days and a bottomless box of Chardonnay, Roland Beavers remained the persistent echo of everything you were trying to escape.

  • The Man Who Refused to Unpack

    The Man Who Refused to Unpack

    Chief among your apartment acquaintances in the godforsaken desert was Leonard Skeazy, an attorney from Santa Monica who had been lured out to this sun-scorched outpost by a fat signing bonus and a monogrammed office chair, yet couldn’t shake the gnawing resentment of having been exiled to what he considered a cultural wasteland. Leonard treated “style” not as a preference but as a full-blown religion. He wore custom-made Speedos purchased at a boutique in Santa Monica—yes, he actually made return trips to the city just to replace them when the pool’s chlorine dulled the jewel tones of his sacred spandex.

    With his long, curly hair and eerie, borderline-glasslike blue eyes, Leonard looked like a lounge singer who never graduated from the Holiday Inn circuit. He was a man of eccentric habits and hygiene choices that defied both logic and cologne. Despite being well into his thirties, he clung to the bachelor fantasy of meeting “the right girl,” though his criteria seemed more fitting for a dating pool in Cannes than in a desert town where a GED qualified you as a local intellectual.

    Leonard could be found most afternoons sprawled poolside, his skin glistening like a buttered croissant under the sun, blasting Kenny G from his battered boombox as if smooth jazz were some pheromonal weapon. His breath often carried the unmistakable bouquet of last night’s Chardonnay, perfectly matched by his habit of sneaking sips from boxes of white wine stashed like contraband in the fridge.

    Curiosity—and let’s be honest, a lack of better options—led you to visit Leonard’s apartment one day. It was a bachelor pad in the bleakest sense. Despite his high income, his apartment felt like a holding cell with Wi-Fi. The living room featured a single couch, a TV perched on cinder blocks, and—because tragedy loves detail—an ironing board, which he used religiously to press his endless collection of gaudy silk ties. The walls were as blank as his emotional availability, barren beige expanses that caught the flicker of the TV and projected ghostly shadows over the serpentine lines of his slithering tie rack.

    Then there was the bedroom. No dresser. No closet system. Just three open suitcases that served as a rotating archive of silk shirts, vintage cologne, and desperation. It was as if he’d never truly unpacked—a subconscious protest against the idea that he’d actually settled in this armpit of a town. The fridge, naturally, was a tundra of emptiness save for—you guessed it—more boxes of white wine. This was a man who had chased the scent of money straight into the middle of nowhere, only to insist he hadn’t actually arrived.

    Leonard was a ghost haunting his own life. A man who treated his presence in this town like an extended layover, still clinging to the fantasy that he’d be boarding a first-class escape back to the coastal glamour of a life he probably never really had. You couldn’t help but wonder: what kind of man gets seduced by a fat paycheck only to spend his days in self-imposed purgatory, where the only things thriving are his excuses and his growing graveyard of faded Speedos?

    You supposed it was easier for Leonard to pretend he was just “passing through” than to admit that he was, in fact, a permanent exhibit in this forgotten museum of stalled ambition—a relic draped in silk and denial, clinging to the illusion of a life that had long since evaporated.