Tag: education

  • The Last Writing Instructor: Holding the Line in a Post-Thinking World

    The Last Writing Instructor: Holding the Line in a Post-Thinking World

    Last night, I was trapped in a surreal nightmare—a bureaucratic limbo masquerading as a college elective. The course had no purpose other than to grant students enough credits to graduate. No curriculum, no topics, no teaching—just endless hours of supervised inertia. My role? Clock in, clock out, and do absolutely nothing.

    The students were oddly cheerful, like campers at some low-budget retreat. They brought packed lunches, sprawled across desks, and killed time with card games and checkers. They socialized, laughed, and blissfully ignored the fact that this whole charade was a colossal waste of time. Meanwhile, I sat there, twitching with existential dread. The urge to teach something—anything—gnawed at my gut. But that was forbidden. I was there to babysit, not educate.

    The shame hung on me like wet clothes. I felt obsolete, like a relic from the days when education had meaning. The minutes dragged by like a DMV line, each one stretching into a slow, agonizing eternity. I wondered if this Kafkaesque hell was a punishment for still believing that teaching is more than glorified daycare.

    This dream echoes a fear many writing instructors share: irrelevance. Daniel Herman explores this anxiety in his essay, “The End of High-School English.” He laments how students have always found shortcuts to learning—CliffsNotes, YouTube summaries—but still had to confront the terror of a blank page. Now, with AI tools like ChatGPT, that gatekeeping moment is gone. Writing is no longer a “metric for intelligence” or a teachable skill, Herman claims.

    I agree to an extent. Yes, AI can generate competent writing faster than a student pulling an all-nighter. But let’s not pretend this is new. Even in pre-ChatGPT days, students outsourced essays to parents, tutors, and paid services. We were always grappling with academic honesty. What’s different now is the scale of disruption.

    Herman’s deeper question—just how necessary are writing instructors in the age of AI—is far more troubling. Can ChatGPT really replace us? Maybe it can teach grammar and structure well enough for mundane tasks. But writing instructors have a higher purpose: teaching students to recognize the difference between surface-level mediocrity and powerful, persuasive writing.

    Herman himself admits that ChatGPT produces essays that are “adequate” but superficial. Sure, it can churn out syntactically flawless drivel, but syntax isn’t everything. Writing that leaves a lasting impression—“Higher Writing”—is built on sharp thought, strong argumentation, and a dynamic authorial voice. Think Baldwin, Didion, or Nabokov. That’s the standard. I’d argue it’s our job to steer students away from lifeless, task-oriented prose and toward writing that resonates.

    Herman’s pessimism about students’ indifference to rhetorical nuance and literary flair is half-baked at best. Sure, dive too deep into the murky waters of Shakespearean arcana or Melville’s endless tangents, and you’ll bore them stiff—faster than an unpaid intern at a three-hour faculty meeting. But let’s get real. You didn’t go into teaching to serve as a human snooze button. You went into sales, whether you like it or not. And what are you selling? Persona, ideas, and the antidote to chaos.

    First up: persona. It’s not just about writing—it’s about becoming. How do you craft an identity, project it with swagger, and use it to navigate life’s messiness? When students read Oscar Wilde, Frederick Douglass, or Octavia Butler, they don’t just see words on a page—they see mastery. A fully-realized persona commands attention with wit, irony, and rhetorical flair. Wilde nailed it when he said, “The first task in life is to assume a pose.” He wasn’t joking. That pose—your persona—grows stronger through mastery of language and argumentation. Once students catch a glimpse of that, they want it. They crave the power to command a room, not just survive it. And let’s be clear—ChatGPT isn’t in the persona business. That’s your turf.

    Next: ideas. You became a teacher because you believe in the transformative power of ideas. Great ideas don’t just fill word counts; they ignite brains and reshape worldviews. Over the years, students have thanked me for introducing them to concepts that stuck with them like intellectual tattoos. Take Bread and Circus—the idea that a tiny elite has always controlled the masses through cheap food and mindless entertainment. Students eat that up (pun intended). Or nihilism—the grim doctrine that nothing matters and we’re all here just killing time before we die. They’ll argue over that for hours. And Rousseau’s “noble savage” versus the myth of human hubris? They’ll debate whether we’re pure souls corrupted by society or doomed from birth by faulty wiring like it’s the Super Bowl of philosophy.

    ChatGPT doesn’t sell ideas. It regurgitates language like a well-trained parrot, but without the fire of intellectual curiosity. You, on the other hand, are in the idea business. If you’re not selling your students on the thrill of big ideas, you’re failing at your job.

    Finally: chaos. Most people live in a swirling mess of dysfunction and anxiety. You sell your students the tools to push back: discipline, routine, and what Cal Newport calls “deep work.” Writers like Newport, Oliver Burkeman, Phil Stutz, and Angela Duckworth offer blueprints for repelling chaos and replacing it with order. ChatGPT can’t teach students to prioritize, strategize, or persevere. That’s your domain.

    So keep honing your pitch. You’re selling something AI can’t: a powerful persona, the transformative power of ideas, and the tools to carve order from the chaos. ChatGPT can crunch words all it wants, but when it comes to shaping human beings, it’s just another cog. You? You’re the architect.

    Right?

    Maybe.

    Let’s not get too comfortable in our intellectual trench coats. While we pride ourselves on persona, big ideas, and resisting chaos, we’re up against something far more insidious than plagiarism. AI isn’t just outsourcing thought—it’s rewiring brains. In the Black Mirror episode “Joan Is Awful,” we watch a woman’s life turned into a deepfake soap opera, customized for mass consumption, with every gesture, flaw, and confession algorithmically mined and exaggerated. What’s most horrifying isn’t the surveillance or the celebrity—it’s the flattening. Joan becomes a caricature of herself, optimized for engagement and stripped of depth. Sound familiar?

    This is what AI is doing to writing—and by extension, to thought. The more students rely on ChatGPT, the more their rhetorical instincts, their voice, their capacity for struggle and ambiguity atrophy. Like Joan, they become algorithmically curated versions of themselves. Not writers. Not thinkers. Just language puppets speaking in borrowed code. No matter how persuasive our arguments or electrifying our lectures, we’re still up against the law of digital gravity: if it’s easier, faster, and “good enough,” it wins.

    So what’s the best move? Don’t fight AI—outgrow it. If we’re serious about salvaging human expression, we must redesign how we teach writing. Center the work around experiences AI can’t mimic: in-class writing, collaborative thinking, embodied storytelling, rhetorical improvisation, intellectual risk. Create assignments that need a human brain and reward discomfort over convenience. The real enemy isn’t ChatGPT—it’s complacency. If we let the Joanification of our students continue, we’re not just losing the classroom—we’re surrendering the soul. It’s time to fight not just for writing, but for cognition itself.

  • The Honor Code and the Price Tag: AI, Class, and the Illusion of Academic Integrity

    The Honor Code and the Price Tag: AI, Class, and the Illusion of Academic Integrity

    Returning to the classroom post-pandemic and encountering ChatGPT, I’ve become fixated on what I now call “the battle for the human soul.” On one side, there’s Ozempification—that alluring shortcut. It’s the path where AI-induced mediocrity is the destination, and the journey there is paved with laziness. Like popping Ozempic for quick weight loss and calling it a day, the shortcut to academic success involves relying on AI to churn out lackluster work. Who cares about excellence when Netflix is calling your name, right?

    On the other side, we have Humanification. This is the grueling path that the great orator and abolitionist Frederick Douglass would champion. It’s the “deep work” author Cal Newport writes about in his best-selling books. Humanification happens when we turn away from comfort and instead plunge headfirst into the difficult, yet rewarding, process of literacy, self-improvement, and helping others rise from their own “Sunken Place”—borrowing from Jordan Peele’s chilling metaphor in Get Out. On this path, the pursuit isn’t comfort; it’s meaning. The goal isn’t a Netflix binge but a life with purpose and higher aspirations.

    Reading Tyler Austin Harper’s essay “ChatGPT Doesn’t Have to Ruin College,” I was struck by the same dichotomy of Ozempification on one side of academia and Humanification on the other. Harper, while wandering around Haverford’s idyllic campus, stumbles upon a group of English majors who proudly scoff at ChatGPT, choosing instead to be “real” writers. These students, in a world that has largely tossed the humanities aside as irrelevant, are disciples of Humanification. For them, rejecting ChatGPT isn’t just an academic decision; it’s a badge of honor, reminiscent of Bartleby the Scrivener’s iconic refusal: “I prefer not to.” Let that sink in. Give these students the opportunity to use ChatGPT to write their essays, and they recoil at the thought of such a flagrant self-betrayal. 

    After interviewing students, Harper concludes that using AI in higher education isn’t just a technological issue—it’s cultural and economic. The disdain these students have for ChatGPT stems from a belief that reading and writing transcend mere resume-building or career milestones. It’s about art for art’s sake. But Harper wisely points out that this intellectual snobbery is rooted in privilege: “Honor and curiosity can be nurtured, or crushed, by circumstance.” 

    I had to stop in my tracks. Was I so privileged and naive to think I could preach the gospel of Humanification while unaware that such a pursuit costs time, money, and the peace of mind that one has a luxurious safety net in the event the Humanification quest goes awry? 

    This question made me think of Frederick Douglass, a man who had every reason to have his intellectual curiosity “crushed by circumstance.” In fact, his pursuit of literacy, despite the threat of death, was driven by an unquenchable thirst for knowledge and self-transformation. But Douglass is a hero for the ages. Can we really expect most people, particularly those without resources, to follow that path? Harper’s argument carries weight. Without the financial and cultural infrastructure to support it, aspiring to Humanification isn’t always feasible.

    Consider the tech overlords—the very architects of our screen-addicted dystopia—who wouldn’t dream of letting their own kids near the digital devices they’ve unleashed upon the masses. Instead, they ship them off to posh Waldorf schools, where screens are treated like radioactive waste. There, children are shielded from the brain-rot of endless scrolling and instead are taught the arcane art of cursive handwriting, how to wield an abacus like a mathematician from 500 B.C., and the joys of harvesting kale and beets to brew some earthy, life-affirming root vegetable stew. These titans of tech, flush with billions, eagerly shell out small fortunes to safeguard their offspring’s minds from the very digital claws that are busy eviscerating ours.

    I often tell my students that being rich makes it easier to be an intellectual. Imagine the luxury: you could retreat to an off-grid cabin (complete with Wi-Fi, obviously), gorge on organic gourmet food prepped by your personal chef, and spend your days reading Dostoevsky in Russian and mastering Schubert’s sonatas while taking sunset jogs along the beach. When you emerge back into society, tanned and enlightened, you could boast of your intellectual achievements with ease.

    Harper’s point is that wealth facilitates Humanification. At a place like Haverford, with its “writing support, small classes, and unharried faculty,” it’s easier to uphold an honor code and aspire to intellectual purity. But for most students—especially those in public schools—this is a far cry from reality. My wife teaches sixth grade in the public school system, and she’s shared stories of schools that resemble post-apocalyptic wastelands more than educational institutions. We’re talking mold-infested buildings, chemical leaks, and underpaid teachers sleeping in their cars. Expecting students in these environments to uphold an “honor code” and strive for Humanification? It’s not just unrealistic—it’s insulting.

    This brings to mind Maslow’s hierarchy of needs. Before we can expect students to self-actualize by reading Dostoevsky or rejecting ChatGPT, they need food, shelter, and basic safety. It’s hard to care about literary integrity when you’re navigating life’s survival mode.

    As I dive deeper into Harper’s thought-provoking essay on economic class and the honor code, I can’t help but notice the uncanny parallel to the essay about weight management and GLP-1 drugs my Critical Thinking students tackle in their first essay. Both seem to hinge not just on personal integrity or effort but on a cocktail of privilege and circumstance. Could it be that striving to be an “authentic writer,” untouched by the mediocrity of ChatGPT and backed by the luxury of free time, is eerily similar to the aspiration of achieving an Instagram-worthy body, possibly aided by expensive Ozempic injections?

    It raises the question: Is the difference between those who reject ChatGPT and those who embrace it simply a matter of character, or is it, at least in part, a product of class? After all, if you can afford the luxury of time—time to read Tolstoy and Dostoevsky in your rustic, tech-free cabin—you’re already in a different league. Similarly, if you have access to high-end weight management options like Ozempic, you’re not exactly running the same race as those pounding the pavement on their $20 sneakers. 

    Sure, both might involve personal effort—intellectual or physical—but they’re propped up by economic factors that can’t be ignored. Whether we’re talking about Ozempification or Humanification, it’s clear that while self-discipline and agency are part of the equation, they’re not the whole story. Class, as uncomfortable as it might be to admit, plays a significant role in determining who gets to choose their path—and who gets stuck navigating whatever options are left over.

    I’m sure the issue is more nuanced than that. These are, after all, complex topics that defy oversimplification. But both privilege and personal character need to be addressed if we’re going to have a real conversation about what it means to “aspire” in this day and age.

    Returning to Tyler Austin Harper’s essay, Harper provides a snapshot of the landscape when ChatGPT launched in late 2022. Many professors found themselves swamped with AI-generated essays, which, unsurprisingly, raised concerns about academic integrity. However, Harper, a professor at a liberal-arts college, remains optimistic, believing that students still have a genuine desire to learn and pursue authenticity. He views the potential for students to develop along the path of intellectual and personal growth, as very much alive—especially in environments like Haverford, where he went to test the waters of his optimism.

    When Harper interviews Haverford professors about ChatGPT violating the honor code, their collective shrug is surprising. They’re seemingly unbothered by the idea of policing students for cheating, as if grades and academic dishonesty are beneath them. The culture at Haverford, Harper implies, is one of intellectual immersion—where students and professors marinate in ideas, ethics, and the contemplation of higher ideals. The honor code, in this rarified academic air, is almost sacred, as though the mere existence of such a code ensures its observance. It’s a place where academic integrity and learning are intertwined, fueled by the aristocratic mind.

    Harper’s point is clear: The further you rise into the elite echelons of boutique colleges like Haverford, the less you have to worry about ChatGPT or cheating. But when you descend into the more grounded, practical world of community colleges, where students juggle multiple jobs, family obligations, and financial constraints, ChatGPT poses a greater threat to education. This divide, Harper suggests, is not just academic; it’s economic and cultural. The humanities may be thriving in the lofty spaces of elite institutions, but they’re rapidly withering in the trenches where students are simply trying to survive.

    As someone teaching at a community college, I can attest to this shift. My classrooms are filled with students who are not majoring in writing or education. Most of them are focused on nursing, engineering, and business. In this hypercompetitive job market, they simply don’t have the luxury to spend time reading novels, becoming musicologists or contemplating philosophical debates. They’re too busy hustling to get by. Humanification, as an idea, gets a nod in my class discussions, but in the “real world,” where six hours of sleep is a luxury, it often feels out of reach.

    Harper points out that in institutions like Haverford, not cheating has become a badge of honor, a marker of upper-class superiority. It’s akin to the social cachet of being skinny, thanks to access to expensive weight-loss drugs like Ozempic. There’s a smugness that comes with the privilege of maintaining integrity—an implication that those who cheat (or can’t afford Ozempic) are somehow morally inferior. This raises an uncomfortable question: Is the aspiration to Humanification really about moral growth, or is it just another way to signal wealth and privilege?

    However, Harper complicates this argument when he brings Stanford into the conversation. Unlike Haverford, Stanford has been forced to take the “nuclear option” of proctoring exams, convinced that cheating is rampant. In this larger, more impersonal environment, the honor code has failed to maintain academic integrity. It appears that Haverford’s secret sauce is its small, close-knit atmosphere—something that can’t be replicated at a sprawling institution like Stanford. Harper even wonders whether Haverford is more museum than university—a relic from an Edenic past when people pursued knowledge for its own sake, untainted by the drive for profit or prestige. Striving for Humanification at a place like Haverford may be an anachronism, a beautiful but lost world that most of us can only dream of.

    Harper’s essay forces me to consider the role of economic class in choosing a life of “authenticity” or Humanification. With this in mind, I give my Critical Thinking students the following writing prompt for their second essay:

    In his essay, “ChatGPT Doesn’t Have to Ruin College,” Tyler Austin Harper paints an idyllic portrait of students at Haverford College—a small, intimate campus where intellectual curiosity blooms without the weight of financial or vocational pressures. These students enjoy the luxury of time to nurture their education with a calm, casual confidence, pursuing a life of authenticity and personal growth that feels out of reach for many who are caught in the relentless grind of economic survival.

    College instructors at larger institutions might dream of their own students sharing this love for learning as a transformative journey, but the reality is often harsher. Many students, juggling jobs, family responsibilities, and financial stress, see education not as a space for leisurely exploration but as a means to a practical end. For them, college is a path to better job opportunities, and AI tools like ChatGPT become crucial allies in managing their workload, not threats to their intellectual integrity.

    Critics of ChatGPT may find themselves facing backlash from those who argue that such skepticism reeks of classism and elitism. It’s easy, the rebuttal goes, for the privileged few—with time, resources, and elite educations—to romanticize writing “off the grid” without AI assistance. But for the vast majority of working people, integrating AI into daily life isn’t a luxury—it’s a necessity, on par with reliable transportation, a smartphone, and a clean outfit for the job. Praising analog purity from ivory towers—especially those inaccessible to 99% of Americans—is hardly a serious response to the rise of a transformative technology like AI.

    In the end, we can’t preach Humanification without reckoning with the price tag it carries. The romantic ideal of the “authentic writer”—scribbling away in candlelit solitude, untouched by AI—has become yet another luxury brand, as unattainable for many as a Peloton in a studio apartment. The real battle isn’t simply about moral fiber or intellectual purity; it’s about time, access, and the brutal arithmetic of modern life. To dismiss AI as a lazy shortcut is to ignore the reality that for many students, it’s not indulgence—it’s triage. If the aristocracy of learning survives in places like Haverford, it does so behind a velvet rope. Meanwhile, the rest are left in the algorithmic trenches, cobbling together futures with whatever tools they can afford. The challenge ahead isn’t to shame the Ozempified or canonize the Humanified, but to build an educational culture where everyone—not just the privileged—can afford to aspire.

  • The Future of Writing in the Age of A.I.: A College Essay Prompt

    The Future of Writing in the Age of A.I.: A College Essay Prompt

    INTRODUCTION & CONTEXT
    In the not-so-distant past, writing was a slow, solitary act—a process that demanded time, introspection, and labor. But with the rise of generative AI tools like ChatGPT, Sudowrite, and GrammarlyGO, composition now has a button. Language can be mass-produced at scale, tuned to sound pleasant, neutral, polite—and eerily interchangeable. What once felt personal and arduous is now instantaneous and oddly soulless.

    In “The Great Language Flattening,” Victoria Turk argues that A.I. is training us to speak and write in “saccharine, sterile, synthetic” prose. She warns that our desire to optimize communication has come at the expense of voice, friction, and even individuality. Similarly, Cal Newport’s “What Kind of Writer is ChatGPT?” insists that while A.I. tools may mimic surface-level structure, they lack the “struggle” that gives rise to genuine insight. Their words float, untethered by thought, context, or consequences.

    But are these critiques overblown? In “ChatGPT Doesn’t Have to Ruin College,” Tyler Austin Harper suggests that the real danger isn’t A.I.—it’s a pedagogical failure. Writing assignments that can be done by A.I. were never meaningful to begin with. Harper argues that educators should double down on originality, reflection, and assignments that resist automation. Meanwhile, in “Will the Humanities Survive Artificial Intelligence?,” the author explores the institutional panic: as machine-generated writing becomes the norm, will critical thinking and close reading—the bedrock of the humanities—be considered obsolete?

    Adding complexity to this discussion, Lila Shroff’s “The Gen Z Lifestyle Subsidy” examines how young people increasingly outsource tasks once seen as rites of passage—cooking, cleaning, dating, even thinking. Is using A.I. to write your essay any different from using DoorDash to eat, Bumble to flirt, or TikTok to learn? And in “Why Even Try If You Have A.I.?,” Joshua Rothman diagnoses a deeper ennui: if machines can do everything better, faster, and cheaper—why struggle at all? What, if anything, is the value of effort in an automated world?

    This prompt asks you to grapple with a provocative and unavoidable question: What is the future of human writing in an age when machines can write for us?


    ASSIGNMENT INSTRUCTIONS

    Write a 1,700 word argumentative essay that answers the following question:

    Should the rise of generative A.I. mark the end of traditional writing instruction—or should it inspire us to reinvent writing as a deeply human, irreplaceable act?

    You must take a clear position on this question and argue it persuasively using at least four of the assigned readings. You are also encouraged to draw on personal experience, classroom observations, or examples from digital culture, but your essay must engage with the ideas and arguments presented in the texts.


    STRUCTURE AND EXPECTATIONS

    Your essay should include the following sections:


    I. INTRODUCTION (Approx. 300 words)

    • Hook your reader with a compelling anecdote, statistic, or image from your own experience with A.I. (e.g., using ChatGPT to brainstorm, cheating, rewriting, etc.).
    • Briefly introduce the conversation surrounding A.I. and the act of writing. Frame the debate: Is writing becoming obsolete? Or is it being reborn?
    • End with a sharply focused thesis that takes a clear, defensible position on the prompt.

    Sample thesis:

    While A.I. can generate fluent prose, it cannot replicate the messiness, insight, and moral weight of human writing—therefore, the role of writing instruction should not be reduced, but radically reinvented to prioritize voice, thought, and originality.


    II. BACKGROUND AND DEFINITIONAL FRAMING (Approx. 250

    • Define key terms like “generative A.I.,” “writing instruction,” and “voice.” Be precise.
    • Briefly explain how generative A.I. systems (like ChatGPT) work and how they are currently being used in educational and workplace settings.
    • Set up the stakes: Why does this conversation matter? What do we lose (or gain) if writing becomes largely machine-generated?

    III. ARGUMENT #1 – A.I. Is Flattening Language (Approx. 300 words)

    • Engage deeply with “The Great Language Flattening” by Victoria Turk.
    • Analyze how A.I.-generated language may lead to a homogenization of voice, tone, and personality.
    • Provide examples—either from your own experiments with A.I. or from the essay—that illustrate this flattening.
    • Connect to Newport’s argument: If writing becomes too “safe,” does it also become meaningless?

    IV. ARGUMENT #2 – The Need for Reinvention, Not Abandonment (Approx. 300 words)

    • Use Harper’s “ChatGPT Doesn’t Have to Ruin College” and the humanities-focused essay to argue that A.I. doesn’t spell the death of writing—it exposes the weakness of uninspired assignments.
    • Defend the idea that writing pedagogy should evolve by embracing personal narratives, critical analysis, and rhetorical complexity—tasks that A.I. can’t perform well (yet).
    • Address the counterpoint that some students prefer to use A.I. out of necessity, not laziness (e.g., time constraints, language barriers).

    V. ARGUMENT #3 – A Culture of Outsourcing (Approx. 300 words)

    • Bring in Lila Shroff’s “The Gen Z Lifestyle Subsidy” to examine the cultural shift toward convenience, automation, and outsourcing.
    • Ask the difficult question: If we already outsource our food, our shopping, our dates, and even our emotions (via TikTok), isn’t outsourcing our writing the logical next step?
    • Argue whether this mindset is sustainable—or whether it erodes something essential to human development and self-expression.

    VI. ARGUMENT #4 – Why Write at All? (Approx. 300  words)

    • Engage with Joshua Rothman’s existential meditation on motivation in “Why Even Try If You Have A.I.?”
    • Discuss the psychological toll of competing with A.I.—and whether effort still has value in an age of frictionless automation.
    • Make the case for writing as not just a skill, but a process of becoming: intellectual, emotional, and ethical maturation.

    VII. COUNTERARGUMENT AND REBUTTAL (Approx. 250  words)

    • Consider the argument that A.I. tools democratize writing by making it easier for non-native speakers, neurodiverse students, and time-strapped workers.
    • Acknowledge the appeal and utility of A.I. assistance.
    • Then rebut: Can ease and access coexist with depth and authenticity? Where is the line between tool and crutch? What happens when we no longer need to wrestle with words?

    VIII. CONCLUSION (Approx. 200 words)

    • Revisit your thesis in a way that reflects the journey of your argument.
    • Reflect on your own evolving relationship with writing and A.I.
    • Offer a call to action for educators, institutions, or individuals: What kind of writers—and thinkers—do we want to become in the A.I. age?

    REQUIREMENTS CHECKLIST

    • Word Count: 1,700 words
    • Minimum of four cited sources from the six assigned
    • Direct quotes and/or paraphrases with MLA-style in-text citations
    • Works Cited page using MLA format
    • Clear argumentative thesis
    • At least one counterargument with a rebuttal
    • Original title that reflects your position

    ESSAY EVALUATION RUBRIC (Simplified)

    CRITERIADESCRIPTION
    Thesis & ArgumentStrong, debatable thesis; clear stance maintained throughout
    Use of SourcesEffective integration of at least four assigned texts; accurate and meaningful engagement with the ideas presented
    Organization & FlowLogical structure; strong transitions; each paragraph develops a single, coherent idea
    Voice & StyleClear, vivid prose with a balance of analytical and personal voice
    Depth of ThoughtInsightful analysis; complex thinking; engagement with nuance and counterpoints
    Mechanics & MLA FormattingCorrect grammar, punctuation, and MLA citations; properly formatted Works Cited page
    Word CountMeets or exceeds minimum word requirement

    MLA Citations (Works Cited Format):

    Turk, Victoria. “The Great Language Flattening.” Wired, Condé Nast, 21 Apr. 2023, www.wired.com/story/the-great-language-flattening/.

    Harper, Tyler Austin. “ChatGPT Doesn’t Have to Ruin College.” The Atlantic, Atlantic Media Company, 27 Jan. 2023, www.theatlantic.com/technology/archive/2023/01/chatgpt-college-students-ai-writing/672879/.

    Shroff, Lila. “The Gen Z Lifestyle Subsidy.” The Cut, New York Media, 25 Oct. 2023, www.thecut.com/article/gen-z-lifestyle-subsidy-tiktok.html.

    Burnett, D. Graham. “Will the Humanities Survive Artificial Intelligence?” The New York Review of Books, 8 Feb. 2024, www.nybooks.com/articles/2024/02/08/will-the-humanities-survive-artificial-intelligence-burnett/.

    Newport, Cal. “What Kind of Writer Is ChatGPT?” The New Yorker, Condé Nast, 16 Jan. 2023, www.newyorker.com/news/essay/what-kind-of-writer-is-chatgpt.

    Rothman, Joshua. “Why Even Try If You Have A.I.?” The New Yorker, Condé Nast, 10 July 2023, www.newyorker.com/magazine/2023/07/10/why-even-try-if-you-have-ai.


    OPTIONAL DISCUSSION STARTERS FOR CLASSROOM USE

    To help students brainstorm and debate, consider using the following prompts in small groups or class discussions:

    1. Is it “cheating” to use A.I. if the result is better than what you could write on your own?
    2. Have you ever used A.I. to help write something? Were you satisfied—or unsettled?
    3. If everyone uses A.I. to write, will “good writing” become meaningless?
    4. Should English professors teach students how to use A.I. ethically, or ban it outright?
    5. What makes writing feel human?
  • How to Pretend You’re Still Alive at Week Eleven

    How to Pretend You’re Still Alive at Week Eleven

    After ninety minutes of hammering out lesson plans in my academic cave—also known as my college office—I realized my legs had entered that special purgatory between rigor mortis and a blood clot. So I stood up, performed a stretch that felt like a rusty marionette being yanked upright, and took a walk down the hallway.

    Out in our little shared faculty suite, I found my colleague from Foreign Languages hunched behind a desk like a war-weary translator decoding enemy communiqués. She looked up briefly from a pile of student papers, and when I asked how she was holding up, she gave the most honest answer academia ever produces: “Exhausted.” It was 2 p.m., and she still had a five-hour sentence left on her campus shift. I nodded grimly. The semester was two-thirds over, the point in the academic calendar when everything begins to sag—mood, posture, faith in humanity.

    “I get it,” I told her. “The late-semester ennui is baked into the profession.” I’ve been battling it for decades. It seeps into your bones and makes your students shuffle into class like underfed extras from a Civil War hospital drama—late, listless, and visibly haunted by their own poor decisions. Their faces are a collage of sleep deprivation, existential dread, and the dawning realization that the syllabus waits for no one.

    This is when you have to throw them a curveball. You can’t coast on grammar worksheets and MLA citation reviews. The status quo is the problem. I tell them to try yoga, breathing exercises, isometrics. If they’re feeling especially apocalyptic, I might even roll a zombie movie and spin it as a cautionary tale about pandemics and the erosion of civic trust. It’s a reach—but sometimes you need to swing for the fences, even if all you hit is a foul ball.

    Most of these tricks will fail. The semester will end the way all semesters do—in caffeine, chaos, and emotional triage. But at least you went down swinging. At least you reminded yourself, in that bleak final inning, that you’re not just a grading machine—you’re still alive.

  • Cork Dorks and the Road to Nowhere

    Cork Dorks and the Road to Nowhere

    In the mid-1980s, I funded my so-called college education as an English major by slinging bottles at Jackson’s Wine & Spirits in Berkeley, strategically nestled near the ritzy Claremont Hotel on Ashby Avenue. The job itself was an exercise in absurdity, not because of the work, but because of my coworkers—an ensemble of walking encyclopedias who were grossly overqualified to stock shelves and ring up Chardonnay. We’re talking PhDs in linguistics, anthropology, chemistry, physics, philosophy, and musicology—each degree worth less than a tenured spot in a clown college, yet brandished like medals in an intellectual arms race. These were people who read Flaubert in the original French and practically spat on anyone who dared pick up an English translation. The mere thought of working for a corporation or any institution that might impose a dress code or, heaven forbid, expect them to “synergize” was beneath their dignity. Selling fine wines and imported beers became their ironic playground, a place where they could cultivate a sense of elitism thicker than the crust on a neglected wheel of Brie. Their unofficial motto? “Service with a smirk.”

    These intellectual peacocks, not particularly rich or buff, took immense pride in flexing the one muscle they deemed worthy: the brain. Their idea of a power pose wasn’t a bulging bicep but a razor-sharp quip delivered with surgical precision. For them, intellectual one-upmanship was the true path, with the mind as the muscle to be sculpted. Their version of bodybuilding legend Sergio Oliva’s “Myth Pose” was a finely tuned discussion about Adorno’s critique of culture or a multi-hour debate comparing two French Beaujolais, all sprinkled with quotes from Camus. They taught me that flexing didn’t require dumbbells; it just needed the right amount of pretension and a willingness to alienate everyone around you.

    During slow hours, we gathered near the cash registers like a cabal of cynical sages, dissecting the philosophical curiosities of Nietzsche, the overwrought bombast of Wagner, and the labyrinthine despair of Kafka. The job became less of an occupation and more of a sanctuary for delusional self-importance. I found myself believing that I was somehow smarter than most, despite the glaring fact that I was working in a retail wine store with zero career prospects. But who needed money when you could live on the heady fumes of intellectual superiority? The longer I marinated in that environment, the more I realized I was becoming gloriously, irreparably unemployable.

    While shuffling between dead-end teaching gigs at various colleges—where my enthusiasm quickly flatlined—I always found solace in returning to my wine snob cocoon. There, surrounded by these proud misfits who’d traded ambition for esoteric chatter, I could pretend that debating the nuances of Hegel was more fulfilling than climbing any traditional career ladder. Truth be told, I might’ve happily stagnated in that dead-end job forever if fate hadn’t intervened in the form of an administrator at Merritt College who inexplicably liked my teaching style. He pulled me aside one day and whispered that there was a full-time gig open at some desert outpost called Bakersfield. He and his colleagues were prepared to write me “sterling letters of recommendation” to ensure I got the job.

    “What’s Bakersfield like?” I asked, a vague unease bubbling up as memories of my family stopping there to gas up our station wagon drifted into my mind like a bad smell.

    “Don’t worry about that,” he replied, his tone thick with the kind of unearned confidence that only comes from never having to live in a place like Bakersfield. “Just move your butt down there and take things as they come.”

    And so, in the span of a few short months, I traded intellectual elitism for a one-way ticket to the middle of nowhere, chasing a full-time paycheck while my wine store days—and the delusions that came with them—slowly receded into the rearview mirror.

  • Against the Grain: My College Students’ Quiet Rebellion Against the Cult of the Self

    Against the Grain: My College Students’ Quiet Rebellion Against the Cult of the Self

    My college students, nineteen on average, stand on the jagged edge of adulthood, peering into a world that looks less like a roadmap and more like a shattered windshield. Right now, we’re writing essays about the way social media—and the exhausting performance of self-curation—has sabotaged authenticity and hijacked the very idea of a real, breathing identity.

    Here’s the surprising part: they already know it.

    Unlike the last crop of dopamine junkies willing to sell their souls for a handful of TikTok likes, these students have developed a healthy, almost contemptuous disdain for “influencers”—those human billboards who spend their days manicuring their online selves like desperate bonsai trees, hoping to monetize the illusion of a perfect lifestyle. My students don’t want to be “brands.” They don’t want to hawk collagen supplements to strangers or play the carnival game of parasocial friendships with people they’ll never meet.

    No, they’re too busy wrestling with reality.

    They’re trying to adapt to a fast-changing, frequently chaotic world where entire industries collapse overnight and finding a career feels like rummaging through a haystack with oven mitts on. They are focused—ruthlessly so—on their careers, their families, and the relationships that breathe life into their days. There’s no time for performative outrage on Twitter. There’s no energy left for airbrushed TikTok dances in rented Airbnbs masquerading as real homes.

    What’s even more heartening?
    They are learning. They’re not Luddites fleeing technology; they’re studying how to use it. They’re exploring tools like ChatGPT without fear or delusion. They’re discussing things like Ozempic, not as magic bullets, but as case studies in how rapidly tech and biotech can transform human lives—for better or for worse.

    Underneath all this practicality hums a deeper current: a hunger for something more than survival. They know life isn’t just paying the bills and uploading sanitized highlight reels. It’s also about spiritual nourishment—found in beauty, art, connection, and the sacred rituals that make the unbearable parts of existence worth slogging through.

    They understand, in a way that seems almost instinctual, that social media platforms—those carnival mirrors of human desire—don’t offer that kind of connection. They see the platforms for what they are: hellscapes of manufactured anxiety, chronic FOMO, and curated loneliness, where everyone smiles and no one feels seen.

    In their quiet rejection of all this, my students aren’t just adapting.
    They’re rebelling—wisely, stubbornly, and maybe, just maybe, showing the rest of us the way back to something real.

  • Digital Narcissus: How Social Media Is Hollowing Out the Mind and Endangering Democracy: A College Essay Prompt

    Digital Narcissus: How Social Media Is Hollowing Out the Mind and Endangering Democracy: A College Essay Prompt

    Essay Prompt: In Jonathan Haidt’s essay “Why the Past 10 Years Have Made America Uniquely Stupid,” he argues that social media has eroded the psychological foundations of democracy by fostering tribalism, outrage, and intellectual shallowness. Sherry Turkle’s TED Talk “Alone, together?” offers a related diagnosis: that our reliance on devices has replaced meaningful connection with curated performances and hollow validation. The Black Mirror episodes “Nosedive,” “Fifteen Million Merits,” and “Smithereens” dramatize these arguments by depicting dystopian futures in which people are addicted to digital approval, trapped in echo chambers, and rendered incapable of genuine autonomy or critical thought.

    In a well-structured argumentative essay, respond to the following claim:

    Social media is a malignant force that has caused a cultural dumbing-down, infantilization, self-fragmentation, and dopamine addiction. It has shortened attention spans, eroded critical thinking, and undermined the civic maturity necessary to sustain a free democracy.

    Your essay should:

    • Take a clear and defensible stance on the claim.
    • Analyze how each text (Haidt’s essay, Turkle’s talk, and the three Black Mirror episodes) supports or complicates the claim.
    • Consider counterarguments (e.g., potential benefits of digital platforms or examples of responsible online engagement).
    • Use specific examples and quotes from each source.
    • Explore how the cultural symptoms portrayed in these texts might reflect or distort our own digital behaviors.

    9-Paragraph Essay Outline

    I. Introduction

    • Hook: A vivid image or anecdote that illustrates digital dysfunction in everyday life.
    • Context: Introduce the central concern shared by Haidt, Turkle, and Black Mirror: social media’s corrosive influence on cognition and civic life.
    • Thesis: While social media was once hailed as a democratizing force, Haidt, Turkle, and Black Mirror reveal it as a malignant system that fragments identity, fuels addiction, and erodes the intellectual maturity required to sustain democratic culture.

    II. Haidt’s Argument: The Breakdown of Collective Intelligence

    • Summarize Haidt’s diagnosis of how social media rewards tribalism and outrage.
    • Analyze his claim that platforms like Twitter and Facebook are incompatible with democratic deliberation.

    III. Turkle’s Argument: From Connection to Isolation

    • Explain Turkle’s concept of being “alone together.”
    • Analyze her argument that technology has infantilized us emotionally and eroded our tolerance for authentic conversation.

    IV. “Nosedive”: Performing Ourselves to Death

    • Discuss how the episode satirizes a world of curated identity and dopamine-driven status games.
    • Connect to Haidt’s and Turkle’s points about fragile selfhood and emotional dependence on validation.

    V. “Fifteen Million Merits”: Entertainment Overload and Intellectual Starvation

    • Explore how the episode portrays a society addicted to entertainment, spectacle, and passive consumption.
    • Link to Haidt’s fear of attention scarcity and Turkle’s concern about emotional shallowness.

    VI. “Smithereens”: Addiction, Control, and the Collapse of Autonomy

    • Analyze the protagonist’s breakdown as a metaphor for dopamine dependency and loss of agency.
    • Connect to real-world attention economy and surveillance capitalism.

    VII. Counterargument: Can Social Media Be Used Responsibly?

    • Acknowledge arguments that social media can empower marginalized voices or promote awareness.
    • Respond by showing how the structural incentives of the platforms still reward impulsivity over depth.

    VIII. Synthesis and Broader Implications

    • Tie together all five texts.
    • Argue that the symptoms depicted are not exaggerated fiction but recognizable in our own habits.
    • Reflect on what kind of reform or resistance is needed.

    IX. Conclusion

    • Reaffirm the thesis.
    • Offer a final insight: perhaps the most urgent democratic act today is to reclaim our attention, agency, and intellectual dignity from the machines designed to erode them.

  • Teaching Writing in the Age of the Machine: Why I Grade the Voice, Not the Tool

    Teaching Writing in the Age of the Machine: Why I Grade the Voice, Not the Tool

    I assume most of my college writing students are already using AI—whether as a brainstorming partner, a sentence-polisher, or, in some cases, a full-blown ghostwriter. I don’t waste time pretending otherwise. But I also make one thing very clear: I will never accuse anyone of plagiarism. What I will do is grade the work on its quality—and if the writing has that all-too-familiar AI aroma—smooth, generic, cliché-ridden, and devoid of voice—I’m giving it a low grade.

    Not because it was written with AI.
    Because it’s bad writing.

    What I encourage, instead, is intentional AI use—students learning how to talk to ChatGPT with precision and personality, shaping it to match their own style, rather than outsourcing their voice entirely. AI is a tool, just like Word, Windows, or PowerPoint. It’s a new common currency in the information age, and we’d be foolish not to teach students how to spend it wisely.

    A short video that supports this view—“Lovely Take on Students Cheating with ChatGPT” by TheCodeWork—compares the rise of AI in writing to the arrival of calculators in 1970s math classrooms. Calculators didn’t destroy mathematical thinking—they freed students from rote drudgery and pushed them into more conceptual terrain. Likewise, AI can make writing better—but only if students know what good writing looks like.

    The challenge for instructors now is to change the assignments, as the video suggests. Students should be analyzing AI-generated drafts, critiquing them, improving them, and understanding why some outputs succeed while others fall flat. The writing process is no longer confined to a blank Word doc—it now includes the strategic prompting of large language models and the thoughtful revision of what they produce.

    But the devil, as always, is in the details.

    How will students know what a “desired result” is unless they’ve read widely, written deeply, and built a literary compass? Prompting ChatGPT is only as useful as the student’s ability to recognize quality when they see it. That’s where we come in—as instructors, our job is to show them side-by-side examples of AI-generated writing and guide them through what makes one version stronger, sharper, more human.

    Looking forward, I suspect composition courses will move toward multimodal assignments—writing paired with video, audio, visual art, or even music. AI won’t just change the process—it will expand the format. The essay will survive, yes, but it may arrive with a podcast trailer or a hand-drawn infographic in tow.

    There’s no going back. AI has changed the game, and pretending otherwise is educational malpractice. But we’re not here to fight the future. We’re here to teach students how to shape it with a voice that’s unmistakably their own.

  • Becoming Someone Real: Literacy, Transformation, and the College Classroom in the Age of Digital Fakery: A College Essay Prompt

    Becoming Someone Real: Literacy, Transformation, and the College Classroom in the Age of Digital Fakery: A College Essay Prompt

    Below is a full setup with a focused essay prompt, a potent sample thesis, and a detailed 9-paragraph outline. The argument draws a hard line between the hollow self-curation of the digital age and the hard-won, soul-deep transformation through literacy and education, as seen in Narrative of the Life of Frederick Douglass and The Autobiography of Malcolm X.


    Essay Prompt:

    In an age when social media promises effortless self-reinvention through curated personas and algorithmic visibility, the genuine, hard-earned transformations of Frederick Douglass and Malcolm X—rooted in literacy and the pursuit of knowledge—stand as powerful counterpoints. Write an essay that analyzes how their autobiographies depict education as a vehicle for authentic self-reinvention, moral clarity, and long-term empowerment. In your essay, compare their transformations to the superficial “branding” culture of today, and argue why the college classroom remains one of the last credible spaces for real personal evolution.


    Sample Thesis Statement:

    While today’s digital culture rewards the illusion of instant self-reinvention through filtered images and empty performances, the autobiographies of Frederick Douglass and Malcolm X remind us that true transformation comes through literacy, discipline, and critical thinking. Their stories demonstrate that college—when pursued earnestly—can be a rare and radical site of self-reinvention that is empowering, morally clarifying, and enduring in a way that social media reinvention can never be.


    9-Paragraph Outline:


    I. Introduction

    • Hook: In an era obsessed with reinventing oneself through TikTok bios and LinkedIn résumés, real transformation has become a rare currency.
    • Context: The difference between performative self-reinvention (branding) and authentic self-reinvention (education).
    • Introduce Douglass and Malcolm X as icons of transformative literacy.
    • Thesis: Douglass and Malcolm X exemplify how education, not performance, produces lasting moral and personal change—making college one of the most powerful tools for true self-reinvention today.

    II. The Nature of Fake Reinvention in the Digital Age

    • Explore the Instagram/TikTok economy of identity: branding, personas, micro-celebrity culture.
    • Emphasize speed, shallowness, and lack of introspection.
    • Reinvention as escape rather than excavation: it masks who we are, rather than revealing a deeper self.

    III. Frederick Douglass: Literacy as Revolution

    • Douglass’s hunger for books after learning the alphabet.
    • Reading The Columbian Orator shapes his moral framework and awakens political consciousness.
    • His reinvention isn’t cosmetic—it is intellectual and moral, a refusal to remain enslaved in mind or body.

    IV. Malcolm X: Prison and the Page

    • Describe Malcolm’s transformation in prison: copying the dictionary, devouring books, reshaping his worldview.
    • Literacy as a form of liberation: he begins to see systemic oppression and his place within it.
    • This is not rebranding—it is rebirth.

    V. The Moral Weight of Their Reinventions

    • Both men become truth-tellers and justice-seekers, not influencers or entrepreneurs.
    • Their new selves come with responsibility and sacrifice, not followers or monetization.
    • Their transformations lead to social change, not clicks.

    VI. The College Classroom as a Modern Parallel

    • When it works, the college classroom can replicate this kind of rebirth: reading, writing, critical dialogue, moral challenge.
    • Students unlearn propaganda, challenge assumptions, and write their way into adulthood.
    • Education becomes a confrontation with self, not a presentation of self.

    VII. Counterargument: Isn’t College Itself a Branding Game Now?

    • Acknowledge the growing trend of college as a résumé-builder, a branding ritual.
    • Rebuttal: These pressures exist, but they don’t nullify the potential. Professors, books, and real intellectual work still offer space for transformation—if students are willing to engage.

    VIII. Why Authentic Reinvention Matters Now

    • The stakes are higher than ever: misinformation, polarization, and performative wokeness are rampant.
    • We don’t need more self-marketers; we need people who’ve undergone intellectual and moral development.
    • Douglass and Malcolm X remind us that the self is not something you launch—it’s something you build.

    IX. Conclusion

    • Reiterate the contrast: shallow, cosmetic reinvention vs. meaningful transformation through literacy and education.
    • Douglass and Malcolm X stand as enduring proof that education changes lives in ways that last.
    • Final thought: In an age of digital fakery, the classroom remains one of the last sacred spaces for becoming someone real.
  • What Am I Even Teaching Anymore? Enduring Understandings, Fleeting Trends, and the Ever-Shifting Ground of Freshman Composition

    What Am I Even Teaching Anymore? Enduring Understandings, Fleeting Trends, and the Ever-Shifting Ground of Freshman Composition

    After four decades of teaching college writing, you’d think I’d have my units and essay prompts locked in, shrink-wrapped, and ready to microwave. Not quite. The world moves fast. Prompts that feel brilliant on Tuesday can feel dated by Friday. TikTok didn’t exist when I started teaching. Neither did smartphones, influencers, or GLP-1 agonists. So instead of clinging to yesterday’s prompts like a hoarder clutching expired coupons, I chase the deeper prize: Enduring Understandings—those sticky, soul-level questions that live beyond the classroom and follow students into the messiness of real life. (Hat tip to Grant Wiggins and Jay McTighe, who gave this idea a name and a purpose.)

    This fall, my freshman comp class includes the college football team, which means our opening unit now tackles (yes, pun intended) the sport that defines American spectacle and denial. But this isn’t your uncle’s barstool rant about “kids these days.” We’ll use football as a lens to examine risk, consent, identity, and systemic power—big stuff disguised in helmets and shoulder pads.

    Whether my students wear cleats or Converse, I want them grappling with questions that matter: Why do we chase short-term glory when the long-term cost might be our body, our brain, or our soul? What do we sacrifice on the altar of performance—on the field, online, or in life?

    Here’s how the year breaks down:


    Freshman Composition and Critical Thinking

    Freshman Composition Class

    Unit 1: Gladiators in Pads: Risk, Consent, and the Business of Football
    Is football a sacred rite of passage or a meat grinder in cleats? Students will write about acceptable risk, consent, glory, money, and whether football is a path to opportunity—or exploitation wrapped in pageantry.

    Unit 2: Heroism and Resistance to the Sunken Place
    From Frederick Douglass to Malcolm X, from Get Out to Black Panther, students will explore how marginalized figures resist dehumanization and transform themselves. We’ll examine what it means to climb out of the “Sunken Place”—and why it matters.

    Unit 3: The Loneliness of the Digitally Depressed
    With help from Black Mirror (“Nosedive” and “Fifteen Million Merits”), students will explore the connection between online performance and psychological breakdown. Are we curating ourselves into oblivion?


    Critical Thinking Class

    Unit 1: Willpower Is Not a Weight-Loss Strategy
    Ozempic is here, and the willpower gospel is wobbling. Students will unpack the moral panic surrounding weight-loss drugs and debate what happens when biotech and body image collide.

    Unit 2: The Mirage of Self-Reinvention
    From Fitzgerald’s doomed dreamers to Black Mirror’s algorithmic puppets, we’ll examine how the myth of personal reinvention can go horribly wrong—and why losing control of your narrative is the ultimate modern horror.

    Unit 3: Culinary Code-Switching or Cultural Betrayal?
    Food as survival, as art, as compromise. We’ll trace the tangled line between adaptation and erasure in the Americanization of Chinese and Mexican cuisines. When is fusion a celebration—and when is it a sellout?


    Teaching writing in this century means teaching students how to think clearly while the world gaslights them with dopamine and distraction. These units won’t solve that problem, but they’ll make sure we’re asking the right questions while we’re still allowed to.