Cinemorphosis

Tag: life

  • Stepford Dreams and Other Diseases

    Stepford Dreams and Other Diseases

    “Our culture denies the nature of reality,” therapist Phil Stutz declares in one of his chapters from Lessons for Living. In denial, we drift through a fantasy world—a frictionless utopia where everything turns out perfectly with minimal effort, unpleasantness is airbrushed away, and immediate gratification flows like tap water. If you fail to thrive in this Instagram-ready Eden, well, clearly it’s your fault.

    Reading Stutz’s dissection of this mythical paradise—one that entitlement and cleverness supposedly guarantee—I’m reminded of family vacations to Hawaii. The trip’s curated perfection feels ripped straight from pop culture’s catalog of false realities. I start imagining myself as a minor Polynesian god, which makes returning home to laundry, bills, and chores feel like divine demotion.

    Stutz’s mission is to break our addiction to the idea that life is a permanent Hawaiian vacation. His blunt truth: life is pain and adversity, the future is uncertain, real accomplishments require sweat and discipline, and—brace yourself—you are not special enough to escape these rules. These principles don’t expire.

    This is not, Stutz insists, a gospel of misery. Love, joy, surprise, transcendence, and creativity are woven into life’s fabric—but so are conflict, loss, and uncertainty.

    Why, then, do we cling to the fantasy? In part, because the media keeps showing us people who appear to have escaped reality’s terms. Movie stars and influencers are lit like Renaissance portraits, perfectly curated, radiating supreme happiness. Their romances are operatic, their sex lives cinematic. They seem universally adored and gracious enough to share the “secrets” of their bliss. They look as if they’ve broken free of pain, adversity, and doubt—and they promise we can do the same if we just buy the right products and mimic their lifestyle.

    It doesn’t matter where you sit in the social pecking order; the fantasy assures you can ascend to the influencer’s Olympus.

    This is a mass delusion. Stutz writes, “When everyone acts as if a fantasy is real, it begins to seem real.” But for you, it never arrives. Your bank account wheezes. Your waistline ignores your best intentions. Your body refuses to flatter you. Your parenting is a gamble at best. Your life often feels like it’s running you.

    Because you believe in the fantasy, you think you’re defective. You look in the mirror and mutter, “Loser.”

    That’s the invoice for believing in perfection: when it inevitably collapses, you’re left with self-loathing. Stutz warns, “The problem is that the other group has become the standard, and self-esteem starts to depend on being like them. An adverse event feels like something is happening that is not supposed to be happening. The natural experiences of living make you feel like a failure.”

    His solution? Total reorientation. Replace the static images of perfection—what I call “Magical Moments Frozen in Time”—with the truth: life is a messy, moving process. Stutz explains: “The ideal world with the superior people is like a snapshot or a postcard. A moment frozen in time that never existed. But real life is a process; it has movement and depth. The realm of illusion is an image, dead and superficial. Still, these images are tempting. There is no mess in them.”

    If media has brainwashed us into aspiring to be perfect Stepford spouses, how do we reject these static ideals and embrace life in its raw, dynamic, and inconvenient fullness? Stutz says we must accept this: “Life is made up of events. The only real way to accept life is to accept the events that comprise it. And the flow of events never stops. The driving force of the universe reveals itself via the events of our lives.”

    This flow connects us to life’s energy, making us fully alive. The downside? It leaves us feeling small, exposed, and out of control. The false paradise promises to free us from that vulnerability, but in doing so, it severs our connection to life’s current and leaves us in “spiritual death.”

    Mental health, Stutz argues, depends on accepting this unstoppable flow of events. He compares it to good parenting: “It is not good enough to just show up. You need a point of view and a set of tools. It is impossible to deal with events constructively without being prepared.” If you’re clinging to Magical Moments Frozen in Time, you’re unprepared when reality slaps you.

    The preparation, he says, is a philosophy—one that lets you redefine negative events. Stutz writes, “Preparing yourself with a philosophy enables you to change the meaning of a negative event. With a specific philosophy, you can aggressively change your perception of events.” That philosophy rests on three pillars:

    • Adverse events are supposed to happen; they don’t mean you’re broken.
    • Every negative event is a growth opportunity.
    • Spiritual strength matters more than positive outcomes.

    When you accept life as a series of crises, you stop throwing toddler-level tantrums every time something goes wrong. People addicted to Magical Moments tend to overreact to challenges—often making their reaction worse than the original problem.

    Reading this, I recall when my wife and I had twins fifteen years ago. She handled meltdowns with calm; I met a child’s tantrum with one of my own. A therapist told me, “When you get angry, you go zero to ten in under a second, and your body chemistry changes in a way that fills the room with toxic energy. That escalates your children’s tantrums. Your wife, on the other hand, stays calm. She has a calming effect on the twins. You need to learn how to calm down in a crisis.”

    Stutz is right. Being a spiritual person means maturing as a parent. Being a devotee of Magical Moments Frozen in Time means being a spoiled child yourself—an extra in Idiocracy. A society enthralled by fake perfection can’t sustain itself; it’s destined for regression, chaos, and entropy.

  • The Terrarium of the Gods

    The Terrarium of the Gods

    Last night I dreamed I was prowling for beachfront property in the dead of night when I stumbled upon a terrarium the size of several football fields—an absurd, glass-walled Eden under artificial light. Some plots were shameless cons, swindler specials dressed up with tacky lawn ornaments and fake palm trees. Others, however, had loamy, dark soil that practically hummed with fertility. Over the PA system, an NPR announcer’s warm, soporific voice guided prospective dreamers like me, pointing out which plots were worth my attention.

    I claimed a plot perfect for herbs, tomatoes, and peaches, imagining future harvests under this climate-controlled dome. Then I set off to find my family, who were dining on the rooftop of a nearby hotel, high above the night and the surf. When I arrived, they were lit with merriment, clinking glasses with friends, laughter rolling across the table like a tide.

    Leo, a family friend with the generosity of a man who’s just inherited a brewery, pressed a frosty glass stein of amber beer into my hand. I’m not much of a beer drinker, but curiosity won, and I took a long pull. It was cold, crisp, and shockingly delicious—like a liquid reprieve from all earthly woes. Before I could savor the moment, a teenage boy with only the flimsiest link to Leo snatched the stein from my hand and drained it with feral efficiency. I seethed but swallowed my annoyance.

    Leo, undeterred, promised reinforcements: more beer, plus sandwiches from “the downstairs stash.” He led me to a cold-storage room the size of a cathedral. Inside, shelves groaned under the weight of sandwiches—no ordinary deli fare, but hand-crafted masterpieces assembled by World Series legends of the 1970s. Every sandwich bore a tag in looping script: Dave Winfield. Reggie Jackson. Willie Stargell. Dave Parker. Jim “Catfish” Hunter. Preserved by refrigeration so perfect, the bread seemed freshly baked, the lettuce still crisp, as though the ballplayers had just stepped away from the cutting board.

    We loaded up on sandwiches and pitchers, returned to the rooftop, and feasted under the city lights. The beer was endless, the view intoxicating. For a fleeting moment, I felt like I had not only bought the best plot in the terrarium but inherited the whole ridiculous world.

  • The Paradise Hangover

    The Paradise Hangover

    Yesterday I posted a 24-minute video on my YouTube channel about my family’s trip to Oahu—about slipping into what I call Sacred Time—and about the sullen resentment that comes when you’re yanked back into Profane Time. In Sacred Time, there are no utility bills, no kitchen repairs, no inbox choked with memos. In Profane Time, there’s nothing but.

    There’s a lag between the two realms. The body may be back at the desk, moving through the motions of Profane Time, but the mind and heart are still on an island, half-convinced they’ve found a loophole in the laws of mortality.

    In that sacred dimension, we become a mythic version of ourselves—effortless raconteurs, irresistible charmers. The hotel bartender laughs at your jokes. The maître d’ nods in worldly agreement when you talk about sunsets and seared ahi. Their warmth feels real, not transactional. And you start believing the PR you’ve written for yourself. Then you fly home, and the whiplash from god-king to bill-payer is too much to bear.

    It reminded me of a woman I met nearly twenty years ago in a frozen-yogurt shop in Torrance. My wife and I were waiting in line when she appeared: tall, angular, maybe in her sixties, the ghost of a former beauty. Short blonde hair with a whiff of style still clinging to it, smeared red lipstick, tight leopard-print pants, and high heels that had seen better decades. She carried her currency—hundreds of pennies—in a crumpled paper bag.

    She spilled them, along with her dessert, across the tile floor. I bent to help her, feeling the full weight of her story without knowing any details. I imagined her as a former starlet who once walked red carpets, who’d been adored, flattered, invited everywhere—until one day she wasn’t. She’d never made the identity shift from somebody to nobody, and that inability had swallowed her whole.

    Self-mythologizing is dangerous. Whether you’re a faded Hollywood beauty or a sun-dazed tourist just off the plane from paradise, you have to face the comedown. Adult life demands it. The mythical and the mundane need each other—without the grind, the magic loses its shine.

    So yes, I’m sulking about my return from Hawaii. Yes, I’d rather be sipping mai tais than buying new blinds and a desk for my daughter. But that’s the deal. Profane Time pays for Sacred Time. You can’t live in one without surviving the other.

  • Hawaiian Vacations Are About Stepping Outside the Clock and Cheating Death

    Hawaiian Vacations Are About Stepping Outside the Clock and Cheating Death

    Spend a week with your family in Hawaii and you slip into a parallel time zone—one that ignores clocks altogether.

    It starts the moment you survive five airborne hours in a 400-million-dollar jet. You land feeling like Superman, minus the cape and plus a mild dehydration headache. Within 24 hours, you’re barefoot, in swim trunks, marinating in mai tais, spooning loco moco into your face, and demolishing lilikoi pies. The weather is so perfect it feels like it was made to flatter you personally. Sunsets become private screenings. You have no deadlines, no alarms, no reason to measure the day except by the height of the tide or the level in your glass.

    In this dimension, you’re not just on vacation—you’ve stepped outside of time. And outside of time means outside of death. Some corner of your brain starts whispering that you’re untouchable. Immortal.

    That’s when the trouble starts.

    The thought of getting back on a plane becomes revolting. It’s not just leaving Hawaii—it’s leaving Sacred Time and returning to Profane Time. Back to the grind where schedules nag and mortality hides in every bathroom mirror.

    Even after you land at home, you’re not really home. You’re in a kind of sun-drunk denial, still hearing the ocean in your ears while the neighbor’s leaf blower whines outside. The older you get, the worse the hangover—because you know the clock is running, and the illusion of timelessness is an intoxicant more potent than any cocktail with a paper umbrella.

    And then it’s over. You reenter the machine. Days are counted in emails, not waves. The tan fades, and with it the fantasy that you’ve cheated the countdown. That’s the real brutality of reentry—not the weather, but the eviction notice from the one place that convinced you, however briefly, that you could live forever.

    So yes, I’m already searching for Big Island resorts. It’s not wanderlust—it’s a hunt for my next fix of immortality. And I know the danger. One day I might just stay.

  • Scaling the Walls of Forgetting

    Scaling the Walls of Forgetting

    Last night I dreamed I was trapped between two bodies—one fixed at nineteen, the other at sixty-three—and the hands kept swinging me back and forth. Each shift rewired me. My skin would tighten, my mind sharpen, and then in the next instant my knees ached, my thoughts clouded, and the mirror refused to settle on one face.

    In the confusion, I kept losing my keys. Not just keys—wallet, watch, phone. Every few minutes I’d pat my pockets and feel the hollow absence. I lived in a commune that was equal parts office, recording studio, and half-forgotten alumni reunion. The place was enclosed by towering steel walls, the kind that promised protection while making you wonder what you were being kept from.

    We scaled those walls to glimpse the outside world and, somehow, the higher we climbed, the further we could travel through our own memories. But altitude brought obstacles—massive gates stacked one atop another, each locked, each requiring a key.

    I had a locker at the base of the camp with everything I needed: my belongings, my one precious key. And then it was gone, lost to the dream’s careless currents. I cursed myself, replaying the loss in my mind until it stung.

    Kevin, an old friend with a voice like a warm blanket, told me it was fine. Not to worry. That I was okay. Ted, wiry and restless, was already at the top, peering over. He called down, telling us to follow his example, that freedom was just beyond the next barrier.

    Meanwhile, Charlie lounged at the compound’s base, getting his hair trimmed and his shoes polished by a contented employee, as if this walled-in world was good enough.

    The forgetting pressed in on me, thick and airless. Ted’s optimism couldn’t lift me, Kevin’s comfort couldn’t steady me. Without the key, I felt stripped of competence. I teetered there—between the clock faces, between the steel walls—on the edge of hopelessness, afraid that even if I found the lock, I wouldn’t remember what it opened.

  • The Other Place Has QR Codes

    The Other Place Has QR Codes

    Of all the Twilight Zone episodes that have taken up residence in my psyche, none clings more tenaciously than “A Nice Place to Visit.” A petty crook named Rocky Valentine gets gunned down during a botched robbery and wakes up in what appears to be paradise. He’s greeted by Pip, a genial, rotund guide played by Sebastian Cabot, who grants him everything his larcenous heart ever wanted: money, women, luck, luxury. No struggle, no stress. Every desire fulfilled on command.

    At first, Rocky revels in this frictionless dreamscape. It’s Vegas without losing streaks, heaven without requirements. But gradually, pleasure without purpose curdles into a thick, syrupy dread. He realizes that gratification without resistance is just another form of punishment. Bored out of his mind and desperate for meaning, Rocky pleads with Pip to send him “to the other place.”

    Pip laughs and delivers the gut punch: “Heaven? Whatever gave you the idea that you were in Heaven, Mr. Valentine? This is the other place!” And then, with glee, Pip cackles like the well-fed devil he is.

    Which brings me to paid parking.

    There is a hell, and it lives in the infrastructure of modern urban parking. It’s a realm of QR codes, license plate entries, and apps that want your soul—or at least your email and billing zip code. Some kiosks accept coins, others demand smartphone apps, two-step verification, and an MFA code just to stand still without being ticketed. My wife, tech-literate and cool-headed, usually handles this logistical hellscape while I loiter nearby, pretending to study the map of downtown like it’s a sacred text.

    But this week she’s out of town at a teaching convention, and I’m taking our twin daughters to Laguna Beach. This means I have to drive, find a parking structure, and—here’s the true horror—navigate the digital rigmarole of paid parking without her guidance. The thought of it has me sweating harder than Rocky in his silk suit.

    The absurd part? It’s not the traffic, the tides, or the teenagers that unnerve me. It’s the parking meter. The existential shame of standing in front of a digital payment kiosk, poking at it like a confused ape while my daughters wait patiently (or impatiently) beside me. I don’t fear the unknown. I fear looking like an idiot in front of my kids.

    But here’s the deeper, darker realization: this is just a symptom. My wife, through years of effort and mental load, has become the de facto logistics commander of our household. She knows which airport lines move faster. She’s the one strangers approach at terminals, sensing her Jedi-level calm. Meanwhile, I shuffle behind her like an NPC in a bad video game—directionless, frictionless, practically translucent.

    Frictionless living has a cost. It breeds detachment. It robs you of engagement, resilience, and presence. And like Rocky Valentine, I’ve grown too used to being served instead of showing up.

    Ironically, I’m obsessed with watches—those exquisite tools designed to remind you where you are in time. And yet, I’ve spent years drifting, distracted, floating outside the dial. It takes a solo day trip with my daughters—an hour drive, some shopping, a good lunch, and possibly a tantrum or two—to pull me back into the present.

    When my wife heard about my plan, she said, “You don’t know how happy this makes me.” And I believed her. She wasn’t just relieved that I was giving her a break. She was glad to see me step into the friction. To stop spectating and start parenting in real time.

    No, I don’t want to be Rocky. I don’t want a life where every parking spot is perfect, every line is short, and every meal arrives on time. I want the chaos. I want the curveballs. I want the real thing.

    Even if it means downloading the stupid parking app.

  • Memoirs of a Tanned Narcissist

    Memoirs of a Tanned Narcissist

    The summer of 1977: I was fifteen, half-boy, half-bicep, bronzing my delusions at the Don Castro Swim Lagoon. I lay stretched across the sand like a sacrificial offering to the gods of narcissism, a dog-eared paperback of The Happy Hooker tucked inside my gym bag like contraband scripture. My nose, my skin, my hormonal soul were all baptized in the collective perfume of that era—banana-scented cocoa butter and coconut oil sizzling on sunbaked flesh.

    It wasn’t just a swim lagoon; it was a sensory bacchanal. My eyes devoured the parades of bikini-clad girls, but it was the scent—the olfactory gospel of the ’70s—that tattooed itself onto my brainstem. The decade fused with my adolescence to form a perfect cocktail of lust, leisure, and delusion. That was Me Time before “me time” became a self-help cliché. This was Me Time as a birthright. An ecstatic creed. A half-naked mission statement.

    I hoarded that fragment of the 70s like a holy relic, a sweaty teenage talisman that whispered, You are entitled to this pleasure. And for decades, I believed it. I ritualized it. I salted it into the marrow of my daily habits. Self-indulgence wasn’t a guilty pleasure; it was as essential as cod liver oil and calf raises.

    But now, older, less tanned, and with only traces of Adonis left in my rearview mirror, I wonder if that Me Time ethos has become a prison disguised as a spa. What began as a teenage philosophy of sacred sensuality now feels like a rerun of Fantasy Island with worse lighting. The coconut oil that once anointed me has turned rancid with nostalgia.

    Am I frozen like Lot’s wife, looking back too long at the sun-glazed glory of the past and turning to salt—one of the many malformed, glittering relics trapped in the Salt Mines of my own mythology? Have I confused my emotional scrapbook for a roadmap?

    I don’t want to kill the boy inside me. I just don’t want him running the show.

    I’m not aiming to become some dried-out stoic spouting bromides about detachment and virtue while chewing flaxseed in silence. I still want pleasure. Complexity. Shadow. Laughter. Sweat. But I want to carry my memories like a man, not drag them around like a stunted boy still snorting the ghost of Hawaiian Tropic in the Rite Aid aisle.

    So I ask—how do you love the Me Time Era less? How do you put the suntan oil back in the bottle?

  • The Accidental Tourist, Redux

    The Accidental Tourist, Redux

    Yesterday, we flew from LAX to Honolulu aboard a gargantuan United jet so large I half expected to see shag carpet and a spiral staircase to a smoking lounge. The thing was practically a flying condominium—wide-bodied, high-ceilinged, and just roomy enough to avoid triggering my usual claustrophobia. Even while pinned to the aisle seat as fellow passengers formed a stagnant TSA-themed flash mob to jam their overpacked luggage into the overhead bins, I managed to breathe.

    I passed the flight in my usual state of high-functioning dread, retreating into Jim Bouton’s Ball Four on Audible through my Sony noise-canceling headphones—the only legal form of sedation I can stomach at 35,000 feet. Forget reading, forget movies, forget chit-chat. Air travel reduces me to a vibrating vessel of cortisol unless I can disappear into the low, comforting drone of a narrator’s voice. It’s less entertainment and more emergency emotional triage.

    Mid-flight, I spotted a man in first class—reclined, smug, his chest puffed like a hawk surveying the terminal. He wore a Rolex Submariner, its gleaming bracelet catching the light like a flex. For a moment I considered violating my long-standing ban on watch bracelets. But then I re-centered myself. No, I thought. No shiny metal shackles. Stay true to your rubber-strap asceticism.

    As we deplaned and shuffled past the first-class cabin, it looked less like a luxury lounge and more like the aftermath of a Roman orgy. Gargantuan seats sat slumped under rumpled cashmere blankets, like spent emperors. Empty champagne flutes glistened in the overhead lights. Half-melted caviar pearls clung to fine china, and artisanal pizza crusts lay abandoned, their truffle oil sheen dulled by neglect. It was less aviation and more archaeological dig—excavating the indulgences of the airborne elite.

    After getting our luggage, we skipped the usual rental car shuttle chaos (unlike in Maui or Kauai) and simply walked across the street to pick up our reserved vehicle. It was almost… dignified.
    Pro Tip: Disconnect your Sony headphone app before navigating to the hotel, or your phone will whisper silent directions to your eardrums while you make wrong turns into private military roads.

    This morning’s Embassy Suites breakfast buffet was a competent affair—dark coffee, lukewarm eggs, and a waffle station overseen by a teenager with the haunted eyes of someone six minutes into an eight-hour shift. Still, it did the job. Sustenance secured.

    Before the trip, friends warned me that Oahu lacks the charm of the smaller islands. So far, I find that advice overstated. Yes, there are people. But they’re spread out, like tourists in a theme park operating at 60% capacity. Manageable. Tolerable. Occasionally amusing.

    What continues to fascinate me is the ABC Store phenomenon. Every island has them, and each one is a bustling shrine to overpriced macadamia nuts, sunburned tourists, and cold bottled water with just enough condensation to feel spiritual. They are the Walmarts of Waikiki, the cathedrals of caffeine and aloe, always stocked, always staffed by saints, always crawling with those of us trying to patch together a sense of stability while wearing flip-flops and SPF 70.

    As I sit here contemplating the beach and the impossibility of relaxing, I realize something: I don’t know how to vacation. I don’t know how to unplug. I don’t know how to vanish. Perhaps it’s time I reread Anne Tyler’s The Accidental Tourist and finally admit I’m the kind of man who travels with headphones, anxieties, and an internal spreadsheet of projected discomforts.

  • The Farmer’s Walk of Shame and Glory

    The Farmer’s Walk of Shame and Glory

    At thirteen, I became an Olympic weightlifter—because what else does a wiry, overachieving kid from suburban California do when puberty arrives like a freight train full of testosterone and insecurity? My coach, Lou Kruk, had the gruff certainty of a war general. His command: Squats. Lots of them. Squats were the foundation, the gospel, the holy writ. Lou didn’t care if your femurs screamed or your glutes cried for mercy—he wanted you buried under iron like a potato under mulch.

    And I obeyed. I squatted in the gym. I squatted while playing goalie in soccer. I squatted in line during PE roll call, waiting for Ernie Silvera to butcher yet another attendance list. I even squatted in front of my locker, hoping posture would hide the acne. Eventually, the kids at Earl Warren Junior High stopped calling me by my name. I was simply: Squats.

    But here’s the thing: squats weren’t just reps. They were a romantic infatuation with self-improvement. A ritual. A sacrament. I didn’t fall into squats—I plunged, like a lovesick poet into madness.

    Fast-forward to middle age—forty years and one mid-life crisis later—I traded barbell bravado for kettlebells and met a new myth: the Turkish Get-Up. It felt like choreography from some warrior ballet: lie down like a slain gladiator, then rise with a kettlebell overhead like a triumphant god reanimating himself for vengeance.

    Then came the Farmer’s Walk, and I was undone.

    Here’s the scene: I grab a 48-pound kettlebell in one hand, a 53-pounder in the other, and saunter out of my garage barefoot like a lunatic monk of pain. I circle my Honda Accord, not for superstition, but for symmetry. Then I march around the front lawn, beads of sweat trickling down my temples, tank top clinging to my body like a polyester declaration of war.

    The burn in my delts and forearms? Biblical. Especially when I’ve just finished kettlebell swings and around-the-worlds like some masochistic circus act.

    Why do I love the Farmer’s Walk?

    First: its austere simplicity. It’s manual labor disguised as exercise. I’m hauling metaphorical water, carrying invisible suitcases packed with existential weight.

    Second: it taps into a fantasy. I imagine I’m a young, vigorous farmhand, righteous and virtuous, about to earn a sizzling plate of bacon and eggs just for showing up to life.

    Third: it’s primal. I’m walking twin beasts, two snarling metal bulldogs, and I’m the alpha. My heart rate spikes, my skin gleams, and I feel, absurdly, alive.

    But with greatness comes peril. I go barefoot, which means one mistimed drop and I’m dialing podiatry from the ER. If I stub my toe, I’ll be hobbling like a Dickensian orphan. Then there’s the risk of dinging my Accord, which would be both tragic and hilarious.

    Yet the greatest threat isn’t physical—it’s psychological. I am, without a doubt, the neighborhood oddity.

    My neighbors stare. They whisper:

    “What’s he trying to prove?”
    “Is he unraveling?”
    “Is this a cry for help or a cry for gains?”
    “Why doesn’t he take up pickleball like a normal old man?”
    “Oh dear, that poor wife.”

    But despite the scrutiny, I press on. I rise each morning with the enthusiasm of a caffeinated Spartan. I brew my coffee, stir my buckwheat groats, and prepare for my ritual. And when it’s time to perform my ceremonial promenade across the lawn, kettlebells in hand and sweat on brow, I do so with one thought:

    Let them watch.

  • Naked at the Piano Store

    Naked at the Piano Store

    Last night I dreamed I was dragged, not willingly, to what can only be described as a nocturnal daycare megachurch for toddlers. A female friend insisted I come with her, and because I lack boundaries in dreams, I agreed. It was night—an odd time for finger paints and tantrums—but the daycare manager, a woman in her forties with the strained face of someone who’d long since traded dreams for wet wipes, greeted us like this was normal.

    Almost immediately, a child began howling with the primal rage of someone denied a third juice box. I was conscripted to console him. My solution? A trip to a movie theater—because nothing says early childhood healing like surround sound. The child settled, spellbound by whatever played on screen. The strange part? I couldn’t see it. Or hear it. Apparently, the film was perceptible only to children. Perhaps it was Baby’s First Metaphysics. Or an encrypted Pixar feature accessible only through a purified heart.

    At some point, without ceremony or explanation, I slipped away and found myself on a college campus in daylight. My brother was waiting in a parking lot that looked like a car dealership I had overfunded. I had more cars than common sense and a key ring jangling with so many keys it looked like I had robbed a locksmith. He wanted me to follow him to our mother’s house. It suddenly felt urgent. Cosmic, even.

    I got in my vehicle—a car awkwardly tethered to a trailer—and, for reasons known only to dream logic, I drove from the trailer. It took me several minutes to realize I was operating a vehicle from behind, without a windshield or visibility. I was essentially piloting a missile blindfolded.

    Eventually I stopped—miraculously not dead—and found myself balanced at a deadly incline on an overpass. I had parked inches from becoming a traffic statistic. Bystanders stood around, but no one was mad. No one honked. It was as if my recklessness had occurred in a different dimension of social expectation.

    Near the overpass stood a shopping plaza featuring Yamaha grand pianos, each with the sticker shock of a midlife crisis: $26,000 apiece. I considered entering, comforted by the notion that I had “deep pockets”—but the moment I thought it, I realized I was naked. Fully, publicly naked. Oddly, this didn’t mortify me. I was as invisible as a ghost no one remembered to summon.

    Still, I decided not to enter the piano store and sit bare-bottomed on an $8,000 piano bench. Even dream logic has hygiene limits.

    I wandered into a pair of adjacent, carefully curated Edens—two burial gardens laid side by side, one Jewish, one Christian. Both were equal parts reverence and real estate, immaculately landscaped like death had hired a design team. The air was golden with sunlight, the kind that flatters grief and makes you forget about decay.

    Mourners floated among the headstones in their ceremonial best—linen suits, black veils, tailored despair. The Jewish and Christian worshippers moved in peaceful parallel, as if the afterlife had negotiated a truce that the living never quite managed. Gift shops nestled among the tombstones sold tasteful souvenirs—stone etchings, pressed lilies, probably a limited-edition Torah-meets-Gospels keychain. Everything was clean, sacred, and suspiciously well-funded.

    That’s when she appeared—a Quaker woman in a starched bonnet, all radiant calm and pioneer wisdom. She approached like someone who could knit an entire theological treatise while making a pot of herbal tea. Her smile was unshakeable, beatific in that unnerving Quaker way that suggests she knows something you don’t, but she’ll never say it out loud.

    She asked, in a voice smooth as chamomile, why I looked so troubled.

    I told her the truth: “I’m lost. I’ve been driving blind—literally—and now I’ve crash-landed in a dual-faith necropolis. Also, I’m naked. No clothes, no GPS, no plan. I think I took a wrong turn at sanity.”

    She didn’t flinch. Of course she didn’t. She’d seen worse. She probably taught Sunday school to ghosts.

    She smiled. Help was at hand.

    She summoned a tall man in a radiant yellow tunic—somewhere between a monk and a spa manager—who told me the directions home were complicated and could only be followed on foot. What about my car? My trailer? My sprawling fleet of unnecessary transportation?

    “Let it go,” he said, as if he’d read Marie Kondo for the Soul.

    Suddenly, I was surrounded by Quakers. They had me sit on a wooden chair as the daylight shifted to an amber hush. They prayed in Latin, pouring syllables over me like baptismal water. It was solemn. It was sacred. It was disorienting.

    When it ended, the woman in the bonnet asked if I’d been converted.

    “Not exactly,” I said. “But I did have a religious phase in high school. I was a big fan of Rufus Jones. Fundamental Ends of Life—ever read it?”

    She hadn’t. She was more of a George Fox girl. Fair enough.

    I thanked them for the baptism but declined the full spiritual onboarding. I had priorities: get to my mother’s house, find some clothes, and maybe return for the piano if I could be properly trousered.

    I descended a steep, stone staircase into dense green foliage. At the bottom, I hoped, would be pants—and clarity.