Cinemorphosis

Tag: short-story

  • Lot’s Wife Was Human—And So Are You

    Lot’s Wife Was Human—And So Are You

    The story of Lot’s wife is usually trotted out as a biblical “gotcha”—a cautionary tale about disobedience, attachment, and the fatal cost of looking back. But really, it’s much darker, much richer. It’s about the soul-crushing gravity of nostalgia, the seductive pull of the past, and how the refusal to fully commit to forward motion—spiritually, morally, existentially—can leave us frozen, calcified, halfway between escape and surrender.

    Lot’s wife is never named in the Genesis account. She’s just “Lot’s wife,” a narrative afterthought, a supporting character reduced to a cautionary statue. And yet her fate is more memorable than her husband’s, etched into the landscape as a monument to hesitation.

    Fortunately, Midrashic literature gives her a name—Ado, or more memorably to my ear, Edith. Maybe it’s the residue of All in the Family, but Edith conjures a kind of moral warmth: a woman who feels deeply, who wants to do right, but is also tragically susceptible to emotion and memory. I prefer Edith to “Lot’s wife” not for historical accuracy, but for dignity. Edith feels human, conflicted, real.

    I don’t think Edith turned around because she was vain or shallow. I think she turned because she was haunted. She turned because the past was more than rubble—it was love, memories, people. Her heart was a complex web of longing, and it snagged her. The salt wasn’t a punishment. It was a crystallization of what happens when our nostalgia outweighs our conviction.

    And let’s be honest: Who among us doesn’t have some briny lump of regret weighing us down? Some internal salt pillar we’ve built in the shape of a younger self we can’t stop worshiping?

    Our culture is Edith’s playground. Social media, advertising, and even the algorithms know exactly how to pander to the Edith within. I can’t scroll without being invited into some “Golden Age of Bodybuilding” time warp: vintage photos of Arnold, Zane, Platz, Mentzer; protein powder reboots; playlists that reek of adolescent testosterone and gym chalk. Jefferson Starship and Sergio Oliva, side by side. It’s like being invited to embalm my past and celebrate its eternal youth. I can join message boards and talk shop with other proud monuments to vanished glory, all of us reenacting the same ritual: remembering what life used to feel like. Not what it is.

    This, I suspect, is what it means to turn to salt. Not just to long for the past, but to despise the present. To dig our heels into a world that no longer fits and spit at progress as if it betrayed us. To canonize a version of ourselves that no longer exists, then try to live in its shadow.

    But maybe Edith’s not just a warning. Maybe she’s a mirror. A deeply flawed, deeply human figure who reminds us that the instinct to look back isn’t evil—it’s inevitable. And maybe we don’t conquer that instinct so much as we recognize it, name it, and learn when to say: Enough. That life was real, and it was mine. But I’m walking forward now.

    Or at least trying to.

  • His Royal Hairdresser: A Dream in Kettlebells and Class Anxiety

    His Royal Hairdresser: A Dream in Kettlebells and Class Anxiety

    Last night, my subconscious staged an outdoor fitness class without my consent.

    I found myself in a park in Redondo Beach, the sun blinding, the grass impossibly green—an Instagram-filtered fantasy of Southern California wellness. I was mid-kettlebell swing, drenched in purpose and a light sheen of dream-sweat, when I realized I was surrounded. Dozens of adult learners had appeared from nowhere, kettlebells in hand, eager and expectant. Apparently, I was their instructor. No one had hired me. No one had asked. But the dream had spoken, and I complied.

    Midway through a set of Turkish get-ups, a British emissary arrived. She looked like a character from a post-Brexit spy novel: stern, sun-dried, calves like cannonballs, dressed in a starched khaki uniform that screamed military cosplay and mid-level bureaucrat. She informed me—in clipped tones—that she worked for Prince Charles and that, regrettably, I lacked the proper haircut to instruct kettlebell technique. Apparently, the heir to the throne had strong feelings about grooming standards in recreational fitness.

    I explained, gently but firmly, that I was bald. Smooth as an egg. No haircut necessary. She did not care. My objections were irrelevant. Orders were orders.

    We marched off to a nearby luxury hotel, the kind with carpeting so plush it slows your gait. Prince Charles was there, sitting cross-legged on a massive hotel bed surrounded by two open laptops, deep in what I can only assume was royal doom-scrolling. When he saw me, he snapped both laptops shut with the speed of a man hiding state secrets or Wordle stats.

    He gestured toward a massive, throne-adjacent salon chair, upholstered in padded leather and colonial guilt. “You need your hair parted down the middle,” he declared.

    Again, I protested—I was bald. But His Royal Highness was undeterred. He placed a comb on my scalp, and as if conjured by the Crown itself, hair appeared. Thick, black, center-parted. The haircut was bestowed.

    Feeling both knighted and absurd, I reached into my wallet and tipped him two twenties. He accepted the bills with the contempt of a man too wealthy for paper currency. It was as though I had handed him used Kleenex. He nodded, purely out of ritual, and turned back to his laptops, already erasing the memory of me from his mind.

    I returned to the park, my hair neatly parted, my purpose restored. I resumed leading my eager students in kettlebell swings, disappearing into the warm fog of belonging, convinced—for at least this dream—that I was a vital member of my sun-drenched community.

  • Kafka Called—He Wants His Nightmare Back

    Kafka Called—He Wants His Nightmare Back

    Last night’s dream was less REM sleep and more bureaucratic farce with automotive stunt work. It started with me sprinting into a liquor store—not for booze, but for groceries, because apparently, in dream logic, milk and bananas are shelved next to Jack Daniels and scratchers. The plaza was wedged next to a police station, and as I pulled into the lot, I grazed another car. Minor fender-bender. Did I report it? Of course not. I had perishables. Yogurt waits for no man.

    Soon after, the cops called. Apparently, they frown upon drive-away accidents, even ones that involve $3.99 rotisserie chickens. Dutifully, I set off for the station, where fate promptly mocked me.

    As I crossed the street, a silver Porsche came screaming down the road like it was late for a yacht meeting. Behind the wheel was a rich guy with the glossy detachment of a man who names his houseplants after Nietzsche quotes. He swerved to avoid hitting a stray Siamese cat—an act of mercy that nearly murdered me. I dodged, lost control, and promptly rear-ended a parked car. Yes: I got in a car crash on my way to report a previous car crash.

    Inside the station, things went from absurd to surreal. The desk captain was none other than Todd, a former San Quentin prison guard I used to train with back in the ‘70s. Todd had the physique of a worn punching bag and the unmistakable face of Larry from The Three Stooges—if Larry had done time in corrections and smoked Kools for thirty years.

    Todd was unimpressed with my double-crash disclosure. He squinted at me like I was a damaged clipboard and muttered something like, “You ever thought of Canada?”

    Canada, in this dreamscape, was not a country but a penal colony for the mildly broken. A rehab center for the emotionally overdrawn. It wasn’t maple leaves and healthcare—it was despair with a windchill. The entire nation had collapsed into an encampment of defunct influencers and men who thought podcasts were a substitute for therapy. No plumbing, no cash, just bartering and tents. People traded AA batteries and protein bars like it was the yard at Pelican Bay.

    A man named Damon—he was 34, depressed, and once had a viral TikTok about the deep state—gave me the grand tour of my future. He pointed to the shell of a trailer I’d be assigned, complete with a tarp roof and a milk crate toilet. “It’s provisional,” he said, as if permanence were even an option.

    I immediately regretted migrating to Dream-Canada. I wanted to go back to the police station, fix the record, beg forgiveness, and reclaim my life of yogurt-based negligence. But that’s where the dream froze.

    I woke up to the smell of coffee. My wife was getting ready for work. Civilization, still intact—for now.

  • Thank You for Your Support (and Your Gullibility): Two Corporate Con Jobs from the ’80s

    Thank You for Your Support (and Your Gullibility): Two Corporate Con Jobs from the ’80s

    I almost called this post “Memories of Manipulative Advertising,” but that’s like calling water wet. Advertising doesn’t sometimes manipulate—it’s a full-time gaslighter with a jingle and a logo. The question isn’t if it’s lying to you, but how cleverly, and with what flavor of Americana.

    Case in point: Bartles & Jaymes, the wine cooler swindle dressed up like a Norman Rockwell painting. Back in the 1980s, I worked at Jackson’s Wine & Spirits in Berkeley—a respectable shop selling overpriced Bordeaux to grad students pretending they weren’t on food stamps. Then came the Bartles & Jaymes blitz, courtesy of Hal Riney & Partners and the corporate overlords at E & J Gallo.

    Suddenly, America was smitten with two crusty front-porch philosophers in denim and flannel, sipping pastel-colored booze and thanking us for “our support,” as if we were funding their modest struggle to afford Hamburger Helper and citronella candles. They weren’t winemakers. They weren’t even real. One was a retired Air Force pilot, the other a contractor. But that didn’t stop millions from believing that these Gallo sock puppets had personally hand-crafted their strawberry kiwi elixirs under a tin roof in Appalachia.

    These weren’t ads. They were full-blown folklore, sold to a Reagan-era audience desperate to believe in something wholesome—preferably something with artificial watermelon flavor and a 5% ABV.

    But the biggest act of psychological warfare I witnessed during my wine shop tenure came not from Gallo, but from that fizzy behemoth: Coca-Cola.

    In 1985, Coke announced it was changing its iconic recipe. Cue the national meltdown. Pickup trucks rolled into the wine store like we were FEMA and this was the end times. Grown men, trembling with brand-loyalty withdrawal, bought crates of “original” Coke like it was bottled youth. I became an emergency hand truck operator, wheeling out what amounted to liquid nostalgia to wide-eyed customers who treated me like I was delivering insulin to a diabetic family.

    Then, surprise!—Coke re-released the original as “Classic Coke,” and everyone breathed a sugary sigh of relief. It was less a product relaunch and more a mass-conditioning experiment, proving that if you poke the American consumer hard enough, they’ll thank you for the bruise.

    These weren’t just ad campaigns. They were operatic manipulations of identity, trust, and memory—corporate psyops disguised as beverage options.

  • Professor Pettibone and the Chumstream Dream

    Professor Pettibone and the Chumstream Dream

    Merrickel T. Pettibone sat with a glare, Two hundred essays! All posted with flair. He logged into Canvas, his tea steeped with grace, Then grimaced and winced at the Uncanny Face.

    The syntax was polished, the quotes were all there, But something felt soulless, like mannequins’ stare. He scrolled and he skimmed, till his stomach turned green— This prose was too perfect, too AI-machine.

    He sipped herbal tea from a mug marked “Despair,” Then reclined in his chair with a faraway stare. He clicked on a podcast to soothe his fried brain, Where a Brit spoke of scroll-hacks that drive folks insane.

    “Blue light and dopamine,” the speaker intoned, “Have turned all your minds into meat overboned. You’re trapped in the Chumstream, the infinite feed, Where thoughts become mulch and memes are the seed.”

    And then he was out—with a twitch and a snore, His mug hit the desk, his dreams cracked the floor. He floated on pixels, through vapor and code, Where influencers wept and the algorithms goad.

    He soared over servers, he twirled past the streams, Where bots ran amok, reposting your dreams. Each tweet was a scream, each selfie a flare, And no one remembered what once had been there.

    He saw TikTok prophets with influencer eyes, Diagnosing the void with performative cries. They sold you your sickness, pre-packaged and neat, With hashtags and filters and dopamine meat.

    Then came the weight—the Mentalluvium fog, Thick psychic sludge, like the soul of a bog. He couldn’t move forward, he couldn’t float back, Just stuck in a thought-loop of viral TikTok hack.

    His lungs filled with silt, he gasped for a spark, And just as his mind started going full dark— CRASH! Down came the paintings, the frames in a spin, And there stood his wife, the long-suffering Lynn.

    “Your snore shook the hallway! You cracked all the grout! If you want to go mad, take the garbage out.”

    He blinked and he gulped and he sat up with dread, The echo of Chumstream still gnawed at his head.

    The next day at noon, in department-wide gloom, The professors all gathered in Room 102. He stood up and spoke of his digital crawl, And to his surprise—they believed him! Them all!

    “I floated through servers,” said Merrickel, pale, “I saw bots compose trauma and TikToks inhale.
    They feed on your feelings, they sharpen your shame, And spit it back out with a dopamine frame.”

    “Then YOU,” said Dean Jasper, “shall now lead the fight! You’ve gone through the madness, you’ve seen through the night! You’re mad as a marmoset, daft as a loon— But we need your delusions by next Friday noon.”

    “You’ll track every Chatbot, each API swirl, You’ll study the hashtags that poison the world. You’ll bring us new findings, though mentally bruised— For once one is broken, he cannot be used!”

    So Merrickel Pettibone nodded and sighed, Already unsure if he’d soon be revived. He brewed up more tea, took his post by the screen, And whispered, “Dear God… not another machine.”

  • Manchild Mail Euphoria: A Case Study in Horological Regression

    Manchild Mail Euphoria: A Case Study in Horological Regression

    If you’re a watch obsessive—and let’s face it, if you’re reading this, you probably are—then you need to come to terms with a condition known as Manchild Mail Euphoria: the dizzying, slightly shame-soaked high of waiting for your grown-up toy to arrive in the mail, fully aware that you’re a functional adult behaving like a child hopped up on Capri Sun and Saturday morning cartoons.

    Here’s how it manifests:

    A man—chronologically mature, fiscally semi-responsible, and in possession of at least one mortgage calculator app—orders a watch. Not just any watch. A timepiece so beautiful, so precise, so him, that he spirals into a state of pre-delivery delirium. He begins checking the tracking number with the devotion of a Wall Street analyst watching a volatile stock. “Shipment departed Osaka.” His soul ascends.

    But it doesn’t stop there. To sustain his anticipation, he re-watches YouTube reviews of the very watch he just purchased. Multiple times. Same watch, same narrator, same B-roll of gloved hands rotating the bezel in soft lighting. He knows it’s ridiculous. He watches anyway. It’s horological foreplay.

    As the days crawl by, he regresses—emotionally, spiritually, perhaps hormonally—back to the age of nine, when he mailed seven cereal boxtops to Battle Creek, Michigan, in exchange for a “free” plastic submarine that arrived six to eight weeks later in a box of dreams. Except now, the stakes are higher and the shame is real. Because unlike the submarine, this watch costs $1,500 and he’ll be explaining it to his spouse with a sentence that begins, “Well, technically, I sold two others…”

    He feels the absurdity of it all, of course. He knows that waiting for this package is giving him the same endorphin rush as a contestant winning a brand-new car on Let’s Make a Deal. But he can’t help it. The heart wants what it wants, and in this case, the heart wants sapphire crystal, applied indices, and 200 meters of water resistance he’ll never actually test.

    Manchild Mail Euphoria is real. It’s irrational, embarrassing, and deeply human. And the worst part? The moment the package arrives and he slices open the box like it contains the Ark of the Covenant… he’s already thinking about the next one.

    Because nothing tells time quite like your own arrested development.

  • A College Professor in Search of Flexecutivewear

    A College Professor in Search of Flexecutivewear

    I, for one, am eternally grateful for the fashion revolution that finally told tight loafers and itchy tweed to take a long walk off a short runway. Gone are the days when professionalism meant strangling your thighs in wool trousers and embalming your torso in starched cotton. Now, thanks to society’s blessed surrender to performancewear, I can be a fully functioning member of the information economy without developing trench foot or sweating through my pancreas. At long last, it’s possible to look like I’m closing deals while feeling like I’m on my way to foam roll my glutes. So yes, it’s time for a wardrobe overhaul—one built not on thread count but on strategic stretch and moisture management. We’ll call this divine aesthetic what it truly is: Flexecutivewear—because nothing says power move like a blazer with hidden ventilation panels and joggers that whisper synergy.

    A definition is in order:

    Flexecutivewear (n.): A genre of athleisure engineered for men who want to appear as though they’ve just wrapped a high-stakes boardroom negotiation and a punishing HIIT session—without actually doing either. It’s business-casual for the delusional alpha male: moisture-wicking fabrics, tailored joggers, and compression hoodies that whisper “venture-backed” while screaming “please validate me.” Flexecutivewear exists at the tragic intersection of performance and performance art, where every outfit is a pitch deck and every stretch is a soft launch.

    No Flexecutivewear ensemble is complete without the obligatory diver watch on an orange strap—a bold timepiece that screams “I could be 200 meters underwater right now, but I’m actually just waiting for my cold brew.” The orange strap is crucial: it’s the high-visibility beacon of masculine daring, suggesting a rugged, adventurous spirit who might rappel down a cliff between Zoom calls. Never mind that the watch has never tasted saltwater and its nearest brush with danger was a CrossFit box opening. In the Flexecutive ecosystem, the diver watch is less tool and more talisman—a waterproof monument to imagined peril and aspirational virility.

  • Lessons Learned from the Ring Light Apocalypse

    Lessons Learned from the Ring Light Apocalypse

    During lockdown, I never saw my wife more wrung out, more spiritually flattened, than the months her middle school forced her into the digital gladiator pit of live Zoom instruction. Every weekday morning, she stood before a pair of glaring monitors like a soldier manning twin turrets. At her feet, the giant ring light—a luminous, tripod-legged parasite—waited patiently to stub toes and sabotage serenity. It wasn’t just a lighting fixture; it was a metaphor for the pandemic’s unwanted intrusion into every square inch of our domestic life.

    My wife’s battle didn’t end with her students. She also took it upon herself to launch our twin daughters, then fifth-graders, into their own virtual classrooms—equally chaotic, equally doomed. I remember walking past their screens, peering at those sad little Brady Bunch tiles of glitchy faces and frozen smiles and thinking, This isn’t going to work. It didn’t feel like school. It felt like a pathetic simulation of order run by people trying to pilot a burning zeppelin from their kitchen tables.

    I, by contrast, got off scandalously easy. I teach college. My courses were asynchronous, quietly nestled in Canvas like pre-packed emergency rations. No live sessions. No tech panics. Just optional Zoom office hours, which no one attended. I sat in my garage doing kettlebell swings like a suburban monk, then retreated inside to play piano in the filtered afternoon light. The pandemic, for me, was a preview of early retirement: low-contact, low-stakes, and high in self-righteous tranquility.

    My wife envied me. She joked that teaching Zoom classes was like having your teeth drilled by a sadist who lectures you on standardized testing while fumbling with the pliers. And I laughed—too hard, because it wasn’t really a joke.

    The pandemic cracked open a truth I still wince at: the great domestic imbalance. I do chores, yes. I wipe counters, haul laundry, load the dishwasher. But my wife does the emotional heavy lifting—the million invisible tasks of motherhood, schooling, comforting, coordinating. During lockdown, that imbalance stopped being abstract. It stared me in the face.

    For me, quarantine was a hermit’s holiday. For her, it was a battlefield with bad Wi-Fi. And while I’m back to teaching and she’s back to something closer to normal, I haven’t forgotten the ring light, the glazed stare, or the guilt that hums quietly like a broken refrigerator in the back of my mind.

  • The Lion Man

    The Lion Man

    I recently had a dream that put me face to face with evil—not the metaphorical kind, not garden-variety wickedness or tax-season despair. No, this was evil with a proper noun. The Lion Man. A creature of mythic malevolence, stitched together from nightmares and paranoia, and now inexplicably headlining a lecture in a packed auditorium.

    I was in the front row, naturally—because why wouldn’t my psyche give me VIP seating for its own unraveling?

    Onstage stood the Lion Man: nearly seven feet tall, dressed in a powder-blue gangster suit that shimmered with the kind of menace only polyester can summon. His face was unmistakably leonine, all fangs and symmetry, framed by a magnificent, thick mane that looked equal parts MGM mascot and Old Testament prophet gone feral. His eyes—icy blue and depthless—held the kind of hatred you don’t recover from. Looking into them felt like staring at the sun: too much exposure and you’re permanently damaged.

    He gripped a lectern and delivered a furious, gesticulating sermon, his arms slicing through the air like cleavers. But I couldn’t hear a word. Not one syllable. His mouth moved—angrily, emphatically—but all I heard was a dark, atonal soundtrack swelling behind him, as if his words existed in a frequency my soul refused to translate.

    Then, things got worse.

    At some invisible signal—maybe a silent scream—several people wheeled a phone booth onto the stage. It had the sad, sterile shine of a prop pulled from a David Lynch nightmare. The Lion Man stepped inside. The roof slid open like the lid of a cursed urn, and animals—real, living animals—were dropped in from above.

    What followed was carnage. He devoured them all. Cows, pigs, zebras, horses, dogs, cats. No hesitation. No remorse. I could hear the crunching—those surgically sharp teeth pulverizing bone like brittle kindling. One by one, their skeletons were spat out from the phone booth like nightmarish confetti. I sat paralyzed as femurs and ribs rained down, the floor littered with vertebrae and splintered jaws.

    When it was over, the Lion Man stepped out casually, as if he’d just wrapped a press conference. He dusted bits of fur and sinew off the lapel of his gleaming suit. Then he looked at me.

    No, into me.

    Our eyes locked. I wanted to recoil, hide, burst into flame—anything but be seen by that gaze. But I was frozen, a slab of pure terror, incapable of blinking. He stared at me as if to say, You’re next.

    I woke up at 4 a.m., choking on dread. But the dream hadn’t entirely ended. I could feel him in the room. He was sitting on the edge of my bed. Not metaphorically. Not symbolically. He was there—massive, radiating cold, breathing slowly. The terror was so complete I couldn’t move, couldn’t even gasp for air. It felt like being buried under ice.

    Then—tap tap tap.

    I turned my head, barely.

    Outside the window was Gravefeather—the crow. My familiar friend. My unsolicited spirit guide. He was perched on the sill, eyes glinting with that uncanny, measured intelligence. He tapped once more.

    The Lion Man noticed. And then he vanished—dissolved like fog in sunlight. Just like that. Gone.

    Gravefeather and I locked eyes. No theatrics. No nods. Just understanding.

    “Thank you,” I whispered aloud, the paralysis receding. Gravefeather paused a beat longer, then flapped into the night, leaving me shaken, grateful, and completely unable to sleep again.

  • Gravefeather and the Temple of Iron

    Gravefeather and the Temple of Iron

    At 63, with fifty years of training behind me and enough injuries to fill a radiologist’s scrapbook, I don’t pay a therapist two hundred bucks an hour to dissect my existential drift. No, I take my angst to the garage and sweat it out under the cold, unforgiving eye of a steel kettlebell.

    This isn’t the gym-as-penance nonsense of my youth. I’m in it for the long haul now—grease in the joints, not fire. I train smart. No heroic max-outs, no flirtations with the ER. I chant my gospel, delivered by YouTube prophet Mark Wildman: “The purpose of working out today is to not hurt yourself so you can work out tomorrow.”

    Prepped with a concoction of 50 grams of protein (half yogurt, half whey, all optimism) and 5 grams of creatine, I step into the garage like a monk entering a steam-soaked temple. Within minutes, I’m sweating like a politician in a polygraph booth, slipping into that endorphin-laced trance where everything hurts and yet somehow heals.

    But my solitude never lasts.

    The parade begins: delivery drivers dropping packages by the gate like sacrificial offerings. They nod. We chat. They ask about my workouts. Sometimes they want kettlebell tips, which I deliver like the gym-floor Socrates I’ve become.

    Then come the other visitors—the crows. Not just crows. Hypercrows. Schwarzenegger crows. Hulking, obsidian-feathered beasts with the posture of Roman generals and the swagger of barbell-swinging demons. These things don’t fly—they strut. They don’t chirp—they taunt.

    One in particular has claimed me. I’ve named him Gravefeather, which feels appropriately mythic. He has the pecs of a cartoon strongman and the gaze of someone who’s seen civilizations fall and isn’t impressed. He parks himself on the fence or the garage roof, staring me down mid-swing with an expression that says, “Your form is garbage and mortality is laughing at you.”

    I know he remembers me. Crows do that. He remembers that I’m no threat. He remembers I talk to myself. He probably knows my macros. And when I lock eyes with him, mid-swing, sweat blurring my vision, I swear he’s thinking, “Nice hinge, old man. Shame about your knees.”

    Sometimes he’s perched twenty feet away while I’m gasping through Turkish get-ups, his eyes drilling into me with cosmic disdain. I hear him say, without speaking, “Enjoy your little routine, fleshbag. Entropy is undefeated.”

    But I argue back. I say, “Just because we’re mortal doesn’t mean we surrender to chaos. This is my sanctuary. I honor it. I will not be mocked by a sentient pigeon in a tuxedo.”

    Gravefeather cocks his head. He seems to consider this. Then, with the faintest nod of something like respect, he lifts off into the blue, cawing a tune that sounds like the chorus of a forgotten Paul McCartney song—melancholy, strangely triumphant, vaguely judgmental.

    And I return to the bell. I swing. I breathe. I endure. Gravefeather may be watching, but the iron remains mine.