As a small child, I had a surprisingly sharp grasp of the Cold War, thanks in no small part to my relentless viewing of The Rocky and Bullwinkle Show. Russian spies Boris Badenov and Natasha Fatale were my first introduction to geopolitical villainy, their cartoonish skullduggery revolving around stealing U.S. military secrets and pilfering jet fuel for nefarious purposes. These two Soviet saboteurs lurked on American soil, risking their lives for the Motherland, making it clear to me that the United States and Russia were locked in a high-stakes global chess match—one where espionage, sabotage, and suspiciously bad Russian accents were the order of the day.
But it wasn’t just Rocky and Bullwinkle feeding my young mind a steady diet of American military might. TV shows across the board hammered home the same lesson: the true Goalkeepers of Dominance weren’t politicians or businessmen; they were highly decorated military officers, soaring through the skies and beyond. Exhibit A: I Dream of Jeannie.
Major Anthony Nelson, astronaut, and all-American heartthrob, was living the dream—piloting spacecraft, rubbing shoulders with generals, and, most importantly, stumbling upon a genie in a bottle who just happened to be Barbara Eden in a sheer harem outfit. As far as my prepubescent brain was concerned, this was a direct confirmation of how the universe worked: the smartest, most disciplined men—those with military and scientific prowess—got the most beautiful women. If you weren’t a decorated officer or a NASA golden boy, good luck summoning a blonde bombshell out of a lamp.
This hierarchy of Alpha Males wasn’t just something television taught me—it was practically family doctrine. My father, an infantryman turned engineer, was living proof. In fact, without his sheer resourcefulness and competitive streak, I wouldn’t exist.
In the early 1960s, my father was stationed in Anchorage, where he and another army suitor, a certain John Shalikashvili (who would later become a U.S. General and Chairman of the Joint Chiefs of Staff), found themselves locked in a battle for the romantic affections of my teenage mother. Their duel was temporarily paused over Christmas—Shalikashvili went home to Peoria, Illinois, while my father visited his family in Hollywood, Florida. But my father, ever the tactician, decided to cut his holiday short, determined to beat Shalikashvili back to Alaska and win the girl.
The problem? His cream-colored 1959 Morris Minor was suffering from a faulty Lucas fuel filter, and the auto parts store was fresh out of replacements. Undeterred, my father—who would later become a top engineer at IBM—rigged a temporary fix using a prophylactic and a paperclip, fashioning a makeshift spring to keep the fuel pump from locking up. It was a ludicrously desperate, MacGyver-esque solution, but somehow, it worked. He made it to Seattle, caught the ferry to Alaska, and reunited with my mother a full 48 hours before Shalikashvili arrived.
Nine months later, I was born. In the great Cold War of romance, my father had won the ultimate victory—not through military rank, but through sheer ingenuity, timing, and, apparently, latex-based automotive engineering.
Cinemorphosis 
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