Chief among my apartment acquaintances was Leonard Skeazy, an attorney from Santa Monica who was lured to the Bakersfield desert by a fat signing bonus and a monogrammed office, yet couldn’t shake the resentment of having been exiled to this cultural wasteland. He was the sort of guy who treated “style” like a religion. He sported custom-made Speedos that were purchased at a specialty boutique in Santa Monica—yes, he would actually drive back to the city to replace them whenever the chlorinated pool water faded the jewel tones of his spandex. His long, curly hair and eerie blue eyes made him look like a lounge singer who never quite made it out of the Holiday Inn circuit.
Leonard was a man of eccentric habits and questionable hygiene. Despite being well into his 30s, he clung to the bachelor dream of finding “the right girl,” although his standards seemed laughably out of place in a town where having a high school diploma was considered highbrow. This was a guy who’d lounge poolside for hours, skin glistening like a buttered croissant, all while blasting Kenny G from his boombox as if smooth jazz were somehow his secret weapon. His breath, tinged with the distinct aroma of last night’s Chardonnay, matched his penchant for sneaking sips from boxes of white wine he kept stashed in his fridge.
Curiosity (and a lack of better options) led me to visit Leonard at his apartment one day. It was a bachelor pad in the most tragic sense. Despite the fact that he was swimming in cash, his apartment was as bare as a prison cell. The living room housed only a lone couch, a TV balanced on cinder blocks, and—wait for it—an ironing board. Apparently, ironing his endless supply of gaudy silk ties was the only domestic task he took seriously. The walls were completely devoid of art or decor, just barren expanses of beige that made the flickering TV light cast ghostly shadows over the snake-like drape of his ties.
His bedroom was even more pitiful: no dresser, no closet system—just three open suitcases serving as makeshift storage. It was as if he refused to fully unpack, a subconscious protest against ever settling into this armpit of a town. The fridge, naturally, was a barren tundra except for—what else—more boxes of white wine. Here was a man who had chased the scent of money into the middle of nowhere, only to refuse to acknowledge he’d actually arrived. Leonard was a ghost of himself, haunting his own life, clinging to the notion that he was just “visiting” until he could escape back to the big city.
What kind of man, I wondered, gets seduced by a fat paycheck only to spend his days living in a self-imposed purgatory, where the only things thriving are his excuses and his growing collection of faded Speedos? I suppose it was easier for Leonard to pretend he was just passing through than to face the fact that he’d become a permanent fixture in this desolate corner of nowhere, a relic clinging to the fading glamour of a life he never truly had.
Cinemorphosis 
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