One fateful evening in 1982, as I was nestled on the couch like a potato after a long day, I tuned into a San Francisco KQED comedy special. Enter Bob Sarlatte, a comedian with a chin so bold it could be used as a paperweight and a grin so snide it seemed to have its own agenda. He took aim at the pièce de résistance of culinary chicanery: the Ritz Crackers recipe for Mock Apple Pie. Sarlatte was on a mission to uncover the absurdity behind Ritz’s audacious claim of making apple pie with, wait for it, crackers instead of apples. He was incredulous, practically frothing at the mouth as he dissected this travesty. “Why on earth,” he demanded, “would Ritz, in all their cracker-clad glory, boast about a recipe that doesn’t even remotely involve apples?” According to Sarlatte, this so-called “apple pie” was like calling a desert a beach because it had sand—except the sand was made of crushed Ritz crackers, and the beach was a figment of your imagination. The comedian was in no mood for Ritz’s grandstanding. To him, this wasn’t a culinary innovation; it was a culinary catastrophe. He took Ritz to task for attempting to pass off a cracker conglomeration as apple pie, as if the lack of fruit was a feature, not a flaw. “Who,” Sarlatte railed, “are you going to serve this Mock Apple Pie to? Your mock friends? People who enjoy mockery served with a side of disappointment?” Sarlatte’s razor-sharp wit wasn’t just about lampooning a recipe—it was about exposing a greater travesty: the shameless elevation of a subpar substitute as a triumph of creativity. This wasn’t a clever culinary trick; it was an insult wrapped in a cracker crust. Bob Sarlatte laid bare the staggering lack of self-awareness and the brazen audacity required to serve such an ersatz “apple” pie with a smug smile. It was a masterclass in how to serve up an insult with a cherry on top, minus the apple, of course.
Tag: recipes
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WHEN WATCHING PIE BAKING CONTESTS ELEVATES THE SOUL
Many moons ago, my wife and I watched the 2006 HBO documentary Thin, which chronicles the tragic existence of girls in a Florida rehab clinic for eating disorders. These poor souls were ensnared in a vicious cycle of depression, self-loathing, and lies, their recovery rates abysmally low and fatality rates tragically high. After this emotional gut-punch, we desperately needed a palate cleanser, so we turned to a pie-baking contest featuring Midwestern women in Christmas sweaters, lovingly toiling over pie crusts. These wholesome warriors of the kitchen were a stark contrast to the aforementioned sufferers. It dawned on me that pie baking is the antithesis of anorexia—a condition of solipsism where one disappears into the self, whereas pie baking is a testament to community, love, and selfless devotion to butter and flour.
Imagine, if you will, a world where the kitchen isn’t just a hub of culinary creation but a sacred temple of love, where pie-baking is the highest form of devotion. In this sanctified realm, every Midwestern woman in a Christmas sweater is a culinary high priestess, her rolling pin a scepter of affection, her pie crust a canvas for heartfelt artistry. The Pie Baking Contest is an epic battleground where these valiant women gather, their aprons fluttering like superhero capes, ready to channel pure, unadulterated love into their pies. The stakes are absurdly high, the competition fierce, but the atmosphere? Pure camaraderie and joy.
Here, pie baking is not just a quaint pastime; it’s an epic saga of love, community, and unyielding devotion. These heroines approach their craft with the precision of neurosurgeons and the passion of Renaissance artists. Flour fills the air like enchanted snow, butter is blended into dough with the deftness of a master illusionist, and apples are peeled and sliced with the ferocity of a seasoned samurai. Each pie is a labor of love, a tangible expression of their deepest affections. As they sweat and toil over their creations, the kitchen morphs into a bustling hub of warmth and connection.
Baking pies, slinging spaghetti and garlic bread, or whipping up a dish of hot and sour Tom Yum Goong soup demands a healthy soul, one that’s plugged into the matrix of family and community. We therefore don’t journey solo but soar with a merry band of culinary adventurers, armed with spatulas and mixing bowls, ready to conquer the next great feast. So, skip the guilt and embrace the butter—life’s too short for bland food and empty kitchens.
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The Demise of Danish Go-Rounds Will Never Be Forgiven
Introduced by Kellogg’s in 1968, Danish Go-Rounds were like the golden fleece of breakfast pastries. Imagine Pop-Tarts, but with the sophistication of a five-star dessert. The brown sugar-cinnamon Danish Go-Rounds were so addictive, they made crack look like a mere curiosity. At the ungodly hour of 2 a.m., millions of Americans would wake up in cold sweats, their cravings driving them to frenzied searches for the Nectar of the Gods—only to find their precious pastries had vanished into thin air. Then, in a move so baffling it felt like a conspiracy against breakfast enthusiasts everywhere, Kellogg’s pulled the plug on Danish Go-Rounds in the mid-seventies. They kept the Pop-Tarts, those cardboard-like impostors that tasted like they were designed by a committee of flavorless robots. The heartbreak was palpable. It was as if a divine bakery had been shut down and replaced with a factory that churned out glorified toaster insulation. The eradication of Danish Go-Rounds is now remembered as one of the most colossal institutional blunders in history—up there with the fall of Rome and the invention of the Rubik’s Cube. The void they left was so immense, it bored a gaping chasm in my soul. My heart, once full of pastry-filled joy, now echoed with the hollow sound of Pop-Tarts’ lifeless crunch. While Danish Go-Rounds faded into the annals of breakfast history, Pop-Tarts flourished like a tasteless, mass-produced phoenix. This shift symbolized the erosion of artisanal craftsmanship and the triumph of consumer complacency. It heralded the rise of such culinary horrors as Imperial Margarine, Tang, Space Food Sticks, Boone’s Farm Apple Wine, and SlimFast—products so tragic they make a TV dinner look like a gourmet feast. The Gastronomic Time Traveler had to bear witness to this disheartening transition, seeing the demise of pastries that were practically food royalty. In their place, we got a parade of processed atrocities that made the culinary landscape look like a dystopian nightmare. So there I was, left to mourn the loss of Danish Go-Rounds, savoring the bitter taste of what once was, while choking down the unworthy replacements that flooded the market. It was a breakfast apocalypse, and I was living in its soggy aftermath.
Cinemorphosis 