Cinemorphosis

Tag: short-story

  • Influencer or Inmate? Life Inside the Fitness Content Machine

    Influencer or Inmate? Life Inside the Fitness Content Machine

    There’s a fitness influencer I’ve followed on YouTube for a while—a guy who blends science-based insights with bro-tier charisma, serving up advice on hypertrophy, fat loss, and the alchemy of supplements with the confidence of a man who knows his macros better than his mother’s birthday.

    He’s shredded, of course—because on YouTube, being credible in fitness means having the torso of a Greek statue and the face of someone who hasn’t eaten a donut since the Obama administration. As another influencer once confessed, the price of entry into fitness fame isn’t just knowledge. It’s abs sharp enough to julienne zucchini.

    But lately, something’s changed. The man looks wrecked. Gaunt. Like he’s been sleeping in a protein tub and bathing his eyes in pool chemicals. His cheekbones could slice paper. His eyes are red and sunken, with the haunted look of someone who’s either seen a ghost or hasn’t blinked since hitting “record.”

    I don’t think this is just lighting or a bad filter. I think this guy is overworked, underfed, and teetering on the edge of burnout. He probably wakes up at 4 a.m. to research clinical studies on mitochondrial function, spends six hours editing thumbnails and B-roll, then crushes a fasted two-hour workout before filming five segments in a single dry-scooped breath. If he’s eating more than 2,000 calories a day, I’ll eat my creatine scoop straight from the tub.

    The irony is hard to miss: he’s the poster boy for health and vitality, yet he looks like a prisoner in the content mines. At nearly four million subscribers, maybe it’s time he hires an editor, gets a co-host, and reclaims his circadian rhythm. Right now, he looks less like a beacon of wellness and more like an exhausted monk, punishing himself in service to the Algorithmic God.

  • The Pool of Sorrow, the Magic Towel, and the Heavy-Duty Radio

    The Pool of Sorrow, the Magic Towel, and the Heavy-Duty Radio

    Last night, I dreamed I was nineteen again—muscular, misfit, and miserably alone. In this grim redux of my youth, I spent my days floating in what I now call The Pool of Sorrow, a sunlit rectangle of water where I wept at the shallow end, pressed against the concrete like a man sentenced to purgatory via chlorination. Beside me sat a black labrador, nameless but noble, whose soft howls echoed my despair. I stroked his damp fur. He leaned into my touch. We were two abandoned souls, bound by melancholy and mutual need.

    Something changed. Maybe it was the dog’s quiet loyalty, or the absurd beauty of the moment. I returned to bodybuilding with manic fervor and resumed clean eating as if redemption could be measured in grams of protein. My body sculpted itself back into its mythic prime, and soon I was posing poolside in black-and-white glamour shots—oiled up like a Greek statue, grinning with an almost religious clarity. The dog watched my transformation with admiration, tail thumping like a metronome of approval.

    Now that I looked like a well-oiled demigod, I needed to promote myself. I searched the streets of San Francisco for an influencer. I found him in a San Francisco alley behind a velvet curtain. Tom Wizard. Pale, lanky, vaguely elfin, Tom agreed to help me make my photos go viral. But there was a catch. “You love the dog too much,” he warned. “Be more aloof.”

    Naturally, I did the opposite. I hugged the dog. Whispered sweet canine nothings. Called him my soulmate. Tom watched this display of defiance and smiled like a gatekeeper pleased with an unexpected answer.

    “You’ve passed the Dog Test,” he said, handing me two gifts. The first: a large, coral-orange Magic Towel, woven with healing properties. It could dry you off and erase your deepest psychological wounds. The second: admittance to a Harvard night class where I’d learn to wield the towel’s powers properly.

    Harvard, it turns out, was a dump. The class was run by Professor Kildare, a stout bureaucrat with the warmth of a refrigerator. He vanished often—wrapped up in legal issues—leaving the course in the calloused hands of three grad students who resembled hungover dockworkers. They smoked indoors, bickered about their failed marriages, and offered nothing resembling instruction.

    In that dimly lit classroom, I met a woman who looked exactly like Sutton Foster. She whispered that her eczema came from childhood trauma. I swore on my Magic Towel I’d cure her. She believed me. That was enough.

    One day, one of the grad students—Jimbo, a lemon-faced scowler in sun-bleached overalls—presented a radio. “Useless junk,” he said. “Dead as a doornail.”

    I stood, seized the radio, adjusted its telescopic antenna, and revealed its miraculous clarity. Music blared. Static disappeared. Everyone gawked like I’d just raised Lazarus with a dial.

    Jimbo lunged for it. I blocked him. “You had your chance,” I said. “This radio is mine now.”

    I flapped the Magic Towel with dramatic flair. A colossal truck, part semi, part spaceship, pulled up outside. Sutton and I climbed its twenty-foot ladder toward the cockpit. Jimbo and his cronies gave chase, but I yanked the ladder up behind us, sending them tumbling like sitcom villains. The truck roared to life.

    Sutton sat beside me, silent but radiant with hope. The Heavy-Duty Radio crackled softly behind us, the Magic Towel folded in my lap like a relic of prophecy. We barreled into the night. I didn’t know if I could cure her eczema or heal her past, but I knew this: I had a truck, a towel, a miracle radio, and a mission. And sometimes, that’s enough.

  • Heaven, Apparently, Has a Library

    Heaven, Apparently, Has a Library

    A month ago, I dreamed I was already in heaven—which is to say, I was somewhere astonishing and didn’t realize it, because apparently that’s the human condition.

    It started in a classroom, naturally. I was teaching at a college that felt familiar but off—like a liberal arts Hogwarts or a Wes Anderson remake of Dead Poets Society. The students were unnervingly sharp. Not freshmen. These were postgrads of the soul—opinionated, caffeinated, and engaged with the material in ways that implied they’d actually done the reading.

    We were knee-deep in discussion when I glanced out the window and saw the rain falling—not pelting, but gliding, like silk scarves from the sky. I drifted for one moment. That was all Tim Miller needed.

    Tim, a student and part-time podcast prophet, seized the room like a man born to lecture. He told everyone to open the expensive blue textbook. The one I assigned. The one I had never read. I stared at the cover like it was an unfamiliar casserole I’d brought to a potluck. “What did you think?” I asked, bluffing. “It’s okay,” they said. The academic equivalent of a shrug at your own funeral. I nodded, defeated, and dismissed them early—a mercy for us all.

    Outside the door, a nearsighted colleague half my age pushed a convoy of book carts like a noble foot soldier. I offered help. He smiled, already finished. I was obsolete, politely.

    I wandered the campus like a ghost who hadn’t been told he was dead. Then I saw it: a green coffee mug I’d left behind earlier, now glowing like a sacred artifact on a forgotten table. I snatched it and jogged through the rain to the library. I placed it on a windowsill with reverence, and two librarians appeared—silent, reverent, stunned. I’d returned the Holy Mug. They smiled as if I’d cured blindness.

    Still raining. Still warm. Still beautiful. I pulled out my phone—also green, because apparently I was living inside an emerald dream. It was dusted with beach sand, and I wiped it down like it was a relic I wasn’t worthy to hold.

    I wasn’t driving. I never drove. Why ruin the moment? I walked. Five miles, barefoot, maybe. The rain was gentle, more sacrament than storm.

    Then, through the mist, I saw my home.

    Three pyramids, each one the size of a small mountain, woven from stone in purple and gold. They spiraled into the sky like something the gods forgot to take with them. I’ve always loved purple. It makes sense now. But the gold—that was new. I’ve spent a lifetime disliking gold. Too gaudy. Too Trump Tower. Too cheap. But this gold wasn’t decoration—it was divine. It pulsed. It whispered. It glowed like it remembered being forged in the heart of stars.

    And it hit me.

    I lived there. In that zigzagged trio of pyramids, tucked in the mist. It was mine. I’d always been there. Somehow, until that moment, I’d failed to see it.

    Then I woke up.

    No rain. No pyramids. Just me, blinking in the early gray, stunned by the feeling that I’d glimpsed something holy and managed to mistake it for Tuesday.

    And I wondered: How much of life am I sleepwalking through? What miracles have I mislabeled as mundane? What if heaven isn’t a reward but a frequency we forget to tune in?

  • Flex Day: A Tragedy in Tube Socks

    Flex Day: A Tragedy in Tube Socks

    Another Flex Day had dawned—yet again a gaudy parade of icebreaker drivel, PowerPoint piety, and educational workshops led by people who looked like they’d been conjured by a bureaucratic séance. Against my better instincts—and with a flicker of masochistic hope I should’ve interrogated—I signed up for a session titled Exercise and Mental Wellness. It was being held in the Hobcallow campus gym, a crumbling monument to deferred maintenance and broken promises. If buildings could sigh, this one would’ve let out a long, exhausted groan. Everything about it screamed “run,” but I ignored the sirens blaring in my skull and walked straight in, armed with denial and a water bottle.

    The gym was a fluorescent-lit dungeon, the kind of place where even the light seemed desperate to escape. The air reeked of mildew, ancient sweat, and the crushed dreams of generations who’d suffered through dodgeball and underfunding. I could practically hear the scent—a low moan of institutional despair.

    Then the “fitness expert” took the stage. He looked like he subsisted on steamed kale and unprocessed anxiety. His limbs were pipe cleaners, and his tube socks rode high up his shins like he was waving tiny surrender flags. A whistle hung from his neck, though it clearly served more as costume than command. The guy had the aura of a substitute gym teacher in a 1979 after-school special—minus the charm. With the fervor of a man unveiling the cure for cancer, he launched into a sermon on the redemptive power of push-ups. According to him, daily push-ups could defeat depression, boost classroom charisma, and chisel us into statues Michelangelo would envy.

    I sat among fifty or so other professors, all of us bearing the glazed, shell-shocked expressions of people who’d just survived a bureaucratic earthquake. When the whistle-wielder asked for a volunteer to demonstrate the proper push-up, silence fell across the gym like a dropped curtain. Heavy. Suffocating. It was the sound of collective academic burnout, of souls ground into dust by budget cuts and endless committee meetings.

    Eventually, someone was nudged forward. “Volunteer” was a generous word. The man was more of a human offering. He shuffled onto the stage in a suit that draped off him like wet laundry. His glasses clung to his face like they were afraid to be part of what came next. He moved like a man who had made a series of increasingly regrettable choices that had all led here.

    Then he went down for the push-up—and the moment collapsed into slapstick tragedy. His arms gave out instantly, like a folding chair kicked from behind. His glasses launched from his face and slid across the gym floor, desperate for escape. He lay there wheezing like a deflating accordion, the very embodiment of what happens when the intellect thrives and the body is left for dead.

    You’d think someone might offer sympathy. A supportive chuckle. Maybe a smattering of ironic applause. Nope. The room was pure stone—emotionally fossilized. A few professors exchanged murmured postmortems. Most stared ahead with the blank-eyed stillness of DMV patrons or people deep into a hostage negotiation.

    And when it finally ended, I fled. I bolted, heart pounding, mind racing, lungs grateful just to be outside again. It wasn’t enlightenment I’d found that day. Just confirmation: some kinds of despair really do come with a whistle.

    After surviving thirty Flex Days—each one more spiritually numbing than the last—I’ve come to a grim conclusion: these spectacles aren’t designed to make us better instructors. No, they’re the bureaucratic equivalent of waterboarding. Their true purpose is to remind us, in the most humiliating way possible, that we are not free agents but indentured servants to a cabal of institutional overlords who wouldn’t recognize actual education if it bit them on their lanyards. The activities they concoct—team-building scavenger hunts, trust falls, and workshops on how to smile while grading—aren’t just irrelevant to higher learning. They are a brazen insult to critical thinking itself, proof that the people orchestrating these charades are not only disconnected from the classroom, but from basic cognitive function. Flex Days are not professional development; they’re intellectual purgatory dressed up in business casual.

  • How Your Flintstones Moment Made You Pursue Higher Education

    How Your Flintstones Moment Made You Pursue Higher Education

    Charlene’s office had been a shrine to immaculate control—gleaming surfaces, aligned papers that looked like they’d been measured with a laser level, and an air of clinical precision that could make a Swiss watchmaker weep tears of admiration. But that day, the outside world was doing its damnedest to breach her fortress. A dust storm had rolled into Hobcallow with all the subtlety of a biblical plague. It was mid-afternoon, but you wouldn’t have guessed it. The sky was choked in an apocalyptic shade of brown, casting the office in a bruised sepia tone. The overhead lights flickered like they’d given up hope. Dust smeared the windows like greasy fingerprints on a crime scene, and Charlene—who waged holy war against dirt—cringed at every grain that dared defile her glass.

    If anyone could stare down Mother Nature and win on points, it was Charlene. You’d have bet your last protein shake on it.

    She tried to tune it all out and focus on her latest mission: turning you into some kind of intellectual demigod for her next newspaper feature. She tapped her pen on her notepad with the kind of sharp, deliberate rhythm that could cut glass. Then she leaned in, smiling like a predator who’d just cornered a wounded animal. “Tell me,” she said, “what were the defining moments that led you to pursue higher education?”

    The wind screamed outside like a banshee in heat, but you leaned back and let yourself drift. “There was this bouncer gig I had at seventeen,” you began. “Maverick’s Disco in San Ramon. Three bucks an hour—ten cents above minimum wage. Free soda, free peanuts. I thought I was rich.”

    You could still picture it: a swirling disco inferno of polyester pantsuits, platform shoes, and hair sculpted into helmet-grade updos. The Bee Gees were on loop, the dry ice fog never cleared, and the lights pulsed like a migraine. It was paradise—until it wasn’t.

    “At first,” you said, “I thought I’d struck gold. I got to flex my lats and mingle. But after a while, it all started blending together. The same couples, the same fights, the same sweaty desperation. One night, mid-shift, I had this epiphany—Fred and Barney cruising in their Flintstone-mobile, but the background just repeated: tree, rock, house, tree, rock, house. That loop ruined the cartoon for me. And suddenly, it was ruining my life, too.”

    Charlene’s pen was flying. You could tell she was high on narrative gold.

    “Maverick’s became my Flintstones moment,” you said. “Week after week, the same loop: wide-eyed people chasing magic and leaving with hangovers and broken heels. And I realized I was part of it—punching the clock, buying into the monotony. I needed something more unpredictable. So I chose college. I needed to break the loop.”

    Charlene looked like she was about to levitate from her chair. The dust storm outside didn’t matter—she was in a state of pure journalistic ecstasy.

    And then you got honest.

    “But look at me now,” you said, and your voice had that creeping bitterness you couldn’t quite stifle. “Degrees? Check. Stable career in higher ed? Check. And what have I built? A life of structure and repetition. Same workouts, same egg whites, same damn protein shakes, same naps, same Angels game every night. I wrapped myself in the very loop I thought I’d escaped. The Flintstones background just changed colors.”

    Charlene’s pen froze mid-air. Her gaze snapped to you with a gleam of ice behind it. That calculating smile returned—sleek, practiced, a smile that had shut down board meetings and ended more than one marriage. “We won’t tell them that part,” she said sweetly. “That’s just between us.”

    You felt the temperature drop, despite the swirling storm outside. It was the smile of someone who took pleasure in control—over narrative, over outcomes, over people.

    You glanced toward the window. The storm was still there, clawing at the glass like a desperate thing. But Charlene’s smile? That was the real weather system in the room.

  • The News Anchor of the Shallow End

    The News Anchor of the Shallow End

    A poolside pestilence—you knew him as Roland Beavers. He was the kind of poolside companion nightmares were made of. Picture it: a pudgy man in his early thirties with dishwasher-blond hair clinging lifelessly to a scalp that looked perpetually annoyed at its assignment. His physique was more Pillsbury than gladiator, his chin having taken early retirement sometime around 1996. And yet, this proud specimen insisted on strutting around the pool in lava-red terry cloth trunks so tragically undersized they clung to his hips like terrified hikers on a cliffside. The stretch marks? They splayed across his skin like graffiti sprayed by a disgruntled street artist.

    Naturally, Roland had an explanation at the ready for anyone who dared lock eyes with him long enough to hear it. Those stretch marks? Not from powdered donuts, perish the thought. No, they were the battle scars of a world-class daredevil—his words—earned from leaping off the cliffs of Acapulco. You could practically hear the collective eye-roll from the pool regulars every time he launched into one of his airbrushed tales of aerial glory.

    But Roland’s true calling wasn’t daredevilry—it was unsolicited poolside broadcasting. Armed with a crumpled newspaper, he’d take up his post like an aging news anchor, providing loud, unfiltered commentary on every blurb and headline, under the delusion that everyone within earshot was waiting with bated breath for his take on gas prices and tabloid divorces. His “audience,” meanwhile, muttered oaths under their breath, praying he’d take up knitting—somewhere indoors, ideally underground.

    You watched his social cluelessness peak during innocent pool games—playful couples tossing a football or frisbee back and forth. For Roland, this wasn’t just casual recreation to be observed; it was a direct invitation. He’d launch himself into the water with the grace of a bowling ball dropped from a rooftop, crashing into their game like a forgotten uncle showing up drunk at a family reunion. The couples would pause, stunned, then shuffle off with expressions reserved for people who talk during movies.

    And heaven help the women just trying to sunbathe in peace. Roland, ever the gallant poolside creep, took it upon himself to offer his “services” to any woman within spraying distance. Whether it was spritzing their backs with water or offering to rub in sunscreen, Roland never missed an opportunity to “help”—oblivious to the fact that his mere presence was enough to derail an entire afternoon of tanning and tranquility.

    These long, unwanted days at the pool weren’t just for his entertainment—they were an extension of the strange domestic theatre unfolding upstairs. His mother, Nadine, loomed over the scene from their apartment balcony, a woman built like she could bench-press a Buick, her muu-muu rippling in the desert breeze like a circus tent threatening lift-off. With her hair wound into curls so tight they looked ready to spring off and attack, she’d bark orders with the authority of a drill sergeant with a megaphone.

    “Slather on more sunscreen, Roland!” she’d bellow, veins throbbing in her neck like they were sending an SOS in Morse code. “Get inside and eat something! You’re wasting away!” This, despite the fact that Roland had a good 40 pounds he could have “wasted away” without anyone shedding a tear.

    You’d think all this doting and nagging might eventually motivate Roland to get a job—maybe contribute something to society, or at the very least give the rest of you a break. But no. Roland and Nadine were comfortably buffered by the settlement from a lawsuit tied to Roland’s brief, disastrous stint at flight school in San Diego. Apparently, his dorm mates decided his face needed some rearranging, and after a skull fracture and several court dates, Roland walked away with a broken head and a windfall large enough to fund his permanent poolside residency.

    So there he was—your unwanted mascot in red trunks—coasting through life on lawsuit money and his mother’s militant affections, interrupting your peaceful afternoons with unsolicited news updates and delusions of former glory. Thanks to the faded glory of his imaginary daredevil days and a bottomless box of Chardonnay, Roland Beavers remained the persistent echo of everything you were trying to escape.

  • The Man Who Refused to Unpack

    The Man Who Refused to Unpack

    Chief among your apartment acquaintances in the godforsaken desert was Leonard Skeazy, an attorney from Santa Monica who had been lured out to this sun-scorched outpost by a fat signing bonus and a monogrammed office chair, yet couldn’t shake the gnawing resentment of having been exiled to what he considered a cultural wasteland. Leonard treated “style” not as a preference but as a full-blown religion. He wore custom-made Speedos purchased at a boutique in Santa Monica—yes, he actually made return trips to the city just to replace them when the pool’s chlorine dulled the jewel tones of his sacred spandex.

    With his long, curly hair and eerie, borderline-glasslike blue eyes, Leonard looked like a lounge singer who never graduated from the Holiday Inn circuit. He was a man of eccentric habits and hygiene choices that defied both logic and cologne. Despite being well into his thirties, he clung to the bachelor fantasy of meeting “the right girl,” though his criteria seemed more fitting for a dating pool in Cannes than in a desert town where a GED qualified you as a local intellectual.

    Leonard could be found most afternoons sprawled poolside, his skin glistening like a buttered croissant under the sun, blasting Kenny G from his battered boombox as if smooth jazz were some pheromonal weapon. His breath often carried the unmistakable bouquet of last night’s Chardonnay, perfectly matched by his habit of sneaking sips from boxes of white wine stashed like contraband in the fridge.

    Curiosity—and let’s be honest, a lack of better options—led you to visit Leonard’s apartment one day. It was a bachelor pad in the bleakest sense. Despite his high income, his apartment felt like a holding cell with Wi-Fi. The living room featured a single couch, a TV perched on cinder blocks, and—because tragedy loves detail—an ironing board, which he used religiously to press his endless collection of gaudy silk ties. The walls were as blank as his emotional availability, barren beige expanses that caught the flicker of the TV and projected ghostly shadows over the serpentine lines of his slithering tie rack.

    Then there was the bedroom. No dresser. No closet system. Just three open suitcases that served as a rotating archive of silk shirts, vintage cologne, and desperation. It was as if he’d never truly unpacked—a subconscious protest against the idea that he’d actually settled in this armpit of a town. The fridge, naturally, was a tundra of emptiness save for—you guessed it—more boxes of white wine. This was a man who had chased the scent of money straight into the middle of nowhere, only to insist he hadn’t actually arrived.

    Leonard was a ghost haunting his own life. A man who treated his presence in this town like an extended layover, still clinging to the fantasy that he’d be boarding a first-class escape back to the coastal glamour of a life he probably never really had. You couldn’t help but wonder: what kind of man gets seduced by a fat paycheck only to spend his days in self-imposed purgatory, where the only things thriving are his excuses and his growing graveyard of faded Speedos?

    You supposed it was easier for Leonard to pretend he was just “passing through” than to admit that he was, in fact, a permanent exhibit in this forgotten museum of stalled ambition—a relic draped in silk and denial, clinging to the illusion of a life that had long since evaporated.

  • How to Pick Up Girls and Get Stung by Reality

    How to Pick Up Girls and Get Stung by Reality

    The 70s were a carnival of ostentation and fakery. You strutted through junior high dances in Angels Flight bell-bottoms, paisley Dacron shirts, platform shoes, and pukka shell necklaces. In summer, you bared your tanned chest in fishnet tank tops and more gold chains than a Vegas lounge singer. Instead of building character, you sculpted a persona: muscular, flamboyant, visually arresting.

    Even your face had to match your aesthetic. Inspired by the Cosmopolitan magazine’s “Bachelor of the Month,” you fixated on cheekbones and jawlines. Compared to Robert Conrad or Jan-Michael Vincent, you came up short. So you sucked in your cheeks—first occasionally, then obsessively—until you learned to speak while biting the inside of your face. You’d come home with raw, bleeding cheeks. You’d walk through school with puffed lats and exaggerated posture, only to be mocked by your classmates.

    You were the punchline of a sitcom, a caricature of yourself.

    This was the decade of the Mock Apple Pie—Ritz Crackers masquerading as apples. Authenticity took a back seat. Fakery got shotgun.

    Perhaps the high priest of this philosophy was a man you called Frank Reeves.

    It was the summer of 1977. You were spending every Saturday at Cull Canyon Lake, slathered in Hawaiian Tropic Dark Tanning Oil—zero SPF, all banana-scented seduction. And every weekend, there he was: Frank Reeves. Late twenties. Owner of a black 1976 Camaro with white racing stripes. Wavy brown hair, manicured mustache, deep tan, blue Speedos, white puka shells, and a gold chain glistening over his chest hair. He carried a Playboy cooler, a boombox, and a Frisbee, and he reeled in women like it was a sport.

    You noticed that he always said the same things in the same order. Every Saturday, it was: “Paid my uncle five hundred for that paint job… Dad owns clothing stores… Helped him manage since high school… Waiting on a Hollywood callback… Own my own house in Parsons Estates.” He said “Parsons Estates” like it was a holy incantation.

    Frank Reeves wasn’t just a cliché. He was a walking, Speedo-clad composite of How to Pick Up Girls!—Eric Weber’s infamous book of manipulation. You recognized his lines. You knew the script. He embodied the Playboy ideal: cosmopolitan, cocky, a god in his own eyes. And every Saturday, a new woman bought the lie.

    You watched him work, all while reading your parents’ paperback version of The Happy Hooker on your beach towel. Then came the bee sting. A shriek. A girl gasped. “You stepped on a bee!”

    Reeves tried to laugh it off, but his swollen foot looked like a smoked ham. Sweat poured down his chest. He collapsed, hyperventilating. Paramedics came. He was in anaphylactic shock.

    You never found out if he survived. But the image stuck: a man all pose, no substance. A fake warrior devoted to a fake gospel. And like all fakes, he was eventually undone by something real—a bee, of all things. A tiny truth with a stinger.

  • Barbells and Boundaries

    Barbells and Boundaries

    Late one Saturday afternoon, you were marooned in your bedroom, held hostage by the epic saga playing out in your kitchen. Paul Bergdorf, a plumber with the emotional subtlety of a freight train, had been battling the kitchen sink since morning. His oversized toolbox had exploded across the linoleum floor like a mechanical crime scene. Every few minutes, you heard a grunt or a thud, the sounds of a man locked in mortal combat with ancient pipes.

    Your mom strolled into your room with a face that mixed gratitude with a romantic optimism that always smelled like a warning.
    “It’s so nice of him to do this,” she said.
    “What’s that supposed to mean?” you asked.
    “He’s not charging me.”
    “Of course he is.”
    “No, he’s a friend.”
    “He’s not your friend, Mom. You just met him.”
    “His name is Paul Bergdorf. One of my girlfriends introduced me to him.”
    “This isn’t going to end well.”
    “Keep your voice down.”

    Right then, Bergdorf bellowed from the kitchen, proudly declaring that the sink had been fixed. Your mom hurried away. You stayed in your room, knocking out reverse barbell curls while watching through the sliding glass door that connected your room to the atrium. Beyond that was the kitchen, where Bergdorf stood like a sweaty gladiator, wiping his greasy mitts on a rag. He looked like a bloated baby trying to cosplay as a man: massive belly, oil-streaked jeans, beat-up boots, and that tragic attempt at a combover. His blue eyes were permanently glazed, his nose red and bulbous like a squashed tomato, and the house now reeked of his sweat mingled with low-grade cologne.

    He turned the faucet on, then off, proudly displaying his handiwork. “Now before I go,” he said, puffing out his chest, “I just want to say—I may not be the best-looking guy around, but I can grill a damn good steak. I’m talking big, thick, juicy slabs of meat. How about joining me next weekend for a barbecue?”

    “That’s very nice, but no thanks,” your mom said, her tone firm.

    Your forearms burned from the 50 reverse curls, but you kept going, switching to wrist curls as if preparing for battle.

    “I’ll get us some prime steaks,” he pressed on. “You won’t believe how tender they’ll be.”

    “Thanks again, but I’m busy.”

    “All I ask is one chance to serve up the most delicious barbecued steak you’ve ever had.”

    “No, really. I’m not available.”

    “Just pick any weekend,” he insisted, “and I’ll deliver a steak you’ll never forget.”

    Your forearms were bulging. That was it. You dropped the barbell, stormed down the hall, past the dining room, and burst into the kitchen like a SWAT team with a moral objection.

    “How many times does she have to say no?” you demanded.

    “Hey, let’s cool it,” Bergdorf replied, raising his hands. “I was just asking your mom out. I fixed the sink. It’s the least I could do.”

    “If you want to volunteer your plumbing skills, great. But fixing a drain doesn’t entitle you to date privileges.”

    “I just wanted to make her a steak!”

    “Okay, we get it. You’re a steak wizard. Good for you. Now pack up your tools and get the hell out.”

    You towered over him, finger pointed at the front door like an Old Testament angel. Bergdorf glared, shoved his tools into the truck, slammed the door, and roared off, trailing a plume of driveway dust behind him.

    Your mom just stood there, stunned.
    “You scared him away,” she said.
    “Next time, let’s just pay the plumber.”

  • Nicknames Are a Life Sentence

    Nicknames Are a Life Sentence

    You sat in the soaked bleachers of Canyon High on a rainy Friday night, the stadium lights casting a sickly greenish-yellow haze across the field. The Canyon Cougars were facing off against the Hayward Farmers, but all eyes were on their freshman linebacker phenom, Jack Del Rio—part football player, part demigod in cleats.

    Next to you, Liz huddled under a massive umbrella. Between the two of you sat a bag of popcorn that had long since surrendered to the rain, each kernel tasting like soggy regret.

    Off to the side, you noticed the girl they called the Tasmanian Devil. She was marooned on a solitary slab of bleacher, her jacket soaked, mascara melting like the villain in a low-budget horror flick. No umbrella, no allies, just rain and raw adolescence.

    “Tasmanian Devil’s got that look,” you said to Liz, chewing a kernel that crumbled into sadness on your tongue.

    “What look?” she asked.

    “The one that says she knows her life is a steaming pile of crap.”

    Liz nodded slowly. “Poor thing.”

    “Do we even know her real name?” you asked.

    She gave a small shrug.

    “Exactly. She’s been sentenced to that nickname for life. Might as well tattoo it on her forehead.”

    As the game dragged on, the rain lightened into a mist, coating everything in a kind of apocalyptic glow. The crowd buzzed as Del Rio took the field, and a man behind you barked, “That kid’s going pro, you mark my words.”

    You leaned toward Liz. “Jack Del Rio and the Tasmanian Devil—two trains, opposite tracks. One’s off to glory, the other’s derailing into a swamp.”

    “We could invite her over,” Liz offered.

    You waved like a deranged game show host. “Need an umbrella? Want to join us?”

    She shook her head. Her eyes stayed on the ground. Her jacket soaked through like a sponge left in a car wash.

    “At least you tried,” Liz said with a sympathetic smile.

    You shifted the conversation. “You mad at your dad?”

    “No,” you said, surprising even yourself. “If anything, I’m relieved. There’s less tension now. No more walking on eggshells.”

    Liz nodded. “After my dad left, my mom never dated. She’s allergic to men. She’s got this fortress of piano recitals, farmer’s markets, and gin rummy with Grandma. Her friend circle is basically a man-repellent sorority.”

    You sighed. “I’m dreading my mom dating. She’s too nice, too open. Men could run circles around her.”

    “You can’t control everything,” Liz said.

    “There’s this awful book called How to Pick Up Girls! It’s like a predator’s playbook. If some sleazeball uses that on her, I swear I’ll Hulk out.”

    Liz laughed. “You can’t be a bouncer at your own house.”

    You squared your shoulders. “Watch me.”