Tag: travel

  • Last Car Syndrome

    Last Car Syndrome

    I was nearly sixty-four, four decades of teaching college writing having corroded whatever patience I once had, and I found myself drowning in self-disgust. My life, once measured in lectures and essays, had narrowed to a single, grotesque question: Camry or Accord? I fretted over it as if I were choosing a confession—Catholic or Presbyterian—with my eternal soul dangling over the dealership lot. The absurdity didn’t escape me. I had real problems: blood markers creeping upward, a rotator-cuff tear ruining kettlebell workouts, bedrooms that needed painting, twin daughters who needed driver’s training, retirement forms stacked like little gravestones, and the scramble to joint bank accounts so my younger wife wouldn’t face probate nightmares. And yet I could not stop watching YouTube reviews and refreshing Reddit threads that compared the new Camry to the Accord.

    I vacillated like a madman.

    Driving to pick up the girls from high school, I’d spot an Accord and sigh: “Ah, the Accord EX-L in Canyon River Blue. Very peaceful. Not a bad car to die in.” A second voice—practical, bored—would snap back, “It’s a car, not a coffin, dummy!” So I’d argue with myself: “But this will be the last car I ever buy. Surely it is my Death Car.” “God, you’re morbid! How can I live with you? Get away from me!”

    The next day I’d see a Camry SE in Heavy Metal and melt. “Look how it fits that color—everything’s right. Under thirty-three K and it feels Lexus-adjacent.” My inner realist would applaud the improvement: “At least you’re not talking about death. Progress.” Then the skeptic: “But the Accord is quieter. I need quiet. And the Accord dealership is walking distance—drop it off, walk home. That’s handy.” Followed by doubt: “Wait—people say the new Accord looks like a Ford Taurus. Can I live with that kind of ridicule?”

    It went on and on. My wife learned to read my posture: the slight slump, the hand rubbing the back of my neck—the tell that I was about to launch into Camry-Accord hell. She would cut me off before I even opened my mouth: “Stop right there, buster. I don’t want to hear it. Just make your damn decision!”

    For a while I wallowed alone in the torment.

    Then one morning I woke up and declared I didn’t need a car at all. I’d driven, on average, three thousand miles a year for the last decade—hardly the mileage of a man who needed a shiny new vehicle. The decision felt radical: my daughters could take the older Accord, my wife the newer one, and I’d borrow a car when necessary. No purchase. No shiny new vehicle gathering dust like a suburban reliquary in the garage. Why buy something to admire between piano practice and Netflix binges? I told myself the choice was genius. 

    But after snacking on a virtuous bowl of buckwheat groats with unsweetened soy milk, banana slices, pumpkin seeds, cinnamon, and a dash of manuka honey, the energizing snack snapped me out of my delusion.. Suddenly the whole farce of my deliberation looked naked: I was suffering from Last-Car Syndrome: the unconscious understanding that in my mid-sixties, my next car purchase was essentially my Death Car, so I avoided the purchase like I avoided death. 

    Fortified by my power breakfast, I stood up, chest puffed like a man claiming moral clarity, and barked at the ceiling, “Who am I kidding? I’m buying a new car. I deserve it.”
    So now it’s only a scheduling question—six months from now, or next week.

  • When It Comes to Swim Trunks the Size of a Hotel Mint, Maybe Opt Out

    When It Comes to Swim Trunks the Size of a Hotel Mint, Maybe Opt Out

    The New York Times article, titled “Skimpy Men’s Swimming Briefs Are Making a Splash,” offers a solemn dispatch from the front lines of GLP-1 drugs, but I would guess that men—having exhausted every form of visible self-optimization—are now expressing their Ozempic-enabled slenderness via tiny, Lycra-clad declarations of status. We’re talking male bikinis, or what I like to call the ego sling.

    Apparently, if you’re dropping $18,000 a year to chemically suppress your appetite and shed your humanity one subcutaneous injection at a time, you deserve the privilege of looking like a Bond villain’s pool boy. I suppose this is the endgame: pay to waste away, then wrap what’s left in a luxury logoed banana peel.

    Luxury underwear companies, never ones to miss a chance to monetize body dysmorphia, are now marketing these second-skin briefs not as mere swimwear, but as power statements. To wear them is to say: “I’ve defeated fat, joy, modesty, and comfort in one fell swoop.”

    I’m almost 64. My aspirations remain high—ideally, I’d like to look like a special-ops operator on vacation in Sardinia. But I know my place. I wear boxer-style swim trunks, the cloth of the pragmatic and the semi-dignified. They’re not exciting, but neither is seeing a sun-leathered septuagenarian adjust a spandex slingshot over a suspicious tan line.

    There’s a difference between being aspirational and being delusional. The former means striving for vitality, strength, and energy. The latter means stuffing yourself into a satirical undergarment and pretending you’re a twenty-two-year-old wide receiver with a sponsorship deal.

    To my fellow older men: sculpt your body like it’s your spiritual obligation—but when it comes to swim briefs the size of a hotel mint, maybe opt out. Not every part of youth is worth reliving. Some of it deserves to be left in the chlorine-stained past, right next to Axe body spray and Ed Hardy tank tops.

  • The Road to Studio City Is Paved with Lane Closures

    The Road to Studio City Is Paved with Lane Closures

    Yesterday I braved my cousin Pete’s 75th birthday blowout in Studio City, dragging my wife and one of my twin daughters along for the ordeal. Like a fool, I skipped the Google Maps pre-check. The punishment: three lane closures on the 405. What should have been a breezy forty-minute jaunt became a 95-minute death march in a metal box. I joked that Pete should’ve hired a therapist specifically for the traumatized survivors of Southern California traffic—“Welcome, let’s unpack your freeway PTSD before the cake is served.”

    The party itself was bigger than I bargained for—150 guests orbiting around a swimming pool, lubricated by a taco bar, hummus hills, pita plains, and charcuterie slabs that could feed a small country. A band of four septuagenarians hacked out Beatles and Stones covers with the enthusiasm of men reliving their garage-band glory years.

    I chatted with cousins and one of the guitarists, but inevitably the conversation veered into my professional life: “So, Jeff, what about AI in the classroom?” I gave them my stock answer: AI is a double-edged sword. It can turn us into lazy bots outsourcing our brains—or, on the bright side, it can make my grading life less of a grammar police beat. I explained that AI gives every student a free grammar tutor, a perk I never thought I’d live to see. And yes, I confessed my own guilty pleasure: I write a sprawling Nabokovian memo, feed it to the machine, and tell it, “Sharpen this. Add acid wit.” What comes back is so tight and sly that I want to light a candle in gratitude.

    Left unsupervised, AI churns out limp, hollow paragraphs—Shakespeare’s “sound and fury, signifying nothing.” But with a solid draft and precise marching orders, it can take my word-bloated gasbaggery and spin it into crisp, surgical prose. The tool is neither angel nor demon; the sin or virtue belongs to the user.

    Of course, I also sinned in the culinary department. My “moderation” consisted of three or four thick slabs of brie smothered with figs and crackers, plus a couple of carne asada tacos. I had a token bite of my daughter’s birthday cake, which was so sweet it could have stripped paint, but that was restraint by default, not discipline. I’m certain I left Pete’s bash two pounds heavier.

    The drive home was mercifully shorter—just an hour—though Google still had the gall to insist the 405 was the “fast” route, lane closures and all. Let’s just say the 405 and I are on a trial separation for at least a year.

  • Blast from the Past: Telefunken Banjo Automatic

    Blast from the Past: Telefunken Banjo Automatic

    Six inches tall and barely ten inches across, the Telefunken Banjo Automatic delivers a lot of effortless sound for a radio its size. This vintage came in good shape as the seller had cleaned it up, even took it apart and did a “deep clean” to all the knobs. So there’s no static to speak of. This arrived with no AC. It’s feeding of six C batteries.

    Don’t be fooled by the swanky yellow. This colorful radio has outstanding FM reception and while the AM is above average it cannot light a candle to my bigger, brawnier Telefunken Partner 700, which at $40, cost me about half of the Banjo price. 

    The Banjo’s controls are smooth, and this bright yellow Telefunken feels upscale through and through, but if you’re Telefunken hunting, I recommend the bigger Partner 700. As good as the spunky yellow Banjo is, its speaker sound and AM sound loses to its bigger, more serious cousin. 

    In some ways it’s not fair to compare the two Telefunkens. The Banjo is a smaller portable, the Partner a heavier table radio. If I compare the Banjo to the similar sized Sangean PR-D5, the Banjo wins in speaker sound. The PR-D5’s small stereo speakers are so tinny my ears have trouble picking up the sound. In contrast, the Banjo fills a room easily. The FM on the Banjo is better than the PR-D5 and AM sound is similar. Of course, the $80 PR-D5 is new and digital and has presets so the comparison doesn’t quite work either.

    One strange quirk about the Banjo that I’ve never encountered before is that AM numbers are inverse to the FM numbers so that 103.1 FM, for example, is close to 640 AM. Strange, but no big deal.

    If you’re looking for a small travel companion, the Banjo is high-end and will not disappoint. If you’re looking for the majesty of a Panasonic RF-3000 (one just sold for over $300) and want to save some dough, check out the Partner 700, which I stole for $40.

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  • C.Crane Solar Radio: Attention to Details Makes It a Winner

    C.Crane Solar Radio: Attention to Details Makes It a Winner

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    The C. Crane Solar Radio, paired with the optional AC adapter, arrived on Day 9 of the Los Angeles fires—perfect timing for some disaster preparedness. My first impression? Surprisingly compact and, dare I say, stylish. Its buttons and controls are refreshingly intuitive, a rare quality in emergency gadgets that usually look like they were cobbled together by paranoid survivalists.

    Then I met the battery door—a stubborn slab of plastic that wouldn’t budge. My fingers failed, so out came the Swiss Army knife, turning what should’ve been a simple battery swap into minor surgery.

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    Once powered up (on batteries, to avoid interference), I tested FM reception. Not bad. It’s sensitive, though slightly weaker than my Sangean PR-D12 when pulling in 89.3, a notoriously tricky station here in Torrance. Still, it handled it well. KUSC 91.5, though, was a lost cause—same as the PR-D12. Odd, since during my obsessive radio blogging days in the mid-2000s, 91.5 was crystal clear. Maybe it’s not the radios. Maybe it’s today’s electromagnetic smog choking the airwaves.

    Later that evening, as I tackled the dishes, the FM sound impressed me. 89.3 came through loud and clear, delivering crisp voices on the news.

    AM performance? Initially disappointing—distant, hollow, like voices echoing from a well. My friend Mark reminded me that modern homes are electronic war zones. Between Wi-Fi routers, smart devices, and God knows what else, AM hardly stands a chance.

    But then I tweaked the settings. Switching the bandwidth filter from 2.5kHz to 4kHz transformed the AM performance. Suddenly, it shined.

    The speaker is pleasant but modest. This is a small radio, after all. Luckily, the hidden High Power Audio Mode (press buttons 1 and 5) gives it a subtle boost—not exactly concert hall quality, but enough to rise above kitchen noise.

    Where the C. Crane Solar Radio really excels is in its power versatility—two battery types, a solar panel, and a hand crank. Practical, yet it doesn’t scream apocalypse gear.

    So, where does it fit in my collection? The PR-D12 stays in the garage for kettlebell workouts. The Solar Radio earns a spot over the kitchen sink, likely becoming my wife’s go-to. With solid FM performance, customizable AM tuning, and thoughtful design, the C. Crane Solar Radio gets the details right—and comes out a winner.

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  • The Sandwich Shop of Eternal Regret

    The Sandwich Shop of Eternal Regret

    Last night, I dreamed I retired too early, lost my tenure, and found myself cobbling together two humiliating jobs to survive. By day I was a part-time writing instructor, hustling between second-rate colleges. By night I was reduced to a takeout delivery boy for the sandwich shop where my wife cheerfully worked.

    If there was a silver lining, it was this: while waiting for her to assign me deliveries, I could pedal furiously on a stable of exercise bikes provided by the restaurant. Because, naturally, this wasn’t just a sandwich joint — it was part health club, part tourist mecca. At one point, a gaggle of Danish tourists descended, cackling in a booth for hours, treating the sandwich shop as though it were the Eiffel Tower of their itinerary.

    My wife flourished. She collaborated with the shop’s original owners, a warm couple from Hong Kong, brainstorming new sandwiches and ambitious upgrades, while I sweated like a condemned man on the bikes. Fortunately, I had a secret weapon: a dark brown leather jacket with supernatural properties. Each time I donned it before a delivery, every bead of sweat, every impurity, vanished as though I’d been baptized anew.

    But there was more. To scrape together a living, I also moonlighted in a third job — mysterious manual labor in a basement with a nameless partner. To reach this purgatory, I rode a bus into the “forbidden city,” a nightmare realm painted in muted oranges, where the architecture sulked in jagged, miserable shapes and its citizens were shackled to endless toil. It was a geometry lesson in despair.

    I was heartsick, regretting my decision to retire early. Only when the bus carried me back to the sandwich shop did relief arrive. There, I could mingle with long-lost friends and international tourists, ride the exercise bikes, and cling to the reassuring thought that my leather jacket would always purge me of sweat and shame.

  • When the Levees Broke, So Did the Nation

    When the Levees Broke, So Did the Nation

    The documentaries Hurricane Katrina: Race Against Time (Hulu) and Katrina: Come Hell and High Water (Netflix) are searing indictments as much as they are testaments to survival. They tell the story of a singular city—New Orleans, a cultural jewel—betrayed and abandoned by its own nation.

    Told through the voices of those who endured the storm in 2005, these films lay bare a fourfold sin against the people of New Orleans.

    First sin: red-lining. Decades of discriminatory housing policies corralled Black families into neighborhoods below sea level—neighborhoods left exposed to catastrophe—while white families secured higher, safer ground. Yet out of this coerced geography bloomed community, kinship, jazz, art, and a way of life so distinctive that New Orleans became not just a city but a state of mind.

    Second sin: neglect. The protective marshlands were carved away, the levees shoddily built, the safeguards ignored. What should have been natural resilience was dismantled piece by piece, until a storm became a man-made massacre.

    Third sin: abandonment. When the waters rose, thousands of citizens waited for rescue that never came. They suffered hunger, thirst, illness, despair. Bureaucracies paralyzed by incompetence and poisoned by political rivalry left them stranded—leaders too intent on humiliating one another to save lives.

    Fourth sin: defamation. Media outlets, infected with racism, painted Black survivors as looters and criminals while white survivors were depicted as resourceful and brave. Rumors of sniper fire and marauding gangs turned aid missions into militarized standoffs, with the National Guard pointing rifles at the very people they were sent to save. These lies fueled white vigilantes who hunted Black residents as if the collapse of law gave them license to kill.

    This fourfold betrayal is almost unbearable to watch, yet threaded through the grief is a resilient beauty: the music, the food, the language, the humor, the love of place that make New Orleans irreducible. Katrina remains one of America’s most shameful chapters—but also a reminder that the soul of New Orleans is larger than its wounds.

  • The Terrarium of the Gods

    The Terrarium of the Gods

    Last night I dreamed I was prowling for beachfront property in the dead of night when I stumbled upon a terrarium the size of several football fields—an absurd, glass-walled Eden under artificial light. Some plots were shameless cons, swindler specials dressed up with tacky lawn ornaments and fake palm trees. Others, however, had loamy, dark soil that practically hummed with fertility. Over the PA system, an NPR announcer’s warm, soporific voice guided prospective dreamers like me, pointing out which plots were worth my attention.

    I claimed a plot perfect for herbs, tomatoes, and peaches, imagining future harvests under this climate-controlled dome. Then I set off to find my family, who were dining on the rooftop of a nearby hotel, high above the night and the surf. When I arrived, they were lit with merriment, clinking glasses with friends, laughter rolling across the table like a tide.

    Leo, a family friend with the generosity of a man who’s just inherited a brewery, pressed a frosty glass stein of amber beer into my hand. I’m not much of a beer drinker, but curiosity won, and I took a long pull. It was cold, crisp, and shockingly delicious—like a liquid reprieve from all earthly woes. Before I could savor the moment, a teenage boy with only the flimsiest link to Leo snatched the stein from my hand and drained it with feral efficiency. I seethed but swallowed my annoyance.

    Leo, undeterred, promised reinforcements: more beer, plus sandwiches from “the downstairs stash.” He led me to a cold-storage room the size of a cathedral. Inside, shelves groaned under the weight of sandwiches—no ordinary deli fare, but hand-crafted masterpieces assembled by World Series legends of the 1970s. Every sandwich bore a tag in looping script: Dave Winfield. Reggie Jackson. Willie Stargell. Dave Parker. Jim “Catfish” Hunter. Preserved by refrigeration so perfect, the bread seemed freshly baked, the lettuce still crisp, as though the ballplayers had just stepped away from the cutting board.

    We loaded up on sandwiches and pitchers, returned to the rooftop, and feasted under the city lights. The beer was endless, the view intoxicating. For a fleeting moment, I felt like I had not only bought the best plot in the terrarium but inherited the whole ridiculous world.

  • Will Optimization Kill the Joy of Mechanical Watches?

    Will Optimization Kill the Joy of Mechanical Watches?

    Sometimes I wonder how technology might assassinate my love for timepieces. Picture this: a $200 spool of 3-D printer feedstock spits out your $10,000 grail watch. Eight years later, when the mechanical movement needs servicing, you don’t take it to a watchmaker—you print another.

    If watch-printing is as easy as making pancakes, I’d have thousands. Would I be happy? No. I’d be the spoiled rich kid sulking in his palatial bedroom because Mom and Dad bought him every toy but a bazooka.

    “Son, I bought you everything.”
    “But I want a bazooka.”
    “They’re illegal.”
    “I don’t care!”

    When everything is instant, the “holy grail” becomes an inside joke. The magic dies in the flood of abundance. Just ask the diamond industry. Lab-grown stones are flawless, cheap, and undetectable to the human eye—obliterating the romance of bankrupting yourself for an engagement ring. Watches could be next.

    And that’s just one front. On another, tech billionaires are funding biohackers to keep us ticking for 900 years. If I’m going to live to 85, time feels urgent. If I’m going to live to 900, time is a leisurely brunch. Chronological time starts to matter less than biological time—the wear and tear written in my cells.

    In that world, your Rolex Submariner won’t tell you what matters. Your doctor-prescribed smartwatch will, tracking cardiovascular vitality, antioxidant levels, and the sorry truth of your lifestyle choices. Refuse to wear it, and your insurance premiums explode tenfold or you’re cut off entirely. Privacy? Gone. Your vitals are known to your insurer, employer, spouse, dating app matches, and the guy at your gym checking your actuarial risk.

    When the mechanical watch dies, so does your privacy. And somewhere, Dale Gribble from King of the Hill is finding the conspiracy angle.

    Give it five years. Our “watch collector meet-up” will look more like group therapy for mechanical-watch dinosaurs funding their therapists instead of their ADs. But fear not—obsession never dies, it just changes costume. Post-watch, your new drug will be optimization.

    You’ll strap on your OnePlus Watch 3, buy a $2,600 CAROL resistance bike, and simulate being chased by a saber-toothed tiger because “hormesis”—that holy word—demands mild ordeals to make you live forever. Resistance intervals, intermittent fasting, cold plunges. Goodbye winding bezels; hello gamified cell stress.

    Our poster boy? Bryan Johnson—the billionaire fasting himself pale, zapping his groin nightly to maintain the virility of a high school quarterback. Critics say he looks like a vampire who’s just failed a blood test. I say he’s the future. Picture him at 200, marrying a 20-year-old and siring a brood. Male Potency and Reproductive Success: the distilled recipe for happiness.

    Except I’m kidding. The truth: peer-reviewed science says we might beat the big killers before 90—heart disease, cancer, stroke, Alzheimer’s—but the biological ceiling is still ~100. Eventually your organs quit. All the optimization in the world won’t rewrite that.

    As a watch obsessive, I know the tyranny of time. The biohackers are fixated on biological time as if it’s the only kind that matters. But the Greeks knew a third: kairos—the moment saturated with meaning, purpose, connection. All the Bryan Johnsons in the world can’t 3-D print that.

    Live 200 years without kairos and you’re not a winner; you’re a remake of Citizen Kane with a garage full of exotic cars and no friends.

    A long time ago, a friend told me about the night cocaine hollowed him out so completely that he didn’t care his best friend was kissing his girlfriend. Then a voice in his head said, “Dude, you should care.” He went to rehab the next day. That’s soul work.

    And that’s what’s missing from the longevity cult: soul work. Without it, all the tech, watches, and optimized mitochondria in the world are just a shiny grift.

  • Why I’ll Never Be a Normal Tourist

    Why I’ll Never Be a Normal Tourist

    I don’t deserve a nice vacation. Who am I to lounge in tropical paradise, sipping a Miss Sunshine on the rooftop of Tommy Bahama’s in Honolulu—a lemon-infused Grey Goose cocktail dressed up with coconut and salted honey, basically sunshine in a martini glass?

    Yet that’s exactly what I did on my last night in town. My family and I ate dinner under the soft glow of string lights while a guitarist named Mark worked the crowd. He had that rare gift of making diners feel the music was just for them. My daughter requested Neil Young’s “Harvest Moon.” Mark delivered it like a love letter. I followed with The Go-Betweens’ “Streets of Our Town.” He’d never heard of it. Then I tried “Back to the Old House” by The Smiths. His eyes lit up.

    “Oh, you’re one of those,” he said, as if I’d just flashed a velvet-lined membership card to the Melancholy Music Society. “Are you a musician?”

    I admitted to being an amateur pianist. During his break, we talked shop. He’d been gigging since 1979, grew up on Oahu, and had soured on Maui—“negative energy,” he said, with the certainty of a man who’s read the island’s aura. His favorite? The Big Island, especially Hilo. “Hilo’s the lush side,” he told me, as if revealing a secret password.

    The next day, stuck in the Honolulu airport waiting for a delayed United flight (short a flight attendant, with a substitute speeding in from home), I met Zack—a 48-year-old professional golf caddy with the leathery tan of someone who spends life between fairways and airports. He was headed to Houston, then on to Kansas City for a tournament at Blue Hills Country Club.

    We talked for forty-five minutes about the job. “You have to make a world-class golfer like you, trust you, and win,” I told him. “That’s harder than being a psychiatrist.”

    He grinned. “Same as being a college writing instructor.”

    Touché. We agreed we were both part salesman, part psychologist.

    Zack checked his watch. “If I make my Houston connection, I get Texas brisket with my family before the drive to KC.” His wife taught French at an Oahu high school; they’d lived there over twenty years. Like Mark, he loved the Big Island most. Also like Mark, he worshipped Hilo. In fact, he’d bought land there for his retirement.

    On the flight, I lost myself in Jim Bouton’s Ball Four on Audible, forgetting about Zack—until landing, when the flight attendants asked passengers to clear the way for passengers with tight connections. At the back, there was Zach, looking like he’d just played eighteen holes without water.

    With the authority of a man who’d just been handed the Staff of Moses, I raised my hand: “Make way for my friend Zack! He has three minutes to make his connection!” The crowd parted. As he hurried past me, I patted his back and told him to enjoy the brisket.

    My wife nearly folded in half laughing at my grandiosity, my habit of turning chance encounters into minor epics. At baggage claim, she called Mark and Zack my “new friends.”

    She’s right. I may never learn to truly relax on vacation. But give me a stranger with a story, and I’ll make a night of it.