Cinemorphosis

Category: Confessions

  • Have I Gone Overboard with My Protein Obsession?

    Have I Gone Overboard with My Protein Obsession?

    Five nights ago, I dreamed I was trapped at a houseboat party. The decks heaved with music and laughter; people swayed, bottles clinked, lights shimmered across the water. Somewhere between the bass thump and the spray of cheap champagne, I decided it was time to save everyone. I climbed onto a railing and began lecturing on the virtues of a high-protein diet.

    The crowd ignored me. The more I shouted about the glory of amino acids, the louder the DJ turned the volume. My words scattered across the lake like crumbs for fish. I tried compromise—lowering the daily requirement from 200 grams to 120—but no one cared. Eventually, hoarse and defeated, I realized I’d become a mad prophet of whey protein, screaming into the void. When I woke, I asked myself the obvious question: Had I gone overboard on my protein obsession?

    That question lingered until this morning, when I read Julia Belluz and Kevin Hall’s Food Intelligence: Protein, the “Only True Nutrient.” They argue that our worship of protein is centuries old. In 1853, a Parisian newspaper mocked vegetarians as gaunt weaklings too frail to walk out of a restaurant unaided. A hundred years later, Arnold’s gospel of 250 grams a day turned protein into a civic duty for gym rats. Now, with Google searches and supplement sales hitting record highs—an industry worth $28 billion—protein has become both religion and racket. Everyone preaching its holiness seems to be selling tubs of it.

    Protein has always been marketed as a competitive edge: animal protein supposedly bestows power, plant protein supposedly punishes you with mediocrity. Yet Belluz and Hall dismantle this myth. Plant eaters, they write, can easily get all essential amino acids from a diverse diet—no powders, no “meat extract,” no panic required.

    Even more humbling, they admit that no one actually knows the optimal daily dose. Our bodies, they say, have a built-in governor called “protein leverage,” which drives us to crave roughly what we need. Too little protein and we lose muscle, which shortens life. Too much—especially at the expense of a balanced diet—and we hasten the same end. Somewhere between the extremes lies the sweet spot, but it’s not a round number you can print on a supplement label.

    That answer frustrated me. I like numbers. I like goals. “More” has always felt safer than “enough.” Reading their chapter, I remembered the summer of 1978, when I was sixteen and backstage with Mr. Universe Mike Mentzer before his posing exhibition set to 2001: A Space Odyssey. I asked how much protein he ate. “About a hundred grams,” he said, barely looking up from his shake. I was stunned. Arnold had taught us to eat at least 250.

    “Why not more?” I asked. Mentzer shrugged. “It’ll just make you fat.” Then, with equal candor, he mentioned his steroid stack—Deca-Durabolin included. Even then I could tell: genetics, not shakes, were the true miracle. At five-foot-eight and 225 pounds, he was carved from marble, but it was marble under pressure. He died of heart failure at 49, just five miles from where I live.

    Now I’m 64, taking in 180 grams a day and wondering if I’ve turned protein into a creed. I’m strong for my age but heavier than I’d like. Maybe the excess that built my muscle also built my burden. That houseboat dream feels less like absurdity and more like warning. It’s time to stop shouting about protein and start listening—to appetite, to reason, and maybe to the quiet voice reminding me that balance, not bulking, is the real art form.

  • The Laptop That Refuses to Die

    The Laptop That Refuses to Die

    I never imagined my $3,000 Acer gaming laptop—armed with an RTX 2080 and given to me as a review model back in 2019—would still be chugging along like a caffeinated mule nearly seven years later. It was supposed to be a flashy fling, not a long-term relationship. Yet here we are, the old beast still running my digital life as a home desktop replacement, while newer machines preen on YouTube reviews like showroom models whispering, “You deserve better.”

    Recently, I started the ritual again—tech research as performance art. I even discovered a comment I’d left a year ago under a Mac Mini review, declaring with absolute conviction that it would be my next computer. A year later, I’m still typing this on the Acer. Why? Because the damn thing refuses to die. Sure, I’m not exactly rendering Pixar films here; the most demanding task I throw at it is uploading Nikon footage. But still—seven years? That’s geriatric in tech years.

    Then came the unnerving thought: what if this laptop outlives my enthusiasm? What if it just… keeps working? The fantasy of upgrading evaporates under the weight of practicalities—transferring files, wrestling with two-step verification, updating passwords, the tedium of digital reincarnation. Let’s be honest: the desire for a “new system” might be less about performance and more about the dopamine of novelty.

    A darker impulse lurks beneath: part of me wants the Acer to fail, to give me permission to move on. But it won’t. It boots up every morning like a loyal mutt, eager to serve. And really—what are the odds that a new Mac Mini or Asus A18 Ryzen 7 would deliver another seven trouble-free years? Slim to none. So, I’m waiting. Not quite ready to buy, not quite ready to let go. Maybe the pursuit of new tech is its own kind of seduction—the chase more intoxicating than the catch.

  • I Am the Last Hands-Free Professor

    I Am the Last Hands-Free Professor

    The twins are home today—the high school’s closed for Veterans Day while my college closes for it tomorrow—so I left the house fifteen minutes early, a small luxury that spared me the traffic gauntlet. As I crossed campus, I spotted two young professors striding toward the Science Building. They could have been clones: mid-thirties, tall, lean, the same curated beard, and that monochrome uniform of urban intellect—black derby jackets, black jeans, black everything. It was as if an algorithm had dressed them.

    Each hand was occupied. Their left hands dangled a thermos and a lunch case like matching luggage; their right hands gripped identical strapped tech bags, no doubt cradling laptops and a faint sense of self-importance. Watching their synchronized march, I realized something about myself. After thirty-five years of teaching, I’ve never once looked professorial. My fatal flaw? Free hands. I move from car to office unburdened, thanks to my trusty backpack—functional, roomy, and entirely devoid of aesthetic ambition. It says less “professor” than “Wyoming park ranger with tenure.” But practicality has its own dignity.

    Until this morning, I’d never questioned my need to be unencumbered. Why not juggle a thermos, lunch case, and tech bag like everyone else? The answer reached back decades—to the zoo trips of childhood, when my mother insisted I bring a sweater “just in case.” I never needed it. I only needed freedom. That sweater haunted every outing, tied around my waist, falling in the dirt, collecting dust like a symbol of parental over-preparation. My whole day was spent managing it. Somewhere between those early years and now, the sweater evolved into the backpack—my lifelong protest against needless carrying.

    I could, I suppose, upgrade to a minimalist tech-sleek backpack that would make me blend in with the black-jacket brigade. But I won’t. I’ve made peace with my pack. It’s my declaration of independence—my refusal to let adulthood turn into perpetual sweater management.

  • The Last Laptop I’ll Ever Buy (Until Next Year)

    The Last Laptop I’ll Ever Buy (Until Next Year)

    For nearly seven years, my Acer Predator Triton 500 has been the iron lung of my digital life—an aging warhorse with an RTX 2080 GPU that’s seen me through countless essays, projects, and caffeinated obsessions. It’s been docked to an Asus 27-inch monitor and paired with an Asus mechanical keyboard fitted with “snow linear” keys that clack like polite thunder. Compact Edifier speakers provide the soundtrack, and with minor upgrades here and there, this has been my workstation since early 2019.

    But lately, the setup feels a little haunted. My Acer sits on a riser, its keyboard unused, like a retired prizefighter still showing up to the gym out of habit. I justify its existence by using its display as a secondary reading screen—my Kindle or some grim online essay glowing faintly while I type notes on the big monitor. Still, I feel like I’m keeping a loyal but obsolete machine on life support.

    So, I’ve been hunting for a replacement—something new, powerful, and, most importantly, emotionally satisfying. My first thought was to go full desktop. But each option carries its own curse:

    Apple Mac Studio: A minimalist marvel with angelic cooling and infernal control. For $2,500 I could get the specs I want, but I’d be exiled back into Apple’s walled garden—a sleek gulag where the motto is “Our way or the highway.” I haven’t touched macOS in seven years and don’t miss it. Besides, reconfiguring my mechanical keyboard to play nice with Cupertino’s control freaks feels like negotiating peace in the Middle East. I’m too old for that kind of diplomacy.

    Windows mini PCs: They’re cute, powerful, and cheap. Unfortunately, I can’t shake the suspicion that they run hotter than a Vegas blackjack dealer. Every buyer review reads like a cautionary tale about throttling and regret.

    Tower PCs: Cooling problem solved, aesthetics annihilated. They look like 1990s fossils—hulking boxes humming with regret, some lit up like a Dave & Buster’s rave. I want my office to feel serene, not like I’m rebooting Tron.

    Small Form Factor PCs: The corporate cousins of mini-PCs—clean, respectable, and utterly soulless. A Lenovo ThinkCentre or HP Elite Mini would be safe, but seven years of loyalty deserves a little passion. Safe feels like tofu: virtuous, flavorless, and instantly forgettable.

    Laptops (Again): I swore I wouldn’t go this route, but comfort is seductive. I know the terrain. I nearly bought a Lenovo Pro 7i—until I saw the price tag. Three grand for specs I’ll never fully use? I want power, not penance.

    This indecision loop has become my mental treadmill, the same cycle I went through choosing between a Honda Accord and a Toyota Camry—until I realized I’d pick the Accord, someday, probably, maybe. The problem isn’t the purchase—it’s the unresolved narrative. My brain demands closure before it can move on.

    Then, last night, salvation—or something close. The 2025 Asus TUF A18: RTX 5070, Ryzen 7, QHD screen, and the sweet, stabilizing heft of an 18-inch chassis. The specs scream overkill—64GB RAM, 2TB SSD—but the price, at $2,300, hums just right. It’s powerful, cool, substantial, and mercifully within budget. It feels like destiny—or at least the closest thing a middle-aged man can get to it while comparison-shopping on Newegg at midnight.

    If you asked me right now what I’d buy, I wouldn’t hesitate. The TUF A18 isn’t perfect—but it’s enough. It’s rational, emotional, and, most of all, final. The debate ends here.

    Or does it? Perhaps tomorrow I’ll wake up and prostrate myself to the Mac Studio with the words, “I’ll obediently reconfigure my mechanical keyboard to your System Settings, Master.”

  • The Flim-Flam Man of Higher Ed

    The Flim-Flam Man of Higher Ed

    In the summer of 2025, the English Chair—Steve, a mild-mannered, hyper-competent saint of a man—sent me an email that sounded innocuous enough. Would I, he asked, teach a freshman writing course for student-athletes? It would meet two mornings a week, two hours a session. The rest of my load would stay online. I should have known from the soft tone of his message that this was no ordinary assignment. This was a CoLab, an experimental hybrid of academic optimism and administrative wishcasting.

    The idea was elegant on paper: gather athletes into one class, surround them with counselors and coaches, raise retention rates, and call it innovation. Morale would soar. Grades would climb. The athletes would have a “safe space,” a phrase that always sounds like a promise from someone who’s never had reality punch their teeth in. Through the magic of cross-departmental communication, we’d form a “deep network of student support.” It all sounded like a TED Talk waiting to happen.

    Morning classes weren’t my preference. I usually reserved that time for my kettlebell ritual—my secular liturgy of iron and sweat—but I said yes without hesitation. Steve had earned my respect long ago. A decade earlier, we’d bonded over Dale Allison’s Night Comes, marveling at its lucidity on the afterlife. You don’t forget someone who reads eschatology with humility and enthusiasm. So when Steve asked, it felt less like a request than a summons.

    And yes, I’ll admit it: the offer flattered me. Steve knew my past as an Olympic weightlifter, the remnant coach swagger in my stride was visible even at sixty-three. I imagined myself the perfect fit—a grizzled academic with gym cred, able to command respect from linemen and linebackers. I said yes with gusto, convinced I was not just teaching a class but leading a mission.

    Soon enough, the flattery metastasized into full-blown delusion. I stalked the campus like a self-appointed messiah of pedagogy, convinced destiny had personally cc’d me on its latest memo. To anyone within earshot, I announced my divine assignment: to pilot a revolutionary experiment that would fuse intellect and biceps into one enlightened organism. I fancied myself the missing link between Socrates and Schwarzenegger—a professor forged in iron, sent to rescue education from the sterile clutches of the AI Age. My “muscular, roll-up-your-sleeves” teaching style, I told myself, would be a sweaty rebuke to all that was algorithmic, bloodless, and bland.

    The problem with self-congratulation is that it only boosts performance in the imagination. It blunts the discipline of preparation and tricks you into confusing adrenaline for authority. I wasn’t an educational pioneer—I was a man on a dopamine binge, inhaling the exhaust of my own hype. Beneath the swagger, there was no scholarship, no rigor, no plan—just the hollow hum of self-belief. I hadn’t earned a thing. Until I actually taught the class and produced results, my so-called innovation was vaporware. I was a loudmouth in faculty khakis, mistaking vanity for vocation. Until I delivered the goods, I wasn’t a trailblazer—I was the Flim-flam Man of Higher Ed, peddling inspiration on credit.

    Forgive me for being so hard on myself, but after thirty-eight years of full-time college teaching, I’ve earned the right to doubt my own effectiveness. I’ve sat in the back of other instructors’ classrooms during evaluations, watching them conduct symphonies of group discussions and peer-review sessions with the grace of social alchemists. Their students collaborate, laugh, and somehow stay on task. Mine? The moment I try anything resembling a workshop, it devolves into chatter about weekend plans, fantasy football, or the ethics of tipping baristas. A few students slink out early as if the assignment violated parole. I sit there afterward, deflated, convinced I’m the pedagogical equivalent of a restaurant that can’t get anyone to stay for dessert.

    I’ve been to professional development seminars. I’ve heard the gospel of “increasing engagement” and “active learning.” I even take notes—real ones, not the doodles of a man pretending to care. Yet I never manage to replicate their magic. Perhaps it’s because I’ve leaned too heavily on my teaching persona, the wisecracking moralist who turns outrage into a stand-up routine. My students laugh; I bask in the glow of my own wit. Then I drive home replaying the greatest hits—those sarcastic riffs that landed just right—while avoiding the inconvenient truth: humor is a sugar high. It keeps the crowd awake, but it doesn’t build muscle. Even if I’m half as funny as I think I am, comedy can easily become a sedative—a way to distract myself from the harder work of improvement.

    Measuring effectiveness in teaching is its own farce. If I sold cars, I’d know by the end of the quarter whether I was good at it. If I ran a business, profit margins would tell the story. But academia? It’s all smoke and mirrors. We talk about “retention” and “Student Learning Outcomes,” but everyone knows the game is rigged. The easiest graders pull the highest retention numbers. And when “learning outcomes” are massaged to ensure success, the data becomes a self-congratulatory illusion—a bureaucratic circle jerk masquerading as accountability.

    The current fetish is “engagement,” a buzzword that’s supposed to fix everything. We’re told to gamify, scaffold, diversify, digitize—anything to keep students from drifting into their screens. But engagement itself has become impossible to measure; it’s a ghost we chase through PowerPoint slides. My colleagues, battle-scarred veterans of equal or greater tenure, tell me engagement has fallen off a cliff. Screens have rewired attention spans, and a culture that prizes self-esteem over rigor has made deep learning feel oppressive. Asking students to revise an essay is now a microaggression.

    So yes, I question my value as an instructor. I prepare obsessively, dive deep into my essay topics, and let my passion show—because I know that if I don’t care, the students won’t either. But too often, my enthusiasm earns me smirks. To many of my students, I’m just an eccentric goofy man who takes this writing thing way too seriously. Their goal is simple: pass the class with minimal friction. The more I push them to care, the more resistance I meet, until the whole enterprise starts to feel like an arm-wrestling match.

    Until I find a cure for this malaise—a magic wand, a new pedagogy, or divine intervention—I remain skeptical of my own worth in the classroom. I do my best, but some days that feels like shouting into a void lined with smartphones. So yes, I’ll say it again for the record: I am the Flim-Flam Man of Higher Ed, hawking sincerity in an age that rewards performance.

  • The Fig Jam of Eden and the Gospel According to Dr. Phil

    The Fig Jam of Eden and the Gospel According to Dr. Phil

    Last night I dreamed my in-laws owned a house in Southern California—a suburban Eden fenced off from the infernal sprawl. The garden was lush to the point of parody: fig trees drooping with purple abundance, vines heavy with mysterious nectar fruits that looked genetically engineered for temptation. But paradise had its fine print. Poison ivy twined through the arbor like a legal clause in a lease with the devil. My in-laws, wounded by this horticultural betrayal, decided to sell the house and flee to the coast where they had found an obscure yet appealing city. As they packed, they shared a final sacrament: crackers smeared with their last batch of fig jam. It was obscenely delicious, the kind of sweetness that feels like divine mockery—Eden’s exit tax.

    My story in the dream wasn’t so upbeat. While they escaped to ocean breezes, I was sentenced to return to the California desert, a spiritual exile with a vague rap sheet. My sin was unnamed but apparently grave enough to require rehabilitation by Dr. Phil.

    At the studio, Dr. Phil strutted out like a Texan oracle with a talk-show budget. Each of us received a set of mystical props: a rock, a book, a flute, and a seashell. We were told to sniff them and describe their scent. The trick, he said, was that every smell meant something different to everyone. At the end of the show, he’d reveal the “real” smell and, somehow, this revelation would transform our lives.

    When my turn came, I inhaled the objects furiously—nothing. No salt, no cedar, no note of redemption. Just the hollow scent of my own frustration. Instead of passing them on, I hoarded them. Soon they piled around me like the debris of a failed experiment: rocks, shells, books, flutes—my life rendered as an archaeological dig of bad habits.

    Dr. Phil raised an eyebrow, that signature look of televised concern. “I hear you’re a professor—a smart man,” he said. “But you’re disorganized. You need to get your act together.”

    I looked at the clutter choking the floor and saw the metaphor laid bare. My possessions were my sins: chaos, indecision, intellectual hoarding, spiritual mildew. I woke knowing the dream’s diagnosis—my life had become a dumpster fire disguised as scholarship. It was time to clean house, inner and outer.

  • The Gospel of the Honey Bear: Worshipping at the Altar of Limited Edition

    The Gospel of the Honey Bear: Worshipping at the Altar of Limited Edition

    My wife has always been immune to fads—the sort of person who can scroll past influencer hysteria without so much as a pulse flutter. So when she announced yesterday that she had to have a Starbucks Honey Bear Straw Cup, I thought she was joking. “A cup?” I asked, as though she’d confessed a crush on a cartoon mascot. She showed me the photo. There it was: a cherubic bear with a straw sticking out of its head, beaming with the smug innocence of a cult leader. My daughters chimed in, voices rising in unison. Clearly, I was outnumbered.

    So at six in the morning, I trudged to our local Starbucks, noble fool that I am, hoping to secure the sacred totem. The barista, barely conscious, looked up with eyes that had seen too much. “Sold out at three a.m.,” he murmured, his voice the verbal equivalent of burnt espresso. “Ten minutes. Line out the door.” He added that a new shipment would arrive Monday—but those too would vanish at three a.m., devoured by the same nocturnal zealots. When I asked if people were scalping them on eBay, he sighed. “That’s part of it. Also… limited edition.”

    This wasn’t my first brush with late-capitalist hysteria. Just two weeks earlier, I’d witnessed a pre-dawn mob outside Trader Joe’s clawing for Halloween Mini Canvas Tote Bags as if they contained the blood of youth. They sold out in an hour. Civilization, I concluded, now runs on collectible anxiety.

    Perhaps our daily routines have become so numbing that people need the ritual thrill of scarcity to feel alive. A talisman, a honey bear, a tote bag—anything to simulate transcendence for ten blessed minutes. It’s the new spiritual economy: redemption through limited edition.

    Empty-handed, I returned home from Starbuck’s this morning, brewed my own dark roast, and read Stephen Marche’s On Writing and Failure—his autopsy of ambition and futility—while reflecting on my own lifelong hunt for literary honey bears: the bright, unattainable chimeras that promise meaning but mostly sell out before dawn.

  • The No Consequences Era of Education

    The No Consequences Era of Education

    It’s been a bruising semester. I’m teaching a class full of student-athletes—big personalities, bigger social circles. I like them; I even feel protective of them. But they’re driving me halfway to madness. They sit in tight cliques, chattering through lectures like it’s a locker room between drills. Every class, I play the same game of whack-a-murmur: redirect, refocus, remind them that the material matters for their essays. I promise them mercy—“just give me 30 minutes of focus before we watch the documentary or workshop your drafts”—but my voice competes with the hum of conversation and the holy glow of smartphones.

    The phones are the true sirens of the classroom—scrolling, snapping, texting, attention atomized into pixels. Maybe it’s my fault for not collecting them in a basket like contraband. I thought I was teaching adults. I thought athletes, of all people, would bring discipline and drive. Instead, I’ve got a team that treats class like study hall with Wi-Fi. My essay topics that have created engagement in past semesters—like Jordan Peele’s Sunken Place—barely register. The irony: I’m showing them the metaphor for psychological paralysis, and half the room is literally sinking into their screens.

    After thirty years of teaching, this is the hardest semester I’ve had. I kept telling myself, Five more weeks and the storm will pass. Next semester, you’ll have your groove back. Today I spoke with a colleague who teaches the same class to the general population—same disengagement, same cell phones, same glazed eyes. He added one more grim diagnosis: the rise of fragility. When he points out errors, missing citations, too much AI-speak, or low effort, students protest that his feedback “hurts their feelings.” They’re not defiant—they’re delicate. Consequences have become cruelty.

    That word—consequences—haunted me as I walked to class. I thought about my own twin daughters at their highly rated high school, where late work flows freely, “self-esteem” trumps rigor, and parental complaints terrify administrators more than failing grades. It hit me: this isn’t an athlete problem—it’s a generational shift. The No Consequences Era has arrived. Students no longer fear failure; they resent it. And the tragedy isn’t that they can’t handle criticism—it’s that they’ve never been forced to build the muscle for it.

  • How Not To Turn Into a Pillar of Salt in the Internet Age

    How Not To Turn Into a Pillar of Salt in the Internet Age

    Anna Lembke’s Dopamine Nation didn’t teach me anything comforting. It confirmed what I already suspected: addiction isn’t a habit; it’s a ravenous creature with a bottomless stomach. The more you feed it, the louder it howls. It storm-raids your mental vaults, looting the energy you need for your work, your relationships, and your sense of self. And your family feels the theft—spiritually, emotionally, domestically. Addiction doesn’t just eat you; it nibbles at everyone near you.

    Even with self-awareness, even with a clear understanding of triggers and a sincere desire for freedom, you don’t get a clean fight. The casino is rigged. Modern dopamine doesn’t drip from a bottle or a needle—it streams through fiber-optic cable. Our phones and laptops, the same devices we use to create, to earn, and to connect, also serve as the slot machines we keep in our pockets. The house never closes, and the drinks are free.

    Lembke tells us to avoid triggers, but what do you do when your trigger is baked into your professional life, disguised as “productivity” and “connection”? Avoidance becomes theater. You can only tiptoe around the swamp for so long before some lonely hour arrives, and curiosity knocks like an old vice with freshly polished shoes. A hit of self-pity, a twitch of boredom, a flicker of FOMO—and suddenly you’re back in the feed trough, gulping pixels like syrup. The crash comes fast: shame, exhaustion, vows of purity. Then the next impulse, the next relapse, the same ancient ritual. Lot’s wife didn’t want to look back; she simply couldn’t resist. Neither can we, sometimes. Salt is surprisingly modern.

    So the task becomes stark: learn to live in this world without turning yourself into a monument of regret. Train your gaze forward. Build the strength to resist that backward glance. The modern life mission isn’t to slay the demon—he regenerates too easily. It’s to starve him, inch by inch, while protecting the scarce, bright energy that makes you human.

    Becoming a human being is a high-stakes game. Learning to live a life in which you don’t become a pillar of salt is one of life’s chief endeavors.

  • I Will Not Let the Foot-Shamers Win

    I Will Not Let the Foot-Shamers Win

    Last night over salmon bowls, my teenage twins informed me that today’s high-school generation considers bare feet a social felony. To expose toes in public, they say, is to reveal yourself as a swamp creature—an outlaw of etiquette, a barbarian with no awareness of modern civilization. The vocabulary to describe bare feet is vicious: “grippers,” “trotters,” “dogs,” “plates of meat.” Because I live in Southern California and wear flip-flops year-round like a semi-retired island hermit, I am now a walking scandal. One of my daughter’s friends reportedly whispered, “I saw your dad’s dogs. Gross.” And just like that, I became the suburban boogeyman haunting teenage group chats—Toejack the Footed Menace.

    My generation also hates bare feet, but we limit our disgust for airplanes, where shoeless passengers press their fungal feet against the communal air vents. Writer Tom Nichols posts photos like he’s covering war crimes, and comedian Sebastian Maniscalco calls overgrown toenails “machetes” with the intensity of a man who has suffered. So yes, the barefoot debate spans generations—but where Boomers see in-flight terrorism, Gen Z sees any exposed foot as a moral collapse, a failure of hygiene and personal branding.

    Personally, I think the hysteria is absurd. My deepest fantasy involves moving to a tropical beach, walking the shore barefoot at sunrise, and not being cyber-executed by teenagers over my phalanges. Yet here I am, contemplating pedicures. I want buffed nails like polished shells and heels so moisturized they could star in a coconut-oil commercial. If I must defend the barefoot lifestyle, I will do it in gleaming style. I will not let the foot-shamers win. I will make going barefoot beautiful again—one jojoba-glazed toe at a time.