Cinemorphosis

Category: Confessions

  • Will Living Forever Affect Your Timekeeping?

    Will Living Forever Affect Your Timekeeping?

    Like most people, I want a long life. Every morning, no matter my mood, I spring from bed eager to make dark-roast coffee and buckwheat groats with vanilla protein powder, soy milk, and berries. The more miles on my life odometer, the better—so long as those miles are smooth: no bureaucratic migraines, no addictions, plenty of income, spiritual ballast, connection with others.

    That’s why I read Tad Friend’s essay “How to Live Forever and Get Rich Doing It” with interest. Friend profiles 64-year-old Peter Diamandis, an optimist convinced we’re on the brink of breakthroughs: blood filters to block cancer, sound waves to detect strokes, mood-zapping tech for depression. He calls Diamandis “an emissary from the realms of possibility.”

    Tech billionaires have practically built vacation homes in the land of eternal youth, wiring obscene sums into anti-aging startups like it’s Monopoly money. Sure, the wealthy already get a 12-year head start on the poor, but most scientists insist the afterparty ends around 90. We’ve smacked into the “biological ceiling.” As for the 900-year marathons of Noah and Methuselah—please. They were breathing alpine air untainted by lead, cadmium, or mercury, not commuting through rush-hour smog in a Tesla.

    Diamandis and his circle press ahead anyway, bankrolled by billionaires who can’t resist the dream. Along the way, I learned a new term: hormesis—mild ordeals that supposedly trigger cellular resilience. Exercise? Fine, because it comes with endorphins. Semi-starvation? No thanks—I’m not interested in being hungry and cranky for decades. Cold plunges? Too much Instagram posturing. I’ll splash my face with cold water. That’s good enough for me.

    Some biohacks drift so far into self-parody they could headline at a comedy club. Take CAROL, a resistance bike that has you pretend a saber-toothed tiger is on your tail, all in the name of channeling your inner Neanderthal sprinter. As Tad Friend drily notes, Neanderthals weren’t exactly poster children for longevity—they usually tapped out before 30.

    Then there’s Bryan Johnson, the longevity poster boy, on a semi-anorexic diet, flexing for the camera, and blasting sound waves through his loins to reclaim teenage virility—an evidence-free vanity project if ever there was one.

    Friend notes that many biohackers avoid the news entirely; Diamandis calls it “amygdala-stimulating dystopian clickbait.” Conveniently, this shields him from rebuttals—odd, since science supposedly thrives on them.

    Some predictions verge on male fantasy: 100-year-old moguls marrying women half their age and siring fresh broods as proof of potency. Joe Polish, a former collaborator, nails the pitch: “A compelling offer is ten times more powerful than a convincing argument.” Translation: they’re selling a dream, not a reality.

    Don’t get me wrong—I want research that crushes heart disease, cancer, stroke, and Alzheimer’s. But even if we slay those dragons, organ and metabolic failure will still get us before 100. Immortality, as marketed here, is mostly grift, mostly ego.

    The essay veered into timekeeping, which I track as a watch obsessive. Longevity researchers distinguish between chronological time—the calendar—and biological time, measured through DNA methylation, blood biomarkers, organ imaging, and physical function. Dave Asprey claims his 52-year-old body is 18. I doubt it. Maybe 40 on a good day.

    Still, biological age matters. Functional strength predicts survival: slow-walking 85-year-old men die sooner than the fast walkers; those who can bathe themselves outlive those who can’t.

    But what does a long life mean? Picture a greedy, paranoid recluse with 5,000 luxury watches, 12 cars, and a private jet, living to 200. That’s not winning—that’s a remake of Citizen Kane.

    In the end, spiritual rehab beats the obsessive tinkering of physical micromanagement. Back in the ’80s, a friend told me how cocaine had sandblasted his capacity to care—about his life, his girlfriend, even himself. One night, he woke up under a heap of half-conscious bodies in a party’s stale, smoky gloom. In the corner, through a haze of spilled beer and burnt-out joints, he saw his glassy-eyed girlfriend making out with his equally blitzed best friend. He felt nothing—no jealousy, no rage, just a numb vacancy. Then, from somewhere deep inside, a voice cut through the chemical fog: “Dude, you should care.” The next morning, he checked into rehab and began the slow, grueling work of putting his soul back together.

    That’s the missing piece in the longevity movement: not more years, but more humanity. Health matters. Exercise matters. But without soul work, you’re just buying time for an empty vessel.

  • The Paradise Hangover

    The Paradise Hangover

    Yesterday I posted a 24-minute video on my YouTube channel about my family’s trip to Oahu—about slipping into what I call Sacred Time—and about the sullen resentment that comes when you’re yanked back into Profane Time. In Sacred Time, there are no utility bills, no kitchen repairs, no inbox choked with memos. In Profane Time, there’s nothing but.

    There’s a lag between the two realms. The body may be back at the desk, moving through the motions of Profane Time, but the mind and heart are still on an island, half-convinced they’ve found a loophole in the laws of mortality.

    In that sacred dimension, we become a mythic version of ourselves—effortless raconteurs, irresistible charmers. The hotel bartender laughs at your jokes. The maître d’ nods in worldly agreement when you talk about sunsets and seared ahi. Their warmth feels real, not transactional. And you start believing the PR you’ve written for yourself. Then you fly home, and the whiplash from god-king to bill-payer is too much to bear.

    It reminded me of a woman I met nearly twenty years ago in a frozen-yogurt shop in Torrance. My wife and I were waiting in line when she appeared: tall, angular, maybe in her sixties, the ghost of a former beauty. Short blonde hair with a whiff of style still clinging to it, smeared red lipstick, tight leopard-print pants, and high heels that had seen better decades. She carried her currency—hundreds of pennies—in a crumpled paper bag.

    She spilled them, along with her dessert, across the tile floor. I bent to help her, feeling the full weight of her story without knowing any details. I imagined her as a former starlet who once walked red carpets, who’d been adored, flattered, invited everywhere—until one day she wasn’t. She’d never made the identity shift from somebody to nobody, and that inability had swallowed her whole.

    Self-mythologizing is dangerous. Whether you’re a faded Hollywood beauty or a sun-dazed tourist just off the plane from paradise, you have to face the comedown. Adult life demands it. The mythical and the mundane need each other—without the grind, the magic loses its shine.

    So yes, I’m sulking about my return from Hawaii. Yes, I’d rather be sipping mai tais than buying new blinds and a desk for my daughter. But that’s the deal. Profane Time pays for Sacred Time. You can’t live in one without surviving the other.

  • Hawaiian Vacations Are About Stepping Outside the Clock and Cheating Death

    Hawaiian Vacations Are About Stepping Outside the Clock and Cheating Death

    Spend a week with your family in Hawaii and you slip into a parallel time zone—one that ignores clocks altogether.

    It starts the moment you survive five airborne hours in a 400-million-dollar jet. You land feeling like Superman, minus the cape and plus a mild dehydration headache. Within 24 hours, you’re barefoot, in swim trunks, marinating in mai tais, spooning loco moco into your face, and demolishing lilikoi pies. The weather is so perfect it feels like it was made to flatter you personally. Sunsets become private screenings. You have no deadlines, no alarms, no reason to measure the day except by the height of the tide or the level in your glass.

    In this dimension, you’re not just on vacation—you’ve stepped outside of time. And outside of time means outside of death. Some corner of your brain starts whispering that you’re untouchable. Immortal.

    That’s when the trouble starts.

    The thought of getting back on a plane becomes revolting. It’s not just leaving Hawaii—it’s leaving Sacred Time and returning to Profane Time. Back to the grind where schedules nag and mortality hides in every bathroom mirror.

    Even after you land at home, you’re not really home. You’re in a kind of sun-drunk denial, still hearing the ocean in your ears while the neighbor’s leaf blower whines outside. The older you get, the worse the hangover—because you know the clock is running, and the illusion of timelessness is an intoxicant more potent than any cocktail with a paper umbrella.

    And then it’s over. You reenter the machine. Days are counted in emails, not waves. The tan fades, and with it the fantasy that you’ve cheated the countdown. That’s the real brutality of reentry—not the weather, but the eviction notice from the one place that convinced you, however briefly, that you could live forever.

    So yes, I’m already searching for Big Island resorts. It’s not wanderlust—it’s a hunt for my next fix of immortality. And I know the danger. One day I might just stay.

  • The Soul Sorting Hub

    The Soul Sorting Hub

    Last night I dreamed I’d landed in purgatory, and it wasn’t clouds and harps—it was a warehouse. Not just any warehouse, but a sprawling hub the size of the UPS facility I worked at in Oakland in the early ’80s. Conveyor belts snaked through the place, machines hissed and clanked, but no parcels moved here. This was a sorting center for souls.

    Some souls were shipped out, upgraded. Others were stamped REJECT and sent down a darker chute to wherever rejects go. I was parked in a waiting room with a handful of others, each of us marinating in that bureaucratic dread—half DMV, half Judgment Day—waiting to hear if we were worth the trouble.

    When my number came up, the Maker looked me over and decided I’d make the cut. My old, corroded soul was extracted without so much as a twinge. It turned out to be a rectangular device—part ancient relic, part broken office machine—perforated and inscribed with faint glyphs. The sound it made was pitiful, like a player piano gasping out a bad lounge act.

    They gave me a new roll, a clean mechanism tuned for beauty. My spirit now ran on melodies that could stop people in their tracks. Freed from the grime of my old hardware, I was incapable—almost physically incapable—of my old toxic habits.

    In my new life, I didn’t busk, didn’t carol, didn’t sell myself. I simply stood outside strangers’ homes, and music poured out of me, as if the air itself had been waiting for me to start. People welcomed it. They welcomed me.

    The real miracle wasn’t that I made music worth hearing. The real miracle was that, for once, I was in harmony with myself.

  • My Week in Oahu with the Seiko SPB143

    My Week in Oahu with the Seiko SPB143

    As a watch obsessive, my Hawaiian packing list starts with one burning question: which watch gets the honor? The choice was obvious—it would be a diver. That’s not a bold decision; it’s the only category I own. And it would be a Seiko, naturally, because my watch box is a one-brand dictatorship.

    I admire other marques—Citizen, G-Shock, Omega, Tudor—but I don’t mix brands. It’s not snobbery; it’s a survival mechanism. Introducing another brand into my rotation feels like switching from German chocolate cake to lemon meringue mid-bite. I like lemon pie, but the chocolate-coconut symphony is wrecked. My horological palate is scrambled.

    Call it idiosyncrasy, call it neurosis—either way, I’m trying to be crazy about watches without tipping into full padded-cell territory.

    For Oahu, I strapped on my Seiko SPB143. Wore it for a week straight. By day three, I was smitten; by day seven, besotted. Sleek, comfortable, unpretentious—like the rare friend who doesn’t demand you upgrade your personality. I’d stroll through the tropical paradise of Honolulu and stop mid-step to admire the dial. My family no longer asks. Dad’s just off in his little watch trance again.

    And yet, as soon as I got home, I was ready to swap it out. Turns out my “One and Done” fantasy is a sham. Every watch, no matter how perfect, eventually needs a pinch-hitter.

    While in Honolulu, I kept tabs on the local horological fauna. Ninety-five percent of the tourists wore smartwatches. It’s not a trend; it’s a coup. They’ve paired with the phone—ubiquitous, addictive—and won the war. Wearing a mechanical diver made me a walking anachronism, an analog lighthouse in a digital tsunami.

    I’m used to that. I still play an acoustic Yamaha piano, tuned by 76-year-old Cecil, who informs me there’s now only one piano-tuning school in America. Digital keyboards are coming for his livelihood the way smartwatches came for mine.

    I’m no Luddite—I read on a Kindle, let AI red-pen my prose, and churn content on YouTube and WordPress. But I keep three analog sanctuaries: my mechanical watches, my Yamaha piano, and my kettlebells. They’re my stubborn tether to the tangible world.

    Oahu itself blindsided me. I’ve been to Kauai and Maui, but Oahu’s mix of international energy, relaxed hospitality, and infrastructure that doesn’t buckle under tourism made me wonder if it’s my new favorite. I met Mark, a guitarist at Tommy Bahama’s, and Zach, a world-class golf caddie, both of whom swore by the lush northeast of the Big Island. I’m already looking at $600-a-night resorts.

    My family’s proud I can now fly to Hawaii or Miami without melting down in the cabin. Claustrophobia and flying anxiety used to keep me grounded, but I’ve discovered the cure: Audible books and noise-canceling headphones. Five hours in the air is fine; six is mutiny. Europe is off the table. I apologize to my family, but at least I’m better than John Madden—he wouldn’t get on a plane at all.

    Now I’m home. Technically. Physically. But mentally? Still on the lanai. That’s the thing about vacation—it’s sacred time, separate from the profane ticking of everyday life. When you come back, you don’t really come back. The connection to your family, to yourself, to paradise—it lingers, stubborn as a tan line. And the older you get, the harder it is to shake.

    So yes, I’m back. But I’m also already gone—scanning Big Island resorts, plotting my next escape, and quietly wondering if, one day, I just won’t return at all.

  • Trees Bent by the Wind

    Trees Bent by the Wind

    In An Abbreviated Life, Ariel Leve recounts the shadow her mother cast across her existence—a narcissistic, volatile presence who trailed her daughter across continents. Her mother blurred boundaries, confiding adult affairs, romantic escapades, and private fantasies to her child, then lacing those disclosures with guilt trips and psychological sabotage.

    At eleven, Ariel was told she was going blind—a lie without evidence, a mix of cruelty and madness. This was not an isolated cruelty but the common cadence of her mother’s speech. At six, Ariel’s caretaker, Kiki, died of a stroke mid-flight, with Ariel in the cabin. Ariel stopped speaking for six months; a psychiatrist prescribed Valium.

    Her mother, often wearing a nightgown even to school functions, could deliver barbed declarations without breaking her routine. “When I’m dead, you’ll be all alone because your father doesn’t want you,” she told her young daughter, pausing only to reapply makeup. “Just remember that and treat me nicely.”

    Her father, in Bangkok, refused to take her in. Ariel lived in grief that he wouldn’t rescue her from the chaos. Decades later, a therapist told her that growing up with such a mother caused neurological damage—her brain, shaped by constant stress, had developed like a tree twisted by relentless wind. Trauma was not a lightning strike; it was climate. The result: a life stripped of adventure, self-acceptance, and trust. Ariel’s default mode became hypervigilance and retreat.

    Her partner, Mario, an Italian with no literary ambitions, no awareness of New York publishing, and no taste for bagels, embodies the opposite—balanced, unselfconscious, open to life. He steadies her, if only temporarily.

    In one conversation, her father asked if she could let go of the past. Could she destroy her demons? Ariel was unsure. A novelist told her discipline could harden one’s “emotional arteries,” making childhood wounds less decisive. Ariel countered: some are “front-loaded with trauma,” not victims but soldiers—scarred, but still standing.

    Neuroscientist Martin Teicher affirmed her point: childhood abuse alters brain wiring. Adaptive coping mechanisms in childhood turn maladaptive in adulthood, creating an adult mismatched to their world. The traumatized blunt emotion not with a scalpel, but a sledgehammer—shielding themselves from joy as well as pain.

    For Ariel, this explains a life “within brackets.” She sees herself in the patterns Janet Woititz described in Adult Children of Alcoholics: mistrust, emotional volatility, self-loathing, and a skewed sense of normalcy.

    Her chosen remedy: EMDR therapy for PTSD. Nine months of “the light saber”—eyes tracking a green light, headphones delivering sound, memories replayed until they lose their grip. Sessions leave her exhausted. There is progress, measured in patience with Mario’s daughters, in small openings toward joy. But she does not present herself as cured—only as a permanent convalescent.

    Her memoir probes the ethics of trauma. How accountable are the wounded for maladaptive behavior? Can faith or philosophy save them, or does failure deepen self-blame? Are they sinners, soldiers, or something in between?

    Leve’s life raises a tension between two extremes: the nihilist’s surrender—“nothing can be done, so I’ll live recklessly”—and the motivational credo—“discipline and positivity conquer all.” The truth lies somewhere in the messy middle.

  • Scaling the Walls of Forgetting

    Scaling the Walls of Forgetting

    Last night I dreamed I was trapped between two bodies—one fixed at nineteen, the other at sixty-three—and the hands kept swinging me back and forth. Each shift rewired me. My skin would tighten, my mind sharpen, and then in the next instant my knees ached, my thoughts clouded, and the mirror refused to settle on one face.

    In the confusion, I kept losing my keys. Not just keys—wallet, watch, phone. Every few minutes I’d pat my pockets and feel the hollow absence. I lived in a commune that was equal parts office, recording studio, and half-forgotten alumni reunion. The place was enclosed by towering steel walls, the kind that promised protection while making you wonder what you were being kept from.

    We scaled those walls to glimpse the outside world and, somehow, the higher we climbed, the further we could travel through our own memories. But altitude brought obstacles—massive gates stacked one atop another, each locked, each requiring a key.

    I had a locker at the base of the camp with everything I needed: my belongings, my one precious key. And then it was gone, lost to the dream’s careless currents. I cursed myself, replaying the loss in my mind until it stung.

    Kevin, an old friend with a voice like a warm blanket, told me it was fine. Not to worry. That I was okay. Ted, wiry and restless, was already at the top, peering over. He called down, telling us to follow his example, that freedom was just beyond the next barrier.

    Meanwhile, Charlie lounged at the compound’s base, getting his hair trimmed and his shoes polished by a contented employee, as if this walled-in world was good enough.

    The forgetting pressed in on me, thick and airless. Ted’s optimism couldn’t lift me, Kevin’s comfort couldn’t steady me. Without the key, I felt stripped of competence. I teetered there—between the clock faces, between the steel walls—on the edge of hopelessness, afraid that even if I found the lock, I wouldn’t remember what it opened.

  • Why I’ll Never Be a Normal Tourist

    Why I’ll Never Be a Normal Tourist

    I don’t deserve a nice vacation. Who am I to lounge in tropical paradise, sipping a Miss Sunshine on the rooftop of Tommy Bahama’s in Honolulu—a lemon-infused Grey Goose cocktail dressed up with coconut and salted honey, basically sunshine in a martini glass?

    Yet that’s exactly what I did on my last night in town. My family and I ate dinner under the soft glow of string lights while a guitarist named Mark worked the crowd. He had that rare gift of making diners feel the music was just for them. My daughter requested Neil Young’s “Harvest Moon.” Mark delivered it like a love letter. I followed with The Go-Betweens’ “Streets of Our Town.” He’d never heard of it. Then I tried “Back to the Old House” by The Smiths. His eyes lit up.

    “Oh, you’re one of those,” he said, as if I’d just flashed a velvet-lined membership card to the Melancholy Music Society. “Are you a musician?”

    I admitted to being an amateur pianist. During his break, we talked shop. He’d been gigging since 1979, grew up on Oahu, and had soured on Maui—“negative energy,” he said, with the certainty of a man who’s read the island’s aura. His favorite? The Big Island, especially Hilo. “Hilo’s the lush side,” he told me, as if revealing a secret password.

    The next day, stuck in the Honolulu airport waiting for a delayed United flight (short a flight attendant, with a substitute speeding in from home), I met Zack—a 48-year-old professional golf caddy with the leathery tan of someone who spends life between fairways and airports. He was headed to Houston, then on to Kansas City for a tournament at Blue Hills Country Club.

    We talked for forty-five minutes about the job. “You have to make a world-class golfer like you, trust you, and win,” I told him. “That’s harder than being a psychiatrist.”

    He grinned. “Same as being a college writing instructor.”

    Touché. We agreed we were both part salesman, part psychologist.

    Zack checked his watch. “If I make my Houston connection, I get Texas brisket with my family before the drive to KC.” His wife taught French at an Oahu high school; they’d lived there over twenty years. Like Mark, he loved the Big Island most. Also like Mark, he worshipped Hilo. In fact, he’d bought land there for his retirement.

    On the flight, I lost myself in Jim Bouton’s Ball Four on Audible, forgetting about Zack—until landing, when the flight attendants asked passengers to clear the way for passengers with tight connections. At the back, there was Zach, looking like he’d just played eighteen holes without water.

    With the authority of a man who’d just been handed the Staff of Moses, I raised my hand: “Make way for my friend Zack! He has three minutes to make his connection!” The crowd parted. As he hurried past me, I patted his back and told him to enjoy the brisket.

    My wife nearly folded in half laughing at my grandiosity, my habit of turning chance encounters into minor epics. At baggage claim, she called Mark and Zack my “new friends.”

    She’s right. I may never learn to truly relax on vacation. But give me a stranger with a story, and I’ll make a night of it.

  • The French Toast Zone and Other Dangerous Places

    The French Toast Zone and Other Dangerous Places

    Recently, I watched the new King of the Hill, where the gang has aged into the gentle patina of later life. In one scene, Hank, Peggy, and Bobby are seated at the kitchen table, devouring what looked like French toast or chocolate chip pancakes—something golden, sweet, and unapologetically bad for you. It was an ordinary family breakfast, the kind you imagine smelling from three houses away. Watching it felt like slipping into a warm bath of contentment. These were normal people, enjoying themselves, at ease in the sacred space I call the French Toast Zone.

    The French Toast Zone is the place where life is easy, breakfast is decadent, and you’re at peace with your waistline, your arteries, and your eventual mortality. But step into the biomarker minefield—calories counted, protein ratios calibrated, insulin spikes plotted like military campaigns—and you’re in the Restriction Zone. The mood shifts. Every bite is an act of negotiation with your cholesterol, your bathroom scale, and the grim actuarial math of your lifespan.

    Real life, of course, is not an all-inclusive stay in either zone. Most of us shuttle back and forth—half saint, half sinner—forever bargaining between the delights of German chocolate cake and the promise of three extra years of foggy-eyed longevity. Too much denial, and you die having lived as a monk in a bakery you never entered. Too much indulgence, and you’re trapped on the hedonic treadmill, sprinting after pleasures that get smaller the closer you get.

    Some people manage this dance effortlessly. They live in homeostasis, exercising moderation as naturally as breathing. I have never been one of these blessed creatures. As a teenage bodybuilder who saw biceps as salvation from low self-esteem, I learned early that moderation was for other people. My internal wiring is a one-way circuit from obsession to burnout and back again. I am, in short, Extreme Man.

    Extreme Man has his own archetype—a tragic, sweaty figure charging at his chosen folly until he mutates into something grotesque. Then comes the epiphany, the Damascus jolt that scrambles his molecules and sends him hurtling into a new life mission. It could be religion, music, bodybuilding, stamp collecting—doesn’t matter. Once the lightning strikes, moderation becomes an obscenity. He must convert the world.

    When I was a teenage Olympic weightlifter, I preached squats with the fervor of a street-corner prophet, convinced proper form could change lives. My audience—bewildered, politely nodding—failed to share my revelation. Some Extremes get written off as harmless cranks. Others, gifted with charisma, build religions followed by millions.

    The homeostatic types are often immune to these evangelists. They are already content. But for those of us who never knew balance, the siren call of radical change is intoxicating. We cling to the hope that the right transformation will lift us out of our malaise.

    Neither camp is wholly admirable. The balanced can model moderation—or smug mediocrity. The Extremes can inspire reinvention—or display unhinged egotism. The truth is in the messy middle, where both tendencies collide, and if you’re lucky, you learn from both without being consumed by either.

  • This Is the Life You Have Chosen

    This Is the Life You Have Chosen

    I’ve never forgotten a story one of my college students told me back in the fall of 1998. She was a re-entry student—a nurse in her early forties—juggling coursework at UCLA with overnight hospital shifts. The kind of woman who sticks in your memory: short, sturdy, glasses perched low on her nose, with the weary, perceptive eyes of someone who’d seen too much and lips that knew how to pace a punchline.

    Most afternoons, after class let out, she’d linger by my desk and recount episodes from her Louisiana backwoods childhood or from the fluorescent netherworld of her hospital’s VIP wing. Her stories ricocheted between absurdity and horror—tales told with the calm authority of someone who could handle arterial spray with one hand and chart notes with the other.

    But one story gripped me by the spine and never let go. It wasn’t about dying celebrities or ER gore. It was about something far worse. A visitation. A monster.

    She and her cousin Carmen were feral children, raised in the lawless heat of rural Louisiana, where school attendance was optional and adult supervision was more myth than fact. Left to their own devices, the two girls invented what she called “mean games”—they tortured frogs, pulled wings off insects, and hinted at darker cruelties she refused to name. Lord of the Flies in sundresses.

    And then one afternoon, the visitor arrived.

    They were holed up in a decaying house, conspiring over their next cruelty, when the porch door creaked open and something stepped inside. It looked like a man. But it wasn’t. It had a tail—thick, muscled, and disturbingly animate. It moved with a will of its own, curling and flicking behind him like a fleshy metronome. His body was bristled with wiry hair. His voice? Low, hoarse, and calm in the most terrifying way. He didn’t threaten. He simply listed.

    Sitting in a rocking chair, the creature described, in brutal detail, everything the girls had done—every frog mutilated, every insect dissected. Nothing vague. He named the acts like he had them on file. And then he made his offer: Keep going, he said, and I’ll recruit you.

    He stayed for three hours. Just sat there. Breathing. Flicking that tail. Describing their path toward damnation with the steady tone of a bureaucrat explaining retirement benefits. When he finally left, dissolving into the heat shimmer of the Louisiana dusk, the girls were too stunned to move. Carmen whispered, “Did you see that?” My student just nodded.

    They never spoke of it again. But they changed. Overnight. Sunday school. Prayer. Kindness, enforced not by conscience but by fear. The kind that settles in your bones and never leaves. Whatever that thing was, it did its job.

    And this is the part that haunts me: she wasn’t a kook. She wasn’t mystical, manic, or given to exaggeration. She was a nurse—clear-eyed, grounded, more familiar with death than most people are with taxes. She wasn’t telling a ghost story. She was giving a deposition.

    To this day, I see those two girls, wide-eyed and paralyzed, staring down a thing that knew them intimately and promised them a future in hell’s apprenticeship program. Whether it was a demon, a shared psychotic break, or some mythological construct formed by childhood guilt and Southern humidity, I don’t know. But I do know what it meant.

    The creature’s message was brutal in its simplicity: Keep practicing cruelty, and you’ll lose the ability to stop. You’ll become it.

    That’s not just folklore. That’s biblical. The idea that if you repeat your wickedness long enough, God—or whatever you believe in—stops interrupting you. He doesn’t smite you. He simply steps aside and says, Go ahead. This is the life you’ve chosen.

    No wonder Kierkegaard was obsessed with working out your salvation with fear and trembling. There’s nothing more terrifying than the idea that damnation is self-inflicted, not by a thunderbolt, but by repetition. That the road to hell is paved with muscle memory.