Tag: books

  • The Abbot’s Misfits

    The Abbot’s Misfits

    I arrived at the Palos Verdes trails just before ten, and the heat was already doing its best impression of a convection oven. The mountainous trails, baking under the relentless sun, were separated from the street by a chain-link fence that looked like it had given up on life years ago. Inside the confines of this makeshift pen, several dozen goats were having the time of their lives munching on dry grass as if it were the most gourmet hay in existence. Their faces were a mix of innocent curiosity and that absurd kind of adorableness that makes you momentarily consider swearing off lamb chops forever. I made a mental note to “consider veganism” again, a notion I promptly squashed with vivid memories of my O-positive blood rejoicing every time I indulged in a perfectly seared ribeye. Hello, goats—you’re safe because it looks like I’ll stick with beef.

    By the goats, a white tent had been pitched like some sort of mirage, and under it, a circle of chairs was arranged with the precision of a cult meeting—or worse, a corporate team-building exercise. The man who had the audacity to call himself the Abbot greeted me with a grin that suggested we were about to embark on a day of carefree yachting rather than whatever bizarre ritual he had planned. Forget the flowing robes and monastic aura—I was greeted by a fitness model straight out of an overenthusiastic health magazine. Neatly pressed cargo shorts hugged his cycler’s thighs like they had been tailored for the occasion, and his olive T-shirt clung to a body sculpted by what could only be an unholy alliance with a CrossFit gym. 

    A cross-body sling bag was slung over one of his thin yet annoyingly muscular arms, which were covered in veins that seemed to be competing in an under-skin relay race. His jawline could have cut glass, and his neatly sculpted silver hair made him look like he’d stepped out of an L.L.Bean catalog. But it was his eyes that really got me—blazing blue orbs that looked like they belonged on the figurehead of a Viking ship, ready to plunder and pillage. 

    “Graham, come join us,” he said with the kind of enthusiasm that suggested we were minutes away from sipping mimosas on a luxury yacht. “We are just moments away from the interrogation.” The way he said “interrogation” made it sound like a delightful little jaunt instead of, you know, something that involved possible torture or at least a really awkward group discussion.

    The most striking thing about the Abbot wasn’t his absurdly chiseled jawline or his militant posture; it was the overwhelming stench of lavender and rose water that assaulted my senses the moment I got within a hundred yards of him. This man hadn’t just splashed himself with these fragrances—he’d practically marinated in them. It was as if he’d decided to pickle himself in a floral potpourri so potent that it probably had bees tailing him for miles. I half-expected to find petals stuck to his skin.

    As I reluctantly made my way under the tent, I was greeted by the sight of six people slumped in those classic, soul-crushing folding chairs that practically shriek, “We’re only here for the free food.” These weren’t just any ordinary folks. No, these were the future friends, foes, and backstabbers who would weave themselves into the disaster that would soon be my life—though at that moment, they all just looked like they were wondering when the punchline of this bizarre setup was going to drop. Spoiler: It never did.

    Behind them, a table stood like a beacon of false hope. A giant pitcher of cucumber water glistened in the sunlight, promising hydration that would do nothing to wash away the impending madness. But what truly caught my eye was the stack of cakes beside it. They looked innocent enough, these little golden blocks, but I would soon discover that they were the Abbot’s specialty—cornbread cakes made with applesauce, honey, and some vanilla-flavored soy protein powder that tasted suspiciously delicious. These cakes weren’t just a snack; they were a trap, a gateway drug that would soon have me spiraling into a carb-induced dependency I hadn’t seen coming. But let’s not jump ahead—there’s plenty of time to explore how these seemingly harmless cakes would drag me into the Abbot’s world of sweet-smelling insanity.

    For now, let’s just say that in that moment, my biggest mistake wasn’t walking into the tent—it was deciding to stay. But hey, who could resist free “light refreshments”?

    With one arm draped around my back like a used car salesman about to seal a shady deal, the Abbot steered me toward the motley crew assembled under the tent. He flashed a benevolent smile, the kind that makes you wonder if he’s about to offer you enlightenment or swindle you into buying a timeshare in Cancun. “My friends,” he announced with all the pomp of a second-rate cult leader, “Graham has graced us with his presence. He is a college writing instructor with many gifts, though I’ll let him elaborate on those special talents later.” His smile suggested that whatever “gifts” I possessed were about to be squeezed out of me like juice from a lemon.

    He pointed at each member of the ragtag group, starting with Abigail, a woman in her early fifties who looked like she’d been carved out of a block of pale, pasty clay by a very angry sculptor. Her squat frame and monkish haircut didn’t do her any favors, but she smiled with the kind of pride usually reserved for people who’ve just completed their first marathon, despite the fact that she hailed from Gorman—a town so small it might as well not exist—where she’d spent her youth dodging aggressive chickens on her parents’ farm. Abigail proudly raised three fingers, showcasing them as if they were battle scars, and regaled us with tales of surviving on a teeth-rotting diet of PayDay bars and orange Fanta until she discovered The Abbot’s life-altering cornbread cakes. You’d think she’d found the Holy Grail, but instead, it was just some glorified baked goods.

    Next up was Larry, a man in his late forties who had apparently modeled his look on a 1970s mafia reject. His long, slicked-back hair and tinted sunglasses made him look like he was auditioning for the role of “Skeevy Casino Manager” in an off-off-Broadway production. Dressed in black jeans and a too-tight white T-shirt that clung to his muscular upper body like a bad decision, he had the kind of physique that screamed “I skipped leg day,” with spindly legs that looked like they’d snap under the weight of his overly pumped chest. Larry had once been a professional gambler until every casino in the area wisely decided he was bad for business. Now, he managed an upscale Mexican restaurant at Del Amo Mall—a stone’s throw from my house—where he spent his days chain-drinking Red Bull and dreaming of the good old days. “I was probably killing myself drinking all those chemicals and caffeine,” he said, “but thanks to the Abbot and his cornbread cakes, I’m learning the true path.” 

    Larry’s brother Stinky, who looked like he’d just crawled out of the primordial ooze, sat next to him. With shaggy blond hair, deep pockmarks, and a forehead that could have been used as a Neanderthal fossil exhibit, Stinky was the kind of guy who seemed to wear his heartbreak on his sleeve—and his face. In his late thirties and still stuck in a dead-end job at a Costco warehouse, he was the embodiment of a bad country song. His high school sweetheart had skipped town with his engagement ring and now worked as a “hostess” at various questionable establishments in Miami. “Self-pity is my addiction,” he confessed, as if he’d just admitted to a crippling heroin habit. But don’t worry—the Abbot was going to give him a “second shot at life,” presumably with a side of cornbread cakes.

    Maurice shuffled forward, a short, wiry guy with a dark complexion. Looking much younger than his age of forty, his kid’s face was set in a permanent grimace, like he’d just stepped in something nasty and couldn’t shake the stench. He was dressed with the precision of a man who either had nowhere else to go or was meticulously planning his escape. His crisp, white-collared sports shirt and navy blue shorts looked fresh out of the package as if he had bought them specifically for this occasion, only to instantly regret his decision. The sandals on his feet were so spotless they might as well have come with a warning label: “For display purposes only.”

    Maurice radiated the enthusiasm of someone attending a surprise tax audit. If this were a beach day, he’d be the guy hunched under a too-small umbrella, clutching a lukewarm beer like it was his only friend, and glaring daggers at the carefree seagulls circling above, as if they were personally responsible for all the miseries in his life. Every inch of him screamed that he’d rather be anywhere but here, and the irony was that he looked like he was dressed for a casual day out, just not one that involved other human beings.

    To Maurice, this gathering was less of a spiritual intervention and more of a cruel and unusual punishment. His body language said, “I’m here under duress,” and his eyes, narrowed to slits, darted around the group as if calculating the quickest exit. It was clear that Maurice wasn’t here to bare his soul—he was here to endure the ordeal with as much stoic misery as possible. With a degree in computer science and the personality of a dial-up modem, Maurice was the poster child for disillusionment. Recently divorced and demoted from homeowner to condo dweller in Harbor City, he shared this nugget of personal failure with all the enthusiasm of someone recapping their latest colonoscopy. His intro was short, sour, and dripping with enough bitterness to make a lemon blush. You could tell Maurice wasn’t here to find inner peace—he was here because the thought of a one-on-one with the Abbot made him more uncomfortable than the idea of being stuck in a dentist’s chair.

    Sitting next to Maurice was Jason, the group’s designated eye candy. With his languid gray eyes, full lips, and high cheekbones, Jason looked like he’d just stepped off the set of a Calvin Klein ad. But beneath the chiseled exterior was a life insurance salesman and mixed martial arts fighter who’d spent his formative years studying jiu-jitsu and muay thai to protect his siblings from their alcoholic father. His good looks and business success were a smokescreen for the social anxieties and commitment issues that plagued him. “I’m here to find answers,” he said, his voice dripping with the kind of melodrama usually reserved for soap operas.

    Finally, there was Howard Burn, the Abbot’s right-hand man, who looked like he’d been assembled from spare parts left over from a mad scientist’s experiment. Tall and lanky with a head of perfectly coiffed black hair, Howard had the angular, contemplative face of someone who took himself way too seriously. He clutched a notebook in his lap, furiously scribbling notes like a star student at Cult Leader 101. When he introduced himself, it was with all the joy of a man who’d just been informed his house was on fire. “It has been my great pleasure to work for the Abbot for the last three years,” he said, his tone suggesting that “pleasure” was a foreign concept to him. Before joining the Abbot’s merry band of misfits, Howard’s life had been a blur, a meaningless existence spent wandering from one menial job to the next. But the Abbot had changed all that, and for the first time, Howard felt like he had purpose—presumably one that involved handing out a lot of cornbread cakes.

    The Abbot beamed at Howard like a proud father, the kind who gives his kid a pat on the back for finally tying his own shoes. “Well said, my son,” his smile seemed to convey as if the entire room was one big happy family. 

    But then the interrogation began, and any illusion of a cozy kumbaya moment evaporated faster than a politician’s promise after election day.

    The Abbot, who’d suddenly transformed from a benevolent guru into a reality TV judge on a power trip, fixed his steely gaze on Abigail. “We’ll start with you,” he declared, like a dentist about to extract a tooth without anesthesia. “Small-town girl, former fast-food overlord, now a landscaper, and you’re still spiraling from that breakup. Jennifer, wasn’t it? She moved in with someone else—someone you actually considered a friend—and now you’re wallowing in betrayal like a sad country song. All this wallowing has blinded you from your gifts.”

    Abigail blinked, probably wishing she could shrink into her cargo shorts and disappear. “I don’t have any gifts that I know of,” she muttered, clearly hoping that modesty might serve as an escape hatch.

    The Abbot’s smile was as sharp as a guillotine. “Oh, but there’s the matter of your left pinkie, now a charming little hook, thanks to your early attempts at butchering a pumpkin with a serrated knife. What were you, eight years old? Trying to carve a jack-o’-lantern or auditioning for a role in Sweeney Todd?”

    Abigail nodded meekly.

    “Show them,” the Abbot commanded as if this was the grand unveiling of some macabre art piece.

    Obediently, Abigail held out her hand, and there it was: her pinkie, eternally frozen in a grotesque hook. The finger, sliced at the joint below the knuckle, was now more calcified appendage than human flesh—a monument to bad luck and worse kitchen skills.

    “Yes, the hook,” the Abbot intoned, as if he were introducing the world’s eighth wonder. “A marvel, truly. It saved your life during that robbery in Barstow, blinded your would-be thief like a weaponized claw, and has been a godsend for lugging groceries into the house. You’ve even used it to hook tools while landscaping, but you’ve been missing out on its real potential.”

    Abigail stared at the Abbot like he’d just told her she could time travel with her toenails.

    “What you don’t realize,” he continued, his voice dripping with condescension, “is that your little pinkie isn’t just a handy-dandy grocery hook. It’s a supernatural antenna. Whenever you’re near something or someone steeped in dark secrets or supernatural energy, your pinkie will tingle, twitch, or maybe even do the macarena—whatever it does to warn you that you’re in the presence of danger. You’ve got a sixth sense attached to your hand, my dear.”

    The Abbot then motioned for her to stand up. “Go on, stand next to Maurice and wave your pinkie in front of him like you’re dowsing for water. But don’t actually touch him; just let your psychic appendage do its thing.”

    Abigail, clearly wondering what sort of circus act she’d signed up for, obliged. As she moved her pinkie around Maurice’s head, she wrinkled her nose. “There’s something off about his head,” she announced, as Maurice stared ahead with the same enthusiasm as a DMV clerk.

    “Something wrong? With Maurice’s head?” the Abbot said, feigning shock like a bad soap opera actor. “You don’t say! But you’re right. His head is literally messed up.”

    Maurice, looking like he’d just been told his dog died, barely reacted.

    The Abbot turned to Maurice, his tone shifting to that of a doctor delivering a grim prognosis. “Maurice, my boy, you suffer from migraines, but not just any migraines. No, your headaches are like the universe’s cruel joke—they’re precursors to natural disasters, the kind of catastrophes people write disaster movies about. They’re called Black Swan Events. You’ve got the power to sense them before they happen, but until you harness this gift, you’re just a walking, talking barometer of doom. Learn to control it, and you might just be able to save us from the next apocalypse—or at least predict when we’ll need to evacuate.”

    Maurice’s expression remained blank, perhaps pondering whether he’d wandered into a cult or just the world’s weirdest self-help group.

    Abigail, meanwhile, looked at her pinkie like it was a divining rod, realizing that in this absurd reality, even her freakish hook might have its own twisted kind of magic.

    The Abbot, with an air of condescending benevolence, motioned to Abigail to walk toward Stinky. She raised her pinkie—now more hook than finger—over the simian-faced warehouse worker, who stared at it like it was a deranged bumblebee. 

    “His nose,” she declared with the gravitas of someone revealing the cure for cancer. “He can smell things.”

    “Very good,” the Abbot crooned as if speaking to a particularly dim-witted child.

    “But not normal things,” she added, turning to the Abbot for reassurance. “He can smell evil!”

    The Abbot nodded, his eyes twinkling with mock seriousness.

    “He can smell it in people. He knows when they’re lying.”

    “And what does it smell like, pray tell?” The Abbot asked, leaning in as if the answer might be the meaning of life.

    “Ammonia,” she said, wrinkling her nose.

    Stinky chimed in, “I smell ammonia all the time.”

    “Of course, you do,” the Abbot said, as if this were the most natural thing in the world.

    Stinky turned to his brother Larry with a smirk. “When you said you couldn’t loan me that money, I smelled ammonia. You were lying to me!”

    The Abbot, now in full guru mode, said, “Your nose, Stinky, is a lie detector.”

    Stinky’s face twisted into a look of bewildered relief. “All my life, I thought I had some kind of medical condition. When I was a kid, they ran all these tests because I kept saying everything smelled like cleaning supplies.”

    “Of course they found nothing,” the Abbot said, taking a languid sip of cucumber water as if he were above such pedestrian concerns.

    “But if the world is full of evil, why don’t I smell ammonia all the time?” Stinky asked, clearly not understanding the subtlety of his “gift.”

    “Evil, my dear boy, comes in shades,” the Abbot said, like he was explaining quantum physics to a toddler. “You need to fine-tune your nose to detect varying levels of malevolence.”

    He then turned his attention to Larry, who looked like he’d rather be anywhere but here. The Abbot motioned for Abigail to wave her pinkie hook over him, and she did so with all the enthusiasm of someone stirring a pot of gruel. She looked baffled. “I’m not getting anything… wait, there’s a pulse, like a two-four beat.”

    Larry grinned, “That’s ‘Float On’ by The Floaters. I listen to it whenever I’m anxious. Helps me chill.”

    The Abbot’s face soured at Larry as if his disciple’s slow thinking were testing his patience. “You don’t feel pain, do you?”

    “Not really,” Larry said, shrugging. “Last year, I had a root canal. Brought my earbuds and played ‘Float On’ on repeat, and it was like I wasn’t even in the chair.”

    The Abbot sighed, clearly disappointed. “You rely too much on your phone. You must learn to summon the song within your mind. Only then can you truly suppress pain.”

    Larry’s face twisted in confusion. “But isn’t pain a good thing? Like, a warning system?”

    The Abbot’s patience wore thin. “Most humans crumble at the slightest discomfort. Your power allows you to transcend pain, to unlock your full potential. Or would you rather remain a common oaf?”

    Larry still didn’t look convinced, but the Abbot wasn’t one to be deterred by something as trivial as logic. His gaze slid over to Jason, a guy who looked vaguely familiar, like one of those retail cashiers you always see but never remember where. Jason was already fidgeting like a kid caught sneaking candy, his nerves practically screaming “Get me out of here.” 

    “Now, let’s see what our friend Abigail can sense about you,” the Abbot said, leaning in with the kind of enthusiasm usually reserved for people about to tell you you’re in for the deal of a lifetime—if you just hand over your credit card first.

    Abigail, that beacon of confidence, hovered her pinkie in the air like she was trying to tune into Jason’s internal radio. Finally, her pinkie landed somewhere near his waist. “Your back… it’s messed up,” she declared, like she was diagnosing a flat tire.

    Jason winced. “Chronic pain from a car accident two years ago. Acupuncture helps, but it’s still pretty bad.”

    The Abbot sneered like Jason had just admitted to preferring instant coffee. “Acupuncture? Weakness incarnate. Your pain is a gift, Jason. Embrace it, and you’ll become five times stronger than the strongest man alive. Ignore it, and you’ll remain the pathetic creature you are.”

    Jason blinked, trying to process the avalanche of nonsense the Abbot had just unloaded. “So, my back pain is… super strength?” He looked like he was about to ask if this whole thing was an elaborate prank.

    “Precisely,” the Abbot said, with the smug satisfaction of a man who just solved the world’s energy crisis by suggesting we all power our homes with good intentions. “But only if you stop running from it.”

    I realized, with a sudden jolt, that Jason wasn’t just vaguely familiar—I knew him. But from where? Fidgeting in my seat, I blurted out, “Jason, do we know each other?”

    Before Jason could answer, the Abbot’s gaze swung toward me with all the subtlety of a wrecking ball. His nostrils flared like a bull about to charge, and I was suddenly sure he could smell my fear. “You’ll get your turn, but do not speak out of place,” he snapped, like a third-grade teacher reprimanding a kid for talking during recess.

    He turned back to Abigail, clearly eager to get back to his performance of “Mystical Leader Extraordinaire.” “See what you can find out about Graham,” he instructed, as though I were next in line at a spiritual deli counter.

    Abigail moved her magical pinkie over me, her face twisting in confusion like she was trying to figure out a Sudoku puzzle with half the numbers missing. “I’m getting… flapping. Like wings. Bats? No… crows! Huge crows!” She said this with the conviction of someone announcing the discovery of a new planet.

    The Abbot’s eyes gleamed like a kid who just found the last Golden Ticket. “Yes, Graham has an affinity for crows—Gravefeathers, to be exact. They bring him messages from the other side, but he must learn to listen.”

    I raised an eyebrow, now officially in *what the hell* territory. “Gravefeathers? Is this some kind of joke?”

    “Far from it,” the Abbot said with a smile so condescending it could curdle milk. “The Gravefeathers have chosen you. Your task is to decode their messages, to fulfill our mission.”

    “And what exactly is this mission?” I asked, now thoroughly regretting every life choice that had led me to this tent.

    “All in good time,” the Abbot said, his tone so patronizing it was a wonder he didn’t pat me on the head. “For now, you must prepare.”

    As if on cue, Howard Burn—looking like a villainous butler from a B-movie—emerged from the shadows carrying trays covered in tinfoil, like a waiter in some dystopian restaurant. “As a token of your commitment,” the Abbot intoned, “I offer you each a cornbread cake.”

    My skepticism reached new heights. “What’s the catch?” I asked, eyeing the tray like it might contain some kind of mind-control device. “Is this cake magic?”

    The Abbot’s face twisted into that all-too-familiar condescending smirk. “Magic? No. But consuming it is a test of trust, a way to align yourselves with the universe’s energies. And it tastes pretty damn good, too.”

    Howard handed me a slice, and against my better judgment, I took a bite. To my horror, it was delicious. The cake was a golden, moist masterpiece, with a caramelized top that hinted at hidden sweetness. The flavors of honey and vanilla danced with almond and cornmeal, while a subtle cinnamon undertone lingered just long enough to make me question all my life choices up to this point.

    I devoured the cake like a starving man, only to find myself choking on my own gluttony. The Abbot, ever the gracious host, handed me a glass of cucumber water, which I gulped down as if my life depended on it. 

    “I could eat this for breakfast, lunch, and dinner,” I mumbled, wiping crumbs from my face like the classy individual I am.

    Out of the corner of my eye, I noticed a large black crow perched on the gate post, its fiery eyes boring into me with the unmistakable message: Enjoy your cake, you idiot. You’re in for one hell of a ride.

  • The Wedding Oracle and His Shrink-Wrapped Gospel

    The Wedding Oracle and His Shrink-Wrapped Gospel

    In early 2025, I dreamed I was a professional wedding guest—not a guest of honor, not even a plus-one. More like emotional drywall. A freelancer of festivity, dispatched to limp nuptials across the land to ensure they didn’t collapse into the dead-eyed purgatory of a DMV lobby.

    I had one suit, perpetually wrinkled, in a shade best described as regretful charcoal. It screamed, “I belong here, but please, God, don’t hand me a microphone.” My sole obligation? To present the bride and groom with a Styrofoam tray of raw hamburger. Apparently, in the twisted logic of dream-world symbology, true love is best commemorated with shrink-wrapped ground chuck. Forget champagne. Forget cake. The holy grail of marital bliss is beef that bleeds on the gift table.

    Between gigs, I squatted in a beachside apartment that hovered between quaint and post-apocalyptic. Pajamas were my uniform of leisure. My diet consisted solely of dry cereal eaten by the fistful while I absorbed wisdom from The Three Stooges. Every episode felt like a philosophical fable: three idiots trying to fix a pipe, failing catastrophically, then assaulting each other with blunt tools until the problem either resolved itself or became someone else’s.

    Meanwhile, the world decided I was some kind of wedding oracle. Strangers wandered into my apartment at all hours, begging for advice on florals, favors, and whether it was socially acceptable to DJ your own reception. I ignored them. Moe was about to electrocute himself with a toaster, and I had priorities.

    Then came the call—from my boss, the high priest of ceremonial meat. His voice was steeped in the weariness of someone who’s officiated more parking-lot elopements than he cares to admit.

    “Keep up appearances,” he said, grim as a man reciting his own Yelp reviews. “Smile. Hand out tips. Make people believe in romance.”

    I glanced at the hamburger on my counter, still sweating onto the Formica like it was contemplating its own existential horror. “Gotta go,” I muttered, suiting up, grabbing the beef, and heading out the door like a dead-eyed courier for the Cult of Matrimonial Carnivores.

    This was my fate: a never-ending circuit of awkward receptions, clinging to the delusion that my presence—and my lukewarm ground beef—might ignite the dying embers of love.

    Once the bouquet was tossed to an empty dance floor and the mother of the bride cried in the restroom, I’d retreat back to Moe, Larry, and Curly. My companions. My priests. My lifestyle coaches.

    Until one night, it hit me. As I watched Curly get his head lodged in a vise grip for the 117th time, I said aloud, “This can’t be my life.” And right then—bam—the TV flickered.

    Walter Cronkite appeared.

    He looked directly at me with that father-of-the-nation disappointment usually reserved for presidents and felons. “And that’s the way it is,” he intoned, like a man handing down a divine verdict.

    “No,” I whispered. “There’s got to be more than hamburger diplomacy and Stooge theology.”

    Cronkite sighed. “I’m sorry. That’s just the way it is.”

    And I woke up. Alone. Two a.m. Christmas Eve. The living room reeking of uneaten cookies and fading ambition. My only comfort? The faint echo of Cronkite’s voice as it dissolved into the darkness like the aftertaste of a bad decision.

  • Podcrash

    Podcrash

    Last night, I was in my kitchen, casually sharing shrimp, cocktail sauce, and champagne with public intellectuals Andrew Sullivan and Reihan Salam. As one does. We dove headfirst into the big topics: public policy, identitarianism, the collapse of critical thinking in echo chambers, and the shaky health of democracy. Between bites of shrimp and sips of champagne, we reveled in our status as lifelong learners, trading stories about childhood, lost pets, first crushes, and bouts of existential despair. The shrimp bowl magically replenished itself, and the champagne glasses never emptied. It was glorious—three intellectual heavyweights, solving the world’s problems, toasting to friendship and intellectual curiosity. For a fleeting moment, I felt like I’d reached peak existence: camaraderie, enlightenment, and a deeply inflated sense of self-worth, all in one glorious, shrimp-fueled evening.

    Only it didn’t happen.

    I was dreaming, my subconscious hijacked by The Dishcast. This is my nocturnal routine: When I go to bed at night, I fall asleep to a podcast and, before long, I’m the star guest. There I am, delivering profound manifestos about the human condition, my opinions urgently needed and universally admired.

    When I woke up, the camaraderie still lingered, as if Andrew and Reihan had just slipped out the back door, leaving only a faint echo of laughter.

    This happens all the time. In my dreams, I’m not just a listener—I’m part of the podcast universe, slapping backs, sipping champagne, and dropping truths no one dared to utter. Reality, by comparison, is disappointingly quiet.

    Clearly, podcasts are taking too much bandwidth in my brain. I’m not alone. Like millions of others, I’ve practically taken up residence in the world of podcasts. My life runs on a steady soundtrack of conversations and monologues, piped directly into my ears while I swing kettlebells, pedal my exercise bike, grade uninspired writing assignments, cook, eat, and scrub the kitchen into submission. Podcasts are my companions for post-workout naps, my co-pilots on the commute, and my salvation during middle-of-the-night insomnia—the kind where you wake up at 2 a.m., stare at the ceiling, and hope a familiar voice can lull you back to sleep before dawn.

    In total, I must rack up over a hundred hours of podcast listening every week. I spend more time in the podcast multiverse than in the real one, and inevitably, these voices have taken up permanent residency in my brain. Some of these parasocial relationships I welcome with open arms; others, I tolerate with the resigned grumbling of a bad roommate. And then there are the hosts who commit unforgivable sins—becoming smug, tedious, or worse, preachy—earning themselves a one-way ticket to oblivion. In this universe, the delete button is my only weapon, and I wield it without mercy.

    Living in the podcast world as I do—where most of my waking and sleeping hours are dominated by disembodied voices—I’ve started asking some uncomfortable questions. Have I, like millions of others, surrendered my brain to the podcasters, letting them hijack my mental real estate to my own detriment? Am I so immersed in podcast life that I’ve lost all perspective, like a fish in water, oblivious to how wet it is?

    What am I really after here? Entertainment? Wisdom? A surrogate friend? Or just noise to drown out the endless chatter in my own head? Why do some podcasts stick while others fall by the wayside? Are my favorites truly brilliant, or just slightly less irritating than their competition? Is it their buttery voices, sharp wit, or the fact that they don’t seem to realize they’ve become permanent fixtures in my inner monologue?

    Could I live without podcasts? Would the silence reveal things about myself I’m not ready to confront? What do I call that blissful, cozy state when I’m wrapped in the warmth of a trusted voice? Podcastopia? Earbud Nirvana? Sonic Solace? And is it possible to “love” a podcaster too much, like when I know their pet’s name but can’t remember my sibling’s birthday?

    Am I escaping something? Is this obsession a creative pursuit or an elaborate scheme to avoid existential dread? And most importantly, does this insatiable consumption mean something is deeply, hilariously wrong with me? Or does it point to something more profound—a need for a new word to describe the bottomless, soul-deep immersion of chasing episode after episode like a digital hunter-gatherer?

    Yeah, I’ve got questions. But it might be too late. I may already be The Man Who Loved Podcasts Too Much.

  • The Monastery of Minimalism and the Data Plan from Hell

    The Monastery of Minimalism and the Data Plan from Hell

    My daughters had waged a two-year campaign for smartphones with the moral fervor of suffragettes, only with less patience and more TikTok references. To hear them tell it, arriving at school without one was social suicide—like showing up to prom in chainmail while everyone else paraded in Teslas. Their tragic narrative crescendoed with the kind of melodrama usually reserved for war memoirs. I half-expected them to stand outside Target holding cardboard signs that read, “Will Work for Wi-Fi.”

    Eventually, I cracked. Call it love. Call it weakness. Call it what it was: a momentary lapse in parental sanity. I marched them into a gadget boutique in Torrance, the kind of place that takes itself so seriously it might as well charge admission.

    This wasn’t a store. This was a temple—a monastery of white walls and Scandinavian despair, where clutter was a sin and every shelf whispered, “You could be better than this.” I felt like I was entering the afterlife Steve Jobs had always dreamed of: sterile, minimalist, and ready to drain your bank account with the gentle efficiency of a Scandinavian hitman.

    I approached the altar—sorry, counter—armed with a $700-per-phone budget and the conviction of a man about to lose an argument he thought he’d already won. Behind it stood Rick, the store’s resident tech evangelist, draped in branded black, exuding the smug aura of someone who meditates with their Apple Watch.

    “Seven hundred dollars per phone,” I declared, like a man presenting tribute to a minor god.

    Rick didn’t laugh—he dismissed me with a flick of the wrist, like I’d just offered to pay in bottle caps. “Forget that,” he said, with the oily charm of a used Tesla dealer. “We’ve got a promo—latest iPhone. Free.”

    Ah, yes. “Free.” That four-letter word that always means the opposite. Like “organic” or “democracy.”

    By the time Rick was done appending essentials—cases, insurance, screen protectors, and a couple of AirTags so my daughters could be properly surveilled—I was looking at a grand total of $480 per phone. A bargain, apparently, in the same way a $19 cocktail is a bargain if it comes with a rosemary twig and existential despair.

    “And the data plan?” I asked, naively hoping for mercy.

    “Only forty bucks more a month,” Rick lied with the conviction of a man who lies for sport. The screen behind him flashed our real bill—$300 a month—like the scoreboard at a casino for idiots.

    Just as I was ready to abort the mission, the store’s front door blew open like a saloon in a spaghetti western. In walked Rocky, the head manager, a windswept titan who looked like he’d wrestled a leaf blower to style his hair. Rick went pale, as if he’d just seen the Grim Reaper—and the Reaper was asking for receipts.

    Rocky summoned Rick to the back with a silent finger wag, like Tony Soprano calling for a private word. The two vanished into the shadows while we stood around, wondering if we were in a deleted scene from Breaking Bad: Genius Bar Edition.

    They returned ten minutes later—Rocky smiling like a man who’d just fixed a parking ticket with a crowbar, and Rick looking like he’d aged five years and lost a bet with God.

    “You can have the phones,” Rick whispered, his soul visibly limping.

    “How much?”

    “Nothing.”

    “What?”

    “It’s… a special promotion,” Rick said, like he was trying to sell me a timeshare in the afterlife.

    “And the data?”

    “Free for a year. Then it’s $200 a month.”

    “Sold!” I said, because I am a man of impulse and poor foresight.

    Rick shook my hand with all the warmth of a damp paper towel. His eyes were vacant, as if he had just witnessed the death of capitalism—or his commission.

    We turned to thank Rocky, the patron saint of unexpected discounts, but he was gone. No trace. No goodbye. Just the lingering scent of burnt ozone and a whisper in the wind that sounded suspiciously like “Gotcha.”

    As we walked out into the sun, shiny new phones in hand, I couldn’t help but feel we hadn’t purchased anything. No—we’d participated in a ritual sacrifice. And somewhere in the back office, Rocky was lighting a candle and laughing.

  • Flex, Regret, Repeat: My Midlife Crisis, Sponsored by Conor McGregor

    Flex, Regret, Repeat: My Midlife Crisis, Sponsored by Conor McGregor

    My life as an aspiring narcissist hit a new low when my wife and I got home, plopped down on the couch, and decided to indulge in the cinematic masterpiece Road House. This film, if you can call it that, stars a Jake Gyllenhaal so chiseled that he looks like Michelangelo got bored and decided to make an action hero. In this gripping tale, Gyllenhaal plays a tough-as-nails fighter scraping a living in a Key West bar, doing what any self-respecting muscle mountain would do—protecting the bar and its lovely owner, played by Jessica Williams, from corrupt mob bosses. Naturally, this leads to the inevitable showdown with their number-one heavy, played by none other than a bulked-up, foaming-at-the-mouth Conor McGregor, who looks like he’s been subsisting on a diet of raw meat and anabolic steroids.

    The plot is thinner than a strand of dental floss—a Western rehash where an outsider rides into town to clean up the mess. But let’s be real: the story is just window dressing for the film’s true agenda, which is to showcase sweaty, glistening muscles and fight montages that could double as a fitness competition highlight reel. The camera lingers on every bulging bicep and rock-hard ab like a love-struck teenager, turning what should be an action movie into a high-budget commercial for protein powder, creatine, and whatever the hell UFC fighters are injecting these days.

    As Gyllenhaal and McGregor flexed and fought their way through scene after scene, I found myself reaching for my phone, not to check the time—oh no—but to Google “What is Conor McGregor’s diet?” Because watching this movie is less about enjoying a plot and more about realizing you’re a gelatinous blob compared to the human marble statues parading around on screen. Road House isn’t so much a movie as it is a two-hour reminder that you’re one donut away from needing a forklift to get off the couch.

    When the credits finally rolled, and I managed to peel my eyes away from the testosterone-soaked spectacle, I turned to my wife, feeling more deflated than a balloon at a porcupine convention. “I wish I could lose forty pounds and look the way I did when I entered Mr. Teenage San Francisco,” I lamented as if my sad sack of a body was just a protein shake away from making a comeback. I had the muscle once, I swear! But now it’s hidden under layers of adiposity that could cushion a fall from a ten-story building. If they ever invented an advanced generation of Ozempic that came in a pill form, had no side effects, and was covered by my insurance, I’d be the first in line, elbowing grannies out of the way to get my hands on it.

    My wife, however, had zero interest in my nostalgic waxing about the “great body” of my youth. This was not her first rodeo. In fact, she could probably recite my entire “glory days” speech from memory, down to the last calorie of the diet I used to follow. Rolling her eyes with the practiced ease of a wife who’s heard it all before, she suggested we watch a rerun of Northern Exposure—her go-to escape from my never-ending lament about the “Greek god” I used to be. But the seafood restaurant ordeal had left me more drained than a used dishrag, and I waved the white flag of surrender. “Nope, I’m hitting the sack,” I muttered, retreating to the bedroom like a defeated warrior, leaving my wife to her beloved reruns while I dreamed of a time when I was ripped, instead of just ripping on myself.

  • The Stall Wars: A Faculty Restroom Horror Story

    The Stall Wars: A Faculty Restroom Horror Story


    There I was—distinguished professor of literature, credentialed purveyor of syntax and suffering—perched atop the porcelain throne in the sacred stillness of the faculty restroom, savoring the last vestiges of a sugarless lemon-honey lozenge and the sweet, unbroken silence that comes only from locking the world out, one stall door at a time. Beside me: Erich Fromm’s Escape from Freedom. Above me: fluorescent lighting dimmer than the future of American democracy. Around me: peace, solitude, and the faint illusion of control.

    Then came the talcum fog.

    That distinct olfactory offense, paired with the telltale wheeze of a Marlboro-ravaged trachea, shattered the silence. I didn’t have to peek between the stall doors. I knew. It was her. Scary Mary. The tenured temp. The mythological grievance machine. The student who had, for over a decade, haunted our campus like a poltergeist with an administrative appeal form.

    “Mary,” I barked from my vulnerable perch, “this is the men’s room. Leave now, or campus police will be called.”

    “But Professor,” came the whine, pitched somewhere between a toddler’s tantrum and a chainsmoker’s aria, “I need to talk to you about my grade.”

    I tried reason. I tried logic. But Mary had the persistence of a nicotine-stained Terminator. “Not until you explain why I got a C.”

    “I read your essay,” I sighed. “Your catering hustle was impressive. One hundred smoked salmon crostini in thirty minutes? Brava. But yes, it was larded with grammatical errors.”

    “You used the word larded,” she moaned. “Do you know how that hurts my self-esteem?”

    Self-esteem? I was pants-down in a toilet stall having a mid-thesis debate with a woman violating Title IX, and she wanted to discuss feelings?

    But Mary was just revving up. Her stubby fingers suddenly curled over the stall partition like something out of The Ring, and soon, her jaundiced head and magnified, frantic eyes emerged over the top. She looked like an unhinged librarian perched in a crow’s nest.

    “I can’t afford to flunk this class again!” she gasped, dangling from her makeshift luggage tower like a cirque-de-sociopath act.

    I stood up—pants restored, dignity in tatters—and let it rip: “You want honesty? Your essay reads like it was written by a sleep-deprived raccoon using predictive text. It made me reconsider the entire purpose of education. It gave me a migraine and a minor crisis of faith.”

    Mary recoiled. “You’re a monster!” she shrieked. “The worst professor in higher education!”

    Then physics intervened.

    Mary, all 250 pounds of her, teetered from her wobbly platform and hit the floor with the grace of a collapsing filing cabinet. She screamed. Something about her shoulder.

    I emerged, washed my hands, and surveyed the carnage.

    “You’ll be fine,” I said flatly. “Ice it.”

    “Aren’t you going to help me?”

    Something cracked open in me—some cocktail of guilt, absurdism, and overcaffeinated bravado. “I can fix it,” I said. “My brother dislocated his shoulder in high school. I saw the coach pop it back in.”

    Before she could object, I grabbed her wrist and yanked like a man possessed. There was a meaty clunk and then—a miracle—relief.

    “You’re amazing,” she whispered.

    “I know.”

    She stood up, rubbing her newly aligned limb. “Now that I’m not your student… can we be friends?”

    “Absolutely not,” I said, “but I can offer career counseling.”

    “No hard feelings?”

    “None. Now kindly exit the men’s room.”

    I returned home expecting a hero’s welcome, only to find my family gathered around a platter of French Dip, their eyes glued to gravy-soaked baguettes.

    “Sit down and eat,” my wife ordered, shoveling horseradish onto a sandwich with military precision.

    And so I did.

    And let me tell you, that sandwich could have ended wars. The beef was so tender it practically recited poetry on your tongue. The bread straddled that holy line between crisp and pillowy. And the au jus? It was less of a sauce and more of a religious experience. As I dipped, the day’s trauma melted like Swiss cheese under a broiler.

    In that moment, I understood: some stories deserve to be told. Others should be swallowed with gravy.

  • Breaking Up with the Big Apple: Lena Dunham’s Urban Exorcism

    Breaking Up with the Big Apple: Lena Dunham’s Urban Exorcism

    Lena Dunham once burst onto the pop culture scene like a glitter bomb in a library—loud, impossible to ignore, and slightly out of place. As the wunderkind creator and star of Girls, she personified a certain species of early-2010s Brooklynite: neurotic, navel-gazing, and armed with a liberal arts degree and a vape pen. Her character, Hannah Horvath, declared herself the voice of her generation—or at least a voice of a generation—and we believed her, for better or worse. Adam Driver rode shotgun to stardom on the back of that HBO juggernaut, but Dunham, after a brief and blazing ascent, seemed to evaporate into a fog of personal crises, health issues, and public backlash.

    And then—poof—she was gone.

    Now, Dunham reappears in the pages of The New Yorker with a lyrical breakup letter to New York City, a place that once ran through her veins like overcaffeinated blood. Titled “Why I Broke Up With New York,” the essay chronicles her disillusionment with the urban cathedral she once helped mythologize. Born to an artsy Manhattan clan, she was baptized in brownstones and indie bookstore readings. But the signs of incompatibility showed early: by fourth grade, she needed therapy and anti-anxiety meds. The city wasn’t just fast—it was feral. The subway was a sensory mugging. Noise, chaos, and crowds ganged up on her nervous system. Her sanctuary was a loft bed, stacked high with books and lined with silence.

    That Dunham became the face of NYC hipsterdom is an irony she doesn’t miss. Girls was a love letter to New York in the same way a therapy session is a love letter to your absentee father. After the show ended, so did her patience. She fled to Los Angeles, then Wales—yes, Wales—and finally landed in London, which offered just enough cosmopolitan energy without the aggressive swagger of Manhattan. London was like New York after a long exhale.

    What Dunham’s essay ultimately embraces is self-acceptance. Breaking up with New York doesn’t mean she failed. It just means she outgrew a place that never really fit. And for those who see New York as a mythic proving ground for artists, she offers a bracing rebuttal: it’s also a place that can grind your soul into subway soot. There’s no shame in walking away from an abusive relationship—even if that relationship is with a city that other people treat like a religion.

  • Siri, Am I Losing My Mind? Asking for Jia Tolentino

    Siri, Am I Losing My Mind? Asking for Jia Tolentino

    In her essay “My Brain Finally Broke,” New Yorker writer Jia Tolentino doesn’t so much confess a breakdown as she performs it—on the page, in real time, with all the elegance of a collapsing soufflé. She’s spiraling like a character in a Black Mirror episode who’s accidentally binge-watched the entire internet. Reality, for her, is now an unskippable TikTok ad mashed up with a conspiracy subreddit and narrated by a stoned Siri. She mistakes a marketing email from Hanna Andersson for “Hamas,” which is either a Freudian slip or a symptom of late-stage content poisoning.

    The essay is a dispatch from the front lines of postmodern psychosis. COVID brain fog, phone addiction, weed regret, and the unrelenting chaos of a “post-truth, post-shame” America have fused into one delicious cognitive stew. Her phone has become a weaponized hallucination device. Her mind, sloshing with influencer memes, QAnon-adjacent headlines, and DALL·E-generated nonsense, now processes information like a blender without a lid.

    She hasn’t even gotten to the fun part yet: the existential horror of not using ChatGPT. While others are letting this over-eager AI ghostwrite their résumés, soothe their insecurities, and pick their pad thai, Tolentino stares into the abyss, resisting. But she can’t help wondering—would she be more insane if she gave in and let a chatbot become her best friend, life coach, and menu whisperer? She cites Noor Al-Sibai’s unnerving article about heavy ChatGPT users developing dependency, loneliness, and depression, which sounds less like a tech trend and more like a new DSM entry.

    Her conclusion? Physical reality—the sweaty, glitchy, analog mess of it—isn’t just where we recover our sanity; it’s becoming a luxury few can afford. The digital realm, with its infinite scroll of half-baked horror and curated despair, is devouring us in real time. Tolentino isn’t predicting a Black Mirror future. She is the Black Mirror future, live and unfiltered, and her brain is the canary in the content mine.

  • Uncanny Valley Prose: Why Everything You Read Now Sounds Slightly Dead

    Uncanny Valley Prose: Why Everything You Read Now Sounds Slightly Dead

    Yesterday, I asked my students how AI is shaping their lives. The answer? They’re not just using it—they’re mainlining it. One student, a full-time accountant, told me she relies on ChatGPT Plus not only to crank out vendor emails and fine-tune her accounting homework but also to soothe her existential dread. She even introduced me to her AI therapist, a calm, reassuring voice named Charles. Right there in class, she pulled out her phone and said, “Charles, I’m nervous about McMahon’s writing class. What do I do?” Charles—an oracle in a smartphone—whispered affirmations back at her like a velvet-voiced life coach. She smiled. I shuddered. The age of emotional outsourcing is here, and Charles is just the beginning.

    Victoria Turk’s “The Great Language Flattening” captures this moment with unnerving clarity: AI has seized the global keyboard. It’s not just drafting high school essays or greasing the wheels of college plagiarism—it’s composing résumés, memos, love letters, apology emails, vision statements, divorce petitions, and maybe the occasional haiku. Thanks to AI’s knack for generating prose in bulk, the world is now awash in what I call The Bloated Effect: overcooked, overwritten, and dripping with unnecessary flair. If verbosity were currency, we’d all be trillionaires of fluff.

    But bloat is just the appetizer. The main course is The Homogenization Effect—our collective descent into stylistic conformity. AI-generated writing has a tone, and it’s everywhere: politely upbeat, noncommittally wise, and as flavorful as a rice cake dipped in lukewarm chamomile. Linguist Philip Seargeant calls it the Uncanny Valley of Prose—writing that looks human until you actually read it. It’s not offensive, it’s just eerily bloodless. You can feel the algorithm trying to sound like someone who’s read too many airport self-help books and never had a real conversation.

    Naturally, there will be a backlash. A rebellion of ink-stained fingers and dog-eared yellow legal pads. Safety away from computers, we’ll smuggle our prose past the algorithmic overlords, draft manifestos in cafés, and post screenshots of AI-free writing like badges of authenticity. Maybe we’ll become cult heroes for writing with our own brains. I admit, I fantasize about this. Because when I think of the flattening of language, I think of “Joan Is Awful”—that Black Mirror gem where Salma Hayek licenses her face to a streaming platform that deepfakes her into oblivion. If everyone looks like Salma, then no one is beautiful. AI is the Salma Clone Generator of language: it replicates what once had soul, until all that’s left is polished sameness. Welcome to the hellscape of Uncanny Valley—brought to you by WordCount™, optimized for mass consumption.

  • If we’re looking for a role model in the art of the blog, look no further than Blaise Pascal

    If we’re looking for a role model in the art of the blog, look no further than Blaise Pascal

    Walter Mosley, like many literary heavyweights, delivers the old warhorse of writing advice: write every damn day. Rain or shine, joy or existential despair, sit down and put words on the page. It’s less about inspiration than it is about keeping the creative battery from corroding in the garage while your ambitions collect dust. Steven Pressfield echoed this doctrine in The War of Art, a self-help sermon for writers who need a firm kick in the discipline.

    But daily writing in the digital age isn’t what it used to be. Now it comes with a side of existential nausea. The modern writer doesn’t just write—they publish. Immediately. Publicly. Desperately. A blog here, a TikTok monologue there, and boom—you’re not creating, you’re performing. You’re not nurturing your authentic voice; you’re pumping caffeine into your avatar and hoping the algorithm throws you a bone. And let’s be clear: the algorithm rewards extremity, outrage, and theater. The bigger the spectacle, the better the reach. Welcome to the Faustian Bargain of digital authorship.

    In this deal with the devil, we don’t trade our souls for knowledge—we trade nuance for engagement. We sculpt our “brand” to fit the machine. Our subject matter isn’t what haunts us—it’s what trends. Our tone isn’t our voice—it’s caffeinated shouting with a faux-therapist smile. We might monetize. We might even go viral. But then what? We’ve spent our creative life howling into a dopamine feedback loop. Is this writing? Or is it a slow, glittery death of the self?

    To be clear, branding isn’t inherently evil. Mark Leyner is a brand. So is Annie Dillard, Toni Morrison, and T.C. Boyle. Their work pulses with personality—yes—but also rigor, substance, and voice. They didn’t let style drown out content. They didn’t slap their face on a thumbnail and shout into the void about “7 Ways to Hack Your Purpose.” Influencers, on the other hand, are often pure surface: style with no skeleton, affect with no architecture.

    So what happens if you’re writing online without chasing likes, shares, or ad revenue? Are you just journaling in public? Writing as catharsis masquerading as productivity? Possibly. But that’s not inherently shameful. Writing as therapy is fine—as long as it’s therapy with syntax. Catharsis isn’t the enemy; incoherence is. Even in the trenches of personal expression, we owe our readers (and ourselves) clarity, pace, and craft.

    If we’re looking for a role model in the art of the blog, look no further than Blaise Pascal. His Pensées—a blog centuries ahead of its time—is a fragmented, pithy, and piercing meditation on the human condition. Each entry was brisk, barbed, and brimming with insight. He didn’t need an algorithm. He had a point of view.

    In this sense, blogging today can be a return to Pascal, not a descent into performance art. A blog can be a sketchbook of thought, a lab for style, a home for unfinished beauty. But only if we resist the pull of artificial relevance and write for something—anything—more enduring than a trending sound clip.