Cinemorphosis

Tag: mental-health

  • The Demon Named Part X

    The Demon Named Part X

    To show my students the power of negative thinking, I tell them how I lost my first girlfriend. Convinced she was dissatisfied, I kept asking every ten minutes, “You’re leaving me, aren’t you?” or “Are you leaving me?” After three days of this, she finally did. My paranoia became prophecy, and I smugly congratulated myself: “Nothing gets past me!”

    In Lessons for Living, therapist Phil Stutz explains how negative thinking snowballs into catastrophe, giving paranoia the illusion of truth. This is the self-fulfilling prophecy, the negative feedback loop. “Your mind is broken,” he writes. “If you bought an appliance that worked this poorly you would be at the store demanding a refund. But there is no return policy for your brain.”

    Repair, Stutz insists, begins by naming your adversary: a virus lodged in your psyche he calls Part X. This “inner demon,” he writes, “is part of your psyche, and it has an agenda all its own.” Its goal is to stop you from living in reality, to trap you in stillness, fixation, and spiritual death. The universe is always in motion; Part X hates that. It wants stagnation, dullness, nihilism.

    Here lies the trap: nihilism flatters you into thinking you’re special—outside the flux of life, aloof from change. You cling to helplessness, self-pity, resentment. The deeper you sink, the more Part X convinces you that your paralysis proves your uniqueness. You become skilled in negative thinking until, as Stutz puts it, “You no longer respond to the world, you merely react to what X tells you about the world. Spiritually blinded, you are totally alone.”

    How to break free? Gratitude. “You must find a force in your soul that is even stronger than the power of negative thinking. The force is gratefulness.” Gratitude anchors you in reality; it cuts through the fever swamp of negativity. Addicts illustrate the opposite: whether it’s cocaine, alcohol, or endless Internet porn, their obsession isolates them from the universe and community. Addiction is the triumph of Part X. Negative thinking itself is a kind of addiction.

    The antidote is connection—to reality, to others, to the larger universe. Gratitude means humility: admitting you’re not an island. Unlike “positive thinking,” which projects fantasies into the future, gratitude keeps you rooted in the present. Stutz urges immediacy: “Try this. For about thirty seconds, think of things for which you’re grateful. Not just the big things; focus on everyday things we often take for granted.”

    I’m grateful for organic coffee beans, for my morning ritual of brewing coffee beside my radio tuned to classical music. I’m grateful I can digest my buckwheat groats and protein powder before my hour-long kettlebell workout, then shower, shave with fragrant cream, eat a clean lunch, and nap before “Part 2” of my day. These are not small things. They are the fabric of a life.

    The more gratitude you practice, the stronger your defenses against Part X. Gratitude trains your mind into motion, aligned with the universe’s own flux. Stutz even calls it prayer: “Independent of your personal spiritual beliefs and practices, you have led the mind beyond itself, making it a bridge into a higher place.”

    Here Stutz blends psychology with the language of religion—gratitude, humility, prayer, liberation from Jonah-like isolation inside the belly of the Leviathan. His message: escape the solitary prison of negative thought by opening yourself to a reality larger than you.

    I write about Stutz with ambivalence. His wisdom feels real, his tools practical. Yet part of me suspects a New Age sleight of hand: a watered-down religion that borrows sin (Part X), prayer, and humility while dodging the harsher demands of faith—judgment, accountability, sacrifice. Is his system merely the good parts of religion without the bite? Or am I letting my own negative thinking sneak in through the back door, looking for reasons to resist his wisdom?

  • From Dopamine to Divinity: The Case for Transmutational Motivation

    From Dopamine to Divinity: The Case for Transmutational Motivation

    In Lessons for Living, Phil Stutz recounts his refusal to prescribe Prozac to a patient. The patient wanted the pill as he wanted everything else—romance, fame, applause, alcohol: all shortcuts to happiness. Stutz wasn’t buying it. He writes:

    “Believing that things outside you will make you happy is a false hope. The Greeks considered it the ‘doubtful gift from the gods.’ In reality, there can only be two outcomes. Either the hoped-for thing does not happen, or it does and its effect quickly wears off. Either way, you are worse off than before because you have trained yourself to fixate on outer results.”

    When the outer world filters through imagination, it becomes a chimera. We don’t pursue things for what they are, but for what we fantasize they’ll be. I feel this pull myself: I’m nearly sixty-four, inching toward retirement, and browsing real estate in Orlando—dreaming of a second life in a faux-tropical paradise. A $600K “mansion” with a community pool, an hour from the beach, safe from hurricanes (mostly). Yet what I imagine as paradise may in fact be a barcalounger-sized sarcophagus—3,000 square feet of embalmed leisure.

    Stutz warns against such chimeras. They must be replaced by action—behavior that connects us to our true nature: the spiritual self. He writes:

    “We are spiritual beings and can be emotionally healthy only when we are in touch with a higher world. We need higher forces just as we need air. This is not an abstract philosophy, it is a description of our nature.”

    But here’s the rub: staying in touch with higher forces requires constant work, and it’s in our nature to avoid work. Life, then, is a perpetual battle with ourselves. Stutz’s description amounts to the purpose of religion: the angel conquering the demon. Yet in our therapeutic age—where religion is dismissed as a fairy tale—misalignment between spiritual thirst and materialist fixation manifests as depression. Conventional psychiatry treats depression with drugs. Stutz reframes it as a teacher, a reminder that the answer is spiritual life:

    “This awareness is the first step in overcoming depression.”

    His point calls to mind Katie Herzog’s mention of Laura Delano’s memoir Unshrunk, a story of misdiagnosis and drug therapy that deepened rather than cured suffering. It also echoes Philip Rieff’s famous distinction in The Triumph of the Therapeutic:

    “Religious man was born to be saved; psychological man is born to be pleased.”

    Stutz insists that pleasing ourselves with material trinkets is a false and destructive path. Real responsibility means behaving in ways that connect us with our spiritual core. Judaism frames this as God meeting us halfway; Pauline Christianity insists we are helpless, depraved, and must be remade entirely. I’d be curious to know where Stutz lands on this divide.

    Either way, his therapy unsettles his patients. A man clinging to Prozac, money, and fame stares at Stutz as though he’s lost his mind. Why? Because society has brainwashed us into believing happiness comes from external outcomes.

    So what’s the alternative? Relentless self-monitoring. Stutz writes:

    “Taking responsibility for how you feel isn’t an intellectual decision. It requires monitoring yourself every moment. This is the most freeing thing a person can do, but also the most tedious. Your connection to the higher world must be won in a series of small moments. Each time you become demoralized, depressed, or inert, you must counteract it right then.”

    This isn’t entirely secular advice. Proverbs tells us to hang wisdom notes around our necks. Today, that might be post-its urging us to choose virtue over distraction. Still, Paul’s lament in Romans—that his darker nature sabotages his noblest intentions—remains apt. If Paul were not a Christian convert, would he be able to successfully use Stutz’s tools to connect with his Higher Powers, or would his dark side undermine the mission over and over? 

    Stutz’s counsel is pragmatic: notice when you sever your connection to the higher world, and fight back. If I’m meant to write or practice piano but instead scroll the Internet’s dopamine-drenched rabbit holes, that’s the moment to act. As Stutz puts it:

    “If your habit is to look outside yourself for stimulation or validation, then each time you fail to get it, you’ll become depressed. But if you assume inner responsibility for your own mood and take action to connect yourself to higher forces at the moment you feel yourself going deep into a hole, you will develop habits that put you on a new level of energy and aliveness.”

    In darkness, we don’t have to surrender. The “inner tools” give us armor. Stutz writes:

    “The only way to achieve this confidence is to take a tool and actually experience how it works. Only then will you be willing to do what is required, which is to use it over and over, sometimes many times within one day.”

    One such tool is “transmutational motivation.” The exercise: picture yourself demoralized after indulging temptation. Then imagine a higher power above you. Visualize yourself taking forward motion—meditation, writing, exercise—and rising into “the jet stream.” Stutz writes:

    “Now you are going to fly straight up into this picture by feeling yourself take action and imagining this feeling causes you to ascend. Tell yourself that nothing else matters except taking the action. As you feel yourself rise, sense the world around you falls away. There is nothing except the action itself. Rise high enough to enter the picture. Once inside, tell yourself that you have a purpose. You will feel a powerful energy. To end the exercise, open your eyes and tell yourself that you are determined to take the pictured action. This time you will feel the picture above you pull you effortlessly up into itself. You will feel expanded and energized.”

    With practice, the ritual takes fifteen seconds. Done daily, it rewires despair into life force.

    But is this just Part X renamed? Steven Pressfield’s Resistance? Pauline sin? Or all of the above? Does Christianity accuse Stutz of diluting prayer into self-help? Do secularists argue his method is religion without the dogma? The questions multiply.

    Anna Lembke’s Dopamine Nation frames it as neuroscience. Charles Duhigg’s The Power of Habit frames it as cognitive-behavioral reprogramming. Stutz straddles both: science and soul. And looming above it all is the Internet—the Great Temptor of our age. A bottomless pit of pornography, consumerism, and status-chasing, piped directly into our dopamine circuits.

    And here’s the meta-question: what’s the point of rewiring your habits without a greater frame of meaning? Is Stutz peddling spirituality without religion—or is he smuggling in a stripped-down religion we secretly crave? Would Sam Harris nod approvingly at this secularized toolkit? Or would Dale Allison, the careful Christian scholar, recoil and insist that while Stutz offers clever strategies for habit change, he misses the essence of true spirituality—the self-giving sacrifice patterned after Christ in Philippians?

    Unanswered questions aside, Stutz’s message is stark: life is high-stakes. We are fighting, every day, between dark and light forces. We don’t just change habits to “optimize” our brains. We change them to keep our souls alive.

  • Rising Above the Wreckage: Finding Meaning in the Broken Phase

    Rising Above the Wreckage: Finding Meaning in the Broken Phase

    For the last several years, I have been haunted by the lines of Yeats’s poem The Second Coming: “the center will not hold; anarchy is loosed upon the world.” A.I., deepfakes, the social media fever swamp, and deranged populists seem to have splattered into a chaotic universe. It’s tempting to surrender to nihilism, declare it all over, and use that declaration as an excuse to live with reckless disregard—eat chocolate cake three times a day and go completely to pot.

    But I know that impulse is folly. Viktor Frankl is right: we don’t get to choose the meaning of our lives. Life presents challenges within our particular circumstances that force us to rise up, stand to attention, and embrace the meaning laid before us. To live this way is to live in kairos—meaningful time.

    So what does it mean to rise above? What are the circumstances we now inhabit? These questions animate Alana Newhouse’s essay “Everything Is Broken.” Written ten months after the pandemic, in January 2021, Newhouse and her husband know something is wrong with their newborn son but cannot get answers from the medical establishment as they undergo what she calls a “Kafkaesque medical mystery journey.” By sheer luck, they finally discover their son’s rare disease. When they ask a family friend, physician Norman Doidge, why so many medical “experts” failed to diagnose it, he delivers the following diatribe:

    “There are still many good individuals involved in medicine, but the American medical system is profoundly broken. When you look at the rate of medical error—it’s now the third leading cause of death in the U.S.—the overmedication, creation of addiction, the quick-fix mentality, not funding the poor, quotas to admit from ERs, needless operations, the monetization of illness vs. health, the monetization of side effects, a peer review system run by journals paid for by Big Pharma, the destruction of the health of doctors and nurses themselves by administrators, who demand that they rush through 10-minute patient visits, when so often an hour or more is required, and which means that in order to be ‘successful,’ doctors must overlook complexity rather than search for it . . . Alana, the unique thing here isn’t that you fell down so many rabbit holes. What’s unique is that you found your way out at all.”

    After diagnosing the ills of medicine, Norman pivots to journalism. Aware he is speaking to two journalists, he asks: “Now, can I ask you two something? How come so much of the journalism I read seems like garbage?”

    Realizing the truth of Norman’s rant, Alana wonders if not just medicine and journalism, but everything, is broken. She resists the thought as hyperbolic, even doomsday, but after reflection she concludes: the center isn’t holding; anarchy has indeed been loosed upon the world. The institutions that once gave us sense, order, and trust are fractured.

    When did the fracturing begin? She traces it back to the 1970s, when business lowered labor costs with “labor-saving technology” and offshore jobs. The tech revolution followed, making the American Dream more precarious than ever. As workers were paid less and less, they entered what she calls a condition of flatness—a hollowed uniformity in which institutions persist yet fail in eerily similar ways.

    We now live in an age of commodified experience—flat, Uncanny Valley-like, predictable. In a state of flatness, critical thinking atrophies and people can be led to believe almost anything: that Iran is trustworthy, that there are no biological differences because gender is purely social construction, or that tech lords can transfer massive assets to themselves and polarize society without consequence. She writes, “Seduced by convenience, we end up paying for the flattening of our own lives.” Stupid ideas proliferate because flatness produces stupidity.

    Newhouse reserves most of her ire for the Woke as the source of stupidity, which to my consternation means she leaves equally idiotic Right-wing trolls comparatively unscathed. Still, her central thesis—that we are in a Broken Phase, that cycles of collapse are part of the human condition, and that our current state is not permanent—gives me a measure of comfort. It reminds me to be strong, to rise up, and to embrace a life of meaning.

  • Stepford Dreams and Other Diseases

    Stepford Dreams and Other Diseases

    “Our culture denies the nature of reality,” therapist Phil Stutz declares in one of his chapters from Lessons for Living. In denial, we drift through a fantasy world—a frictionless utopia where everything turns out perfectly with minimal effort, unpleasantness is airbrushed away, and immediate gratification flows like tap water. If you fail to thrive in this Instagram-ready Eden, well, clearly it’s your fault.

    Reading Stutz’s dissection of this mythical paradise—one that entitlement and cleverness supposedly guarantee—I’m reminded of family vacations to Hawaii. The trip’s curated perfection feels ripped straight from pop culture’s catalog of false realities. I start imagining myself as a minor Polynesian god, which makes returning home to laundry, bills, and chores feel like divine demotion.

    Stutz’s mission is to break our addiction to the idea that life is a permanent Hawaiian vacation. His blunt truth: life is pain and adversity, the future is uncertain, real accomplishments require sweat and discipline, and—brace yourself—you are not special enough to escape these rules. These principles don’t expire.

    This is not, Stutz insists, a gospel of misery. Love, joy, surprise, transcendence, and creativity are woven into life’s fabric—but so are conflict, loss, and uncertainty.

    Why, then, do we cling to the fantasy? In part, because the media keeps showing us people who appear to have escaped reality’s terms. Movie stars and influencers are lit like Renaissance portraits, perfectly curated, radiating supreme happiness. Their romances are operatic, their sex lives cinematic. They seem universally adored and gracious enough to share the “secrets” of their bliss. They look as if they’ve broken free of pain, adversity, and doubt—and they promise we can do the same if we just buy the right products and mimic their lifestyle.

    It doesn’t matter where you sit in the social pecking order; the fantasy assures you can ascend to the influencer’s Olympus.

    This is a mass delusion. Stutz writes, “When everyone acts as if a fantasy is real, it begins to seem real.” But for you, it never arrives. Your bank account wheezes. Your waistline ignores your best intentions. Your body refuses to flatter you. Your parenting is a gamble at best. Your life often feels like it’s running you.

    Because you believe in the fantasy, you think you’re defective. You look in the mirror and mutter, “Loser.”

    That’s the invoice for believing in perfection: when it inevitably collapses, you’re left with self-loathing. Stutz warns, “The problem is that the other group has become the standard, and self-esteem starts to depend on being like them. An adverse event feels like something is happening that is not supposed to be happening. The natural experiences of living make you feel like a failure.”

    His solution? Total reorientation. Replace the static images of perfection—what I call “Magical Moments Frozen in Time”—with the truth: life is a messy, moving process. Stutz explains: “The ideal world with the superior people is like a snapshot or a postcard. A moment frozen in time that never existed. But real life is a process; it has movement and depth. The realm of illusion is an image, dead and superficial. Still, these images are tempting. There is no mess in them.”

    If media has brainwashed us into aspiring to be perfect Stepford spouses, how do we reject these static ideals and embrace life in its raw, dynamic, and inconvenient fullness? Stutz says we must accept this: “Life is made up of events. The only real way to accept life is to accept the events that comprise it. And the flow of events never stops. The driving force of the universe reveals itself via the events of our lives.”

    This flow connects us to life’s energy, making us fully alive. The downside? It leaves us feeling small, exposed, and out of control. The false paradise promises to free us from that vulnerability, but in doing so, it severs our connection to life’s current and leaves us in “spiritual death.”

    Mental health, Stutz argues, depends on accepting this unstoppable flow of events. He compares it to good parenting: “It is not good enough to just show up. You need a point of view and a set of tools. It is impossible to deal with events constructively without being prepared.” If you’re clinging to Magical Moments Frozen in Time, you’re unprepared when reality slaps you.

    The preparation, he says, is a philosophy—one that lets you redefine negative events. Stutz writes, “Preparing yourself with a philosophy enables you to change the meaning of a negative event. With a specific philosophy, you can aggressively change your perception of events.” That philosophy rests on three pillars:

    • Adverse events are supposed to happen; they don’t mean you’re broken.
    • Every negative event is a growth opportunity.
    • Spiritual strength matters more than positive outcomes.

    When you accept life as a series of crises, you stop throwing toddler-level tantrums every time something goes wrong. People addicted to Magical Moments tend to overreact to challenges—often making their reaction worse than the original problem.

    Reading this, I recall when my wife and I had twins fifteen years ago. She handled meltdowns with calm; I met a child’s tantrum with one of my own. A therapist told me, “When you get angry, you go zero to ten in under a second, and your body chemistry changes in a way that fills the room with toxic energy. That escalates your children’s tantrums. Your wife, on the other hand, stays calm. She has a calming effect on the twins. You need to learn how to calm down in a crisis.”

    Stutz is right. Being a spiritual person means maturing as a parent. Being a devotee of Magical Moments Frozen in Time means being a spoiled child yourself—an extra in Idiocracy. A society enthralled by fake perfection can’t sustain itself; it’s destined for regression, chaos, and entropy.

  • Hawaiian Vacations Are About Stepping Outside the Clock and Cheating Death

    Hawaiian Vacations Are About Stepping Outside the Clock and Cheating Death

    Spend a week with your family in Hawaii and you slip into a parallel time zone—one that ignores clocks altogether.

    It starts the moment you survive five airborne hours in a 400-million-dollar jet. You land feeling like Superman, minus the cape and plus a mild dehydration headache. Within 24 hours, you’re barefoot, in swim trunks, marinating in mai tais, spooning loco moco into your face, and demolishing lilikoi pies. The weather is so perfect it feels like it was made to flatter you personally. Sunsets become private screenings. You have no deadlines, no alarms, no reason to measure the day except by the height of the tide or the level in your glass.

    In this dimension, you’re not just on vacation—you’ve stepped outside of time. And outside of time means outside of death. Some corner of your brain starts whispering that you’re untouchable. Immortal.

    That’s when the trouble starts.

    The thought of getting back on a plane becomes revolting. It’s not just leaving Hawaii—it’s leaving Sacred Time and returning to Profane Time. Back to the grind where schedules nag and mortality hides in every bathroom mirror.

    Even after you land at home, you’re not really home. You’re in a kind of sun-drunk denial, still hearing the ocean in your ears while the neighbor’s leaf blower whines outside. The older you get, the worse the hangover—because you know the clock is running, and the illusion of timelessness is an intoxicant more potent than any cocktail with a paper umbrella.

    And then it’s over. You reenter the machine. Days are counted in emails, not waves. The tan fades, and with it the fantasy that you’ve cheated the countdown. That’s the real brutality of reentry—not the weather, but the eviction notice from the one place that convinced you, however briefly, that you could live forever.

    So yes, I’m already searching for Big Island resorts. It’s not wanderlust—it’s a hunt for my next fix of immortality. And I know the danger. One day I might just stay.

  • Trees Bent by the Wind

    Trees Bent by the Wind

    In An Abbreviated Life, Ariel Leve recounts the shadow her mother cast across her existence—a narcissistic, volatile presence who trailed her daughter across continents. Her mother blurred boundaries, confiding adult affairs, romantic escapades, and private fantasies to her child, then lacing those disclosures with guilt trips and psychological sabotage.

    At eleven, Ariel was told she was going blind—a lie without evidence, a mix of cruelty and madness. This was not an isolated cruelty but the common cadence of her mother’s speech. At six, Ariel’s caretaker, Kiki, died of a stroke mid-flight, with Ariel in the cabin. Ariel stopped speaking for six months; a psychiatrist prescribed Valium.

    Her mother, often wearing a nightgown even to school functions, could deliver barbed declarations without breaking her routine. “When I’m dead, you’ll be all alone because your father doesn’t want you,” she told her young daughter, pausing only to reapply makeup. “Just remember that and treat me nicely.”

    Her father, in Bangkok, refused to take her in. Ariel lived in grief that he wouldn’t rescue her from the chaos. Decades later, a therapist told her that growing up with such a mother caused neurological damage—her brain, shaped by constant stress, had developed like a tree twisted by relentless wind. Trauma was not a lightning strike; it was climate. The result: a life stripped of adventure, self-acceptance, and trust. Ariel’s default mode became hypervigilance and retreat.

    Her partner, Mario, an Italian with no literary ambitions, no awareness of New York publishing, and no taste for bagels, embodies the opposite—balanced, unselfconscious, open to life. He steadies her, if only temporarily.

    In one conversation, her father asked if she could let go of the past. Could she destroy her demons? Ariel was unsure. A novelist told her discipline could harden one’s “emotional arteries,” making childhood wounds less decisive. Ariel countered: some are “front-loaded with trauma,” not victims but soldiers—scarred, but still standing.

    Neuroscientist Martin Teicher affirmed her point: childhood abuse alters brain wiring. Adaptive coping mechanisms in childhood turn maladaptive in adulthood, creating an adult mismatched to their world. The traumatized blunt emotion not with a scalpel, but a sledgehammer—shielding themselves from joy as well as pain.

    For Ariel, this explains a life “within brackets.” She sees herself in the patterns Janet Woititz described in Adult Children of Alcoholics: mistrust, emotional volatility, self-loathing, and a skewed sense of normalcy.

    Her chosen remedy: EMDR therapy for PTSD. Nine months of “the light saber”—eyes tracking a green light, headphones delivering sound, memories replayed until they lose their grip. Sessions leave her exhausted. There is progress, measured in patience with Mario’s daughters, in small openings toward joy. But she does not present herself as cured—only as a permanent convalescent.

    Her memoir probes the ethics of trauma. How accountable are the wounded for maladaptive behavior? Can faith or philosophy save them, or does failure deepen self-blame? Are they sinners, soldiers, or something in between?

    Leve’s life raises a tension between two extremes: the nihilist’s surrender—“nothing can be done, so I’ll live recklessly”—and the motivational credo—“discipline and positivity conquer all.” The truth lies somewhere in the messy middle.

  • Return to the Womb

    Return to the Womb

    I’m three months shy of turning sixty-four, which means I’m old enough to know better and still young enough to entertain delusions. This is a warning to the under-sixties: prepare yourselves. At some point in your late fifties, strange desires start slithering into your psyche like vines through the cracks of a neglected greenhouse. With every new creak of the knees and fresh batch of funeral notices, a part of you will yearn for what I call the Return to the Womb.

    No, not literally—though if you could slide back into a warm amniotic bath and unplug the Wi-Fi, you just might. I’m talking about a psychological regression: the desperate, half-sane longing to be swaddled in tropical heat, to dissolve into mango-scented breezes, and to vanish into a seaside stupor under a drizzle that feels vaguely divine. The dream? To marinate in comfort, far from the cacophony of deadlines and dental appointments, in a climate designed by God for the perpetually tired.

    I was born in Gainesville, Florida in 1961, and to this day I remember the fetid perfume of alligator swamps—a heady, sulfuric funk that now strikes me as oddly comforting. Like Vicks VapoRub for the soul. Is it any surprise that I scroll Zillow listings for barrier islands in South Carolina, Georgian marshlands, and steamy Floridian enclaves? I’m not looking for a home. I’m looking for a feeling—a fetal, lizard-brained feeling that I’ve convinced myself might still be hiding in the heat.

    But here’s the rub: I don’t trust this impulse. This Return to the Womb isn’t a noble call to simplicity. It’s a siren song, crooned by the dark twin of the Life Force—the same demon that tells you to skip your workout, order DoorDash, and stream ten hours of King of the Hill in a comfort-food trance. It whispers of paradise, but it’s peddling paralysis. It’s not vitality. It’s a prelude to decay, dressed in Tommy Bahama and sipping a piña colada.

    Writers like Steven Pressfield and Phil Stutz have been wise to this force for years. Pressfield calls it the Resistance. Stutz names it Part X. Adam Smith, bless his powdered wig, simply called it the need for “self-command”—the daily decision to wrest meaning from entropy, to choose virtue over sloth, action over inertia.

    During the pandemic lockdown, I got a taste of this regression. Sitting masked in my accountant’s office in February 2021, she asked if I was thinking of retirement. Was I thinking of it? Lady, I was living it—in pajamas, in slow motion, surfing real estate listings for stilt houses on Key Biscayne while sipping overpriced Nespresso and pretending buckwheat groats were the secret to immortality. My body had synchronized with the rhythm of a hot tub. I wanted nothing more than to stay submerged.

    Four years later, I still want it. I still want the warm drizzle, the midnight ocean swims, the faint smell of coconuts mingled with chlorine and sea rot. And yet—I know. I know. I know that the moment I submit to this dream of endless hammock-lounging is the moment the soul begins to curdle.

    Phil Stutz, in Lessons for Living, writes about Father Time as a pitiless, judgmental figure—not the kindly old man of greeting cards, but a stern cosmic accountant. He doesn’t care how many steps you walked or how clean your macros were. He wants to know: Did you spend your time on Earth doing something that mattered?

    As someone who’s worshipped at the altar of diver watches for two decades, who has pondered the geometry of bezels and the metaphysics of lume, I took this personally. Time is not just money. Time is judgment. Time is an indictment.

    And the Return to the Womb? It’s a slow lobotomy in paradise. It’s “brain rot” dressed as a beach vacation. It’s the comforting lie that you’ve earned an escape from purpose. But the truth is, the older I get, the stronger this impulse grows. And that, frankly, terrifies me.

    Still—and here’s the kicker—as I type this, I want it. I want the coconuts. I want the warm rain. I want the mangoes. I want the beach walks at twilight where nothing hurts and no one needs anything from me.

    We are mad creatures, aren’t we? Our intellect sees the trap. Our soul feels the pull. And some part of us, no matter how wise or weathered, still wants to disappear into the dream.

  • The Voice of Glum: Watch Addiction, Loudermilk, and the Daily Battle Within

    The Voice of Glum: Watch Addiction, Loudermilk, and the Daily Battle Within

    The TV show Loudermilk is part sitcom, part group therapy, and part existential smackdown. Ron Livingston plays Sam Loudermilk, a grizzled music critic and recovering alcoholic with the face of a hungover basset hound and the social graces of a man allergic to kindness. He barrels through life offending everyone within a five-foot radius, insulting his fellow addicts with toxic flair. But beneath the wreckage lies a strange tenderness—a story not just about addiction, but about people trying to survive themselves.

    Loudermilk lives in a halfway house with a cast of human tire fires, and the comedy burns hot: irreverent, profane, and deeply affectionate. The show loves its damaged characters even as it roasts them alive. Naturally, I love Loudermilk. Love it like a convert. I’ve become a low-key evangelist, promoting it to anyone within earshot—including the assistant at my local watch shop.

    This isn’t just any watch shop. I’ve been going there for 25 years. The Owner and the Assistant know me well—well enough to have witnessed the slow, expensive progression of my watch addiction, including the day I came in twice because the first bracelet adjustment “didn’t feel quite right.” It’s my barbershop. My confessional. My dopamine dispensary.

    So one afternoon, I’m there getting a link removed from my Seiko diver and I bring up Loudermilk. I describe the show’s gallery of screwups—addicts clawing toward redemption by way of insults, setbacks, and semi-functional group hugs. The Assistant looks up from his tools and tells me something personal. He watches Loudermilk too. And he gets it. He’s thirteen days sober and goes to five meetings every morning—not because he’s a morning person. He tells me that in his culture, drinking into one’s eighties is just called “living.” But for him, it was a slow-motion self-immolation. Now, he’s trying to claw his way back.

    Before I can respond, a woman with a chihuahua tucked under her arm chimes in from across the shop. She too is a Loudermilk fan. “What a shame it got canceled after three seasons,” she laments. The Assistant counters—there’s still hope for a revival. They argue lightly, both fully engaged, two strangers momentarily bonded over their shared love of a comedy about pain.

    I say goodbye and step out of the store. That’s when it hits me.

    I love Loudermilk because I see myself in it. I am an addict. Not just of watches, but of distraction, validation, control—whatever lets me delay the moment when I must confront the snarling voice inside me.

    Writers like Steven Pressfield and Phil Stutz describe this inner saboteur with chilling clarity. Pressfield calls it Resistance, the destructive force that undermines your better self. Stutz names it Part X, the anti-you that wants you to abandon meaning and pursue comfort. Both insist the enemy must be fought daily.

    And I know that voice. It’s lived in my head for decades.

    Once, at an English Department Christmas party, a colleague called me “Captain Comedown.” I don’t remember what I said to earn the nickname, but it tracks. I’ve got that bleak edge, the voice that sees futility everywhere and calls it wisdom. But a better name than Captain Comedown comes from my childhood: Glum, the joyless little pessimist from The Adventures of Gulliver, whose go-to phrase was: “It will never work. We’ll never make it. We’re doomed.”

    That’s my inner monologue. That’s my Resistance. That’s my Glum.

    Every day I wrestle him. He tells me not to bother, not to try, not to hope. That joy is a scam and effort is for suckers. And some days, I believe him. Other days, I don’t. But the battle is constant. It doesn’t end. As Pressfield says, the dragon regenerates. My job is to keep swinging the sword.

    And maybe, just maybe, buying a new watch is my way of telling Glum to shut up. It’s a shiny, ticking middle finger to despair. A symbolic declaration: The world still contains wonder. And precision. And brushed stainless steel.

    But there must be cheaper ways to silence Glum. A walk. A song. A friend. A laugh. Even a half-hour with Loudermilk.

    Because, irony of ironies, what addicts like me really want isn’t the next hit. It’s relief from the craving.

  • The Dopamine Dial: Why Your Grail Watch Can’t Make You Happy

    The Dopamine Dial: Why Your Grail Watch Can’t Make You Happy

    To understand the madness of the modern watch addict, you’d do well to consult Dopamine Nation by Stanford psychiatrist Anna Lembke, a book that should be shelved somewhere between philosophy, neuroscience, and quiet screaming. Her central thesis? In an age of relentless indulgence, the line between pleasure and pain is not only blurry—it’s the same neurological pathway. You’re not escaping pain with your latest acquisition. You’re feeding it.

    “The smartphone,” she writes, “is the modern-day hypodermic needle.” And the drug? Dopamine—delivered in neat little parcels: TikToks, tweets, memes, and yes, wrist shots of watches you don’t own (yet). If you haven’t met your poison of choice, don’t worry. It’s just a click away.

    Lembke makes the uncomfortable truth clear: The more dopamine hits we seek, the more our brain adapts by reducing our baseline pleasure response. What once thrilled you—your grail watch, your Rolex Explorer, your Seiko with the Wabi-Sabi patina—now barely registers. You’re not chasing pleasure anymore. You’re just trying to feel something.

    Watch addicts, of course, understand this intimately. The pursuit of horological perfection starts out innocent enough: a G-Shock here, a vintage diver there. But soon you’re tumbling into the abyss of boutique limited editions and message board enablement, haunted by the need to stay relevant. Because here’s the twist: It’s not just about the watches. It’s about being seen. You post, you review, you flex because if you stop, you vanish. No new watches = no new content = digital extinction.

    And extinction, in a social-media world, feels like death.

    Lembke warns us that addiction thrives in secrecy, in the exhausting double life. The watch addict may present as a tasteful minimalist to family and friends, while secretly rotating 19 watches, five straps deep, waiting for the next “drop.” The addiction is fed by access, and we live in an access economy. New releases are no longer annual events—they’re hourly temptations. The vortex is bottomless. The supply creates the demand.

    Even worse, modern society normalizes this behavior. Everyone is scrolling. Everyone is upgrading. Our addiction to novelty is passed off as taste. Our frenzied consumption masquerades as identity. Lembke borrows from Philip Rieff to explain the deeper shift: “Religious man was born to be saved; psychological man is born to be pleased.” The modern watch collector doesn’t believe in salvation. He believes in configuration.

    But here’s the cruel irony: The more you seek to be pleased, the less capable you are of being pleased. In Lembke’s words: “Hedonism, the pursuit of pleasure for its own sake, leads to anhedonia—the inability to enjoy pleasure of any kind.”

    What’s the solution? A dopamine fast. Lembke prescribes it like a bitter medicine: Remove the source. Reset the brain. Let it reestablish homeostasis. For the watch addict, this means one thing: a watch fast.

    And yes—it’s brutal. I’ve been a watch obsessive for over twenty years. My longest fast? Six months. And I nearly went feral. New releases tempt. Friends enable. Algorithms whisper. Strap swaps and vintage reissues beckon like sirens. Even the FedEx truck starts to look like a personal tormentor.

    So you get creative. You stash watches in the safe and “rediscover” them. You buy new straps instead of new watches. You try to redirect the compulsion toward something productive: fitness, music, sourdough, monkish austerity. Anything but another chronograph.

    But the real cure, oddly enough, may be conversation—actual human connection. At watch meet-ups, we start out discussing bezels and spring bars, but within ten minutes we’re talking about life: real estate, parenting, knee surgeries, emotional burnout, dinner recipes. We talk for hours. But barely about watches.

    The truth slips out in these moments: we want to be free. We crave community more than we crave sapphire crystals. What began as a shared obsession has become a trap, and these conversations, paradoxically, offer relief from the very addiction that brought us together.

    Imagine a bunch of watch enthusiasts at a watch meet-up and we’re talking about everything but watches. Wrap your head around that.

  • Relevance or Death: The Watch Collector’s Dilemma

    Relevance or Death: The Watch Collector’s Dilemma

    In her darkly hilarious comedy special Father, Atsuko Okatsuka shares the origin story of her career in punchlines. Her schizophrenic mother once “kidnapped” her in Japan and whisked her away to the United States without warning, severing her ties to her father in the process. The trauma was so disorienting, so profound, that Atsuko now mines laughter for survival. She tells us, with a comedian’s grin and a survivor’s twitch, that she performs to fill an infinite hole in her soul with the validation of strangers.

    That hole is not unique to her. It’s a universal pit—bottomless and demanding. Validation comes in many flavors. For some, it’s esteem and admiration. For others, it’s expertise, artistry, the warm glow of audience approval. For Atsuko, it’s laughter. For others, it’s the faint buzz of a “like” on a post about a wristwatch.

    Let us now consider the watch obsessive, a different breed of relevance-seeker, but a kindred spirit nonetheless. He isn’t doing five-minute sets at the Laugh Factory, but he is performing—on Instagram, on forums, on YouTube, in the comment sections of strangers’ macro shots. He presents his taste, his “knowledge,” his ever-shifting collection. But underneath the sapphire crystals and brushed titanium is the same primal whisper:
    Do I still matter?
     Do they still see me?

    Here’s the tragic twist: he may already have the perfect collection. It gives him joy. It’s balanced. It fits in a single watch box. By all logic, he should stop. Buying another watch would be like adding a fifth leg to a table—wobbly and unnecessary. But he doesn’t stop. He can’t stop.

    Why? Because if he stops collecting, he stops posting. If he stops posting, he stops being seen. And in a world addicted to scrolling, disappearing feels like dying.

    Relevance is the new oxygen. And social media is a machine that runs on novelty, not legacy. The digital hive forgets fast. “Gangnam Style” is now a fossil. “Call Me Maybe” is background noise at the grocery store. To stay visible, you must be new. You must be shiny. You must offer dopamine.

    And what happens when the watch addict manages his demons, reaches peace, and stops feeding the machine?

    He becomes boring. He becomes silent. He becomes irrelevant.

    And the parasocial bonds he once had—those illusory friendships, those mutual obsessions—fade. The sense of exile is real. It doesn’t matter that the exile is self-imposed. The pain still lingers.

    That fear—that primordial fear of irrelevance, of being cast out from the tribe—can be so powerful it masquerades as passion. It convinces the watch obsessive to keep flipping, keep chasing, keep posting. Not out of love, but out of fear.

    So the question becomes: Are we collectors? Or are we hostages? Do we love horology? Or are we simply terrified of vanishing?