You can’t really understand the depths of retirement and all its complications without considering the life of New York personality Fran Lebowitz. She published two celebrated collections of essays more than forty years ago, and that more or less sums up her career as a productive writer.
You could say she retired from writing, but that is too simple. You could say writer’s block ended her writing career, and that would be closer. But Lebowitz calls it a “writer’s blockade” and has compared her extended writing hiatus to the Vietnam War. She doesn’t know exactly how it started, and she never figured out how to end it. It just dragged on for decades, apparently without a viable exit strategy.
Ordinarily, an artist who stops producing art enters a strange posthumous existence while still alive. The old work remains, but the artist begins haunting it.
This does not apply to Fran Lebowitz.
Deprived of her writing, the public got something better: Fran Lebowitz.
She began showing up at colleges and auditoriums, answering questions with the same intelligence, irritation, precision, and wit that once appeared on the page. In this regard, Lebowitz became a professional personality. There is no blockage when she speaks. Nothing can stop her extemporaneous verbal wit.
She is the consummate example of what I call Personality Migration: the transfer of one’s professional value from the original craft into the personality developed through decades of practicing it. Lebowitz’s wit migrated from the written page to spontaneous speech. The writer stopped writing; the writing voice survived.
You would like to think that retirement might offer some variation of Personality Migration—that after leaving your profession, you could transfer your accumulated skills into another endeavor that highlights the best parts of your personality.
This is easier said than done.
It might even be dangerous to hold up Fran Lebowitz as a retirement guide. For one thing, she is a delightfully cranky genius, the epitome of the New York elite in the best sense. “Coastal elite” is usually a pejorative suggesting pretentiousness, trendiness, and pseudo-intellectualism. Lebowitz is something rarer: an authentic intellectual, so intelligent and culturally self-contained that she sometimes seems to exist outside ordinary space and time.
Paradoxically, she is also more present in physical space than the rest of us.
Fran Lebowitz lives without smartphones, computers, social media, and microwave ovens. She has observed that people staring at their phones are not actually where they are standing. Their bodies are present, but their minds have been abducted. They are displaced, distracted, and disoriented. The machine has hijacked the brain while the owner continues walking down the sidewalk.
Lebowitz anchors us to reality. She also appears remarkably uninterested in vanity or delusions of grandeur. She has a delicious disregard for “her legacy,” what people think of her now, or what they might think of her after she dies. Not surprisingly, she has developed a following among younger people who find her analog, vanity-free existence strangely liberating. She has become fashionable largely by refusing to participate in fashion.
When I think about Lebowitz’s migration from writer to traveling personality and try to identify her appeal as she speaks before sold-out auditoriums, I am reminded of Harry G. Frankfurt’s slender philosophical book On Bullshit.
We live in a world saturated with bullshit. Advertising bullshit. Corporate bullshit. Political bullshit. Social-media bullshit. Self-help bullshit. Personal-brand bullshit. We swim through so much of it that we eventually lose the ability to smell it.
Fran Lebowitz is a beloved exterminator of bullshit.
She identifies it, exposes it, and kills it on contact. Better yet, she does this without presenting herself as courageous. There is no heroic pose. She simply appears constitutionally incapable of pretending that nonsense makes sense.
When you listen to Fran Lebowitz speak, your entire body can quiver with the pleasure of recognition. Someone has finally said the thing without wrapping it in bubble wrap. You experience a kind of catharsis. Your illusions loosen their grip. For a few minutes, the fog clears.
Who needs therapy when Fran Lebowitz is talking?
Cinemorphosis 
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